10281 lines
573 KiB
Markdown
10281 lines
573 KiB
Markdown
|
PART ONE
|
||
|
|
||
|
|
||
|
|
||
|
Chapter 1
|
||
|
|
||
|
|
||
|
|
||
|
It was a bright cold day in April, and the clocks were striking thirteen.
|
||
|
Winston Smith, his chin nuzzled into his breast in an effort to escape the
|
||
|
vile wind, slipped quickly through the glass doors of Victory Mansions,
|
||
|
though not quickly enough to prevent a swirl of gritty dust from entering
|
||
|
along with him.
|
||
|
|
||
|
The hallway smelt of boiled cabbage and old rag mats. At one end of it a
|
||
|
coloured poster, too large for indoor display, had been tacked to the wall.
|
||
|
It depicted simply an enormous face, more than a metre wide: the face of a
|
||
|
man of about forty-five, with a heavy black moustache and ruggedly handsome
|
||
|
features. Winston made for the stairs. It was no use trying the lift. Even
|
||
|
at the best of times it was seldom working, and at present the electric
|
||
|
current was cut off during daylight hours. It was part of the economy drive
|
||
|
in preparation for Hate Week. The flat was seven flights up, and Winston,
|
||
|
who was thirty-nine and had a varicose ulcer above his right ankle, went
|
||
|
slowly, resting several times on the way. On each landing, opposite the
|
||
|
lift-shaft, the poster with the enormous face gazed from the wall. It was
|
||
|
one of those pictures which are so contrived that the eyes follow you about
|
||
|
when you move. BIG BROTHER IS WATCHING YOU, the caption beneath it ran.
|
||
|
|
||
|
Inside the flat a fruity voice was reading out a list of figures which had
|
||
|
something to do with the production of pig-iron. The voice came from an
|
||
|
oblong metal plaque like a dulled mirror which formed part of the surface
|
||
|
of the right-hand wall. Winston turned a switch and the voice sank
|
||
|
somewhat, though the words were still distinguishable. The instrument
|
||
|
(the telescreen, it was called) could be dimmed, but there was no way of
|
||
|
shutting it off completely. He moved over to the window: a smallish, frail
|
||
|
figure, the meagreness of his body merely emphasized by the blue overalls
|
||
|
which were the uniform of the party. His hair was very fair, his face
|
||
|
naturally sanguine, his skin roughened by coarse soap and blunt razor
|
||
|
blades and the cold of the winter that had just ended.
|
||
|
|
||
|
Outside, even through the shut window-pane, the world looked cold. Down in
|
||
|
the street little eddies of wind were whirling dust and torn paper into
|
||
|
spirals, and though the sun was shining and the sky a harsh blue, there
|
||
|
seemed to be no colour in anything, except the posters that were plastered
|
||
|
everywhere. The black-moustachio'd face gazed down from every commanding
|
||
|
corner. There was one on the house-front immediately opposite. BIG BROTHER
|
||
|
IS WATCHING YOU, the caption said, while the dark eyes looked deep into
|
||
|
Winston's own. Down at street level another poster, torn at one corner,
|
||
|
flapped fitfully in the wind, alternately covering and uncovering the
|
||
|
single word INGSOC. In the far distance a helicopter skimmed down between
|
||
|
the roofs, hovered for an instant like a bluebottle, and darted away again
|
||
|
with a curving flight. It was the police patrol, snooping into people's
|
||
|
windows. The patrols did not matter, however. Only the Thought Police
|
||
|
mattered.
|
||
|
|
||
|
Behind Winston's back the voice from the telescreen was still babbling away
|
||
|
about pig-iron and the overfulfilment of the Ninth Three-Year Plan. The
|
||
|
telescreen received and transmitted simultaneously. Any sound that Winston
|
||
|
made, above the level of a very low whisper, would be picked up by it,
|
||
|
moreover, so long as he remained within the field of vision which the metal
|
||
|
plaque commanded, he could be seen as well as heard. There was of course
|
||
|
no way of knowing whether you were being watched at any given moment. How
|
||
|
often, or on what system, the Thought Police plugged in on any individual
|
||
|
wire was guesswork. It was even conceivable that they watched everybody all
|
||
|
the time. But at any rate they could plug in your wire whenever they wanted
|
||
|
to. You had to live--did live, from habit that became instinct--in the
|
||
|
assumption that every sound you made was overheard, and, except in
|
||
|
darkness, every movement scrutinized.
|
||
|
|
||
|
Winston kept his back turned to the telescreen. It was safer; though, as he
|
||
|
well knew, even a back can be revealing. A kilometre away the Ministry of
|
||
|
Truth, his place of work, towered vast and white above the grimy landscape.
|
||
|
This, he thought with a sort of vague distaste--this was London, chief
|
||
|
city of Airstrip One, itself the third most populous of the provinces of
|
||
|
Oceania. He tried to squeeze out some childhood memory that should tell him
|
||
|
whether London had always been quite like this. Were there always these
|
||
|
vistas of rotting nineteenth-century houses, their sides shored up with
|
||
|
baulks of timber, their windows patched with cardboard and their roofs
|
||
|
with corrugated iron, their crazy garden walls sagging in all directions?
|
||
|
And the bombed sites where the plaster dust swirled in the air and the
|
||
|
willow-herb straggled over the heaps of rubble; and the places where the
|
||
|
bombs had cleared a larger patch and there had sprung up sordid colonies
|
||
|
of wooden dwellings like chicken-houses? But it was no use, he could not
|
||
|
remember: nothing remained of his childhood except a series of bright-lit
|
||
|
tableaux occurring against no background and mostly unintelligible.
|
||
|
|
||
|
The Ministry of Truth--Minitrue, in Newspeak [Newspeak was the official
|
||
|
language of Oceania. For an account of its structure and etymology see
|
||
|
Appendix.]--was startlingly different from any other object in sight. It
|
||
|
was an enormous pyramidal structure of glittering white concrete, soaring
|
||
|
up, terrace after terrace, 300 metres into the air. From where Winston
|
||
|
stood it was just possible to read, picked out on its white face in
|
||
|
elegant lettering, the three slogans of the Party:
|
||
|
|
||
|
|
||
|
WAR IS PEACE
|
||
|
FREEDOM IS SLAVERY
|
||
|
IGNORANCE IS STRENGTH
|
||
|
|
||
|
|
||
|
The Ministry of Truth contained, it was said, three thousand rooms above
|
||
|
ground level, and corresponding ramifications below. Scattered about London
|
||
|
there were just three other buildings of similar appearance and size. So
|
||
|
completely did they dwarf the surrounding architecture that from the roof
|
||
|
of Victory Mansions you could see all four of them simultaneously. They
|
||
|
were the homes of the four Ministries between which the entire apparatus
|
||
|
of government was divided. The Ministry of Truth, which concerned itself
|
||
|
with news, entertainment, education, and the fine arts. The Ministry of
|
||
|
Peace, which concerned itself with war. The Ministry of Love, which
|
||
|
maintained law and order. And the Ministry of Plenty, which was responsible
|
||
|
for economic affairs. Their names, in Newspeak: Minitrue, Minipax, Miniluv,
|
||
|
and Miniplenty.
|
||
|
|
||
|
The Ministry of Love was the really frightening one. There were no windows
|
||
|
in it at all. Winston had never been inside the Ministry of Love, nor
|
||
|
within half a kilometre of it. It was a place impossible to enter except
|
||
|
on official business, and then only by penetrating through a maze of
|
||
|
barbed-wire entanglements, steel doors, and hidden machine-gun nests. Even
|
||
|
the streets leading up to its outer barriers were roamed by gorilla-faced
|
||
|
guards in black uniforms, armed with jointed truncheons.
|
||
|
|
||
|
Winston turned round abruptly. He had set his features into the
|
||
|
expression of quiet optimism which it was advisable to wear when facing
|
||
|
the telescreen. He crossed the room into the tiny kitchen. By leaving
|
||
|
the Ministry at this time of day he had sacrificed his lunch in the
|
||
|
canteen, and he was aware that there was no food in the kitchen except
|
||
|
a hunk of dark-coloured bread which had got to be saved for tomorrow's
|
||
|
breakfast. He took down from the shelf a bottle of colourless liquid
|
||
|
with a plain white label marked VICTORY GIN. It gave off a sickly, oily
|
||
|
smell, as of Chinese rice-spirit. Winston poured out nearly a teacupful,
|
||
|
nerved himself for a shock, and gulped it down like a dose of medicine.
|
||
|
|
||
|
Instantly his face turned scarlet and the water ran out of his eyes. The
|
||
|
stuff was like nitric acid, and moreover, in swallowing it one had the
|
||
|
sensation of being hit on the back of the head with a rubber club. The
|
||
|
next moment, however, the burning in his belly died down and the world
|
||
|
began to look more cheerful. He took a cigarette from a crumpled packet
|
||
|
marked VICTORY CIGARETTES and incautiously held it upright, whereupon the
|
||
|
tobacco fell out on to the floor. With the next he was more successful.
|
||
|
He went back to the living-room and sat down at a small table that stood
|
||
|
to the left of the telescreen. From the table drawer he took out a
|
||
|
penholder, a bottle of ink, and a thick, quarto-sized blank book with a
|
||
|
red back and a marbled cover.
|
||
|
|
||
|
For some reason the telescreen in the living-room was in an unusual
|
||
|
position. Instead of being placed, as was normal, in the end wall, where
|
||
|
it could command the whole room, it was in the longer wall, opposite the
|
||
|
window. To one side of it there was a shallow alcove in which Winston
|
||
|
was now sitting, and which, when the flats were built, had probably been
|
||
|
intended to hold bookshelves. By sitting in the alcove, and keeping well
|
||
|
back, Winston was able to remain outside the range of the telescreen, so
|
||
|
far as sight went. He could be heard, of course, but so long as he stayed
|
||
|
in his present position he could not be seen. It was partly the unusual
|
||
|
geography of the room that had suggested to him the thing that he was now
|
||
|
about to do.
|
||
|
|
||
|
But it had also been suggested by the book that he had just taken out of
|
||
|
the drawer. It was a peculiarly beautiful book. Its smooth creamy paper,
|
||
|
a little yellowed by age, was of a kind that had not been manufactured for
|
||
|
at least forty years past. He could guess, however, that the book was much
|
||
|
older than that. He had seen it lying in the window of a frowsy little
|
||
|
junk-shop in a slummy quarter of the town (just what quarter he did not
|
||
|
now remember) and had been stricken immediately by an overwhelming desire
|
||
|
to possess it. Party members were supposed not to go into ordinary shops
|
||
|
('dealing on the free market', it was called), but the rule was not
|
||
|
strictly kept, because there were various things, such as shoelaces and
|
||
|
razor blades, which it was impossible to get hold of in any other way. He
|
||
|
had given a quick glance up and down the street and then had slipped inside
|
||
|
and bought the book for two dollars fifty. At the time he was not conscious
|
||
|
of wanting it for any particular purpose. He had carried it guiltily home
|
||
|
in his briefcase. Even with nothing written in it, it was a compromising
|
||
|
possession.
|
||
|
|
||
|
The thing that he was about to do was to open a diary. This was not illegal
|
||
|
(nothing was illegal, since there were no longer any laws), but if detected
|
||
|
it was reasonably certain that it would be punished by death, or at least
|
||
|
by twenty-five years in a forced-labour camp. Winston fitted a nib into
|
||
|
the penholder and sucked it to get the grease off. The pen was an archaic
|
||
|
instrument, seldom used even for signatures, and he had procured one,
|
||
|
furtively and with some difficulty, simply because of a feeling that the
|
||
|
beautiful creamy paper deserved to be written on with a real nib instead
|
||
|
of being scratched with an ink-pencil. Actually he was not used to writing
|
||
|
by hand. Apart from very short notes, it was usual to dictate everything
|
||
|
into the speak-write which was of course impossible for his present
|
||
|
purpose. He dipped the pen into the ink and then faltered for just a
|
||
|
second. A tremor had gone through his bowels. To mark the paper was the
|
||
|
decisive act. In small clumsy letters he wrote:
|
||
|
|
||
|
|
||
|
April 4th, 1984.
|
||
|
|
||
|
|
||
|
He sat back. A sense of complete helplessness had descended upon him. To
|
||
|
begin with, he did not know with any certainty that this was 1984. It
|
||
|
must be round about that date, since he was fairly sure that his age was
|
||
|
thirty-nine, and he believed that he had been born in 1944 or 1945; but
|
||
|
it was never possible nowadays to pin down any date within a year or two.
|
||
|
|
||
|
For whom, it suddenly occurred to him to wonder, was he writing this diary?
|
||
|
For the future, for the unborn. His mind hovered for a moment round the
|
||
|
doubtful date on the page, and then fetched up with a bump against the
|
||
|
Newspeak word DOUBLETHINK. For the first time the magnitude of what he had
|
||
|
undertaken came home to him. How could you communicate with the future? It
|
||
|
was of its nature impossible. Either the future would resemble the present,
|
||
|
in which case it would not listen to him: or it would be different from it,
|
||
|
and his predicament would be meaningless.
|
||
|
|
||
|
For some time he sat gazing stupidly at the paper. The telescreen had
|
||
|
changed over to strident military music. It was curious that he seemed
|
||
|
not merely to have lost the power of expressing himself, but even to have
|
||
|
forgotten what it was that he had originally intended to say. For weeks
|
||
|
past he had been making ready for this moment, and it had never crossed
|
||
|
his mind that anything would be needed except courage. The actual writing
|
||
|
would be easy. All he had to do was to transfer to paper the interminable
|
||
|
restless monologue that had been running inside his head, literally for
|
||
|
years. At this moment, however, even the monologue had dried up. Moreover
|
||
|
his varicose ulcer had begun itching unbearably. He dared not scratch it,
|
||
|
because if he did so it always became inflamed. The seconds were ticking
|
||
|
by. He was conscious of nothing except the blankness of the page in front
|
||
|
of him, the itching of the skin above his ankle, the blaring of the music,
|
||
|
and a slight booziness caused by the gin.
|
||
|
|
||
|
Suddenly he began writing in sheer panic, only imperfectly aware of what
|
||
|
he was setting down. His small but childish handwriting straggled up and
|
||
|
down the page, shedding first its capital letters and finally even its
|
||
|
full stops:
|
||
|
|
||
|
|
||
|
April 4th, 1984. Last night to the flicks. All war films. One very good
|
||
|
one of a ship full of refugees being bombed somewhere in the Mediterranean.
|
||
|
Audience much amused by shots of a great huge fat man trying to swim away
|
||
|
with a helicopter after him, first you saw him wallowing along in the
|
||
|
water like a porpoise, then you saw him through the helicopters gunsights,
|
||
|
then he was full of holes and the sea round him turned pink and he sank as
|
||
|
suddenly as though the holes had let in the water, audience shouting with
|
||
|
laughter when he sank. then you saw a lifeboat full of children with a
|
||
|
helicopter hovering over it. there was a middle-aged woman might have been
|
||
|
a jewess sitting up in the bow with a little boy about three years old in
|
||
|
her arms. little boy screaming with fright and hiding his head between her
|
||
|
breasts as if he was trying to burrow right into her and the woman putting
|
||
|
her arms round him and comforting him although she was blue with fright
|
||
|
herself, all the time covering him up as much as possible as if she thought
|
||
|
her arms could keep the bullets off him. then the helicopter planted a 20
|
||
|
kilo bomb in among them terrific flash and the boat went all to matchwood.
|
||
|
then there was a wonderful shot of a child's arm going up up up right up
|
||
|
into the air a helicopter with a camera in its nose must have followed it
|
||
|
up and there was a lot of applause from the party seats but a woman down in
|
||
|
the prole part of the house suddenly started kicking up a fuss and shouting
|
||
|
they didnt oughter of showed it not in front of kids they didnt it aint
|
||
|
right not in front of kids it aint until the police turned her turned her
|
||
|
out i dont suppose anything happened to her nobody cares what the proles
|
||
|
say typical prole reaction they never----
|
||
|
|
||
|
|
||
|
Winston stopped writing, partly because he was suffering from cramp. He did
|
||
|
not know what had made him pour out this stream of rubbish. But the curious
|
||
|
thing was that while he was doing so a totally different memory had
|
||
|
clarified itself in his mind, to the point where he almost felt equal to
|
||
|
writing it down. It was, he now realized, because of this other incident
|
||
|
that he had suddenly decided to come home and begin the diary today.
|
||
|
|
||
|
It had happened that morning at the Ministry, if anything so nebulous could
|
||
|
be said to happen.
|
||
|
|
||
|
It was nearly eleven hundred, and in the Records Department, where Winston
|
||
|
worked, they were dragging the chairs out of the cubicles and grouping them
|
||
|
in the centre of the hall opposite the big telescreen, in preparation for
|
||
|
the Two Minutes Hate. Winston was just taking his place in one of the
|
||
|
middle rows when two people whom he knew by sight, but had never spoken
|
||
|
to, came unexpectedly into the room. One of them was a girl whom he often
|
||
|
passed in the corridors. He did not know her name, but he knew that she
|
||
|
worked in the Fiction Department. Presumably--since he had sometimes seen
|
||
|
her with oily hands and carrying a spanner--she had some mechanical job
|
||
|
on one of the novel-writing machines. She was a bold-looking girl, of
|
||
|
about twenty-seven, with thick hair, a freckled face, and swift, athletic
|
||
|
movements. A narrow scarlet sash, emblem of the Junior Anti-Sex League, was
|
||
|
wound several times round the waist of her overalls, just tightly enough to
|
||
|
bring out the shapeliness of her hips. Winston had disliked her from the
|
||
|
very first moment of seeing her. He knew the reason. It was because of the
|
||
|
atmosphere of hockey-fields and cold baths and community hikes and general
|
||
|
clean-mindedness which she managed to carry about with her. He disliked
|
||
|
nearly all women, and especially the young and pretty ones. It was always
|
||
|
the women, and above all the young ones, who were the most bigoted
|
||
|
adherents of the Party, the swallowers of slogans, the amateur spies and
|
||
|
nosers-out of unorthodoxy. But this particular girl gave him the impression
|
||
|
of being more dangerous than most. Once when they passed in the corridor
|
||
|
she gave him a quick sidelong glance which seemed to pierce right into
|
||
|
him and for a moment had filled him with black terror. The idea had even
|
||
|
crossed his mind that she might be an agent of the Thought Police. That,
|
||
|
it was true, was very unlikely. Still, he continued to feel a peculiar
|
||
|
uneasiness, which had fear mixed up in it as well as hostility, whenever
|
||
|
she was anywhere near him.
|
||
|
|
||
|
The other person was a man named O'Brien, a member of the Inner Party and
|
||
|
holder of some post so important and remote that Winston had only a dim
|
||
|
idea of its nature. A momentary hush passed over the group of people
|
||
|
round the chairs as they saw the black overalls of an Inner Party member
|
||
|
approaching. O'Brien was a large, burly man with a thick neck and a coarse,
|
||
|
humorous, brutal face. In spite of his formidable appearance he had a
|
||
|
certain charm of manner. He had a trick of resettling his spectacles on
|
||
|
his nose which was curiously disarming--in some indefinable way, curiously
|
||
|
civilized. It was a gesture which, if anyone had still thought in such
|
||
|
terms, might have recalled an eighteenth-century nobleman offering his
|
||
|
snuffbox. Winston had seen O'Brien perhaps a dozen times in almost as many
|
||
|
years. He felt deeply drawn to him, and not solely because he was intrigued
|
||
|
by the contrast between O'Brien's urbane manner and his prize-fighter's
|
||
|
physique. Much more it was because of a secretly held belief--or perhaps
|
||
|
not even a belief, merely a hope--that O'Brien's political orthodoxy was
|
||
|
not perfect. Something in his face suggested it irresistibly. And again,
|
||
|
perhaps it was not even unorthodoxy that was written in his face, but
|
||
|
simply intelligence. But at any rate he had the appearance of being a
|
||
|
person that you could talk to if somehow you could cheat the telescreen and
|
||
|
get him alone. Winston had never made the smallest effort to verify this
|
||
|
guess: indeed, there was no way of doing so. At this moment O'Brien glanced
|
||
|
at his wrist-watch, saw that it was nearly eleven hundred, and evidently
|
||
|
decided to stay in the Records Department until the Two Minutes Hate was
|
||
|
over. He took a chair in the same row as Winston, a couple of places away.
|
||
|
A small, sandy-haired woman who worked in the next cubicle to Winston was
|
||
|
between them. The girl with dark hair was sitting immediately behind.
|
||
|
|
||
|
The next moment a hideous, grinding screech, as of some monstrous machine
|
||
|
running without oil, burst from the big telescreen at the end of the room.
|
||
|
It was a noise that set one's teeth on edge and bristled the hair at the
|
||
|
back of one's neck. The Hate had started.
|
||
|
|
||
|
As usual, the face of Emmanuel Goldstein, the Enemy of the People, had
|
||
|
flashed on to the screen. There were hisses here and there among the
|
||
|
audience. The little sandy-haired woman gave a squeak of mingled fear and
|
||
|
disgust. Goldstein was the renegade and backslider who once, long ago
|
||
|
(how long ago, nobody quite remembered), had been one of the leading
|
||
|
figures of the Party, almost on a level with Big Brother himself, and
|
||
|
then had engaged in counter-revolutionary activities, had been condemned
|
||
|
to death, and had mysteriously escaped and disappeared. The programmes
|
||
|
of the Two Minutes Hate varied from day to day, but there was none in
|
||
|
which Goldstein was not the principal figure. He was the primal traitor,
|
||
|
the earliest defiler of the Party's purity. All subsequent crimes against
|
||
|
the Party, all treacheries, acts of sabotage, heresies, deviations,
|
||
|
sprang directly out of his teaching. Somewhere or other he was still
|
||
|
alive and hatching his conspiracies: perhaps somewhere beyond the sea,
|
||
|
under the protection of his foreign paymasters, perhaps even--so it was
|
||
|
occasionally rumoured--in some hiding-place in Oceania itself.
|
||
|
|
||
|
Winston's diaphragm was constricted. He could never see the face of
|
||
|
Goldstein without a painful mixture of emotions. It was a lean Jewish face,
|
||
|
with a great fuzzy aureole of white hair and a small goatee beard--a
|
||
|
clever face, and yet somehow inherently despicable, with a kind of senile
|
||
|
silliness in the long thin nose, near the end of which a pair of spectacles
|
||
|
was perched. It resembled the face of a sheep, and the voice, too, had a
|
||
|
sheep-like quality. Goldstein was delivering his usual venomous attack
|
||
|
upon the doctrines of the Party--an attack so exaggerated and perverse that
|
||
|
a child should have been able to see through it, and yet just plausible
|
||
|
enough to fill one with an alarmed feeling that other people, less
|
||
|
level-headed than oneself, might be taken in by it. He was abusing Big
|
||
|
Brother, he was denouncing the dictatorship of the Party, he was demanding
|
||
|
the immediate conclusion of peace with Eurasia, he was advocating freedom
|
||
|
of speech, freedom of the Press, freedom of assembly, freedom of thought,
|
||
|
he was crying hysterically that the revolution had been betrayed--and all
|
||
|
this in rapid polysyllabic speech which was a sort of parody of the
|
||
|
habitual style of the orators of the Party, and even contained Newspeak
|
||
|
words: more Newspeak words, indeed, than any Party member would normally
|
||
|
use in real life. And all the while, lest one should be in any doubt as to
|
||
|
the reality which Goldstein's specious claptrap covered, behind his head on
|
||
|
the telescreen there marched the endless columns of the Eurasian army--row
|
||
|
after row of solid-looking men with expressionless Asiatic faces, who swam
|
||
|
up to the surface of the screen and vanished, to be replaced by others
|
||
|
exactly similar. The dull rhythmic tramp of the soldiers' boots formed the
|
||
|
background to Goldstein's bleating voice.
|
||
|
|
||
|
Before the Hate had proceeded for thirty seconds, uncontrollable
|
||
|
exclamations of rage were breaking out from half the people in the room.
|
||
|
The self-satisfied sheep-like face on the screen, and the terrifying power
|
||
|
of the Eurasian army behind it, were too much to be borne: besides,
|
||
|
the sight or even the thought of Goldstein produced fear and anger
|
||
|
automatically. He was an object of hatred more constant than either Eurasia
|
||
|
or Eastasia, since when Oceania was at war with one of these Powers it was
|
||
|
generally at peace with the other. But what was strange was that although
|
||
|
Goldstein was hated and despised by everybody, although every day and a
|
||
|
thousand times a day, on platforms, on the telescreen, in newspapers,
|
||
|
in books, his theories were refuted, smashed, ridiculed, held up to the
|
||
|
general gaze for the pitiful rubbish that they were--in spite of all this,
|
||
|
his influence never seemed to grow less. Always there were fresh dupes
|
||
|
waiting to be seduced by him. A day never passed when spies and saboteurs
|
||
|
acting under his directions were not unmasked by the Thought Police.
|
||
|
He was the commander of a vast shadowy army, an underground network of
|
||
|
conspirators dedicated to the overthrow of the State. The Brotherhood, its
|
||
|
name was supposed to be. There were also whispered stories of a terrible
|
||
|
book, a compendium of all the heresies, of which Goldstein was the author
|
||
|
and which circulated clandestinely here and there. It was a book without a
|
||
|
title. People referred to it, if at all, simply as THE BOOK. But one knew
|
||
|
of such things only through vague rumours. Neither the Brotherhood nor
|
||
|
THE BOOK was a subject that any ordinary Party member would mention if
|
||
|
there was a way of avoiding it.
|
||
|
|
||
|
In its second minute the Hate rose to a frenzy. People were leaping up and
|
||
|
down in their places and shouting at the tops of their voices in an effort
|
||
|
to drown the maddening bleating voice that came from the screen. The little
|
||
|
sandy-haired woman had turned bright pink, and her mouth was opening and
|
||
|
shutting like that of a landed fish. Even O'Brien's heavy face was flushed.
|
||
|
He was sitting very straight in his chair, his powerful chest swelling and
|
||
|
quivering as though he were standing up to the assault of a wave. The
|
||
|
dark-haired girl behind Winston had begun crying out 'Swine! Swine! Swine!'
|
||
|
and suddenly she picked up a heavy Newspeak dictionary and flung it at the
|
||
|
screen. It struck Goldstein's nose and bounced off; the voice continued
|
||
|
inexorably. In a lucid moment Winston found that he was shouting with the
|
||
|
others and kicking his heel violently against the rung of his chair. The
|
||
|
horrible thing about the Two Minutes Hate was not that one was obliged to
|
||
|
act a part, but, on the contrary, that it was impossible to avoid joining
|
||
|
in. Within thirty seconds any pretence was always unnecessary. A hideous
|
||
|
ecstasy of fear and vindictiveness, a desire to kill, to torture, to smash
|
||
|
faces in with a sledge-hammer, seemed to flow through the whole group of
|
||
|
people like an electric current, turning one even against one's will into
|
||
|
a grimacing, screaming lunatic. And yet the rage that one felt was an
|
||
|
abstract, undirected emotion which could be switched from one object to
|
||
|
another like the flame of a blowlamp. Thus, at one moment Winston's hatred
|
||
|
was not turned against Goldstein at all, but, on the contrary, against
|
||
|
Big Brother, the Party, and the Thought Police; and at such moments his
|
||
|
heart went out to the lonely, derided heretic on the screen, sole guardian
|
||
|
of truth and sanity in a world of lies. And yet the very next instant he
|
||
|
was at one with the people about him, and all that was said of Goldstein
|
||
|
seemed to him to be true. At those moments his secret loathing of Big
|
||
|
Brother changed into adoration, and Big Brother seemed to tower up, an
|
||
|
invincible, fearless protector, standing like a rock against the hordes
|
||
|
of Asia, and Goldstein, in spite of his isolation, his helplessness, and
|
||
|
the doubt that hung about his very existence, seemed like some sinister
|
||
|
enchanter, capable by the mere power of his voice of wrecking the structure
|
||
|
of civilization.
|
||
|
|
||
|
It was even possible, at moments, to switch one's hatred this way or that
|
||
|
by a voluntary act. Suddenly, by the sort of violent effort with which one
|
||
|
wrenches one's head away from the pillow in a nightmare, Winston succeeded
|
||
|
in transferring his hatred from the face on the screen to the dark-haired
|
||
|
girl behind him. Vivid, beautiful hallucinations flashed through his mind.
|
||
|
He would flog her to death with a rubber truncheon. He would tie her naked
|
||
|
to a stake and shoot her full of arrows like Saint Sebastian. He would
|
||
|
ravish her and cut her throat at the moment of climax. Better than before,
|
||
|
moreover, he realized WHY it was that he hated her. He hated her because
|
||
|
she was young and pretty and sexless, because he wanted to go to bed with
|
||
|
her and would never do so, because round her sweet supple waist, which
|
||
|
seemed to ask you to encircle it with your arm, there was only the odious
|
||
|
scarlet sash, aggressive symbol of chastity.
|
||
|
|
||
|
The Hate rose to its climax. The voice of Goldstein had become an actual
|
||
|
sheep's bleat, and for an instant the face changed into that of a sheep.
|
||
|
Then the sheep-face melted into the figure of a Eurasian soldier who seemed
|
||
|
to be advancing, huge and terrible, his sub-machine gun roaring, and
|
||
|
seeming to spring out of the surface of the screen, so that some of the
|
||
|
people in the front row actually flinched backwards in their seats. But
|
||
|
in the same moment, drawing a deep sigh of relief from everybody, the
|
||
|
hostile figure melted into the face of Big Brother, black-haired,
|
||
|
black-moustachio'd, full of power and mysterious calm, and so vast that
|
||
|
it almost filled up the screen. Nobody heard what Big Brother was saying.
|
||
|
It was merely a few words of encouragement, the sort of words that are
|
||
|
uttered in the din of battle, not distinguishable individually but
|
||
|
restoring confidence by the fact of being spoken. Then the face of Big
|
||
|
Brother faded away again, and instead the three slogans of the Party stood
|
||
|
out in bold capitals:
|
||
|
|
||
|
|
||
|
WAR IS PEACE
|
||
|
FREEDOM IS SLAVERY
|
||
|
IGNORANCE IS STRENGTH
|
||
|
|
||
|
|
||
|
But the face of Big Brother seemed to persist for several seconds on the
|
||
|
screen, as though the impact that it had made on everyone's eyeballs was
|
||
|
too vivid to wear off immediately. The little sandy-haired woman had flung
|
||
|
herself forward over the back of the chair in front of her. With a
|
||
|
tremulous murmur that sounded like 'My Saviour!' she extended her arms
|
||
|
towards the screen. Then she buried her face in her hands. It was apparent
|
||
|
that she was uttering a prayer.
|
||
|
|
||
|
At this moment the entire group of people broke into a deep, slow,
|
||
|
rhythmical chant of 'B-B!...B-B!'--over and over again, very slowly, with a
|
||
|
long pause between the first 'B' and the second--a heavy, murmurous sound,
|
||
|
somehow curiously savage, in the background of which one seemed to hear the
|
||
|
stamp of naked feet and the throbbing of tom-toms. For perhaps as much as
|
||
|
thirty seconds they kept it up. It was a refrain that was often heard in
|
||
|
moments of overwhelming emotion. Partly it was a sort of hymn to the wisdom
|
||
|
and majesty of Big Brother, but still more it was an act of self-hypnosis,
|
||
|
a deliberate drowning of consciousness by means of rhythmic noise.
|
||
|
Winston's entrails seemed to grow cold. In the Two Minutes Hate he could
|
||
|
not help sharing in the general delirium, but this sub-human chanting of
|
||
|
'B-B!...B-B!' always filled him with horror. Of course he chanted with the
|
||
|
rest: it was impossible to do otherwise. To dissemble your feelings, to
|
||
|
control your face, to do what everyone else was doing, was an instinctive
|
||
|
reaction. But there was a space of a couple of seconds during which the
|
||
|
expression of his eyes might conceivably have betrayed him. And it was
|
||
|
exactly at this moment that the significant thing happened--if, indeed,
|
||
|
it did happen.
|
||
|
|
||
|
Momentarily he caught O'Brien's eye. O'Brien had stood up. He had taken
|
||
|
off his spectacles and was in the act of resettling them on his nose with
|
||
|
his characteristic gesture. But there was a fraction of a second when
|
||
|
their eyes met, and for as long as it took to happen Winston knew--yes, he
|
||
|
KNEW!--that O'Brien was thinking the same thing as himself. An unmistakable
|
||
|
message had passed. It was as though their two minds had opened and the
|
||
|
thoughts were flowing from one into the other through their eyes. 'I am
|
||
|
with you,' O'Brien seemed to be saying to him. 'I know precisely what you
|
||
|
are feeling. I know all about your contempt, your hatred, your disgust.
|
||
|
But don't worry, I am on your side!' And then the flash of intelligence
|
||
|
was gone, and O'Brien's face was as inscrutable as everybody else's.
|
||
|
|
||
|
That was all, and he was already uncertain whether it had happened. Such
|
||
|
incidents never had any sequel. All that they did was to keep alive in him
|
||
|
the belief, or hope, that others besides himself were the enemies of the
|
||
|
Party. Perhaps the rumours of vast underground conspiracies were true after
|
||
|
all--perhaps the Brotherhood really existed! It was impossible, in spite
|
||
|
of the endless arrests and confessions and executions, to be sure that the
|
||
|
Brotherhood was not simply a myth. Some days he believed in it, some days
|
||
|
not. There was no evidence, only fleeting glimpses that might mean anything
|
||
|
or nothing: snatches of overheard conversation, faint scribbles on lavatory
|
||
|
walls--once, even, when two strangers met, a small movement of the hand
|
||
|
which had looked as though it might be a signal of recognition. It was all
|
||
|
guesswork: very likely he had imagined everything. He had gone back to his
|
||
|
cubicle without looking at O'Brien again. The idea of following up their
|
||
|
momentary contact hardly crossed his mind. It would have been inconceivably
|
||
|
dangerous even if he had known how to set about doing it. For a second, two
|
||
|
seconds, they had exchanged an equivocal glance, and that was the end of
|
||
|
the story. But even that was a memorable event, in the locked loneliness in
|
||
|
which one had to live.
|
||
|
|
||
|
Winston roused himself and sat up straighter. He let out a belch. The gin
|
||
|
was rising from his stomach.
|
||
|
|
||
|
His eyes re-focused on the page. He discovered that while he sat helplessly
|
||
|
musing he had also been writing, as though by automatic action. And it was
|
||
|
no longer the same cramped, awkward handwriting as before. His pen had slid
|
||
|
voluptuously over the smooth paper, printing in large neat capitals--
|
||
|
|
||
|
|
||
|
DOWN WITH BIG BROTHER
|
||
|
DOWN WITH BIG BROTHER
|
||
|
DOWN WITH BIG BROTHER
|
||
|
DOWN WITH BIG BROTHER
|
||
|
DOWN WITH BIG BROTHER
|
||
|
|
||
|
|
||
|
over and over again, filling half a page.
|
||
|
|
||
|
He could not help feeling a twinge of panic. It was absurd, since the
|
||
|
writing of those particular words was not more dangerous than the initial
|
||
|
act of opening the diary, but for a moment he was tempted to tear out the
|
||
|
spoiled pages and abandon the enterprise altogether.
|
||
|
|
||
|
He did not do so, however, because he knew that it was useless. Whether he
|
||
|
wrote DOWN WITH BIG BROTHER, or whether he refrained from writing it, made
|
||
|
no difference. Whether he went on with the diary, or whether he did not go
|
||
|
on with it, made no difference. The Thought Police would get him just the
|
||
|
same. He had committed--would still have committed, even if he had never
|
||
|
set pen to paper--the essential crime that contained all others in itself.
|
||
|
Thoughtcrime, they called it. Thoughtcrime was not a thing that could be
|
||
|
concealed for ever. You might dodge successfully for a while, even for
|
||
|
years, but sooner or later they were bound to get you.
|
||
|
|
||
|
It was always at night--the arrests invariably happened at night. The
|
||
|
sudden jerk out of sleep, the rough hand shaking your shoulder, the lights
|
||
|
glaring in your eyes, the ring of hard faces round the bed. In the vast
|
||
|
majority of cases there was no trial, no report of the arrest. People
|
||
|
simply disappeared, always during the night. Your name was removed from the
|
||
|
registers, every record of everything you had ever done was wiped out, your
|
||
|
one-time existence was denied and then forgotten. You were abolished,
|
||
|
annihilated: VAPORIZED was the usual word.
|
||
|
|
||
|
For a moment he was seized by a kind of hysteria. He began writing in a
|
||
|
hurried untidy scrawl:
|
||
|
|
||
|
|
||
|
theyll shoot me i don't care theyll shoot me in the back of the neck i
|
||
|
dont care down with big brother they always shoot you in the back of the
|
||
|
neck i dont care down with big brother----
|
||
|
|
||
|
|
||
|
He sat back in his chair, slightly ashamed of himself, and laid down
|
||
|
the pen. The next moment he started violently. There was a knocking at
|
||
|
the door.
|
||
|
|
||
|
Already! He sat as still as a mouse, in the futile hope that whoever it was
|
||
|
might go away after a single attempt. But no, the knocking was repeated.
|
||
|
The worst thing of all would be to delay. His heart was thumping like a
|
||
|
drum, but his face, from long habit, was probably expressionless. He got
|
||
|
up and moved heavily towards the door.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Chapter 2
|
||
|
|
||
|
|
||
|
|
||
|
As he put his hand to the door-knob Winston saw that he had left the
|
||
|
diary open on the table. DOWN WITH BIG BROTHER was written all over it,
|
||
|
in letters almost big enough to be legible across the room. It was an
|
||
|
inconceivably stupid thing to have done. But, he realized, even in his
|
||
|
panic he had not wanted to smudge the creamy paper by shutting the book
|
||
|
while the ink was wet.
|
||
|
|
||
|
He drew in his breath and opened the door. Instantly a warm wave of relief
|
||
|
flowed through him. A colourless, crushed-looking woman, with wispy hair
|
||
|
and a lined face, was standing outside.
|
||
|
|
||
|
'Oh, comrade,' she began in a dreary, whining sort of voice, 'I thought I
|
||
|
heard you come in. Do you think you could come across and have a look at
|
||
|
our kitchen sink? It's got blocked up and----'
|
||
|
|
||
|
It was Mrs Parsons, the wife of a neighbour on the same floor. ('Mrs' was
|
||
|
a word somewhat discountenanced by the Party--you were supposed to call
|
||
|
everyone 'comrade'--but with some women one used it instinctively.) She was
|
||
|
a woman of about thirty, but looking much older. One had the impression
|
||
|
that there was dust in the creases of her face. Winston followed her down
|
||
|
the passage. These amateur repair jobs were an almost daily irritation.
|
||
|
Victory Mansions were old flats, built in 1930 or thereabouts, and were
|
||
|
falling to pieces. The plaster flaked constantly from ceilings and walls,
|
||
|
the pipes burst in every hard frost, the roof leaked whenever there was
|
||
|
snow, the heating system was usually running at half steam when it was not
|
||
|
closed down altogether from motives of economy. Repairs, except what you
|
||
|
could do for yourself, had to be sanctioned by remote committees which
|
||
|
were liable to hold up even the mending of a window-pane for two years.
|
||
|
|
||
|
'Of course it's only because Tom isn't home,' said Mrs Parsons vaguely.
|
||
|
|
||
|
The Parsons' flat was bigger than Winston's, and dingy in a different
|
||
|
way. Everything had a battered, trampled-on look, as though the
|
||
|
place had just been visited by some large violent animal. Games
|
||
|
impedimenta--hockey-sticks, boxing-gloves, a burst football, a pair of
|
||
|
sweaty shorts turned inside out--lay all over the floor, and on the
|
||
|
table there was a litter of dirty dishes and dog-eared exercise-books.
|
||
|
On the walls were scarlet banners of the Youth League and the Spies, and
|
||
|
a full-sized poster of Big Brother. There was the usual boiled-cabbage
|
||
|
smell, common to the whole building, but it was shot through by a sharper
|
||
|
reek of sweat, which--one knew this at the first sniff, though it was
|
||
|
hard to say how--was the sweat of some person not present at the moment.
|
||
|
In another room someone with a comb and a piece of toilet paper was
|
||
|
trying to keep tune with the military music which was still issuing
|
||
|
from the telescreen.
|
||
|
|
||
|
'It's the children,' said Mrs Parsons, casting a half-apprehensive glance
|
||
|
at the door. 'They haven't been out today. And of course----'
|
||
|
|
||
|
She had a habit of breaking off her sentences in the middle. The kitchen
|
||
|
sink was full nearly to the brim with filthy greenish water which smelt
|
||
|
worse than ever of cabbage. Winston knelt down and examined the angle-joint
|
||
|
of the pipe. He hated using his hands, and he hated bending down, which was
|
||
|
always liable to start him coughing. Mrs Parsons looked on helplessly.
|
||
|
|
||
|
'Of course if Tom was home he'd put it right in a moment,' she said.
|
||
|
'He loves anything like that. He's ever so good with his hands, Tom is.'
|
||
|
|
||
|
Parsons was Winston's fellow-employee at the Ministry of Truth. He was
|
||
|
a fattish but active man of paralysing stupidity, a mass of imbecile
|
||
|
enthusiasms--one of those completely unquestioning, devoted drudges on
|
||
|
whom, more even than on the Thought Police, the stability of the Party
|
||
|
depended. At thirty-five he had just been unwillingly evicted from the
|
||
|
Youth League, and before graduating into the Youth League he had managed to
|
||
|
stay on in the Spies for a year beyond the statutory age. At the Ministry
|
||
|
he was employed in some subordinate post for which intelligence was not
|
||
|
required, but on the other hand he was a leading figure on the Sports
|
||
|
Committee and all the other committees engaged in organizing community
|
||
|
hikes, spontaneous demonstrations, savings campaigns, and voluntary
|
||
|
activities generally. He would inform you with quiet pride, between whiffs
|
||
|
of his pipe, that he had put in an appearance at the Community Centre every
|
||
|
evening for the past four years. An overpowering smell of sweat, a sort of
|
||
|
unconscious testimony to the strenuousness of his life, followed him about
|
||
|
wherever he went, and even remained behind him after he had gone.
|
||
|
|
||
|
'Have you got a spanner?' said Winston, fiddling with the nut on the
|
||
|
angle-joint.
|
||
|
|
||
|
'A spanner,' said Mrs Parsons, immediately becoming invertebrate. 'I don't
|
||
|
know, I'm sure. Perhaps the children----'
|
||
|
|
||
|
There was a trampling of boots and another blast on the comb as the
|
||
|
children charged into the living-room. Mrs Parsons brought the spanner.
|
||
|
Winston let out the water and disgustedly removed the clot of human hair
|
||
|
that had blocked up the pipe. He cleaned his fingers as best he could in
|
||
|
the cold water from the tap and went back into the other room.
|
||
|
|
||
|
'Up with your hands!' yelled a savage voice.
|
||
|
|
||
|
A handsome, tough-looking boy of nine had popped up from behind the table
|
||
|
and was menacing him with a toy automatic pistol, while his small sister,
|
||
|
about two years younger, made the same gesture with a fragment of wood.
|
||
|
Both of them were dressed in the blue shorts, grey shirts, and red
|
||
|
neckerchiefs which were the uniform of the Spies. Winston raised his hands
|
||
|
above his head, but with an uneasy feeling, so vicious was the boy's
|
||
|
demeanour, that it was not altogether a game.
|
||
|
|
||
|
'You're a traitor!' yelled the boy. 'You're a thought-criminal! You're a
|
||
|
Eurasian spy! I'll shoot you, I'll vaporize you, I'll send you to the salt
|
||
|
mines!'
|
||
|
|
||
|
Suddenly they were both leaping round him, shouting 'Traitor!' and
|
||
|
'Thought-criminal!' the little girl imitating her brother in every
|
||
|
movement. It was somehow slightly frightening, like the gambolling of
|
||
|
tiger cubs which will soon grow up into man-eaters. There was a sort of
|
||
|
calculating ferocity in the boy's eye, a quite evident desire to hit or
|
||
|
kick Winston and a consciousness of being very nearly big enough to do so.
|
||
|
It was a good job it was not a real pistol he was holding, Winston thought.
|
||
|
|
||
|
Mrs Parsons' eyes flitted nervously from Winston to the children, and back
|
||
|
again. In the better light of the living-room he noticed with interest
|
||
|
that there actually was dust in the creases of her face.
|
||
|
|
||
|
'They do get so noisy,' she said. 'They're disappointed because they
|
||
|
couldn't go to see the hanging, that's what it is. I'm too busy to take
|
||
|
them. and Tom won't be back from work in time.'
|
||
|
|
||
|
'Why can't we go and see the hanging?' roared the boy in his huge voice.
|
||
|
|
||
|
'Want to see the hanging! Want to see the hanging!' chanted the little
|
||
|
girl, still capering round.
|
||
|
|
||
|
Some Eurasian prisoners, guilty of war crimes, were to be hanged in the
|
||
|
Park that evening, Winston remembered. This happened about once a month,
|
||
|
and was a popular spectacle. Children always clamoured to be taken to see
|
||
|
it. He took his leave of Mrs Parsons and made for the door. But he had not
|
||
|
gone six steps down the passage when something hit the back of his neck an
|
||
|
agonizingly painful blow. It was as though a red-hot wire had been jabbed
|
||
|
into him. He spun round just in time to see Mrs Parsons dragging her son
|
||
|
back into the doorway while the boy pocketed a catapult.
|
||
|
|
||
|
'Goldstein!' bellowed the boy as the door closed on him. But what most
|
||
|
struck Winston was the look of helpless fright on the woman's greyish face.
|
||
|
|
||
|
Back in the flat he stepped quickly past the telescreen and sat down at the
|
||
|
table again, still rubbing his neck. The music from the telescreen had
|
||
|
stopped. Instead, a clipped military voice was reading out, with a sort of
|
||
|
brutal relish, a description of the armaments of the new Floating Fortress
|
||
|
which had just been anchored between Iceland and the Faroe Islands.
|
||
|
|
||
|
With those children, he thought, that wretched woman must lead a life of
|
||
|
terror. Another year, two years, and they would be watching her night
|
||
|
and day for symptoms of unorthodoxy. Nearly all children nowadays were
|
||
|
horrible. What was worst of all was that by means of such organizations as
|
||
|
the Spies they were systematically turned into ungovernable little savages,
|
||
|
and yet this produced in them no tendency whatever to rebel against the
|
||
|
discipline of the Party. On the contrary, they adored the Party and
|
||
|
everything connected with it. The songs, the processions, the banners, the
|
||
|
hiking, the drilling with dummy rifles, the yelling of slogans, the worship
|
||
|
of Big Brother--it was all a sort of glorious game to them. All their
|
||
|
ferocity was turned outwards, against the enemies of the State, against
|
||
|
foreigners, traitors, saboteurs, thought-criminals. It was almost normal
|
||
|
for people over thirty to be frightened of their own children. And with
|
||
|
good reason, for hardly a week passed in which 'The Times' did not carry
|
||
|
a paragraph describing how some eavesdropping little sneak--'child hero'
|
||
|
was the phrase generally used--had overheard some compromising remark
|
||
|
and denounced its parents to the Thought Police.
|
||
|
|
||
|
The sting of the catapult bullet had worn off. He picked up his pen
|
||
|
half-heartedly, wondering whether he could find something more to write
|
||
|
in the diary. Suddenly he began thinking of O'Brien again.
|
||
|
|
||
|
Years ago--how long was it? Seven years it must be--he had dreamed that he
|
||
|
was walking through a pitch-dark room. And someone sitting to one side of
|
||
|
him had said as he passed: 'We shall meet in the place where there is no
|
||
|
darkness.' It was said very quietly, almost casually--a statement, not a
|
||
|
command. He had walked on without pausing. What was curious was that at the
|
||
|
time, in the dream, the words had not made much impression on him. It was
|
||
|
only later and by degrees that they had seemed to take on significance. He
|
||
|
could not now remember whether it was before or after having the dream that
|
||
|
he had seen O'Brien for the first time, nor could he remember when he had
|
||
|
first identified the voice as O'Brien's. But at any rate the identification
|
||
|
existed. It was O'Brien who had spoken to him out of the dark.
|
||
|
|
||
|
Winston had never been able to feel sure--even after this morning's flash
|
||
|
of the eyes it was still impossible to be sure whether O'Brien was a friend
|
||
|
or an enemy. Nor did it even seem to matter greatly. There was a link of
|
||
|
understanding between them, more important than affection or partisanship.
|
||
|
'We shall meet in the place where there is no darkness,' he had said.
|
||
|
Winston did not know what it meant, only that in some way or another it
|
||
|
would come true.
|
||
|
|
||
|
The voice from the telescreen paused. A trumpet call, clear and beautiful,
|
||
|
floated into the stagnant air. The voice continued raspingly:
|
||
|
|
||
|
'Attention! Your attention, please! A newsflash has this moment arrived
|
||
|
from the Malabar front. Our forces in South India have won a glorious
|
||
|
victory. I am authorized to say that the action we are now reporting may
|
||
|
well bring the war within measurable distance of its end. Here is the
|
||
|
newsflash----'
|
||
|
|
||
|
Bad news coming, thought Winston. And sure enough, following on a gory
|
||
|
description of the annihilation of a Eurasian army, with stupendous figures
|
||
|
of killed and prisoners, came the announcement that, as from next week,
|
||
|
the chocolate ration would be reduced from thirty grammes to twenty.
|
||
|
|
||
|
Winston belched again. The gin was wearing off, leaving a deflated feeling.
|
||
|
The telescreen--perhaps to celebrate the victory, perhaps to drown the
|
||
|
memory of the lost chocolate--crashed into 'Oceania, 'tis for thee'. You
|
||
|
were supposed to stand to attention. However, in his present position he
|
||
|
was invisible.
|
||
|
|
||
|
'Oceania, 'tis for thee' gave way to lighter music. Winston walked over to
|
||
|
the window, keeping his back to the telescreen. The day was still cold and
|
||
|
clear. Somewhere far away a rocket bomb exploded with a dull, reverberating
|
||
|
roar. About twenty or thirty of them a week were falling on London at
|
||
|
present.
|
||
|
|
||
|
Down in the street the wind flapped the torn poster to and fro, and the
|
||
|
word INGSOC fitfully appeared and vanished. Ingsoc. The sacred principles
|
||
|
of Ingsoc. Newspeak, doublethink, the mutability of the past. He felt as
|
||
|
though he were wandering in the forests of the sea bottom, lost in a
|
||
|
monstrous world where he himself was the monster. He was alone. The past
|
||
|
was dead, the future was unimaginable. What certainty had he that a single
|
||
|
human creature now living was on his side? And what way of knowing that the
|
||
|
dominion of the Party would not endure FOR EVER? Like an answer, the three
|
||
|
slogans on the white face of the Ministry of Truth came back to him:
|
||
|
|
||
|
|
||
|
WAR IS PEACE
|
||
|
FREEDOM IS SLAVERY
|
||
|
IGNORANCE IS STRENGTH
|
||
|
|
||
|
|
||
|
He took a twenty-five cent piece out of his pocket. There, too, in tiny
|
||
|
clear lettering, the same slogans were inscribed, and on the other face of
|
||
|
the coin the head of Big Brother. Even from the coin the eyes pursued you.
|
||
|
On coins, on stamps, on the covers of books, on banners, on posters, and on
|
||
|
the wrappings of a cigarette packet--everywhere. Always the eyes watching
|
||
|
you and the voice enveloping you. Asleep or awake, working or eating,
|
||
|
indoors or out of doors, in the bath or in bed--no escape. Nothing was your
|
||
|
own except the few cubic centimetres inside your skull.
|
||
|
|
||
|
The sun had shifted round, and the myriad windows of the Ministry of Truth,
|
||
|
with the light no longer shining on them, looked grim as the loopholes of a
|
||
|
fortress. His heart quailed before the enormous pyramidal shape. It was too
|
||
|
strong, it could not be stormed. A thousand rocket bombs would not batter
|
||
|
it down. He wondered again for whom he was writing the diary. For the
|
||
|
future, for the past--for an age that might be imaginary. And in front of
|
||
|
him there lay not death but annihilation. The diary would be reduced to
|
||
|
ashes and himself to vapour. Only the Thought Police would read what he had
|
||
|
written, before they wiped it out of existence and out of memory. How could
|
||
|
you make appeal to the future when not a trace of you, not even an
|
||
|
anonymous word scribbled on a piece of paper, could physically survive?
|
||
|
|
||
|
The telescreen struck fourteen. He must leave in ten minutes. He had to be
|
||
|
back at work by fourteen-thirty.
|
||
|
|
||
|
Curiously, the chiming of the hour seemed to have put new heart into him.
|
||
|
He was a lonely ghost uttering a truth that nobody would ever hear. But so
|
||
|
long as he uttered it, in some obscure way the continuity was not broken.
|
||
|
It was not by making yourself heard but by staying sane that you carried on
|
||
|
the human heritage. He went back to the table, dipped his pen, and wrote:
|
||
|
|
||
|
|
||
|
To the future or to the past, to a time when thought is free, when men
|
||
|
are different from one another and do not live alone--to a time when truth
|
||
|
exists and what is done cannot be undone:
|
||
|
From the age of uniformity, from the age of solitude, from the age of
|
||
|
Big Brother, from the age of doublethink--greetings!
|
||
|
|
||
|
|
||
|
He was already dead, he reflected. It seemed to him that it was only now,
|
||
|
when he had begun to be able to formulate his thoughts, that he had taken
|
||
|
the decisive step. The consequences of every act are included in the act
|
||
|
itself. He wrote:
|
||
|
|
||
|
|
||
|
Thoughtcrime does not entail death: thoughtcrime IS death.
|
||
|
|
||
|
|
||
|
Now he had recognized himself as a dead man it became important to stay
|
||
|
alive as long as possible. Two fingers of his right hand were inkstained.
|
||
|
It was exactly the kind of detail that might betray you. Some nosing zealot
|
||
|
in the Ministry (a woman, probably: someone like the little sandy-haired
|
||
|
woman or the dark-haired girl from the Fiction Department) might start
|
||
|
wondering why he had been writing during the lunch interval, why he had
|
||
|
used an old-fashioned pen, WHAT he had been writing--and then drop a hint
|
||
|
in the appropriate quarter. He went to the bathroom and carefully scrubbed
|
||
|
the ink away with the gritty dark-brown soap which rasped your skin like
|
||
|
sandpaper and was therefore well adapted for this purpose.
|
||
|
|
||
|
He put the diary away in the drawer. It was quite useless to think of
|
||
|
hiding it, but he could at least make sure whether or not its existence had
|
||
|
been discovered. A hair laid across the page-ends was too obvious. With the
|
||
|
tip of his finger he picked up an identifiable grain of whitish dust and
|
||
|
deposited it on the corner of the cover, where it was bound to be shaken
|
||
|
off if the book was moved.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Chapter 3
|
||
|
|
||
|
|
||
|
|
||
|
Winston was dreaming of his mother.
|
||
|
|
||
|
He must, he thought, have been ten or eleven years old when his mother had
|
||
|
disappeared. She was a tall, statuesque, rather silent woman with slow
|
||
|
movements and magnificent fair hair. His father he remembered more vaguely
|
||
|
as dark and thin, dressed always in neat dark clothes (Winston remembered
|
||
|
especially the very thin soles of his father's shoes) and wearing
|
||
|
spectacles. The two of them must evidently have been swallowed up in one
|
||
|
of the first great purges of the fifties.
|
||
|
|
||
|
At this moment his mother was sitting in some place deep down beneath him,
|
||
|
with his young sister in her arms. He did not remember his sister at all,
|
||
|
except as a tiny, feeble baby, always silent, with large, watchful eyes.
|
||
|
Both of them were looking up at him. They were down in some subterranean
|
||
|
place--the bottom of a well, for instance, or a very deep grave--but it
|
||
|
was a place which, already far below him, was itself moving downwards.
|
||
|
They were in the saloon of a sinking ship, looking up at him through the
|
||
|
darkening water. There was still air in the saloon, they could still see
|
||
|
him and he them, but all the while they were sinking down, down into the
|
||
|
green waters which in another moment must hide them from sight for ever.
|
||
|
He was out in the light and air while they were being sucked down to death,
|
||
|
and they were down there because he was up here. He knew it and they knew
|
||
|
it, and he could see the knowledge in their faces. There was no reproach
|
||
|
either in their faces or in their hearts, only the knowledge that they
|
||
|
must die in order that he might remain alive, and that this was part of
|
||
|
the unavoidable order of things.
|
||
|
|
||
|
He could not remember what had happened, but he knew in his dream that in
|
||
|
some way the lives of his mother and his sister had been sacrificed to his
|
||
|
own. It was one of those dreams which, while retaining the characteristic
|
||
|
dream scenery, are a continuation of one's intellectual life, and in which
|
||
|
one becomes aware of facts and ideas which still seem new and valuable
|
||
|
after one is awake. The thing that now suddenly struck Winston was that his
|
||
|
mother's death, nearly thirty years ago, had been tragic and sorrowful in
|
||
|
a way that was no longer possible. Tragedy, he perceived, belonged to the
|
||
|
ancient time, to a time when there was still privacy, love, and friendship,
|
||
|
and when the members of a family stood by one another without needing to
|
||
|
know the reason. His mother's memory tore at his heart because she had died
|
||
|
loving him, when he was too young and selfish to love her in return, and
|
||
|
because somehow, he did not remember how, she had sacrificed herself to a
|
||
|
conception of loyalty that was private and unalterable. Such things, he
|
||
|
saw, could not happen today. Today there were fear, hatred, and pain, but
|
||
|
no dignity of emotion, no deep or complex sorrows. All this he seemed to
|
||
|
see in the large eyes of his mother and his sister, looking up at him
|
||
|
through the green water, hundreds of fathoms down and still sinking.
|
||
|
|
||
|
Suddenly he was standing on short springy turf, on a summer evening when
|
||
|
the slanting rays of the sun gilded the ground. The landscape that he was
|
||
|
looking at recurred so often in his dreams that he was never fully certain
|
||
|
whether or not he had seen it in the real world. In his waking thoughts he
|
||
|
called it the Golden Country. It was an old, rabbit-bitten pasture, with a
|
||
|
foot-track wandering across it and a molehill here and there. In the ragged
|
||
|
hedge on the opposite side of the field the boughs of the elm trees were
|
||
|
swaying very faintly in the breeze, their leaves just stirring in dense
|
||
|
masses like women's hair. Somewhere near at hand, though out of sight,
|
||
|
there was a clear, slow-moving stream where dace were swimming in the
|
||
|
pools under the willow trees.
|
||
|
|
||
|
The girl with dark hair was coming towards them across the field. With
|
||
|
what seemed a single movement she tore off her clothes and flung them
|
||
|
disdainfully aside. Her body was white and smooth, but it aroused no desire
|
||
|
in him, indeed he barely looked at it. What overwhelmed him in that instant
|
||
|
was admiration for the gesture with which she had thrown her clothes aside.
|
||
|
With its grace and carelessness it seemed to annihilate a whole culture,
|
||
|
a whole system of thought, as though Big Brother and the Party and the
|
||
|
Thought Police could all be swept into nothingness by a single splendid
|
||
|
movement of the arm. That too was a gesture belonging to the ancient time.
|
||
|
Winston woke up with the word 'Shakespeare' on his lips.
|
||
|
|
||
|
The telescreen was giving forth an ear-splitting whistle which continued on
|
||
|
the same note for thirty seconds. It was nought seven fifteen, getting-up
|
||
|
time for office workers. Winston wrenched his body out of bed--naked, for
|
||
|
a member of the Outer Party received only 3,000 clothing coupons annually,
|
||
|
and a suit of pyjamas was 600--and seized a dingy singlet and a pair of
|
||
|
shorts that were lying across a chair. The Physical Jerks would begin in
|
||
|
three minutes. The next moment he was doubled up by a violent coughing fit
|
||
|
which nearly always attacked him soon after waking up. It emptied his lungs
|
||
|
so completely that he could only begin breathing again by lying on his back
|
||
|
and taking a series of deep gasps. His veins had swelled with the effort of
|
||
|
the cough, and the varicose ulcer had started itching.
|
||
|
|
||
|
'Thirty to forty group!' yapped a piercing female voice. 'Thirty to forty
|
||
|
group! Take your places, please. Thirties to forties!'
|
||
|
|
||
|
Winston sprang to attention in front of the telescreen, upon which the
|
||
|
image of a youngish woman, scrawny but muscular, dressed in tunic and
|
||
|
gym-shoes, had already appeared.
|
||
|
|
||
|
'Arms bending and stretching!' she rapped out. 'Take your time by me. ONE,
|
||
|
two, three, four! ONE, two, three, four! Come on, comrades, put a bit of
|
||
|
life into it! ONE, two, three four! ONE two, three, four!...'
|
||
|
|
||
|
The pain of the coughing fit had not quite driven out of Winston's mind the
|
||
|
impression made by his dream, and the rhythmic movements of the exercise
|
||
|
restored it somewhat. As he mechanically shot his arms back and forth,
|
||
|
wearing on his face the look of grim enjoyment which was considered proper
|
||
|
during the Physical Jerks, he was struggling to think his way backward into
|
||
|
the dim period of his early childhood. It was extraordinarily difficult.
|
||
|
Beyond the late fifties everything faded. When there were no external
|
||
|
records that you could refer to, even the outline of your own life lost
|
||
|
its sharpness. You remembered huge events which had quite probably not
|
||
|
happened, you remembered the detail of incidents without being able to
|
||
|
recapture their atmosphere, and there were long blank periods to which you
|
||
|
could assign nothing. Everything had been different then. Even the names of
|
||
|
countries, and their shapes on the map, had been different. Airstrip One,
|
||
|
for instance, had not been so called in those days: it had been called
|
||
|
England or Britain, though London, he felt fairly certain, had always been
|
||
|
called London.
|
||
|
|
||
|
Winston could not definitely remember a time when his country had not been
|
||
|
at war, but it was evident that there had been a fairly long interval of
|
||
|
peace during his childhood, because one of his early memories was of an air
|
||
|
raid which appeared to take everyone by surprise. Perhaps it was the time
|
||
|
when the atomic bomb had fallen on Colchester. He did not remember the raid
|
||
|
itself, but he did remember his father's hand clutching his own as they
|
||
|
hurried down, down, down into some place deep in the earth, round and round
|
||
|
a spiral staircase which rang under his feet and which finally so wearied
|
||
|
his legs that he began whimpering and they had to stop and rest. His
|
||
|
mother, in her slow, dreamy way, was following a long way behind them. She
|
||
|
was carrying his baby sister--or perhaps it was only a bundle of blankets
|
||
|
that she was carrying: he was not certain whether his sister had been born
|
||
|
then. Finally they had emerged into a noisy, crowded place which he had
|
||
|
realized to be a Tube station.
|
||
|
|
||
|
There were people sitting all over the stone-flagged floor, and other
|
||
|
people, packed tightly together, were sitting on metal bunks, one above
|
||
|
the other. Winston and his mother and father found themselves a place on
|
||
|
the floor, and near them an old man and an old woman were sitting side by
|
||
|
side on a bunk. The old man had on a decent dark suit and a black cloth cap
|
||
|
pushed back from very white hair: his face was scarlet and his eyes were
|
||
|
blue and full of tears. He reeked of gin. It seemed to breathe out of his
|
||
|
skin in place of sweat, and one could have fancied that the tears welling
|
||
|
from his eyes were pure gin. But though slightly drunk he was also
|
||
|
suffering under some grief that was genuine and unbearable. In his childish
|
||
|
way Winston grasped that some terrible thing, something that was beyond
|
||
|
forgiveness and could never be remedied, had just happened. It also seemed
|
||
|
to him that he knew what it was. Someone whom the old man loved--a little
|
||
|
granddaughter, perhaps--had been killed. Every few minutes the old man kept
|
||
|
repeating:
|
||
|
|
||
|
'We didn't ought to 'ave trusted 'em. I said so, Ma, didn't I? That's what
|
||
|
comes of trusting 'em. I said so all along. We didn't ought to 'ave trusted
|
||
|
the buggers.'
|
||
|
|
||
|
But which buggers they didn't ought to have trusted Winston could not now
|
||
|
remember.
|
||
|
|
||
|
Since about that time, war had been literally continuous, though strictly
|
||
|
speaking it had not always been the same war. For several months during his
|
||
|
childhood there had been confused street fighting in London itself, some
|
||
|
of which he remembered vividly. But to trace out the history of the whole
|
||
|
period, to say who was fighting whom at any given moment, would have been
|
||
|
utterly impossible, since no written record, and no spoken word, ever made
|
||
|
mention of any other alignment than the existing one. At this moment, for
|
||
|
example, in 1984 (if it was 1984), Oceania was at war with Eurasia and
|
||
|
in alliance with Eastasia. In no public or private utterance was it ever
|
||
|
admitted that the three powers had at any time been grouped along different
|
||
|
lines. Actually, as Winston well knew, it was only four years since Oceania
|
||
|
had been at war with Eastasia and in alliance with Eurasia. But that was
|
||
|
merely a piece of furtive knowledge which he happened to possess because
|
||
|
his memory was not satisfactorily under control. Officially the change of
|
||
|
partners had never happened. Oceania was at war with Eurasia: therefore
|
||
|
Oceania had always been at war with Eurasia. The enemy of the moment always
|
||
|
represented absolute evil, and it followed that any past or future
|
||
|
agreement with him was impossible.
|
||
|
|
||
|
The frightening thing, he reflected for the ten thousandth time as he
|
||
|
forced his shoulders painfully backward (with hands on hips, they were
|
||
|
gyrating their bodies from the waist, an exercise that was supposed to be
|
||
|
good for the back muscles)--the frightening thing was that it might all be
|
||
|
true. If the Party could thrust its hand into the past and say of this or
|
||
|
that event, IT NEVER HAPPENED--that, surely, was more terrifying than mere
|
||
|
torture and death?
|
||
|
|
||
|
The Party said that Oceania had never been in alliance with Eurasia. He,
|
||
|
Winston Smith, knew that Oceania had been in alliance with Eurasia as short
|
||
|
a time as four years ago. But where did that knowledge exist? Only in his
|
||
|
own consciousness, which in any case must soon be annihilated. And if all
|
||
|
others accepted the lie which the Party imposed--if all records told the
|
||
|
same tale--then the lie passed into history and became truth. 'Who controls
|
||
|
the past,' ran the Party slogan, 'controls the future: who controls the
|
||
|
present controls the past.' And yet the past, though of its nature
|
||
|
alterable, never had been altered. Whatever was true now was true from
|
||
|
everlasting to everlasting. It was quite simple. All that was needed was
|
||
|
an unending series of victories over your own memory. 'Reality control',
|
||
|
they called it: in Newspeak, 'doublethink'.
|
||
|
|
||
|
'Stand easy!' barked the instructress, a little more genially.
|
||
|
|
||
|
Winston sank his arms to his sides and slowly refilled his lungs with air.
|
||
|
His mind slid away into the labyrinthine world of doublethink. To know
|
||
|
and not to know, to be conscious of complete truthfulness while telling
|
||
|
carefully constructed lies, to hold simultaneously two opinions which
|
||
|
cancelled out, knowing them to be contradictory and believing in both of
|
||
|
them, to use logic against logic, to repudiate morality while laying claim
|
||
|
to it, to believe that democracy was impossible and that the Party was the
|
||
|
guardian of democracy, to forget whatever it was necessary to forget, then
|
||
|
to draw it back into memory again at the moment when it was needed, and
|
||
|
then promptly to forget it again: and above all, to apply the same process
|
||
|
to the process itself. That was the ultimate subtlety: consciously to
|
||
|
induce unconsciousness, and then, once again, to become unconscious of
|
||
|
the act of hypnosis you had just performed. Even to understand the word
|
||
|
'doublethink' involved the use of doublethink.
|
||
|
|
||
|
The instructress had called them to attention again. 'And now let's see
|
||
|
which of us can touch our toes!' she said enthusiastically. 'Right over
|
||
|
from the hips, please, comrades. ONE-two! ONE-two!...'
|
||
|
|
||
|
Winston loathed this exercise, which sent shooting pains all the way from
|
||
|
his heels to his buttocks and often ended by bringing on another coughing
|
||
|
fit. The half-pleasant quality went out of his meditations. The past, he
|
||
|
reflected, had not merely been altered, it had been actually destroyed. For
|
||
|
how could you establish even the most obvious fact when there existed no
|
||
|
record outside your own memory? He tried to remember in what year he had
|
||
|
first heard mention of Big Brother. He thought it must have been at some
|
||
|
time in the sixties, but it was impossible to be certain. In the Party
|
||
|
histories, of course, Big Brother figured as the leader and guardian of the
|
||
|
Revolution since its very earliest days. His exploits had been gradually
|
||
|
pushed backwards in time until already they extended into the fabulous
|
||
|
world of the forties and the thirties, when the capitalists in their
|
||
|
strange cylindrical hats still rode through the streets of London in great
|
||
|
gleaming motor-cars or horse carriages with glass sides. There was no
|
||
|
knowing how much of this legend was true and how much invented. Winston
|
||
|
could not even remember at what date the Party itself had come into
|
||
|
existence. He did not believe he had ever heard the word Ingsoc before
|
||
|
1960, but it was possible that in its Oldspeak form--'English Socialism',
|
||
|
that is to say--it had been current earlier. Everything melted into mist.
|
||
|
Sometimes, indeed, you could put your finger on a definite lie. It was not
|
||
|
true, for example, as was claimed in the Party history books, that the
|
||
|
Party had invented aeroplanes. He remembered aeroplanes since his earliest
|
||
|
childhood. But you could prove nothing. There was never any evidence. Just
|
||
|
once in his whole life he had held in his hands unmistakable documentary
|
||
|
proof of the falsification of an historical fact. And on that occasion----
|
||
|
|
||
|
'Smith!' screamed the shrewish voice from the telescreen. '6079 Smith W.!
|
||
|
Yes, YOU! Bend lower, please! You can do better than that. You're not
|
||
|
trying. Lower, please! THAT'S better, comrade. Now stand at ease, the
|
||
|
whole squad, and watch me.'
|
||
|
|
||
|
A sudden hot sweat had broken out all over Winston's body. His face
|
||
|
remained completely inscrutable. Never show dismay! Never show resentment!
|
||
|
A single flicker of the eyes could give you away. He stood watching while
|
||
|
the instructress raised her arms above her head and--one could not say
|
||
|
gracefully, but with remarkable neatness and efficiency--bent over and
|
||
|
tucked the first joint of her fingers under her toes.
|
||
|
|
||
|
'THERE, comrades! THAT'S how I want to see you doing it. Watch me again.
|
||
|
I'm thirty-nine and I've had four children. Now look.' She bent over again.
|
||
|
'You see MY knees aren't bent. You can all do it if you want to,' she added
|
||
|
as she straightened herself up. 'Anyone under forty-five is perfectly
|
||
|
capable of touching his toes. We don't all have the privilege of fighting
|
||
|
in the front line, but at least we can all keep fit. Remember our boys on
|
||
|
the Malabar front! And the sailors in the Floating Fortresses! Just think
|
||
|
what THEY have to put up with. Now try again. That's better, comrade,
|
||
|
that's MUCH better,' she added encouragingly as Winston, with a violent
|
||
|
lunge, succeeded in touching his toes with knees unbent, for the first
|
||
|
time in several years.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Chapter 4
|
||
|
|
||
|
|
||
|
|
||
|
With the deep, unconscious sigh which not even the nearness of the
|
||
|
telescreen could prevent him from uttering when his day's work started,
|
||
|
Winston pulled the speakwrite towards him, blew the dust from its
|
||
|
mouthpiece, and put on his spectacles. Then he unrolled and clipped
|
||
|
together four small cylinders of paper which had already flopped out of
|
||
|
the pneumatic tube on the right-hand side of his desk.
|
||
|
|
||
|
In the walls of the cubicle there were three orifices. To the right of the
|
||
|
speakwrite, a small pneumatic tube for written messages, to the left, a
|
||
|
larger one for newspapers; and in the side wall, within easy reach of
|
||
|
Winston's arm, a large oblong slit protected by a wire grating. This last
|
||
|
was for the disposal of waste paper. Similar slits existed in thousands or
|
||
|
tens of thousands throughout the building, not only in every room but at
|
||
|
short intervals in every corridor. For some reason they were nicknamed
|
||
|
memory holes. When one knew that any document was due for destruction, or
|
||
|
even when one saw a scrap of waste paper lying about, it was an automatic
|
||
|
action to lift the flap of the nearest memory hole and drop it in,
|
||
|
whereupon it would be whirled away on a current of warm air to the enormous
|
||
|
furnaces which were hidden somewhere in the recesses of the building.
|
||
|
|
||
|
Winston examined the four slips of paper which he had unrolled. Each
|
||
|
contained a message of only one or two lines, in the abbreviated
|
||
|
jargon--not actually Newspeak, but consisting
|
||
|
largely of Newspeak words--which was used in the Ministry for internal
|
||
|
purposes. They ran:
|
||
|
|
||
|
|
||
|
times 17.3.84 bb speech malreported africa rectify
|
||
|
|
||
|
times 19.12.83 forecasts 3 yp 4th quarter 83 misprints verify current issue
|
||
|
|
||
|
times 14.2.84 miniplenty malquoted chocolate rectify
|
||
|
|
||
|
times 3.12.83 reporting bb dayorder doubleplusungood refs unpersons rewrite
|
||
|
fullwise upsub antefiling
|
||
|
|
||
|
|
||
|
With a faint feeling of satisfaction Winston laid the fourth message aside.
|
||
|
It was an intricate and responsible job and had better be dealt with last.
|
||
|
The other three were routine matters, though the second one would probably
|
||
|
mean some tedious wading through lists of figures.
|
||
|
|
||
|
Winston dialled 'back numbers' on the telescreen and called for the
|
||
|
appropriate issues of 'The Times', which slid out of the pneumatic tube
|
||
|
after only a few minutes' delay. The messages he had received referred to
|
||
|
articles or news items which for one reason or another it was thought
|
||
|
necessary to alter, or, as the official phrase had it, to rectify. For
|
||
|
example, it appeared from 'The Times' of the seventeenth of March that Big
|
||
|
Brother, in his speech of the previous day, had predicted that the South
|
||
|
Indian front would remain quiet but that a Eurasian offensive would shortly
|
||
|
be launched in North Africa. As it happened, the Eurasian Higher Command
|
||
|
had launched its offensive in South India and left North Africa alone. It
|
||
|
was therefore necessary to rewrite a paragraph of Big Brother's speech, in
|
||
|
such a way as to make him predict the thing that had actually happened. Or
|
||
|
again, 'The Times' of the nineteenth of December had published the official
|
||
|
forecasts of the output of various classes of consumption goods in the
|
||
|
fourth quarter of 1983, which was also the sixth quarter of the Ninth
|
||
|
Three-Year Plan. Today's issue contained a statement of the actual output,
|
||
|
from which it appeared that the forecasts were in every instance grossly
|
||
|
wrong. Winston's job was to rectify the original figures by making them
|
||
|
agree with the later ones. As for the third message, it referred to a very
|
||
|
simple error which could be set right in a couple of minutes. As short
|
||
|
a time ago as February, the Ministry of Plenty had issued a promise
|
||
|
(a 'categorical pledge' were the official words) that there would be
|
||
|
no reduction of the chocolate ration during 1984. Actually, as Winston
|
||
|
was aware, the chocolate ration was to be reduced from thirty grammes
|
||
|
to twenty at the end of the present week. All that was needed was to
|
||
|
substitute for the original promise a warning that it would probably be
|
||
|
necessary to reduce the ration at some time in April.
|
||
|
|
||
|
As soon as Winston had dealt with each of the messages, he clipped his
|
||
|
speakwritten corrections to the appropriate copy of 'The Times' and pushed
|
||
|
them into the pneumatic tube. Then, with a movement which was as nearly as
|
||
|
possible unconscious, he crumpled up the original message and any notes
|
||
|
that he himself had made, and dropped them into the memory hole to be
|
||
|
devoured by the flames.
|
||
|
|
||
|
What happened in the unseen labyrinth to which the pneumatic tubes led, he
|
||
|
did not know in detail, but he did know in general terms. As soon as all
|
||
|
the corrections which happened to be necessary in any particular number
|
||
|
of 'The Times' had been assembled and collated, that number would be
|
||
|
reprinted, the original copy destroyed, and the corrected copy placed on
|
||
|
the files in its stead. This process of continuous alteration was applied
|
||
|
not only to newspapers, but to books, periodicals, pamphlets, posters,
|
||
|
leaflets, films, sound-tracks, cartoons, photographs--to every kind of
|
||
|
literature or documentation which might conceivably hold any political or
|
||
|
ideological significance. Day by day and almost minute by minute the past
|
||
|
was brought up to date. In this way every prediction made by the Party
|
||
|
could be shown by documentary evidence to have been correct, nor was any
|
||
|
item of news, or any expression of opinion, which conflicted with the
|
||
|
needs of the moment, ever allowed to remain on record. All history was
|
||
|
a palimpsest, scraped clean and reinscribed exactly as often as was
|
||
|
necessary. In no case would it have been possible, once the deed was done,
|
||
|
to prove that any falsification had taken place. The largest section of
|
||
|
the Records Department, far larger than the one on which Winston worked,
|
||
|
consisted simply of persons whose duty it was to track down and collect all
|
||
|
copies of books, newspapers, and other documents which had been superseded
|
||
|
and were due for destruction. A number of 'The Times' which might, because
|
||
|
of changes in political alignment, or mistaken prophecies uttered by Big
|
||
|
Brother, have been rewritten a dozen times still stood on the files bearing
|
||
|
its original date, and no other copy existed to contradict it. Books, also,
|
||
|
were recalled and rewritten again and again, and were invariably reissued
|
||
|
without any admission that any alteration had been made. Even the written
|
||
|
instructions which Winston received, and which he invariably got rid of
|
||
|
as soon as he had dealt with them, never stated or implied that an act of
|
||
|
forgery was to be committed: always the reference was to slips, errors,
|
||
|
misprints, or misquotations which it was necessary to put right in the
|
||
|
interests of accuracy.
|
||
|
|
||
|
But actually, he thought as he re-adjusted the Ministry of Plenty's
|
||
|
figures, it was not even forgery. It was merely the substitution of one
|
||
|
piece of nonsense for another. Most of the material that you were dealing
|
||
|
with had no connexion with anything in the real world, not even the kind of
|
||
|
connexion that is contained in a direct lie. Statistics were just as much
|
||
|
a fantasy in their original version as in their rectified version. A great
|
||
|
deal of the time you were expected to make them up out of your head. For
|
||
|
example, the Ministry of Plenty's forecast had estimated the output of
|
||
|
boots for the quarter at 145 million pairs. The actual output was given as
|
||
|
sixty-two millions. Winston, however, in rewriting the forecast, marked
|
||
|
the figure down to fifty-seven millions, so as to allow for the usual claim
|
||
|
that the quota had been overfulfilled. In any case, sixty-two millions was
|
||
|
no nearer the truth than fifty-seven millions, or than 145 millions. Very
|
||
|
likely no boots had been produced at all. Likelier still, nobody knew
|
||
|
how many had been produced, much less cared. All one knew was that every
|
||
|
quarter astronomical numbers of boots were produced on paper, while perhaps
|
||
|
half the population of Oceania went barefoot. And so it was with every
|
||
|
class of recorded fact, great or small. Everything faded away into a
|
||
|
shadow-world in which, finally, even the date of the year had become
|
||
|
uncertain.
|
||
|
|
||
|
Winston glanced across the hall. In the corresponding cubicle on the other
|
||
|
side a small, precise-looking, dark-chinned man named Tillotson was working
|
||
|
steadily away, with a folded newspaper on his knee and his mouth very close
|
||
|
to the mouthpiece of the speakwrite. He had the air of trying to keep what
|
||
|
he was saying a secret between himself and the telescreen. He looked up,
|
||
|
and his spectacles darted a hostile flash in Winston's direction.
|
||
|
|
||
|
Winston hardly knew Tillotson, and had no idea what work he was employed
|
||
|
on. People in the Records Department did not readily talk about their jobs.
|
||
|
In the long, windowless hall, with its double row of cubicles and its
|
||
|
endless rustle of papers and hum of voices murmuring into speakwrites,
|
||
|
there were quite a dozen people whom Winston did not even know by name,
|
||
|
though he daily saw them hurrying to and fro in the corridors or
|
||
|
gesticulating in the Two Minutes Hate. He knew that in the cubicle next
|
||
|
to him the little woman with sandy hair toiled day in day out, simply at
|
||
|
tracking down and deleting from the Press the names of people who had been
|
||
|
vaporized and were therefore considered never to have existed. There was a
|
||
|
certain fitness in this, since her own husband had been vaporized a couple
|
||
|
of years earlier. And a few cubicles away a mild, ineffectual, dreamy
|
||
|
creature named Ampleforth, with very hairy ears and a surprising talent
|
||
|
for juggling with rhymes and metres, was engaged in producing garbled
|
||
|
versions--definitive texts, they were called--of poems which had become
|
||
|
ideologically offensive, but which for one reason or another were to be
|
||
|
retained in the anthologies. And this hall, with its fifty workers or
|
||
|
thereabouts, was only one sub-section, a single cell, as it were, in the
|
||
|
huge complexity of the Records Department. Beyond, above, below, were other
|
||
|
swarms of workers engaged in an unimaginable multitude of jobs. There were
|
||
|
the huge printing-shops with their sub-editors, their typography experts,
|
||
|
and their elaborately equipped studios for the faking of photographs. There
|
||
|
was the tele-programmes section with its engineers, its producers, and its
|
||
|
teams of actors specially chosen for their skill in imitating voices. There
|
||
|
were the armies of reference clerks whose job was simply to draw up lists
|
||
|
of books and periodicals which were due for recall. There were the vast
|
||
|
repositories where the corrected documents were stored, and the hidden
|
||
|
furnaces where the original copies were destroyed. And somewhere or other,
|
||
|
quite anonymous, there were the directing brains who co-ordinated the whole
|
||
|
effort and laid down the lines of policy which made it necessary that this
|
||
|
fragment of the past should be preserved, that one falsified, and the other
|
||
|
rubbed out of existence.
|
||
|
|
||
|
And the Records Department, after all, was itself only a single branch of
|
||
|
the Ministry of Truth, whose primary job was not to reconstruct the past
|
||
|
but to supply the citizens of Oceania with newspapers, films, textbooks,
|
||
|
telescreen programmes, plays, novels--with every conceivable kind of
|
||
|
information, instruction, or entertainment, from a statue to a slogan,
|
||
|
from a lyric poem to a biological treatise, and from a child's
|
||
|
spelling-book to a Newspeak dictionary. And the Ministry had not only to
|
||
|
supply the multifarious needs of the party, but also to repeat the whole
|
||
|
operation at a lower level for the benefit of the proletariat. There
|
||
|
was a whole chain of separate departments dealing with proletarian
|
||
|
literature, music, drama, and entertainment generally. Here were produced
|
||
|
rubbishy newspapers containing almost nothing except sport, crime and
|
||
|
astrology, sensational five-cent novelettes, films oozing with sex, and
|
||
|
sentimental songs which were composed entirely by mechanical means on a
|
||
|
special kind of kaleidoscope known as a versificator. There was even
|
||
|
a whole sub-section--Pornosec, it was called in Newspeak--engaged in
|
||
|
producing the lowest kind of pornography, which was sent out in sealed
|
||
|
packets and which no Party member, other than those who worked on it,
|
||
|
was permitted to look at.
|
||
|
|
||
|
Three messages had slid out of the pneumatic tube while Winston was
|
||
|
working, but they were simple matters, and he had disposed of them before
|
||
|
the Two Minutes Hate interrupted him. When the Hate was over he returned
|
||
|
to his cubicle, took the Newspeak dictionary from the shelf, pushed the
|
||
|
speakwrite to one side, cleaned his spectacles, and settled down to his
|
||
|
main job of the morning.
|
||
|
|
||
|
Winston's greatest pleasure in life was in his work. Most of it was a
|
||
|
tedious routine, but included in it there were also jobs so difficult and
|
||
|
intricate that you could lose yourself in them as in the depths of a
|
||
|
mathematical problem--delicate pieces of forgery in which you had nothing
|
||
|
to guide you except your knowledge of the principles of Ingsoc and your
|
||
|
estimate of what the Party wanted you to say. Winston was good at this kind
|
||
|
of thing. On occasion he had even been entrusted with the rectification of
|
||
|
'The Times' leading articles, which were written entirely in Newspeak.
|
||
|
He unrolled the message that he had set aside earlier. It ran:
|
||
|
|
||
|
|
||
|
times 3.12.83 reporting bb dayorder doubleplusungood refs unpersons
|
||
|
rewrite fullwise upsub antefiling
|
||
|
|
||
|
|
||
|
In Oldspeak (or standard English) this might be rendered:
|
||
|
|
||
|
|
||
|
The reporting of Big Brother's Order for the Day in 'The Times' of December
|
||
|
3rd 1983 is extremely unsatisfactory and makes references to non-existent
|
||
|
persons. Rewrite it in full and submit your draft to higher authority
|
||
|
before filing.
|
||
|
|
||
|
|
||
|
Winston read through the offending article. Big Brother's Order for the
|
||
|
Day, it seemed, had been chiefly devoted to praising the work of an
|
||
|
organization known as FFCC, which supplied cigarettes and other comforts
|
||
|
to the sailors in the Floating Fortresses. A certain Comrade Withers, a
|
||
|
prominent member of the Inner Party, had been singled out for special
|
||
|
mention and awarded a decoration, the Order of Conspicuous Merit, Second
|
||
|
Class.
|
||
|
|
||
|
Three months later FFCC had suddenly been dissolved with no reasons given.
|
||
|
One could assume that Withers and his associates were now in disgrace, but
|
||
|
there had been no report of the matter in the Press or on the telescreen.
|
||
|
That was to be expected, since it was unusual for political offenders to
|
||
|
be put on trial or even publicly denounced. The great purges involving
|
||
|
thousands of people, with public trials of traitors and thought-criminals
|
||
|
who made abject confession of their crimes and were afterwards executed,
|
||
|
were special show-pieces not occurring oftener than once in a couple of
|
||
|
years. More commonly, people who had incurred the displeasure of the
|
||
|
Party simply disappeared and were never heard of again. One never had the
|
||
|
smallest clue as to what had happened to them. In some cases they might
|
||
|
not even be dead. Perhaps thirty people personally known to Winston, not
|
||
|
counting his parents, had disappeared at one time or another.
|
||
|
|
||
|
Winston stroked his nose gently with a paper-clip. In the cubicle
|
||
|
across the way Comrade Tillotson was still crouching secretively over
|
||
|
his speakwrite. He raised his head for a moment: again the hostile
|
||
|
spectacle-flash. Winston wondered whether Comrade Tillotson was engaged
|
||
|
on the same job as himself. It was perfectly possible. So tricky a piece
|
||
|
of work would never be entrusted to a single person: on the other hand,
|
||
|
to turn it over to a committee would be to admit openly that an act of
|
||
|
fabrication was taking place. Very likely as many as a dozen people were
|
||
|
now working away on rival versions of what Big Brother had actually said.
|
||
|
And presently some master brain in the Inner Party would select this
|
||
|
version or that, would re-edit it and set in motion the complex processes
|
||
|
of cross-referencing that would be required, and then the chosen lie
|
||
|
would pass into the permanent records and become truth.
|
||
|
|
||
|
Winston did not know why Withers had been disgraced. Perhaps it was for
|
||
|
corruption or incompetence. Perhaps Big Brother was merely getting rid of
|
||
|
a too-popular subordinate. Perhaps Withers or someone close to him had
|
||
|
been suspected of heretical tendencies. Or perhaps--what was likeliest of
|
||
|
all--the thing had simply happened because purges and vaporizations were a
|
||
|
necessary part of the mechanics of government. The only real clue lay in
|
||
|
the words 'refs unpersons', which indicated that Withers was already dead.
|
||
|
You could not invariably assume this to be the case when people were
|
||
|
arrested. Sometimes they were released and allowed to remain at liberty
|
||
|
for as much as a year or two years before being executed. Very occasionally
|
||
|
some person whom you had believed dead long since would make a ghostly
|
||
|
reappearance at some public trial where he would implicate hundreds of
|
||
|
others by his testimony before vanishing, this time for ever. Withers,
|
||
|
however, was already an UNPERSON. He did not exist: he had never existed.
|
||
|
Winston decided that it would not be enough simply to reverse the tendency
|
||
|
of Big Brother's speech. It was better to make it deal with something
|
||
|
totally unconnected with its original subject.
|
||
|
|
||
|
He might turn the speech into the usual denunciation of traitors and
|
||
|
thought-criminals, but that was a little too obvious, while to invent a
|
||
|
victory at the front, or some triumph of over-production in the Ninth
|
||
|
Three-Year Plan, might complicate the records too much. What was needed
|
||
|
was a piece of pure fantasy. Suddenly there sprang into his mind, ready
|
||
|
made as it were, the image of a certain Comrade Ogilvy, who had recently
|
||
|
died in battle, in heroic circumstances. There were occasions when Big
|
||
|
Brother devoted his Order for the Day to commemorating some humble,
|
||
|
rank-and-file Party member whose life and death he held up as an example
|
||
|
worthy to be followed. Today he should commemorate Comrade Ogilvy. It was
|
||
|
true that there was no such person as Comrade Ogilvy, but a few lines of
|
||
|
print and a couple of faked photographs would soon bring him into
|
||
|
existence.
|
||
|
|
||
|
Winston thought for a moment, then pulled the speakwrite towards him and
|
||
|
began dictating in Big Brother's familiar style: a style at once military
|
||
|
and pedantic, and, because of a trick of asking questions and then
|
||
|
promptly answering them ('What lessons do we learn from this fact,
|
||
|
comrades? The lesson--which is also one of the fundamental principles
|
||
|
of Ingsoc--that,' etc., etc.), easy to imitate.
|
||
|
|
||
|
At the age of three Comrade Ogilvy had refused all toys except a drum, a
|
||
|
sub-machine gun, and a model helicopter. At six--a year early, by a special
|
||
|
relaxation of the rules--he had joined the Spies, at nine he had been a
|
||
|
troop leader. At eleven he had denounced his uncle to the Thought Police
|
||
|
after overhearing a conversation which appeared to him to have criminal
|
||
|
tendencies. At seventeen he had been a district organizer of the Junior
|
||
|
Anti-Sex League. At nineteen he had designed a hand-grenade which had
|
||
|
been adopted by the Ministry of Peace and which, at its first trial, had
|
||
|
killed thirty-one Eurasian prisoners in one burst. At twenty-three he had
|
||
|
perished in action. Pursued by enemy jet planes while flying over the
|
||
|
Indian Ocean with important despatches, he had weighted his body with his
|
||
|
machine gun and leapt out of the helicopter into deep water, despatches
|
||
|
and all--an end, said Big Brother, which it was impossible to contemplate
|
||
|
without feelings of envy. Big Brother added a few remarks on the purity
|
||
|
and single-mindedness of Comrade Ogilvy's life. He was a total abstainer
|
||
|
and a nonsmoker, had no recreations except a daily hour in the gymnasium,
|
||
|
and had taken a vow of celibacy, believing marriage and the care of a
|
||
|
family to be incompatible with a twenty-four-hour-a-day devotion to duty.
|
||
|
He had no subjects of conversation except the principles of Ingsoc, and
|
||
|
no aim in life except the defeat of the Eurasian enemy and the hunting-down
|
||
|
of spies, saboteurs, thought-criminals, and traitors generally.
|
||
|
|
||
|
Winston debated with himself whether to award Comrade Ogilvy the Order of
|
||
|
Conspicuous Merit: in the end he decided against it because of the
|
||
|
unnecessary cross-referencing that it would entail.
|
||
|
|
||
|
Once again he glanced at his rival in the opposite cubicle. Something
|
||
|
seemed to tell him with certainty that Tillotson was busy on the same job
|
||
|
as himself. There was no way of knowing whose job would finally be adopted,
|
||
|
but he felt a profound conviction that it would be his own. Comrade Ogilvy,
|
||
|
unimagined an hour ago, was now a fact. It struck him as curious that you
|
||
|
could create dead men but not living ones. Comrade Ogilvy, who had never
|
||
|
existed in the present, now existed in the past, and when once the act of
|
||
|
forgery was forgotten, he would exist just as authentically, and upon the
|
||
|
same evidence, as Charlemagne or Julius Caesar.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Chapter 5
|
||
|
|
||
|
|
||
|
|
||
|
In the low-ceilinged canteen, deep underground, the lunch queue jerked
|
||
|
slowly forward. The room was already very full and deafeningly noisy. From
|
||
|
the grille at the counter the steam of stew came pouring forth, with a sour
|
||
|
metallic smell which did not quite overcome the fumes of Victory Gin. On
|
||
|
the far side of the room there was a small bar, a mere hole in the wall,
|
||
|
where gin could be bought at ten cents the large nip.
|
||
|
|
||
|
'Just the man I was looking for,' said a voice at Winston's back.
|
||
|
|
||
|
He turned round. It was his friend Syme, who worked in the Research
|
||
|
Department. Perhaps 'friend' was not exactly the right word. You did not
|
||
|
have friends nowadays, you had comrades: but there were some comrades whose
|
||
|
society was pleasanter than that of others. Syme was a philologist, a
|
||
|
specialist in Newspeak. Indeed, he was one of the enormous team of experts
|
||
|
now engaged in compiling the Eleventh Edition of the Newspeak Dictionary.
|
||
|
He was a tiny creature, smaller than Winston, with dark hair and large,
|
||
|
protuberant eyes, at once mournful and derisive, which seemed to search
|
||
|
your face closely while he was speaking to you.
|
||
|
|
||
|
'I wanted to ask you whether you'd got any razor blades,' he said.
|
||
|
|
||
|
'Not one!' said Winston with a sort of guilty haste. 'I've tried all over
|
||
|
the place. They don't exist any longer.'
|
||
|
|
||
|
Everyone kept asking you for razor blades. Actually he had two unused ones
|
||
|
which he was hoarding up. There had been a famine of them for months past.
|
||
|
At any given moment there was some necessary article which the Party shops
|
||
|
were unable to supply. Sometimes it was buttons, sometimes it was darning
|
||
|
wool, sometimes it was shoelaces; at present it was razor blades. You could
|
||
|
only get hold of them, if at all, by scrounging more or less furtively on
|
||
|
the 'free' market.
|
||
|
|
||
|
'I've been using the same blade for six weeks,' he added untruthfully.
|
||
|
|
||
|
The queue gave another jerk forward. As they halted he turned and faced
|
||
|
Syme again. Each of them took a greasy metal tray from a pile at the end
|
||
|
of the counter.
|
||
|
|
||
|
'Did you go and see the prisoners hanged yesterday?' said Syme.
|
||
|
|
||
|
'I was working,' said Winston indifferently. 'I shall see it on the
|
||
|
flicks, I suppose.'
|
||
|
|
||
|
'A very inadequate substitute,' said Syme.
|
||
|
|
||
|
His mocking eyes roved over Winston's face. 'I know you,' the eyes seemed
|
||
|
to say, 'I see through you. I know very well why you didn't go to see
|
||
|
those prisoners hanged.' In an intellectual way, Syme was venomously
|
||
|
orthodox. He would talk with a disagreeable gloating satisfaction of
|
||
|
helicopter raids on enemy villages, and trials and confessions of
|
||
|
thought-criminals, the executions in the cellars of the Ministry of Love.
|
||
|
Talking to him was largely a matter of getting him away from such subjects
|
||
|
and entangling him, if possible, in the technicalities of Newspeak, on
|
||
|
which he was authoritative and interesting. Winston turned his head a
|
||
|
little aside to avoid the scrutiny of the large dark eyes.
|
||
|
|
||
|
'It was a good hanging,' said Syme reminiscently. 'I think it spoils it
|
||
|
when they tie their feet together. I like to see them kicking. And above
|
||
|
all, at the end, the tongue sticking right out, and blue--a quite bright
|
||
|
blue. That's the detail that appeals to me.'
|
||
|
|
||
|
'Nex', please!' yelled the white-aproned prole with the ladle.
|
||
|
|
||
|
Winston and Syme pushed their trays beneath the grille. On to each was
|
||
|
dumped swiftly the regulation lunch--a metal pannikin of pinkish-grey stew,
|
||
|
a hunk of bread, a cube of cheese, a mug of milkless Victory Coffee, and
|
||
|
one saccharine tablet.
|
||
|
|
||
|
'There's a table over there, under that telescreen,' said Syme. 'Let's pick
|
||
|
up a gin on the way.'
|
||
|
|
||
|
The gin was served out to them in handleless china mugs. They threaded
|
||
|
their way across the crowded room and unpacked their trays on to the
|
||
|
metal-topped table, on one corner of which someone had left a pool of stew,
|
||
|
a filthy liquid mess that had the appearance of vomit. Winston took up his
|
||
|
mug of gin, paused for an instant to collect his nerve, and gulped the
|
||
|
oily-tasting stuff down. When he had winked the tears out of his eyes he
|
||
|
suddenly discovered that he was hungry. He began swallowing spoonfuls of
|
||
|
the stew, which, in among its general sloppiness, had cubes of spongy
|
||
|
pinkish stuff which was probably a preparation of meat. Neither of them
|
||
|
spoke again till they had emptied their pannikins. From the table at
|
||
|
Winston's left, a little behind his back, someone was talking rapidly and
|
||
|
continuously, a harsh gabble almost like the quacking of a duck, which
|
||
|
pierced the general uproar of the room.
|
||
|
|
||
|
'How is the Dictionary getting on?' said Winston, raising his voice to
|
||
|
overcome the noise.
|
||
|
|
||
|
'Slowly,' said Syme. 'I'm on the adjectives. It's fascinating.'
|
||
|
|
||
|
He had brightened up immediately at the mention of Newspeak. He pushed his
|
||
|
pannikin aside, took up his hunk of bread in one delicate hand and his
|
||
|
cheese in the other, and leaned across the table so as to be able to speak
|
||
|
without shouting.
|
||
|
|
||
|
'The Eleventh Edition is the definitive edition,' he said. 'We're getting
|
||
|
the language into its final shape--the shape it's going to have when nobody
|
||
|
speaks anything else. When we've finished with it, people like you will
|
||
|
have to learn it all over again. You think, I dare say, that our chief job
|
||
|
is inventing new words. But not a bit of it! We're destroying words--scores
|
||
|
of them, hundreds of them, every day. We're cutting the language down to
|
||
|
the bone. The Eleventh Edition won't contain a single word that will become
|
||
|
obsolete before the year 2050.'
|
||
|
|
||
|
He bit hungrily into his bread and swallowed a couple of mouthfuls, then
|
||
|
continued speaking, with a sort of pedant's passion. His thin dark face
|
||
|
had become animated, his eyes had lost their mocking expression and grown
|
||
|
almost dreamy.
|
||
|
|
||
|
'It's a beautiful thing, the destruction of words. Of course the great
|
||
|
wastage is in the verbs and adjectives, but there are hundreds of nouns
|
||
|
that can be got rid of as well. It isn't only the synonyms; there are also
|
||
|
the antonyms. After all, what justification is there for a word which is
|
||
|
simply the opposite of some other word? A word contains its opposite in
|
||
|
itself. Take "good", for instance. If you have a word like "good", what
|
||
|
need is there for a word like "bad"? "Ungood" will do just as well--better,
|
||
|
because it's an exact opposite, which the other is not. Or again, if you
|
||
|
want a stronger version of "good", what sense is there in having a whole
|
||
|
string of vague useless words like "excellent" and "splendid" and all the
|
||
|
rest of them? "Plusgood" covers the meaning, or "doubleplusgood" if you
|
||
|
want something stronger still. Of course we use those forms already. but
|
||
|
in the final version of Newspeak there'll be nothing else. In the end the
|
||
|
whole notion of goodness and badness will be covered by only six words--in
|
||
|
reality, only one word. Don't you see the beauty of that, Winston? It was
|
||
|
B.B.'s idea originally, of course,' he added as an afterthought.
|
||
|
|
||
|
A sort of vapid eagerness flitted across Winston's face at the mention of
|
||
|
Big Brother. Nevertheless Syme immediately detected a certain lack of
|
||
|
enthusiasm.
|
||
|
|
||
|
'You haven't a real appreciation of Newspeak, Winston,' he said almost
|
||
|
sadly. 'Even when you write it you're still thinking in Oldspeak. I've read
|
||
|
some of those pieces that you write in "The Times" occasionally. They're
|
||
|
good enough, but they're translations. In your heart you'd prefer to stick
|
||
|
to Oldspeak, with all its vagueness and its useless shades of meaning.
|
||
|
You don't grasp the beauty of the destruction of words. Do you know that
|
||
|
Newspeak is the only language in the world whose vocabulary gets smaller
|
||
|
every year?'
|
||
|
|
||
|
Winston did know that, of course. He smiled, sympathetically he hoped, not
|
||
|
trusting himself to speak. Syme bit off another fragment of the
|
||
|
dark-coloured bread, chewed it briefly, and went on:
|
||
|
|
||
|
'Don't you see that the whole aim of Newspeak is to narrow the range of
|
||
|
thought? In the end we shall make thoughtcrime literally impossible,
|
||
|
because there will be no words in which to express it. Every concept that
|
||
|
can ever be needed, will be expressed by exactly one word, with its meaning
|
||
|
rigidly defined and all its subsidiary meanings rubbed out and forgotten.
|
||
|
Already, in the Eleventh Edition, we're not far from that point. But the
|
||
|
process will still be continuing long after you and I are dead. Every year
|
||
|
fewer and fewer words, and the range of consciousness always a little
|
||
|
smaller. Even now, of course, there's no reason or excuse for committing
|
||
|
thoughtcrime. It's merely a question of self-discipline, reality-control.
|
||
|
But in the end there won't be any need even for that. The Revolution will
|
||
|
be complete when the language is perfect. Newspeak is Ingsoc and Ingsoc
|
||
|
is Newspeak,' he added with a sort of mystical satisfaction. 'Has it ever
|
||
|
occurred to you, Winston, that by the year 2050, at the very latest, not a
|
||
|
single human being will be alive who could understand such a conversation
|
||
|
as we are having now?'
|
||
|
|
||
|
'Except----' began Winston doubtfully, and he stopped.
|
||
|
|
||
|
It had been on the tip of his tongue to say 'Except the proles,' but he
|
||
|
checked himself, not feeling fully certain that this remark was not in
|
||
|
some way unorthodox. Syme, however, had divined what he was about to say.
|
||
|
|
||
|
'The proles are not human beings,' he said carelessly. 'By 2050--earlier,
|
||
|
probably--all real knowledge of Oldspeak will have disappeared. The whole
|
||
|
literature of the past will have been destroyed. Chaucer, Shakespeare,
|
||
|
Milton, Byron--they'll exist only in Newspeak versions, not merely changed
|
||
|
into something different, but actually changed into something contradictory
|
||
|
of what they used to be. Even the literature of the Party will change.
|
||
|
Even the slogans will change. How could you have a slogan like "freedom is
|
||
|
slavery" when the concept of freedom has been abolished? The whole climate
|
||
|
of thought will be different. In fact there will be no thought, as we
|
||
|
understand it now. Orthodoxy means not thinking--not needing to think.
|
||
|
Orthodoxy is unconsciousness.'
|
||
|
|
||
|
One of these days, thought Winston with sudden deep conviction, Syme will
|
||
|
be vaporized. He is too intelligent. He sees too clearly and speaks too
|
||
|
plainly. The Party does not like such people. One day he will disappear.
|
||
|
It is written in his face.
|
||
|
|
||
|
Winston had finished his bread and cheese. He turned a little sideways
|
||
|
in his chair to drink his mug of coffee. At the table on his left the man
|
||
|
with the strident voice was still talking remorselessly away. A young
|
||
|
woman who was perhaps his secretary, and who was sitting with her back
|
||
|
to Winston, was listening to him and seemed to be eagerly agreeing with
|
||
|
everything that he said. From time to time Winston caught some such remark
|
||
|
as 'I think you're so right, I do so agree with you', uttered in a youthful
|
||
|
and rather silly feminine voice. But the other voice never stopped for an
|
||
|
instant, even when the girl was speaking. Winston knew the man by sight,
|
||
|
though he knew no more about him than that he held some important post
|
||
|
in the Fiction Department. He was a man of about thirty, with a muscular
|
||
|
throat and a large, mobile mouth. His head was thrown back a little, and
|
||
|
because of the angle at which he was sitting, his spectacles caught the
|
||
|
light and presented to Winston two blank discs instead of eyes. What was
|
||
|
slightly horrible, was that from the stream of sound that poured out of
|
||
|
his mouth it was almost impossible to distinguish a single word. Just
|
||
|
once Winston caught a phrase--'complete and final elimination of
|
||
|
Goldsteinism'--jerked out very rapidly and, as it seemed, all in one piece,
|
||
|
like a line of type cast solid. For the rest it was just a noise, a
|
||
|
quack-quack-quacking. And yet, though you could not actually hear what the
|
||
|
man was saying, you could not be in any doubt about its general nature.
|
||
|
He might be denouncing Goldstein and demanding sterner measures against
|
||
|
thought-criminals and saboteurs, he might be fulminating against the
|
||
|
atrocities of the Eurasian army, he might be praising Big Brother or the
|
||
|
heroes on the Malabar front--it made no difference. Whatever it was, you
|
||
|
could be certain that every word of it was pure orthodoxy, pure Ingsoc.
|
||
|
As he watched the eyeless face with the jaw moving rapidly up and down,
|
||
|
Winston had a curious feeling that this was not a real human being but
|
||
|
some kind of dummy. It was not the man's brain that was speaking, it was
|
||
|
his larynx. The stuff that was coming out of him consisted of words, but
|
||
|
it was not speech in the true sense: it was a noise uttered in
|
||
|
unconsciousness, like the quacking of a duck.
|
||
|
|
||
|
Syme had fallen silent for a moment, and with the handle of his spoon was
|
||
|
tracing patterns in the puddle of stew. The voice from the other table
|
||
|
quacked rapidly on, easily audible in spite of the surrounding din.
|
||
|
|
||
|
'There is a word in Newspeak,' said Syme, 'I don't know whether you know
|
||
|
it: DUCKSPEAK, to quack like a duck. It is one of those interesting words
|
||
|
that have two contradictory meanings. Applied to an opponent, it is abuse,
|
||
|
applied to someone you agree with, it is praise.'
|
||
|
|
||
|
Unquestionably Syme will be vaporized, Winston thought again. He thought
|
||
|
it with a kind of sadness, although well knowing that Syme despised him
|
||
|
and slightly disliked him, and was fully capable of denouncing him as a
|
||
|
thought-criminal if he saw any reason for doing so. There was something
|
||
|
subtly wrong with Syme. There was something that he lacked: discretion,
|
||
|
aloofness, a sort of saving stupidity. You could not say that he was
|
||
|
unorthodox. He believed in the principles of Ingsoc, he venerated Big
|
||
|
Brother, he rejoiced over victories, he hated heretics, not merely with
|
||
|
sincerity but with a sort of restless zeal, an up-to-dateness of
|
||
|
information, which the ordinary Party member did not approach. Yet a faint
|
||
|
air of disreputability always clung to him. He said things that would have
|
||
|
been better unsaid, he had read too many books, he frequented the Chestnut
|
||
|
Tree Cafe, haunt of painters and musicians. There was no law, not even an
|
||
|
unwritten law, against frequenting the Chestnut Tree Cafe, yet the place
|
||
|
was somehow ill-omened. The old, discredited leaders of the Party had been
|
||
|
used to gather there before they were finally purged. Goldstein himself,
|
||
|
it was said, had sometimes been seen there, years and decades ago. Syme's
|
||
|
fate was not difficult to foresee. And yet it was a fact that if Syme
|
||
|
grasped, even for three seconds, the nature of his, Winston's, secret
|
||
|
opinions, he would betray him instantly to the Thought Police. So would
|
||
|
anybody else, for that matter: but Syme more than most. Zeal was not
|
||
|
enough. Orthodoxy was unconsciousness.
|
||
|
|
||
|
Syme looked up. 'Here comes Parsons,' he said.
|
||
|
|
||
|
Something in the tone of his voice seemed to add, 'that bloody fool'.
|
||
|
Parsons, Winston's fellow-tenant at Victory Mansions, was in fact threading
|
||
|
his way across the room--a tubby, middle-sized man with fair hair and a
|
||
|
froglike face. At thirty-five he was already putting on rolls of fat at
|
||
|
neck and waistline, but his movements were brisk and boyish. His whole
|
||
|
appearance was that of a little boy grown large, so much so that although
|
||
|
he was wearing the regulation overalls, it was almost impossible not to
|
||
|
think of him as being dressed in the blue shorts, grey shirt, and red
|
||
|
neckerchief of the Spies. In visualizing him one saw always a picture of
|
||
|
dimpled knees and sleeves rolled back from pudgy forearms. Parsons did,
|
||
|
indeed, invariably revert to shorts when a community hike or any other
|
||
|
physical activity gave him an excuse for doing so. He greeted them both
|
||
|
with a cheery 'Hullo, hullo!' and sat down at the table, giving off an
|
||
|
intense smell of sweat. Beads of moisture stood out all over his pink face.
|
||
|
His powers of sweating were extraordinary. At the Community Centre you
|
||
|
could always tell when he had been playing table-tennis by the dampness of
|
||
|
the bat handle. Syme had produced a strip of paper on which there was a
|
||
|
long column of words, and was studying it with an ink-pencil between his
|
||
|
fingers.
|
||
|
|
||
|
'Look at him working away in the lunch hour,' said Parsons, nudging
|
||
|
Winston. 'Keenness, eh? What's that you've got there, old boy? Something
|
||
|
a bit too brainy for me, I expect. Smith, old boy, I'll tell you why I'm
|
||
|
chasing you. It's that sub you forgot to give me.'
|
||
|
|
||
|
'Which sub is that?' said Winston, automatically feeling for money. About
|
||
|
a quarter of one's salary had to be earmarked for voluntary subscriptions,
|
||
|
which were so numerous that it was difficult to keep track of them.
|
||
|
|
||
|
'For Hate Week. You know--the house-by-house fund. I'm treasurer for our
|
||
|
block. We're making an all-out effort--going to put on a tremendous show.
|
||
|
I tell you, it won't be my fault if old Victory Mansions doesn't have the
|
||
|
biggest outfit of flags in the whole street. Two dollars you promised me.'
|
||
|
|
||
|
Winston found and handed over two creased and filthy notes, which Parsons
|
||
|
entered in a small notebook, in the neat handwriting of the illiterate.
|
||
|
|
||
|
'By the way, old boy,' he said. 'I hear that little beggar of mine let fly
|
||
|
at you with his catapult yesterday. I gave him a good dressing-down for it.
|
||
|
In fact I told him I'd take the catapult away if he does it again.'
|
||
|
|
||
|
'I think he was a little upset at not going to the execution,' said
|
||
|
Winston.
|
||
|
|
||
|
'Ah, well--what I mean to say, shows the right spirit, doesn't it?
|
||
|
Mischievous little beggars they are, both of them, but talk about keenness!
|
||
|
All they think about is the Spies, and the war, of course. D'you know what
|
||
|
that little girl of mine did last Saturday, when her troop was on a hike
|
||
|
out Berkhamsted way? She got two other girls to go with her, slipped off
|
||
|
from the hike, and spent the whole afternoon following a strange man. They
|
||
|
kept on his tail for two hours, right through the woods, and then, when
|
||
|
they got into Amersham, handed him over to the patrols.'
|
||
|
|
||
|
'What did they do that for?' said Winston, somewhat taken aback. Parsons
|
||
|
went on triumphantly:
|
||
|
|
||
|
'My kid made sure he was some kind of enemy agent--might have been dropped
|
||
|
by parachute, for instance. But here's the point, old boy. What do you
|
||
|
think put her on to him in the first place? She spotted he was wearing a
|
||
|
funny kind of shoes--said she'd never seen anyone wearing shoes like that
|
||
|
before. So the chances were he was a foreigner. Pretty smart for a nipper
|
||
|
of seven, eh?'
|
||
|
|
||
|
'What happened to the man?' said Winston.
|
||
|
|
||
|
'Ah, that I couldn't say, of course. But I wouldn't be altogether surprised
|
||
|
if----' Parsons made the motion of aiming a rifle, and clicked his tongue
|
||
|
for the explosion.
|
||
|
|
||
|
'Good,' said Syme abstractedly, without looking up from his strip of paper.
|
||
|
|
||
|
'Of course we can't afford to take chances,' agreed Winston dutifully.
|
||
|
|
||
|
'What I mean to say, there is a war on,' said Parsons.
|
||
|
|
||
|
As though in confirmation of this, a trumpet call floated from the
|
||
|
telescreen just above their heads. However, it was not the proclamation of
|
||
|
a military victory this time, but merely an announcement from the Ministry
|
||
|
of Plenty.
|
||
|
|
||
|
'Comrades!' cried an eager youthful voice. 'Attention, comrades! We have
|
||
|
glorious news for you. We have won the battle for production! Returns now
|
||
|
completed of the output of all classes of consumption goods show that the
|
||
|
standard of living has risen by no less than 20 per cent over the past
|
||
|
year. All over Oceania this morning there were irrepressible spontaneous
|
||
|
demonstrations when workers marched out of factories and offices and
|
||
|
paraded through the streets with banners voicing their gratitude to Big
|
||
|
Brother for the new, happy life which his wise leadership has bestowed
|
||
|
upon us. Here are some of the completed figures. Foodstuffs----'
|
||
|
|
||
|
The phrase 'our new, happy life' recurred several times. It had been a
|
||
|
favourite of late with the Ministry of Plenty. Parsons, his attention
|
||
|
caught by the trumpet call, sat listening with a sort of gaping solemnity,
|
||
|
a sort of edified boredom. He could not follow the figures, but he was
|
||
|
aware that they were in some way a cause for satisfaction. He had lugged
|
||
|
out a huge and filthy pipe which was already half full of charred tobacco.
|
||
|
With the tobacco ration at 100 grammes a week it was seldom possible to
|
||
|
fill a pipe to the top. Winston was smoking a Victory Cigarette which he
|
||
|
held carefully horizontal. The new ration did not start till tomorrow and
|
||
|
he had only four cigarettes left. For the moment he had shut his ears to
|
||
|
the remoter noises and was listening to the stuff that streamed out of the
|
||
|
telescreen. It appeared that there had even been demonstrations to thank
|
||
|
Big Brother for raising the chocolate ration to twenty grammes a week. And
|
||
|
only yesterday, he reflected, it had been announced that the ration was
|
||
|
to be REDUCED to twenty grammes a week. Was it possible that they could
|
||
|
swallow that, after only twenty-four hours? Yes, they swallowed it. Parsons
|
||
|
swallowed it easily, with the stupidity of an animal. The eyeless creature
|
||
|
at the other table swallowed it fanatically, passionately, with a furious
|
||
|
desire to track down, denounce, and vaporize anyone who should suggest that
|
||
|
last week the ration had been thirty grammes. Syme, too--in some more
|
||
|
complex way, involving doublethink, Syme swallowed it. Was he, then, ALONE
|
||
|
in the possession of a memory?
|
||
|
|
||
|
The fabulous statistics continued to pour out of the telescreen. As
|
||
|
compared with last year there was more food, more clothes, more houses,
|
||
|
more furniture, more cooking-pots, more fuel, more ships, more helicopters,
|
||
|
more books, more babies--more of everything except disease, crime, and
|
||
|
insanity. Year by year and minute by minute, everybody and everything was
|
||
|
whizzing rapidly upwards. As Syme had done earlier Winston had taken up
|
||
|
his spoon and was dabbling in the pale-coloured gravy that dribbled across
|
||
|
the table, drawing a long streak of it out into a pattern. He meditated
|
||
|
resentfully on the physical texture of life. Had it always been like
|
||
|
this? Had food always tasted like this? He looked round the canteen.
|
||
|
A low-ceilinged, crowded room, its walls grimy from the contact of
|
||
|
innumerable bodies; battered metal tables and chairs, placed so close
|
||
|
together that you sat with elbows touching; bent spoons, dented trays,
|
||
|
coarse white mugs; all surfaces greasy, grime in every crack; and a
|
||
|
sourish, composite smell of bad gin and bad coffee and metallic stew and
|
||
|
dirty clothes. Always in your stomach and in your skin there was a sort
|
||
|
of protest, a feeling that you had been cheated of something that you had
|
||
|
a right to. It was true that he had no memories of anything greatly
|
||
|
different. In any time that he could accurately remember, there had never
|
||
|
been quite enough to eat, one had never had socks or underclothes that
|
||
|
were not full of holes, furniture had always been battered and rickety,
|
||
|
rooms underheated, tube trains crowded, houses falling to pieces,
|
||
|
bread dark-coloured, tea a rarity, coffee filthy-tasting, cigarettes
|
||
|
insufficient--nothing cheap and plentiful except synthetic gin. And though,
|
||
|
of course, it grew worse as one's body aged, was it not a sign that this
|
||
|
was NOT the natural order of things, if one's heart sickened at the
|
||
|
discomfort and dirt and scarcity, the interminable winters, the stickiness
|
||
|
of one's socks, the lifts that never worked, the cold water, the gritty
|
||
|
soap, the cigarettes that came to pieces, the food with its strange evil
|
||
|
tastes? Why should one feel it to be intolerable unless one had some kind
|
||
|
of ancestral memory that things had once been different?
|
||
|
|
||
|
He looked round the canteen again. Nearly everyone was ugly, and would
|
||
|
still have been ugly even if dressed otherwise than in the uniform blue
|
||
|
overalls. On the far side of the room, sitting at a table alone, a small,
|
||
|
curiously beetle-like man was drinking a cup of coffee, his little eyes
|
||
|
darting suspicious glances from side to side. How easy it was, thought
|
||
|
Winston, if you did not look about you, to believe that the physical type
|
||
|
set up by the Party as an ideal--tall muscular youths and deep-bosomed
|
||
|
maidens, blond-haired, vital, sunburnt, carefree--existed and even
|
||
|
predominated. Actually, so far as he could judge, the majority of people
|
||
|
in Airstrip One were small, dark, and ill-favoured. It was curious how that
|
||
|
beetle-like type proliferated in the Ministries: little dumpy men, growing
|
||
|
stout very early in life, with short legs, swift scuttling movements, and
|
||
|
fat inscrutable faces with very small eyes. It was the type that seemed to
|
||
|
flourish best under the dominion of the Party.
|
||
|
|
||
|
The announcement from the Ministry of Plenty ended on another trumpet call
|
||
|
and gave way to tinny music. Parsons, stirred to vague enthusiasm by the
|
||
|
bombardment of figures, took his pipe out of his mouth.
|
||
|
|
||
|
'The Ministry of Plenty's certainly done a good job this year,' he said
|
||
|
with a knowing shake of his head. 'By the way, Smith old boy, I suppose
|
||
|
you haven't got any razor blades you can let me have?'
|
||
|
|
||
|
'Not one,' said Winston. 'I've been using the same blade for six weeks
|
||
|
myself.'
|
||
|
|
||
|
'Ah, well--just thought I'd ask you, old boy.'
|
||
|
|
||
|
'Sorry,' said Winston.
|
||
|
|
||
|
The quacking voice from the next table, temporarily silenced during the
|
||
|
Ministry's announcement, had started up again, as loud as ever. For some
|
||
|
reason Winston suddenly found himself thinking of Mrs Parsons, with her
|
||
|
wispy hair and the dust in the creases of her face. Within two years those
|
||
|
children would be denouncing her to the Thought Police. Mrs Parsons would
|
||
|
be vaporized. Syme would be vaporized. Winston would be vaporized. O'Brien
|
||
|
would be vaporized. Parsons, on the other hand, would never be vaporized.
|
||
|
The eyeless creature with the quacking voice would never be vaporized.
|
||
|
The little beetle-like men who scuttle so nimbly through the labyrinthine
|
||
|
corridors of Ministries they, too, would never be vaporized. And the girl
|
||
|
with dark hair, the girl from the Fiction Department--she would never be
|
||
|
vaporized either. It seemed to him that he knew instinctively who would
|
||
|
survive and who would perish: though just what it was that made for
|
||
|
survival, it was not easy to say.
|
||
|
|
||
|
At this moment he was dragged out of his reverie with a violent jerk. The
|
||
|
girl at the next table had turned partly round and was looking at him. It
|
||
|
was the girl with dark hair. She was looking at him in a sidelong way, but
|
||
|
with curious intensity. The instant she caught his eye she looked away
|
||
|
again.
|
||
|
|
||
|
The sweat started out on Winston's backbone. A horrible pang of terror
|
||
|
went through him. It was gone almost at once, but it left a sort of nagging
|
||
|
uneasiness behind. Why was she watching him? Why did she keep following him
|
||
|
about? Unfortunately he could not remember whether she had already been at
|
||
|
the table when he arrived, or had come there afterwards. But yesterday, at
|
||
|
any rate, during the Two Minutes Hate, she had sat immediately behind him
|
||
|
when there was no apparent need to do so. Quite likely her real object had
|
||
|
been to listen to him and make sure whether he was shouting loudly enough.
|
||
|
|
||
|
His earlier thought returned to him: probably she was not actually a member
|
||
|
of the Thought Police, but then it was precisely the amateur spy who was
|
||
|
the greatest danger of all. He did not know how long she had been looking
|
||
|
at him, but perhaps for as much as five minutes, and it was possible
|
||
|
that his features had not been perfectly under control. It was terribly
|
||
|
dangerous to let your thoughts wander when you were in any public place
|
||
|
or within range of a telescreen. The smallest thing could give you away.
|
||
|
A nervous tic, an unconscious look of anxiety, a habit of muttering to
|
||
|
yourself--anything that carried with it the suggestion of abnormality, of
|
||
|
having something to hide. In any case, to wear an improper expression on
|
||
|
your face (to look incredulous when a victory was announced, for example)
|
||
|
was itself a punishable offence. There was even a word for it in Newspeak:
|
||
|
FACECRIME, it was called.
|
||
|
|
||
|
The girl had turned her back on him again. Perhaps after all she was not
|
||
|
really following him about, perhaps it was coincidence that she had sat so
|
||
|
close to him two days running. His cigarette had gone out, and he laid it
|
||
|
carefully on the edge of the table. He would finish smoking it after work,
|
||
|
if he could keep the tobacco in it. Quite likely the person at the next
|
||
|
table was a spy of the Thought Police, and quite likely he would be in the
|
||
|
cellars of the Ministry of Love within three days, but a cigarette end
|
||
|
must not be wasted. Syme had folded up his strip of paper and stowed it
|
||
|
away in his pocket. Parsons had begun talking again.
|
||
|
|
||
|
'Did I ever tell you, old boy,' he said, chuckling round the stem of his
|
||
|
pipe, 'about the time when those two nippers of mine set fire to the old
|
||
|
market-woman's skirt because they saw her wrapping up sausages in a poster
|
||
|
of B.B.? Sneaked up behind her and set fire to it with a box of matches.
|
||
|
Burned her quite badly, I believe. Little beggars, eh? But keen as mustard!
|
||
|
That's a first-rate training they give them in the Spies nowadays--better
|
||
|
than in my day, even. What d'you think's the latest thing they've served
|
||
|
them out with? Ear trumpets for listening through keyholes! My little
|
||
|
girl brought one home the other night--tried it out on our sitting-room
|
||
|
door, and reckoned she could hear twice as much as with her ear to the
|
||
|
hole. Of course it's only a toy, mind you. Still, gives 'em the right
|
||
|
idea, eh?'
|
||
|
|
||
|
At this moment the telescreen let out a piercing whistle. It was the
|
||
|
signal to return to work. All three men sprang to their feet to join in
|
||
|
the struggle round the lifts, and the remaining tobacco fell out of
|
||
|
Winston's cigarette.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Chapter 6
|
||
|
|
||
|
|
||
|
|
||
|
Winston was writing in his diary:
|
||
|
|
||
|
|
||
|
It was three years ago. It was on a dark evening, in a narrow
|
||
|
side-street near one of the big railway stations. She was standing near a
|
||
|
doorway in the wall, under a street lamp that hardly gave any light. She
|
||
|
had a young face, painted very thick. It was really the paint that appealed
|
||
|
to me, the whiteness of it, like a mask, and the bright red lips. Party
|
||
|
women never paint their faces. There was nobody else in the street, and no
|
||
|
telescreens. She said two dollars. I----
|
||
|
|
||
|
|
||
|
For the moment it was too difficult to go on. He shut his eyes and pressed
|
||
|
his fingers against them, trying to squeeze out the vision that kept
|
||
|
recurring. He had an almost overwhelming temptation to shout a string of
|
||
|
filthy words at the top of his voice. Or to bang his head against the wall,
|
||
|
to kick over the table, and hurl the inkpot through the window--to do any
|
||
|
violent or noisy or painful thing that might black out the memory that was
|
||
|
tormenting him.
|
||
|
|
||
|
Your worst enemy, he reflected, was your own nervous system. At any moment
|
||
|
the tension inside you was liable to translate itself into some visible
|
||
|
symptom. He thought of a man whom he had passed in the street a few weeks
|
||
|
back; a quite ordinary-looking man, a Party member, aged thirty-five to
|
||
|
forty, tallish and thin, carrying a brief-case. They were a few metres
|
||
|
apart when the left side of the man's face was suddenly contorted by a sort
|
||
|
of spasm. It happened again just as they were passing one another: it was
|
||
|
only a twitch, a quiver, rapid as the clicking of a camera shutter, but
|
||
|
obviously habitual. He remembered thinking at the time: That poor devil is
|
||
|
done for. And what was frightening was that the action was quite possibly
|
||
|
unconscious. The most deadly danger of all was talking in your sleep. There
|
||
|
was no way of guarding against that, so far as he could see.
|
||
|
|
||
|
He drew his breath and went on writing:
|
||
|
|
||
|
|
||
|
I went with her through the doorway and across a backyard into a
|
||
|
basement kitchen. There was a bed against the wall, and a lamp on the
|
||
|
table, turned down very low. She----
|
||
|
|
||
|
|
||
|
His teeth were set on edge. He would have liked to spit. Simultaneously
|
||
|
with the woman in the basement kitchen he thought of Katharine, his wife.
|
||
|
Winston was married--had been married, at any rate: probably he still was
|
||
|
married, so far as he knew his wife was not dead. He seemed to breathe
|
||
|
again the warm stuffy odour of the basement kitchen, an odour compounded
|
||
|
of bugs and dirty clothes and villainous cheap scent, but nevertheless
|
||
|
alluring, because no woman of the Party ever used scent, or could be
|
||
|
imagined as doing so. Only the proles used scent. In his mind the smell
|
||
|
of it was inextricably mixed up with fornication.
|
||
|
|
||
|
When he had gone with that woman it had been his first lapse in two years
|
||
|
or thereabouts. Consorting with prostitutes was forbidden, of course, but
|
||
|
it was one of those rules that you could occasionally nerve yourself to
|
||
|
break. It was dangerous, but it was not a life-and-death matter. To be
|
||
|
caught with a prostitute might mean five years in a forced-labour camp:
|
||
|
not more, if you had committed no other offence. And it was easy enough,
|
||
|
provided that you could avoid being caught in the act. The poorer quarters
|
||
|
swarmed with women who were ready to sell themselves. Some could even be
|
||
|
purchased for a bottle of gin, which the proles were not supposed to drink.
|
||
|
Tacitly the Party was even inclined to encourage prostitution, as an outlet
|
||
|
for instincts which could not be altogether suppressed. Mere debauchery
|
||
|
did not matter very much, so long as it was furtive and joyless and only
|
||
|
involved the women of a submerged and despised class. The unforgivable
|
||
|
crime was promiscuity between Party members. But--though this was one
|
||
|
of the crimes that the accused in the great purges invariably confessed
|
||
|
to--it was difficult to imagine any such thing actually happening.
|
||
|
|
||
|
The aim of the Party was not merely to prevent men and women from forming
|
||
|
loyalties which it might not be able to control. Its real, undeclared
|
||
|
purpose was to remove all pleasure from the sexual act. Not love so much
|
||
|
as eroticism was the enemy, inside marriage as well as outside it. All
|
||
|
marriages between Party members had to be approved by a committee
|
||
|
appointed for the purpose, and--though the principle was never clearly
|
||
|
stated--permission was always refused if the couple concerned gave
|
||
|
the impression of being physically attracted to one another. The only
|
||
|
recognized purpose of marriage was to beget children for the service of
|
||
|
the Party. Sexual intercourse was to be looked on as a slightly disgusting
|
||
|
minor operation, like having an enema. This again was never put into plain
|
||
|
words, but in an indirect way it was rubbed into every Party member from
|
||
|
childhood onwards. There were even organizations such as the Junior
|
||
|
Anti-Sex League, which advocated complete celibacy for both sexes. All
|
||
|
children were to be begotten by artificial insemination (ARTSEM, it was
|
||
|
called in Newspeak) and brought up in public institutions. This, Winston
|
||
|
was aware, was not meant altogether seriously, but somehow it fitted in
|
||
|
with the general ideology of the Party. The Party was trying to kill the
|
||
|
sex instinct, or, if it could not be killed, then to distort it and dirty
|
||
|
it. He did not know why this was so, but it seemed natural that it should
|
||
|
be so. And as far as the women were concerned, the Party's efforts were
|
||
|
largely successful.
|
||
|
|
||
|
He thought again of Katharine. It must be nine, ten--nearly eleven years
|
||
|
since they had parted. It was curious how seldom he thought of her. For
|
||
|
days at a time he was capable of forgetting that he had ever been married.
|
||
|
They had only been together for about fifteen months. The Party did not
|
||
|
permit divorce, but it rather encouraged separation in cases where there
|
||
|
were no children.
|
||
|
|
||
|
Katharine was a tall, fair-haired girl, very straight, with splendid
|
||
|
movements. She had a bold, aquiline face, a face that one might have called
|
||
|
noble until one discovered that there was as nearly as possible nothing
|
||
|
behind it. Very early in her married life he had decided--though perhaps
|
||
|
it was only that he knew her more intimately than he knew most people--that
|
||
|
she had without exception the most stupid, vulgar, empty mind that he had
|
||
|
ever encountered. She had not a thought in her head that was not a slogan,
|
||
|
and there was no imbecility, absolutely none that she was not capable of
|
||
|
swallowing if the Party handed it out to her. 'The human sound-track' he
|
||
|
nicknamed her in his own mind. Yet he could have endured living with her
|
||
|
if it had not been for just one thing--sex.
|
||
|
|
||
|
As soon as he touched her she seemed to wince and stiffen. To embrace her
|
||
|
was like embracing a jointed wooden image. And what was strange was that
|
||
|
even when she was clasping him against her he had the feeling that she
|
||
|
was simultaneously pushing him away with all her strength. The rigidity
|
||
|
of her muscles managed to convey that impression. She would lie there
|
||
|
with shut eyes, neither resisting nor co-operating but SUBMITTING. It was
|
||
|
extraordinarily embarrassing, and, after a while, horrible. But even then
|
||
|
he could have borne living with her if it had been agreed that they should
|
||
|
remain celibate. But curiously enough it was Katharine who refused this.
|
||
|
They must, she said, produce a child if they could. So the performance
|
||
|
continued to happen, once a week quite regularly, whenever it was not
|
||
|
impossible. She even used to remind him of it in the morning, as something
|
||
|
which had to be done that evening and which must not be forgotten. She had
|
||
|
two names for it. One was 'making a baby', and the other was 'our duty to
|
||
|
the Party' (yes, she had actually used that phrase). Quite soon he grew to
|
||
|
have a feeling of positive dread when the appointed day came round. But
|
||
|
luckily no child appeared, and in the end she agreed to give up trying,
|
||
|
and soon afterwards they parted.
|
||
|
|
||
|
Winston sighed inaudibly. He picked up his pen again and
|
||
|
wrote:
|
||
|
|
||
|
|
||
|
She threw herself down on the bed, and at once, without any kind of
|
||
|
preliminary in the most coarse, horrible way you can imagine, pulled up
|
||
|
her skirt. I----
|
||
|
|
||
|
|
||
|
He saw himself standing there in the dim lamplight, with the smell of bugs
|
||
|
and cheap scent in his nostrils, and in his heart a feeling of defeat and
|
||
|
resentment which even at that moment was mixed up with the thought of
|
||
|
Katharine's white body, frozen for ever by the hypnotic power of the Party.
|
||
|
Why did it always have to be like this? Why could he not have a woman of
|
||
|
his own instead of these filthy scuffles at intervals of years? But a real
|
||
|
love affair was an almost unthinkable event. The women of the Party were
|
||
|
all alike. Chastity was as deep ingrained in them as Party loyalty. By
|
||
|
careful early conditioning, by games and cold water, by the rubbish that
|
||
|
was dinned into them at school and in the Spies and the Youth League, by
|
||
|
lectures, parades, songs, slogans, and martial music, the natural feeling
|
||
|
had been driven out of them. His reason told him that there must be
|
||
|
exceptions, but his heart did not believe it. They were all impregnable,
|
||
|
as the Party intended that they should be. And what he wanted, more even
|
||
|
than to be loved, was to break down that wall of virtue, even if it were
|
||
|
only once in his whole life. The sexual act, successfully performed, was
|
||
|
rebellion. Desire was thoughtcrime. Even to have awakened Katharine, if he
|
||
|
could have achieved it, would have been like a seduction, although she was
|
||
|
his wife.
|
||
|
|
||
|
But the rest of the story had got to be written down. He wrote:
|
||
|
|
||
|
|
||
|
I turned up the lamp. When I saw her in the light----
|
||
|
|
||
|
|
||
|
After the darkness the feeble light of the paraffin lamp had seemed very
|
||
|
bright. For the first time he could see the woman properly. He had taken a
|
||
|
step towards her and then halted, full of lust and terror. He was painfully
|
||
|
conscious of the risk he had taken in coming here. It was perfectly
|
||
|
possible that the patrols would catch him on the way out: for that matter
|
||
|
they might be waiting outside the door at this moment. If he went away
|
||
|
without even doing what he had come here to do----!
|
||
|
|
||
|
It had got to be written down, it had got to be confessed. What he had
|
||
|
suddenly seen in the lamplight was that the woman was OLD. The paint was
|
||
|
plastered so thick on her face that it looked as though it might crack
|
||
|
like a cardboard mask. There were streaks of white in her hair; but the
|
||
|
truly dreadful detail was that her mouth had fallen a little open,
|
||
|
revealing nothing except a cavernous blackness. She had no teeth at all.
|
||
|
|
||
|
He wrote hurriedly, in scrabbling handwriting:
|
||
|
|
||
|
|
||
|
When I saw her in the light she was quite an old woman, fifty years old
|
||
|
at least. But I went ahead and did it just the same.
|
||
|
|
||
|
|
||
|
He pressed his fingers against his eyelids again. He had written it down
|
||
|
at last, but it made no difference. The therapy had not worked. The urge
|
||
|
to shout filthy words at the top of his voice was as strong as ever.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Chapter 7
|
||
|
|
||
|
|
||
|
|
||
|
'If there is hope,' wrote Winston, 'it lies in the proles.'
|
||
|
|
||
|
If there was hope, it MUST lie in the proles, because only there in those
|
||
|
swarming disregarded masses, 85 per cent of the population of Oceania,
|
||
|
could the force to destroy the Party ever be generated. The Party could
|
||
|
not be overthrown from within. Its enemies, if it had any enemies, had
|
||
|
no way of coming together or even of identifying one another. Even if
|
||
|
the legendary Brotherhood existed, as just possibly it might, it was
|
||
|
inconceivable that its members could ever assemble in larger numbers than
|
||
|
twos and threes. Rebellion meant a look in the eyes, an inflexion of the
|
||
|
voice, at the most, an occasional whispered word. But the proles, if only
|
||
|
they could somehow become conscious of their own strength. would have no
|
||
|
need to conspire. They needed only to rise up and shake themselves like
|
||
|
a horse shaking off flies. If they chose they could blow the Party to
|
||
|
pieces tomorrow morning. Surely sooner or later it must occur to them to
|
||
|
do it? And yet----!
|
||
|
|
||
|
He remembered how once he had been walking down a crowded street when a
|
||
|
tremendous shout of hundreds of voices women's voices--had burst from a
|
||
|
side-street a little way ahead. It was a great formidable cry of anger
|
||
|
and despair, a deep, loud 'Oh-o-o-o-oh!' that went humming on like the
|
||
|
reverberation of a bell. His heart had leapt. It's started! he had thought.
|
||
|
A riot! The proles are breaking loose at last! When he had reached the spot
|
||
|
it was to see a mob of two or three hundred women crowding round the stalls
|
||
|
of a street market, with faces as tragic as though they had been the doomed
|
||
|
passengers on a sinking ship. But at this moment the general despair broke
|
||
|
down into a multitude of individual quarrels. It appeared that one of the
|
||
|
stalls had been selling tin saucepans. They were wretched, flimsy things,
|
||
|
but cooking-pots of any kind were always difficult to get. Now the supply
|
||
|
had unexpectedly given out. The successful women, bumped and jostled by
|
||
|
the rest, were trying to make off with their saucepans while dozens of
|
||
|
others clamoured round the stall, accusing the stall-keeper of favouritism
|
||
|
and of having more saucepans somewhere in reserve. There was a fresh
|
||
|
outburst of yells. Two bloated women, one of them with her hair coming
|
||
|
down, had got hold of the same saucepan and were trying to tear it out of
|
||
|
one another's hands. For a moment they were both tugging, and then the
|
||
|
handle came off. Winston watched them disgustedly. And yet, just for a
|
||
|
moment, what almost frightening power had sounded in that cry from only
|
||
|
a few hundred throats! Why was it that they could never shout like that
|
||
|
about anything that mattered?
|
||
|
|
||
|
He wrote:
|
||
|
|
||
|
|
||
|
Until they become conscious they will never rebel, and until after they
|
||
|
have rebelled they cannot become conscious.
|
||
|
|
||
|
|
||
|
That, he reflected, might almost have been a transcription from one of the
|
||
|
Party textbooks. The Party claimed, of course, to have liberated the proles
|
||
|
from bondage. Before the Revolution they had been hideously oppressed by
|
||
|
the capitalists, they had been starved and flogged, women had been forced
|
||
|
to work in the coal mines (women still did work in the coal mines, as a
|
||
|
matter of fact), children had been sold into the factories at the age
|
||
|
of six. But simultaneously, true to the Principles of doublethink, the
|
||
|
Party taught that the proles were natural inferiors who must be kept in
|
||
|
subjection, like animals, by the application of a few simple rules. In
|
||
|
reality very little was known about the proles. It was not necessary to
|
||
|
know much. So long as they continued to work and breed, their other
|
||
|
activities were without importance. Left to themselves, like cattle turned
|
||
|
loose upon the plains of Argentina, they had reverted to a style of life
|
||
|
that appeared to be natural to them, a sort of ancestral pattern. They were
|
||
|
born, they grew up in the gutters, they went to work at twelve, they passed
|
||
|
through a brief blossoming-period of beauty and sexual desire, they married
|
||
|
at twenty, they were middle-aged at thirty, they died, for the most part,
|
||
|
at sixty. Heavy physical work, the care of home and children, petty
|
||
|
quarrels with neighbours, films, football, beer, and above all, gambling,
|
||
|
filled up the horizon of their minds. To keep them in control was not
|
||
|
difficult. A few agents of the Thought Police moved always among them,
|
||
|
spreading false rumours and marking down and eliminating the few
|
||
|
individuals who were judged capable of becoming dangerous; but no attempt
|
||
|
was made to indoctrinate them with the ideology of the Party. It was not
|
||
|
desirable that the proles should have strong political feelings. All that
|
||
|
was required of them was a primitive patriotism which could be appealed to
|
||
|
whenever it was necessary to make them accept longer working-hours or
|
||
|
shorter rations. And even when they became discontented, as they sometimes
|
||
|
did, their discontent led nowhere, because being without general ideas,
|
||
|
they could only focus it on petty specific grievances. The larger evils
|
||
|
invariably escaped their notice. The great majority of proles did not even
|
||
|
have telescreens in their homes. Even the civil police interfered with them
|
||
|
very little. There was a vast amount of criminality in London, a whole
|
||
|
world-within-a-world of thieves, bandits, prostitutes, drug-peddlers, and
|
||
|
racketeers of every description; but since it all happened among the proles
|
||
|
themselves, it was of no importance. In all questions of morals they were
|
||
|
allowed to follow their ancestral code. The sexual puritanism of the
|
||
|
Party was not imposed upon them. Promiscuity went unpunished, divorce
|
||
|
was permitted. For that matter, even religious worship would have been
|
||
|
permitted if the proles had shown any sign of needing or wanting it.
|
||
|
They were beneath suspicion. As the Party slogan put it: 'Proles and
|
||
|
animals are free.'
|
||
|
|
||
|
Winston reached down and cautiously scratched his varicose ulcer. It
|
||
|
had begun itching again. The thing you invariably came back to was the
|
||
|
impossibility of knowing what life before the Revolution had really been
|
||
|
like. He took out of the drawer a copy of a children's history textbook
|
||
|
which he had borrowed from Mrs Parsons, and began copying a passage into
|
||
|
the diary:
|
||
|
|
||
|
|
||
|
In the old days (it ran), before the glorious Revolution, London was
|
||
|
not the beautiful city that we know today. It was a dark, dirty, miserable
|
||
|
place where hardly anybody had enough to eat and where hundreds and
|
||
|
thousands of poor people had no boots on their feet and not even a roof to
|
||
|
sleep under. Children no older than you had to work twelve hours a day for
|
||
|
cruel masters who flogged them with whips if they worked too slowly and
|
||
|
fed them on nothing but stale breadcrusts and water. But in among all
|
||
|
this terrible poverty there were just a few great big beautiful houses
|
||
|
that were lived in by rich men who had as many as thirty servants to look
|
||
|
after them. These rich men were called capitalists. They were fat, ugly
|
||
|
men with wicked faces, like the one in the picture on the opposite page.
|
||
|
You can see that he is dressed in a long black coat which was called a
|
||
|
frock coat, and a queer, shiny hat shaped like a stovepipe, which was
|
||
|
called a top hat. This was the uniform of the capitalists, and no one else
|
||
|
was allowed to wear it. The capitalists owned everything in the world, and
|
||
|
everyone else was their slave. They owned all the land, all the houses,
|
||
|
all the factories, and all the money. If anyone disobeyed them they could
|
||
|
throw them into prison, or they could take his job away and starve him to
|
||
|
death. When any ordinary person spoke to a capitalist he had to cringe and
|
||
|
bow to him, and take off his cap and address him as 'Sir'. The chief of
|
||
|
all the capitalists was called the King, and----
|
||
|
|
||
|
|
||
|
But he knew the rest of the catalogue. There would be mention of the
|
||
|
bishops in their lawn sleeves, the judges in their ermine robes, the
|
||
|
pillory, the stocks, the treadmill, the cat-o'-nine tails, the Lord Mayor's
|
||
|
Banquet, and the practice of kissing the Pope's toe. There was also
|
||
|
something called the JUS PRIMAE NOCTIS, which would probably not be
|
||
|
mentioned in a textbook for children. It was the law by which every
|
||
|
capitalist had the right to sleep with any woman working in one of his
|
||
|
factories.
|
||
|
|
||
|
How could you tell how much of it was lies? It MIGHT be true that the
|
||
|
average human being was better off now than he had been before the
|
||
|
Revolution. The only evidence to the contrary was the mute protest in your
|
||
|
own bones, the instinctive feeling that the conditions you lived in were
|
||
|
intolerable and that at some other time they must have been different. It
|
||
|
struck him that the truly characteristic thing about modern life was not
|
||
|
its cruelty and insecurity, but simply its bareness, its dinginess, its
|
||
|
listlessness. Life, if you looked about you, bore no resemblance not only
|
||
|
to the lies that streamed out of the telescreens, but even to the ideals
|
||
|
that the Party was trying to achieve. Great areas of it, even for a Party
|
||
|
member, were neutral and non-political, a matter of slogging through dreary
|
||
|
jobs, fighting for a place on the Tube, darning a worn-out sock, cadging
|
||
|
a saccharine tablet, saving a cigarette end. The ideal set up by the
|
||
|
Party was something huge, terrible, and glittering--a world of steel
|
||
|
and concrete, of monstrous machines and terrifying weapons--a nation of
|
||
|
warriors and fanatics, marching forward in perfect unity, all thinking the
|
||
|
same thoughts and shouting the same slogans, perpetually working, fighting,
|
||
|
triumphing, persecuting--three hundred million people all with the same
|
||
|
face. The reality was decaying, dingy cities where underfed people shuffled
|
||
|
to and fro in leaky shoes, in patched-up nineteenth-century houses that
|
||
|
smelt always of cabbage and bad lavatories. He seemed to see a vision of
|
||
|
London, vast and ruinous, city of a million dustbins, and mixed up with it
|
||
|
was a picture of Mrs Parsons, a woman with lined face and wispy hair,
|
||
|
fiddling helplessly with a blocked waste-pipe.
|
||
|
|
||
|
He reached down and scratched his ankle again. Day and night the
|
||
|
telescreens bruised your ears with statistics proving that people today
|
||
|
had more food, more clothes, better houses, better recreations--that they
|
||
|
lived longer, worked shorter hours, were bigger, healthier, stronger,
|
||
|
happier, more intelligent, better educated, than the people of fifty years
|
||
|
ago. Not a word of it could ever be proved or disproved. The Party claimed,
|
||
|
for example, that today 40 per cent of adult proles were literate: before
|
||
|
the Revolution, it was said, the number had only been 15 per cent. The
|
||
|
Party claimed that the infant mortality rate was now only 160 per
|
||
|
thousand, whereas before the Revolution it had been 300--and so it went
|
||
|
on. It was like a single equation with two unknowns. It might very well be
|
||
|
that literally every word in the history books, even the things that one
|
||
|
accepted without question, was pure fantasy. For all he knew there might
|
||
|
never have been any such law as the JUS PRIMAE NOCTIS, or any such creature
|
||
|
as a capitalist, or any such garment as a top hat.
|
||
|
|
||
|
Everything faded into mist. The past was erased, the erasure was forgotten,
|
||
|
the lie became truth. Just once in his life he had possessed--AFTER the
|
||
|
event: that was what counted--concrete, unmistakable evidence of an act of
|
||
|
falsification. He had held it between his fingers for as long as thirty
|
||
|
seconds. In 1973, it must have been--at any rate, it was at about the time
|
||
|
when he and Katharine had parted. But the really relevant date was seven
|
||
|
or eight years earlier.
|
||
|
|
||
|
The story really began in the middle sixties, the period of the great
|
||
|
purges in which the original leaders of the Revolution were wiped out
|
||
|
once and for all. By 1970 none of them was left, except Big Brother
|
||
|
himself. All the rest had by that time been exposed as traitors and
|
||
|
counter-revolutionaries. Goldstein had fled and was hiding no one knew
|
||
|
where, and of the others, a few had simply disappeared, while the majority
|
||
|
had been executed after spectacular public trials at which they made
|
||
|
confession of their crimes. Among the last survivors were three men named
|
||
|
Jones, Aaronson, and Rutherford. It must have been in 1965 that these three
|
||
|
had been arrested. As often happened, they had vanished for a year or more,
|
||
|
so that one did not know whether they were alive or dead, and then had
|
||
|
suddenly been brought forth to incriminate themselves in the usual way.
|
||
|
They had confessed to intelligence with the enemy (at that date, too, the
|
||
|
enemy was Eurasia), embezzlement of public funds, the murder of various
|
||
|
trusted Party members, intrigues against the leadership of Big Brother
|
||
|
which had started long before the Revolution happened, and acts of sabotage
|
||
|
causing the death of hundreds of thousands of people. After confessing to
|
||
|
these things they had been pardoned, reinstated in the Party, and given
|
||
|
posts which were in fact sinecures but which sounded important. All three
|
||
|
had written long, abject articles in 'The Times', analysing the reasons
|
||
|
for their defection and promising to make amends.
|
||
|
|
||
|
Some time after their release Winston had actually seen all three of them
|
||
|
in the Chestnut Tree Cafe. He remembered the sort of terrified fascination
|
||
|
with which he had watched them out of the corner of his eye. They were men
|
||
|
far older than himself, relics of the ancient world, almost the last great
|
||
|
figures left over from the heroic days of the Party. The glamour of the
|
||
|
underground struggle and the civil war still faintly clung to them. He had
|
||
|
the feeling, though already at that time facts and dates were growing
|
||
|
blurry, that he had known their names years earlier than he had known that
|
||
|
of Big Brother. But also they were outlaws, enemies, untouchables, doomed
|
||
|
with absolute certainty to extinction within a year or two. No one who had
|
||
|
once fallen into the hands of the Thought Police ever escaped in the end.
|
||
|
They were corpses waiting to be sent back to the grave.
|
||
|
|
||
|
There was no one at any of the tables nearest to them. It was not wise
|
||
|
even to be seen in the neighbourhood of such people. They were sitting
|
||
|
in silence before glasses of the gin flavoured with cloves which was the
|
||
|
speciality of the cafe. Of the three, it was Rutherford whose appearance
|
||
|
had most impressed Winston. Rutherford had once been a famous caricaturist,
|
||
|
whose brutal cartoons had helped to inflame popular opinion before and
|
||
|
during the Revolution. Even now, at long intervals, his cartoons were
|
||
|
appearing in The Times. They were simply an imitation of his earlier
|
||
|
manner, and curiously lifeless and unconvincing. Always they were a
|
||
|
rehashing of the ancient themes--slum tenements, starving children, street
|
||
|
battles, capitalists in top hats--even on the barricades the capitalists
|
||
|
still seemed to cling to their top hats an endless, hopeless effort to
|
||
|
get back into the past. He was a monstrous man, with a mane of greasy
|
||
|
grey hair, his face pouched and seamed, with thick negroid lips. At one
|
||
|
time he must have been immensely strong; now his great body was sagging,
|
||
|
sloping, bulging, falling away in every direction. He seemed to be breaking
|
||
|
up before one's eyes, like a mountain crumbling.
|
||
|
|
||
|
It was the lonely hour of fifteen. Winston could not now remember how he
|
||
|
had come to be in the cafe at such a time. The place was almost empty. A
|
||
|
tinny music was trickling from the telescreens. The three men sat in their
|
||
|
corner almost motionless, never speaking. Uncommanded, the waiter brought
|
||
|
fresh glasses of gin. There was a chessboard on the table beside them, with
|
||
|
the pieces set out but no game started. And then, for perhaps half a minute
|
||
|
in all, something happened to the telescreens. The tune that they were
|
||
|
playing changed, and the tone of the music changed too. There came into
|
||
|
it--but it was something hard to describe. It was a peculiar, cracked,
|
||
|
braying, jeering note: in his mind Winston called it a yellow note. And
|
||
|
then a voice from the telescreen was singing:
|
||
|
|
||
|
|
||
|
Under the spreading chestnut tree
|
||
|
I sold you and you sold me:
|
||
|
There lie they, and here lie we
|
||
|
Under the spreading chestnut tree.
|
||
|
|
||
|
|
||
|
The three men never stirred. But when Winston glanced again at Rutherford's
|
||
|
ruinous face, he saw that his eyes were full of tears. And for the first
|
||
|
time he noticed, with a kind of inward shudder, and yet not knowing
|
||
|
AT WHAT he shuddered, that both Aaronson and Rutherford had broken noses.
|
||
|
|
||
|
A little later all three were re-arrested. It appeared that they had
|
||
|
engaged in fresh conspiracies from the very moment of their release. At
|
||
|
their second trial they confessed to all their old crimes over again, with
|
||
|
a whole string of new ones. They were executed, and their fate was recorded
|
||
|
in the Party histories, a warning to posterity. About five years after
|
||
|
this, in 1973, Winston was unrolling a wad of documents which had just
|
||
|
flopped out of the pneumatic tube on to his desk when he came on a fragment
|
||
|
of paper which had evidently been slipped in among the others and then
|
||
|
forgotten. The instant he had flattened it out he saw its significance.
|
||
|
It was a half-page torn out of 'The Times' of about ten years earlier--the
|
||
|
top half of the page, so that it included the date--and it contained a
|
||
|
photograph of the delegates at some Party function in New York. Prominent
|
||
|
in the middle of the group were Jones, Aaronson, and Rutherford. There was
|
||
|
no mistaking them, in any case their names were in the caption at the
|
||
|
bottom.
|
||
|
|
||
|
The point was that at both trials all three men had confessed that on that
|
||
|
date they had been on Eurasian soil. They had flown from a secret airfield
|
||
|
in Canada to a rendezvous somewhere in Siberia, and had conferred with
|
||
|
members of the Eurasian General Staff, to whom they had betrayed important
|
||
|
military secrets. The date had stuck in Winston's memory because it chanced
|
||
|
to be midsummer day; but the whole story must be on record in countless
|
||
|
other places as well. There was only one possible conclusion: the
|
||
|
confessions were lies.
|
||
|
|
||
|
Of course, this was not in itself a discovery. Even at that time Winston
|
||
|
had not imagined that the people who were wiped out in the purges had
|
||
|
actually committed the crimes that they were accused of. But this was
|
||
|
concrete evidence; it was a fragment of the abolished past, like a fossil
|
||
|
bone which turns up in the wrong stratum and destroys a geological theory.
|
||
|
It was enough to blow the Party to atoms, if in some way it could have
|
||
|
been published to the world and its significance made known.
|
||
|
|
||
|
He had gone straight on working. As soon as he saw what the photograph
|
||
|
was, and what it meant, he had covered it up with another sheet of paper.
|
||
|
Luckily, when he unrolled it, it had been upside-down from the point of
|
||
|
view of the telescreen.
|
||
|
|
||
|
He took his scribbling pad on his knee and pushed back his chair so as
|
||
|
to get as far away from the telescreen as possible. To keep your face
|
||
|
expressionless was not difficult, and even your breathing could be
|
||
|
controlled, with an effort: but you could not control the beating of your
|
||
|
heart, and the telescreen was quite delicate enough to pick it up. He let
|
||
|
what he judged to be ten minutes go by, tormented all the while by the
|
||
|
fear that some accident--a sudden draught blowing across his desk, for
|
||
|
instance--would betray him. Then, without uncovering it again, he dropped
|
||
|
the photograph into the memory hole, along with some other waste papers.
|
||
|
Within another minute, perhaps, it would have crumbled into ashes.
|
||
|
|
||
|
That was ten--eleven years ago. Today, probably, he would have kept that
|
||
|
photograph. It was curious that the fact of having held it in his fingers
|
||
|
seemed to him to make a difference even now, when the photograph itself,
|
||
|
as well as the event it recorded, was only memory. Was the Party's hold
|
||
|
upon the past less strong, he wondered, because a piece of evidence which
|
||
|
existed no longer HAD ONCE existed?
|
||
|
|
||
|
But today, supposing that it could be somehow resurrected from its ashes,
|
||
|
the photograph might not even be evidence. Already, at the time when he
|
||
|
made his discovery, Oceania was no longer at war with Eurasia, and it must
|
||
|
have been to the agents of Eastasia that the three dead men had betrayed
|
||
|
their country. Since then there had been other changes--two, three,
|
||
|
he could not remember how many. Very likely the confessions had been
|
||
|
rewritten and rewritten until the original facts and dates no longer
|
||
|
had the smallest significance. The past not only changed, but changed
|
||
|
continuously. What most afflicted him with the sense of nightmare was that
|
||
|
he had never clearly understood why the huge imposture was undertaken.
|
||
|
The immediate advantages of falsifying the past were obvious, but the
|
||
|
ultimate motive was mysterious. He took up his pen again and wrote:
|
||
|
|
||
|
|
||
|
I understand HOW: I do not understand WHY.
|
||
|
|
||
|
|
||
|
He wondered, as he had many times wondered before, whether he himself was
|
||
|
a lunatic. Perhaps a lunatic was simply a minority of one. At one time it
|
||
|
had been a sign of madness to believe that the earth goes round the sun;
|
||
|
today, to believe that the past is unalterable. He might be ALONE in
|
||
|
holding that belief, and if alone, then a lunatic. But the thought of being
|
||
|
a lunatic did not greatly trouble him: the horror was that he might also
|
||
|
be wrong.
|
||
|
|
||
|
He picked up the children's history book and looked at the portrait of
|
||
|
Big Brother which formed its frontispiece. The hypnotic eyes gazed into
|
||
|
his own. It was as though some huge force were pressing down upon
|
||
|
you--something that penetrated inside your skull, battering against your
|
||
|
brain, frightening you out of your beliefs, persuading you, almost, to
|
||
|
deny the evidence of your senses. In the end the Party would announce that
|
||
|
two and two made five, and you would have to believe it. It was inevitable
|
||
|
that they should make that claim sooner or later: the logic of their
|
||
|
position demanded it. Not merely the validity of experience, but the very
|
||
|
existence of external reality, was tacitly denied by their philosophy. The
|
||
|
heresy of heresies was common sense. And what was terrifying was not that
|
||
|
they would kill you for thinking otherwise, but that they might be right.
|
||
|
For, after all, how do we know that two and two make four? Or that the
|
||
|
force of gravity works? Or that the past is unchangeable? If both the past
|
||
|
and the external world exist only in the mind, and if the mind itself is
|
||
|
controllable what then?
|
||
|
|
||
|
But no! His courage seemed suddenly to stiffen of its own accord. The face
|
||
|
of O'Brien, not called up by any obvious association, had floated into his
|
||
|
mind. He knew, with more certainty than before, that O'Brien was on his
|
||
|
side. He was writing the diary for O'Brien--TO O'Brien: it was like an
|
||
|
interminable letter which no one would ever read, but which was addressed
|
||
|
to a particular person and took its colour from that fact.
|
||
|
|
||
|
The Party told you to reject the evidence of your eyes and ears. It was
|
||
|
their final, most essential command. His heart sank as he thought of
|
||
|
the enormous power arrayed against him, the ease with which any Party
|
||
|
intellectual would overthrow him in debate, the subtle arguments which he
|
||
|
would not be able to understand, much less answer. And yet he was in the
|
||
|
right! They were wrong and he was right. The obvious, the silly, and the
|
||
|
true had got to be defended. Truisms are true, hold on to that! The solid
|
||
|
world exists, its laws do not change. Stones are hard, water is wet,
|
||
|
objects unsupported fall towards the earth's centre. With the feeling that
|
||
|
he was speaking to O'Brien, and also that he was setting forth an important
|
||
|
axiom, he wrote:
|
||
|
|
||
|
|
||
|
Freedom is the freedom to say that two plus two make four. If that is
|
||
|
granted, all else follows.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Chapter 8
|
||
|
|
||
|
|
||
|
|
||
|
From somewhere at the bottom of a passage the smell of roasting
|
||
|
coffee--real coffee, not Victory Coffee--came floating out into the street.
|
||
|
Winston paused involuntarily. For perhaps two seconds he was back in the
|
||
|
half-forgotten world of his childhood. Then a door banged, seeming to cut
|
||
|
off the smell as abruptly as though it had been a sound.
|
||
|
|
||
|
He had walked several kilometres over pavements, and his varicose ulcer
|
||
|
was throbbing. This was the second time in three weeks that he had missed
|
||
|
an evening at the Community Centre: a rash act, since you could be certain
|
||
|
that the number of your attendances at the Centre was carefully checked.
|
||
|
In principle a Party member had no spare time, and was never alone except
|
||
|
in bed. It was assumed that when he was not working, eating, or sleeping
|
||
|
he would be taking part in some kind of communal recreation: to do anything
|
||
|
that suggested a taste for solitude, even to go for a walk by yourself,
|
||
|
was always slightly dangerous. There was a word for it in Newspeak:
|
||
|
OWNLIFE, it was called, meaning individualism and eccentricity. But this
|
||
|
evening as he came out of the Ministry the balminess of the April air had
|
||
|
tempted him. The sky was a warmer blue than he had seen it that year, and
|
||
|
suddenly the long, noisy evening at the Centre, the boring, exhausting
|
||
|
games, the lectures, the creaking camaraderie oiled by gin, had seemed
|
||
|
intolerable. On impulse he had turned away from the bus-stop and wandered
|
||
|
off into the labyrinth of London, first south, then east, then north again,
|
||
|
losing himself among unknown streets and hardly bothering in which
|
||
|
direction he was going.
|
||
|
|
||
|
'If there is hope,' he had written in the diary, 'it lies in the proles.'
|
||
|
The words kept coming back to him, statement of a mystical truth and a
|
||
|
palpable absurdity. He was somewhere in the vague, brown-coloured slums
|
||
|
to the north and east of what had once been Saint Pancras Station. He was
|
||
|
walking up a cobbled street of little two-storey houses with battered
|
||
|
doorways which gave straight on the pavement and which were somehow
|
||
|
curiously suggestive of ratholes. There were puddles of filthy water here
|
||
|
and there among the cobbles. In and out of the dark doorways, and down
|
||
|
narrow alley-ways that branched off on either side, people swarmed in
|
||
|
astonishing numbers--girls in full bloom, with crudely lipsticked mouths,
|
||
|
and youths who chased the girls, and swollen waddling women who showed you
|
||
|
what the girls would be like in ten years' time, and old bent creatures
|
||
|
shuffling along on splayed feet, and ragged barefooted children who played
|
||
|
in the puddles and then scattered at angry yells from their mothers.
|
||
|
Perhaps a quarter of the windows in the street were broken and boarded up.
|
||
|
Most of the people paid no attention to Winston; a few eyed him with a
|
||
|
sort of guarded curiosity. Two monstrous women with brick-red forearms
|
||
|
folded across their aprons were talking outside a doorway. Winston caught
|
||
|
scraps of conversation as he approached.
|
||
|
|
||
|
'"Yes," I says to 'er, "that's all very well," I says. "But if you'd of
|
||
|
been in my place you'd of done the same as what I done. It's easy to
|
||
|
criticize," I says, "but you ain't got the same problems as what I got."'
|
||
|
|
||
|
'Ah,' said the other, 'that's jest it. That's jest where it is.'
|
||
|
|
||
|
The strident voices stopped abruptly. The women studied him in hostile
|
||
|
silence as he went past. But it was not hostility, exactly; merely a kind
|
||
|
of wariness, a momentary stiffening, as at the passing of some unfamiliar
|
||
|
animal. The blue overalls of the Party could not be a common sight in a
|
||
|
street like this. Indeed, it was unwise to be seen in such places, unless
|
||
|
you had definite business there. The patrols might stop you if you happened
|
||
|
to run into them. 'May I see your papers, comrade? What are you doing here?
|
||
|
What time did you leave work? Is this your usual way home?'--and so on and
|
||
|
so forth. Not that there was any rule against walking home by an unusual
|
||
|
route: but it was enough to draw attention to you if the Thought Police
|
||
|
heard about it.
|
||
|
|
||
|
Suddenly the whole street was in commotion. There were yells of warning
|
||
|
from all sides. People were shooting into the doorways like rabbits. A
|
||
|
young woman leapt out of a doorway a little ahead of Winston, grabbed up a
|
||
|
tiny child playing in a puddle, whipped her apron round it, and leapt back
|
||
|
again, all in one movement. At the same instant a man in a concertina-like
|
||
|
black suit, who had emerged from a side alley, ran towards Winston,
|
||
|
pointing excitedly to the sky.
|
||
|
|
||
|
'Steamer!' he yelled. 'Look out, guv'nor! Bang over'ead! Lay down quick!'
|
||
|
|
||
|
'Steamer' was a nickname which, for some reason, the proles applied to
|
||
|
rocket bombs. Winston promptly flung himself on his face. The proles were
|
||
|
nearly always right when they gave you a warning of this kind. They seemed
|
||
|
to possess some kind of instinct which told them several seconds in advance
|
||
|
when a rocket was coming, although the rockets supposedly travelled faster
|
||
|
than sound. Winston clasped his forearms above his head. There was a roar
|
||
|
that seemed to make the pavement heave; a shower of light objects pattered
|
||
|
on to his back. When he stood up he found that he was covered with
|
||
|
fragments of glass from the nearest window.
|
||
|
|
||
|
He walked on. The bomb had demolished a group of houses 200 metres up the
|
||
|
street. A black plume of smoke hung in the sky, and below it a cloud of
|
||
|
plaster dust in which a crowd was already forming around the ruins. There
|
||
|
was a little pile of plaster lying on the pavement ahead of him, and in
|
||
|
the middle of it he could see a bright red streak. When he got up to it he
|
||
|
saw that it was a human hand severed at the wrist. Apart from the bloody
|
||
|
stump, the hand was so completely whitened as to resemble a plaster cast.
|
||
|
|
||
|
He kicked the thing into the gutter, and then, to avoid the crowd, turned
|
||
|
down a side-street to the right. Within three or four minutes he was out
|
||
|
of the area which the bomb had affected, and the sordid swarming life of
|
||
|
the streets was going on as though nothing had happened. It was nearly
|
||
|
twenty hours, and the drinking-shops which the proles frequented ('pubs',
|
||
|
they called them) were choked with customers. From their grimy swing doors,
|
||
|
endlessly opening and shutting, there came forth a smell of urine, sawdust,
|
||
|
and sour beer. In an angle formed by a projecting house-front three men
|
||
|
were standing very close together, the middle one of them holding a
|
||
|
folded-up newspaper which the other two were studying over his shoulder.
|
||
|
Even before he was near enough to make out the expression on their faces,
|
||
|
Winston could see absorption in every line of their bodies. It was
|
||
|
obviously some serious piece of news that they were reading. He was a few
|
||
|
paces away from them when suddenly the group broke up and two of the men
|
||
|
were in violent altercation. For a moment they seemed almost on the point
|
||
|
of blows.
|
||
|
|
||
|
'Can't you bleeding well listen to what I say? I tell you no number ending
|
||
|
in seven ain't won for over fourteen months!'
|
||
|
|
||
|
'Yes, it 'as, then!'
|
||
|
|
||
|
'No, it 'as not! Back 'ome I got the 'ole lot of 'em for over two years
|
||
|
wrote down on a piece of paper. I takes 'em down reg'lar as the clock. An'
|
||
|
I tell you, no number ending in seven----'
|
||
|
|
||
|
'Yes, a seven 'AS won! I could pretty near tell you the bleeding number.
|
||
|
Four oh seven, it ended in. It were in February--second week in February.'
|
||
|
|
||
|
'February your grandmother! I got it all down in black and white. An' I
|
||
|
tell you, no number----'
|
||
|
|
||
|
'Oh, pack it in!' said the third man.
|
||
|
|
||
|
They were talking about the Lottery. Winston looked back when he had gone
|
||
|
thirty metres. They were still arguing, with vivid, passionate faces.
|
||
|
The Lottery, with its weekly pay-out of enormous prizes, was the one public
|
||
|
event to which the proles paid serious attention. It was probable that
|
||
|
there were some millions of proles for whom the Lottery was the principal
|
||
|
if not the only reason for remaining alive. It was their delight, their
|
||
|
folly, their anodyne, their intellectual stimulant. Where the Lottery was
|
||
|
concerned, even people who could barely read and write seemed capable of
|
||
|
intricate calculations and staggering feats of memory. There was a whole
|
||
|
tribe of men who made a living simply by selling systems, forecasts, and
|
||
|
lucky amulets. Winston had nothing to do with the running of the Lottery,
|
||
|
which was managed by the Ministry of Plenty, but he was aware (indeed
|
||
|
everyone in the party was aware) that the prizes were largely imaginary.
|
||
|
Only small sums were actually paid out, the winners of the big prizes being
|
||
|
non-existent persons. In the absence of any real intercommunication between
|
||
|
one part of Oceania and another, this was not difficult to arrange.
|
||
|
|
||
|
But if there was hope, it lay in the proles. You had to cling on to that.
|
||
|
When you put it in words it sounded reasonable: it was when you looked at
|
||
|
the human beings passing you on the pavement that it became an act of
|
||
|
faith. The street into which he had turned ran downhill. He had a feeling
|
||
|
that he had been in this neighbourhood before, and that there was a main
|
||
|
thoroughfare not far away. From somewhere ahead there came a din of
|
||
|
shouting voices. The street took a sharp turn and then ended in a flight
|
||
|
of steps which led down into a sunken alley where a few stall-keepers
|
||
|
were selling tired-looking vegetables. At this moment Winston remembered
|
||
|
where he was. The alley led out into the main street, and down the next
|
||
|
turning, not five minutes away, was the junk-shop where he had bought the
|
||
|
blank book which was now his diary. And in a small stationer's shop not
|
||
|
far away he had bought his penholder and his bottle of ink.
|
||
|
|
||
|
He paused for a moment at the top of the steps. On the opposite side of
|
||
|
the alley there was a dingy little pub whose windows appeared to be frosted
|
||
|
over but in reality were merely coated with dust. A very old man, bent but
|
||
|
active, with white moustaches that bristled forward like those of a prawn,
|
||
|
pushed open the swing door and went in. As Winston stood watching, it
|
||
|
occurred to him that the old man, who must be eighty at the least, had
|
||
|
already been middle-aged when the Revolution happened. He and a few others
|
||
|
like him were the last links that now existed with the vanished world of
|
||
|
capitalism. In the Party itself there were not many people left whose ideas
|
||
|
had been formed before the Revolution. The older generation had mostly
|
||
|
been wiped out in the great purges of the fifties and sixties, and the few
|
||
|
who survived had long ago been terrified into complete intellectual
|
||
|
surrender. If there was any one still alive who could give you a truthful
|
||
|
account of conditions in the early part of the century, it could only be a
|
||
|
prole. Suddenly the passage from the history book that he had copied into
|
||
|
his diary came back into Winston's mind, and a lunatic impulse took hold
|
||
|
of him. He would go into the pub, he would scrape acquaintance with that
|
||
|
old man and question him. He would say to him: 'Tell me about your life
|
||
|
when you were a boy. What was it like in those days? Were things better
|
||
|
than they are now, or were they worse?'
|
||
|
|
||
|
Hurriedly, lest he should have time to become frightened, he descended the
|
||
|
steps and crossed the narrow street. It was madness of course. As usual,
|
||
|
there was no definite rule against talking to proles and frequenting their
|
||
|
pubs, but it was far too unusual an action to pass unnoticed. If the
|
||
|
patrols appeared he might plead an attack of faintness, but it was not
|
||
|
likely that they would believe him. He pushed open the door, and a hideous
|
||
|
cheesy smell of sour beer hit him in the face. As he entered the din of
|
||
|
voices dropped to about half its volume. Behind his back he could feel
|
||
|
everyone eyeing his blue overalls. A game of darts which was going on at
|
||
|
the other end of the room interrupted itself for perhaps as much as thirty
|
||
|
seconds. The old man whom he had followed was standing at the bar, having
|
||
|
some kind of altercation with the barman, a large, stout, hook-nosed young
|
||
|
man with enormous forearms. A knot of others, standing round with glasses
|
||
|
in their hands, were watching the scene.
|
||
|
|
||
|
'I arst you civil enough, didn't I?' said the old man, straightening his
|
||
|
shoulders pugnaciously. 'You telling me you ain't got a pint mug in the
|
||
|
'ole bleeding boozer?'
|
||
|
|
||
|
'And what in hell's name IS a pint?' said the barman, leaning forward with
|
||
|
the tips of his fingers on the counter.
|
||
|
|
||
|
''Ark at 'im! Calls 'isself a barman and don't know what a pint is! Why,
|
||
|
a pint's the 'alf of a quart, and there's four quarts to the gallon.
|
||
|
'Ave to teach you the A, B, C next.'
|
||
|
|
||
|
'Never heard of 'em,' said the barman shortly. 'Litre and half
|
||
|
litre--that's all we serve. There's the glasses on the shelf in front
|
||
|
of you.'
|
||
|
|
||
|
'I likes a pint,' persisted the old man. 'You could 'a drawed me off a pint
|
||
|
easy enough. We didn't 'ave these bleeding litres when I was a young man.'
|
||
|
|
||
|
'When you were a young man we were all living in the treetops,' said the
|
||
|
barman, with a glance at the other customers.
|
||
|
|
||
|
There was a shout of laughter, and the uneasiness caused by Winston's entry
|
||
|
seemed to disappear. The old man's white-stubbled face had flushed pink. He
|
||
|
turned away, muttering to himself, and bumped into Winston. Winston caught
|
||
|
him gently by the arm.
|
||
|
|
||
|
'May I offer you a drink?' he said.
|
||
|
|
||
|
'You're a gent,' said the other, straightening his shoulders again. He
|
||
|
appeared not to have noticed Winston's blue overalls. 'Pint!' he added
|
||
|
aggressively to the barman. 'Pint of wallop.'
|
||
|
|
||
|
The barman swished two half-litres of dark-brown beer into thick glasses
|
||
|
which he had rinsed in a bucket under the counter. Beer was the only drink
|
||
|
you could get in prole pubs. The proles were supposed not to drink gin,
|
||
|
though in practice they could get hold of it easily enough. The game of
|
||
|
darts was in full swing again, and the knot of men at the bar had begun
|
||
|
talking about lottery tickets. Winston's presence was forgotten for a
|
||
|
moment. There was a deal table under the window where he and the old man
|
||
|
could talk without fear of being overheard. It was horribly dangerous, but
|
||
|
at any rate there was no telescreen in the room, a point he had made sure
|
||
|
of as soon as he came in.
|
||
|
|
||
|
''E could 'a drawed me off a pint,' grumbled the old man as he settled down
|
||
|
behind a glass. 'A 'alf litre ain't enough. It don't satisfy. And a 'ole
|
||
|
litre's too much. It starts my bladder running. Let alone the price.'
|
||
|
|
||
|
'You must have seen great changes since you were a young man,' said
|
||
|
Winston tentatively.
|
||
|
|
||
|
The old man's pale blue eyes moved from the darts board to the bar, and
|
||
|
from the bar to the door of the Gents, as though it were in the bar-room
|
||
|
that he expected the changes to have occurred.
|
||
|
|
||
|
'The beer was better,' he said finally. 'And cheaper! When I was a young
|
||
|
man, mild beer--wallop we used to call it--was fourpence a pint. That was
|
||
|
before the war, of course.'
|
||
|
|
||
|
'Which war was that?' said Winston.
|
||
|
|
||
|
'It's all wars,' said the old man vaguely. He took up his glass, and his
|
||
|
shoulders straightened again. ''Ere's wishing you the very best of 'ealth!'
|
||
|
|
||
|
In his lean throat the sharp-pointed Adam's apple made a surprisingly rapid
|
||
|
up-and-down movement, and the beer vanished. Winston went to the bar and
|
||
|
came back with two more half-litres. The old man appeared to have forgotten
|
||
|
his prejudice against drinking a full litre.
|
||
|
|
||
|
'You are very much older than I am,' said Winston. 'You must have been a
|
||
|
grown man before I was born. You can remember what it was like in the old
|
||
|
days, before the Revolution. People of my age don't really know anything
|
||
|
about those times. We can only read about them in books, and what it says
|
||
|
in the books may not be true. I should like your opinion on that. The
|
||
|
history books say that life before the Revolution was completely different
|
||
|
from what it is now. There was the most terrible oppression, injustice,
|
||
|
poverty worse than anything we can imagine. Here in London, the great mass
|
||
|
of the people never had enough to eat from birth to death. Half of them
|
||
|
hadn't even boots on their feet. They worked twelve hours a day, they left
|
||
|
school at nine, they slept ten in a room. And at the same time there were
|
||
|
a very few people, only a few thousands--the capitalists, they were
|
||
|
called--who were rich and powerful. They owned everything that there was
|
||
|
to own. They lived in great gorgeous houses with thirty servants, they
|
||
|
rode about in motor-cars and four-horse carriages, they drank champagne,
|
||
|
they wore top hats----'
|
||
|
|
||
|
The old man brightened suddenly.
|
||
|
|
||
|
'Top 'ats!' he said. 'Funny you should mention 'em. The same thing come
|
||
|
into my 'ead only yesterday, I dono why. I was jest thinking, I ain't seen
|
||
|
a top 'at in years. Gorn right out, they 'ave. The last time I wore one
|
||
|
was at my sister-in-law's funeral. And that was--well, I couldn't give you
|
||
|
the date, but it must'a been fifty years ago. Of course it was only 'ired
|
||
|
for the occasion, you understand.'
|
||
|
|
||
|
'It isn't very important about the top hats,' said Winston patiently.
|
||
|
'The point is, these capitalists--they and a few lawyers and priests and
|
||
|
so forth who lived on them--were the lords of the earth. Everything existed
|
||
|
for their benefit. You--the ordinary people, the workers--were their
|
||
|
slaves. They could do what they liked with you. They could ship you off to
|
||
|
Canada like cattle. They could sleep with your daughters if they chose.
|
||
|
They could order you to be flogged with something called a cat-o'-nine
|
||
|
tails. You had to take your cap off when you passed them. Every capitalist
|
||
|
went about with a gang of lackeys who----'
|
||
|
|
||
|
The old man brightened again.
|
||
|
|
||
|
'Lackeys!' he said. 'Now there's a word I ain't 'eard since ever so long.
|
||
|
Lackeys! That reg'lar takes me back, that does. I recollect--oh, donkey's
|
||
|
years ago--I used to sometimes go to 'Yde Park of a Sunday afternoon to
|
||
|
'ear the blokes making speeches. Salvation Army, Roman Catholics, Jews,
|
||
|
Indians--all sorts there was. And there was one bloke--well, I couldn't
|
||
|
give you 'is name, but a real powerful speaker 'e was. 'E didn't 'alf
|
||
|
give it 'em! "Lackeys!" 'e says, "lackeys of the bourgeoisie! Flunkies of
|
||
|
the ruling class!" Parasites--that was another of them. And 'yenas--'e
|
||
|
definitely called 'em 'yenas. Of course 'e was referring to the Labour
|
||
|
Party, you understand.'
|
||
|
|
||
|
Winston had the feeling that they were talking at cross-purposes.
|
||
|
|
||
|
'What I really wanted to know was this,' he said. 'Do you feel that you
|
||
|
have more freedom now than you had in those days? Are you treated more
|
||
|
like a human being? In the old days, the rich people, the people at the
|
||
|
top----'
|
||
|
|
||
|
'The 'Ouse of Lords,' put in the old man reminiscently.
|
||
|
|
||
|
'The House of Lords, if you like. What I am asking is, were these people
|
||
|
able to treat you as an inferior, simply because they were rich and you
|
||
|
were poor? Is it a fact, for instance, that you had to call them "Sir" and
|
||
|
take off your cap when you passed them?'
|
||
|
|
||
|
The old man appeared to think deeply. He drank off about a quarter of his
|
||
|
beer before answering.
|
||
|
|
||
|
'Yes,' he said. 'They liked you to touch your cap to 'em. It showed
|
||
|
respect, like. I didn't agree with it, myself, but I done it often enough.
|
||
|
Had to, as you might say.'
|
||
|
|
||
|
'And was it usual--I'm only quoting what I've read in history books--was
|
||
|
it usual for these people and their servants to push you off the pavement
|
||
|
into the gutter?'
|
||
|
|
||
|
'One of 'em pushed me once,' said the old man. 'I recollect it as if it
|
||
|
was yesterday. It was Boat Race night--terribly rowdy they used to get on
|
||
|
Boat Race night--and I bumps into a young bloke on Shaftesbury Avenue.
|
||
|
Quite a gent, 'e was--dress shirt, top 'at, black overcoat. 'E was kind
|
||
|
of zig-zagging across the pavement, and I bumps into 'im accidental-like.
|
||
|
'E says, "Why can't you look where you're going?" 'e says. I say, "Ju think
|
||
|
you've bought the bleeding pavement?" 'E says, "I'll twist your bloody 'ead
|
||
|
off if you get fresh with me." I says, "You're drunk. I'll give you in
|
||
|
charge in 'alf a minute," I says. An' if you'll believe me, 'e puts 'is
|
||
|
'and on my chest and gives me a shove as pretty near sent me under the
|
||
|
wheels of a bus. Well, I was young in them days, and I was going to 'ave
|
||
|
fetched 'im one, only----'
|
||
|
|
||
|
A sense of helplessness took hold of Winston. The old man's memory was
|
||
|
nothing but a rubbish-heap of details. One could question him all day
|
||
|
without getting any real information. The party histories might still be
|
||
|
true, after a fashion: they might even be completely true. He made a last
|
||
|
attempt.
|
||
|
|
||
|
'Perhaps I have not made myself clear,' he said. 'What I'm trying to say
|
||
|
is this. You have been alive a very long time; you lived half your life
|
||
|
before the Revolution. In 1925, for instance, you were already grown up.
|
||
|
Would you say from what you can remember, that life in 1925 was better
|
||
|
than it is now, or worse? If you could choose, would you prefer to live
|
||
|
then or now?'
|
||
|
|
||
|
The old man looked meditatively at the darts board. He finished up his
|
||
|
beer, more slowly than before. When he spoke it was with a tolerant
|
||
|
philosophical air, as though the beer had mellowed him.
|
||
|
|
||
|
'I know what you expect me to say,' he said. 'You expect me to say as I'd
|
||
|
sooner be young again. Most people'd say they'd sooner be young, if you
|
||
|
arst 'em. You got your 'ealth and strength when you're young. When you
|
||
|
get to my time of life you ain't never well. I suffer something wicked
|
||
|
from my feet, and my bladder's jest terrible. Six and seven times a night
|
||
|
it 'as me out of bed. On the other 'and, there's great advantages in being
|
||
|
a old man. You ain't got the same worries. No truck with women, and that's
|
||
|
a great thing. I ain't 'ad a woman for near on thirty year, if you'd
|
||
|
credit it. Nor wanted to, what's more.'
|
||
|
|
||
|
Winston sat back against the window-sill. It was no use going on. He was
|
||
|
about to buy some more beer when the old man suddenly got up and shuffled
|
||
|
rapidly into the stinking urinal at the side of the room. The extra
|
||
|
half-litre was already working on him. Winston sat for a minute or two
|
||
|
gazing at his empty glass, and hardly noticed when his feet carried him out
|
||
|
into the street again. Within twenty years at the most, he reflected, the
|
||
|
huge and simple question, 'Was life better before the Revolution than it
|
||
|
is now?' would have ceased once and for all to be answerable. But in effect
|
||
|
it was unanswerable even now, since the few scattered survivors from the
|
||
|
ancient world were incapable of comparing one age with another. They
|
||
|
remembered a million useless things, a quarrel with a workmate, a hunt for
|
||
|
a lost bicycle pump, the expression on a long-dead sister's face, the
|
||
|
swirls of dust on a windy morning seventy years ago: but all the relevant
|
||
|
facts were outside the range of their vision. They were like the ant,
|
||
|
which can see small objects but not large ones. And when memory failed and
|
||
|
written records were falsified--when that happened, the claim of the Party
|
||
|
to have improved the conditions of human life had got to be accepted,
|
||
|
because there did not exist, and never again could exist, any standard
|
||
|
against which it could be tested.
|
||
|
|
||
|
At this moment his train of thought stopped abruptly. He halted and looked
|
||
|
up. He was in a narrow street, with a few dark little shops, interspersed
|
||
|
among dwelling-houses. Immediately above his head there hung three
|
||
|
discoloured metal balls which looked as if they had once been gilded. He
|
||
|
seemed to know the place. Of course! He was standing outside the junk-shop
|
||
|
where he had bought the diary.
|
||
|
|
||
|
A twinge of fear went through him. It had been a sufficiently rash act to
|
||
|
buy the book in the beginning, and he had sworn never to come near the
|
||
|
place again. And yet the instant that he allowed his thoughts to wander,
|
||
|
his feet had brought him back here of their own accord. It was precisely
|
||
|
against suicidal impulses of this kind that he had hoped to guard himself
|
||
|
by opening the diary. At the same time he noticed that although it was
|
||
|
nearly twenty-one hours the shop was still open. With the feeling that he
|
||
|
would be less conspicuous inside than hanging about on the pavement, he
|
||
|
stepped through the doorway. If questioned, he could plausibly say that
|
||
|
he was trying to buy razor blades.
|
||
|
|
||
|
The proprietor had just lighted a hanging oil lamp which gave off an
|
||
|
unclean but friendly smell. He was a man of perhaps sixty, frail and
|
||
|
bowed, with a long, benevolent nose, and mild eyes distorted by thick
|
||
|
spectacles. His hair was almost white, but his eyebrows were bushy and
|
||
|
still black. His spectacles, his gentle, fussy movements, and the fact
|
||
|
that he was wearing an aged jacket of black velvet, gave him a vague air
|
||
|
of intellectuality, as though he had been some kind of literary man, or
|
||
|
perhaps a musician. His voice was soft, as though faded, and his accent
|
||
|
less debased than that of the majority of proles.
|
||
|
|
||
|
'I recognized you on the pavement,' he said immediately. 'You're the
|
||
|
gentleman that bought the young lady's keepsake album. That was a beautiful
|
||
|
bit of paper, that was. Cream-laid, it used to be called. There's been no
|
||
|
paper like that made for--oh, I dare say fifty years.' He peered at Winston
|
||
|
over the top of his spectacles. 'Is there anything special I can do for
|
||
|
you? Or did you just want to look round?'
|
||
|
|
||
|
'I was passing,' said Winston vaguely. 'I just looked in. I don't want
|
||
|
anything in particular.'
|
||
|
|
||
|
'It's just as well,' said the other, 'because I don't suppose I could have
|
||
|
satisfied you.' He made an apologetic gesture with his softpalmed hand.
|
||
|
'You see how it is; an empty shop, you might say. Between you and me, the
|
||
|
antique trade's just about finished. No demand any longer, and no stock
|
||
|
either. Furniture, china, glass it's all been broken up by degrees. And
|
||
|
of course the metal stuff's mostly been melted down. I haven't seen a brass
|
||
|
candlestick in years.'
|
||
|
|
||
|
The tiny interior of the shop was in fact uncomfortably full, but there
|
||
|
was almost nothing in it of the slightest value. The floorspace was very
|
||
|
restricted, because all round the walls were stacked innumerable dusty
|
||
|
picture-frames. In the window there were trays of nuts and bolts, worn-out
|
||
|
chisels, penknives with broken blades, tarnished watches that did not even
|
||
|
pretend to be in going order, and other miscellaneous rubbish. Only on a
|
||
|
small table in the corner was there a litter of odds and ends--lacquered
|
||
|
snuffboxes, agate brooches, and the like--which looked as though they might
|
||
|
include something interesting. As Winston wandered towards the table his
|
||
|
eye was caught by a round, smooth thing that gleamed softly in the
|
||
|
lamplight, and he picked it up.
|
||
|
|
||
|
It was a heavy lump of glass, curved on one side, flat on the other, making
|
||
|
almost a hemisphere. There was a peculiar softness, as of rainwater, in
|
||
|
both the colour and the texture of the glass. At the heart of it, magnified
|
||
|
by the curved surface, there was a strange, pink, convoluted object that
|
||
|
recalled a rose or a sea anemone.
|
||
|
|
||
|
'What is it?' said Winston, fascinated.
|
||
|
|
||
|
'That's coral, that is,' said the old man. 'It must have come from the
|
||
|
Indian Ocean. They used to kind of embed it in the glass. That wasn't made
|
||
|
less than a hundred years ago. More, by the look of it.'
|
||
|
|
||
|
'It's a beautiful thing,' said Winston.
|
||
|
|
||
|
'It is a beautiful thing,' said the other appreciatively. 'But there's not
|
||
|
many that'd say so nowadays.' He coughed. 'Now, if it so happened that you
|
||
|
wanted to buy it, that'd cost you four dollars. I can remember when a thing
|
||
|
like that would have fetched eight pounds, and eight pounds was--well, I
|
||
|
can't work it out, but it was a lot of money. But who cares about genuine
|
||
|
antiques nowadays--even the few that's left?'
|
||
|
|
||
|
Winston immediately paid over the four dollars and slid the coveted thing
|
||
|
into his pocket. What appealed to him about it was not so much its beauty
|
||
|
as the air it seemed to possess of belonging to an age quite different
|
||
|
from the present one. The soft, rainwatery glass was not like any glass
|
||
|
that he had ever seen. The thing was doubly attractive because of its
|
||
|
apparent uselessness, though he could guess that it must once have been
|
||
|
intended as a paperweight. It was very heavy in his pocket, but fortunately
|
||
|
it did not make much of a bulge. It was a queer thing, even a compromising
|
||
|
thing, for a Party member to have in his possession. Anything old, and for
|
||
|
that matter anything beautiful, was always vaguely suspect. The old man had
|
||
|
grown noticeably more cheerful after receiving the four dollars. Winston
|
||
|
realized that he would have accepted three or even two.
|
||
|
|
||
|
'There's another room upstairs that you might care to take a look at,' he
|
||
|
said. 'There's not much in it. Just a few pieces. We'll do with a light if
|
||
|
we're going upstairs.'
|
||
|
|
||
|
He lit another lamp, and, with bowed back, led the way slowly up the
|
||
|
steep and worn stairs and along a tiny passage, into a room which did
|
||
|
not give on the street but looked out on a cobbled yard and a forest of
|
||
|
chimney-pots. Winston noticed that the furniture was still arranged as
|
||
|
though the room were meant to be lived in. There was a strip of carpet on
|
||
|
the floor, a picture or two on the walls, and a deep, slatternly arm-chair
|
||
|
drawn up to the fireplace. An old-fashioned glass clock with a twelve-hour
|
||
|
face was ticking away on the mantelpiece. Under the window, and occupying
|
||
|
nearly a quarter of the room, was an enormous bed with the mattress still
|
||
|
on it.
|
||
|
|
||
|
'We lived here till my wife died,' said the old man half apologetically.
|
||
|
'I'm selling the furniture off by little and little. Now that's a beautiful
|
||
|
mahogany bed, or at least it would be if you could get the bugs out of it.
|
||
|
But I dare say you'd find it a little bit cumbersome.'
|
||
|
|
||
|
He was holding the lamp high up, so as to illuminate the whole room, and
|
||
|
in the warm dim light the place looked curiously inviting. The thought
|
||
|
flitted through Winston's mind that it would probably be quite easy to
|
||
|
rent the room for a few dollars a week, if he dared to take the risk. It
|
||
|
was a wild, impossible notion, to be abandoned as soon as thought of; but
|
||
|
the room had awakened in him a sort of nostalgia, a sort of ancestral
|
||
|
memory. It seemed to him that he knew exactly what it felt like to sit in
|
||
|
a room like this, in an arm-chair beside an open fire with your feet in
|
||
|
the fender and a kettle on the hob; utterly alone, utterly secure, with
|
||
|
nobody watching you, no voice pursuing you, no sound except the singing
|
||
|
of the kettle and the friendly ticking of the clock.
|
||
|
|
||
|
'There's no telescreen!' he could not help murmuring.
|
||
|
|
||
|
'Ah,' said the old man, 'I never had one of those things. Too expensive.
|
||
|
And I never seemed to feel the need of it, somehow. Now that's a nice
|
||
|
gateleg table in the corner there. Though of course you'd have to put new
|
||
|
hinges on it if you wanted to use the flaps.'
|
||
|
|
||
|
There was a small bookcase in the other corner, and Winston had already
|
||
|
gravitated towards it. It contained nothing but rubbish. The hunting-down
|
||
|
and destruction of books had been done with the same thoroughness in the
|
||
|
prole quarters as everywhere else. It was very unlikely that there existed
|
||
|
anywhere in Oceania a copy of a book printed earlier than 1960. The old
|
||
|
man, still carrying the lamp, was standing in front of a picture in a
|
||
|
rosewood frame which hung on the other side of the fireplace, opposite
|
||
|
the bed.
|
||
|
|
||
|
'Now, if you happen to be interested in old prints at all----' he began
|
||
|
delicately.
|
||
|
|
||
|
Winston came across to examine the picture. It was a steel engraving of an
|
||
|
oval building with rectangular windows, and a small tower in front. There
|
||
|
was a railing running round the building, and at the rear end there was
|
||
|
what appeared to be a statue. Winston gazed at it for some moments. It
|
||
|
seemed vaguely familiar, though he did not remember the statue.
|
||
|
|
||
|
'The frame's fixed to the wall,' said the old man, 'but I could unscrew it
|
||
|
for you, I dare say.'
|
||
|
|
||
|
'I know that building,' said Winston finally. 'It's a ruin now. It's in
|
||
|
the middle of the street outside the Palace of Justice.'
|
||
|
|
||
|
'That's right. Outside the Law Courts. It was bombed in--oh, many years
|
||
|
ago. It was a church at one time, St Clement Danes, its name was.' He
|
||
|
smiled apologetically, as though conscious of saying something slightly
|
||
|
ridiculous, and added: 'Oranges and lemons, say the bells of St Clement's!'
|
||
|
|
||
|
'What's that?' said Winston.
|
||
|
|
||
|
'Oh--"Oranges and lemons, say the bells of St Clement's." That was a rhyme
|
||
|
we had when I was a little boy. How it goes on I don't remember, but I do
|
||
|
know it ended up, "Here comes a candle to light you to bed, Here comes a
|
||
|
chopper to chop off your head." It was a kind of a dance. They held out
|
||
|
their arms for you to pass under, and when they came to "Here comes a
|
||
|
chopper to chop off your head" they brought their arms down and caught you.
|
||
|
It was just names of churches. All the London churches were in it--all the
|
||
|
principal ones, that is.'
|
||
|
|
||
|
Winston wondered vaguely to what century the church belonged. It was always
|
||
|
difficult to determine the age of a London building. Anything large and
|
||
|
impressive, if it was reasonably new in appearance, was automatically
|
||
|
claimed as having been built since the Revolution, while anything that was
|
||
|
obviously of earlier date was ascribed to some dim period called the Middle
|
||
|
Ages. The centuries of capitalism were held to have produced nothing of any
|
||
|
value. One could not learn history from architecture any more than one
|
||
|
could learn it from books. Statues, inscriptions, memorial stones, the
|
||
|
names of streets--anything that might throw light upon the past had been
|
||
|
systematically altered.
|
||
|
|
||
|
'I never knew it had been a church,' he said.
|
||
|
|
||
|
'There's a lot of them left, really,' said the old man, 'though they've
|
||
|
been put to other uses. Now, how did that rhyme go? Ah! I've got it!
|
||
|
|
||
|
|
||
|
"Oranges and lemons, say the bells of St Clement's,
|
||
|
You owe me three farthings, say the bells of St Martin's----"
|
||
|
|
||
|
|
||
|
there, now, that's as far as I can get. A farthing, that was a small copper
|
||
|
coin, looked something like a cent.'
|
||
|
|
||
|
'Where was St Martin's?' said Winston.
|
||
|
|
||
|
'St Martin's? That's still standing. It's in Victory Square, alongside the
|
||
|
picture gallery. A building with a kind of a triangular porch and pillars
|
||
|
in front, and a big flight of steps.'
|
||
|
|
||
|
Winston knew the place well. It was a museum used for propaganda displays
|
||
|
of various kinds--scale models of rocket bombs and Floating Fortresses,
|
||
|
waxwork tableaux illustrating enemy atrocities, and the like.
|
||
|
|
||
|
'St Martin's-in-the-Fields it used to be called,' supplemented the old man,
|
||
|
'though I don't recollect any fields anywhere in those parts.'
|
||
|
|
||
|
Winston did not buy the picture. It would have been an even more
|
||
|
incongruous possession than the glass paperweight, and impossible to carry
|
||
|
home, unless it were taken out of its frame. But he lingered for some
|
||
|
minutes more, talking to the old man, whose name, he discovered, was not
|
||
|
Weeks--as one might have gathered from the inscription over the
|
||
|
shop-front--but Charrington. Mr Charrington, it seemed, was a widower aged
|
||
|
sixty-three and had inhabited this shop for thirty years. Throughout that
|
||
|
time he had been intending to alter the name over the window, but had never
|
||
|
quite got to the point of doing it. All the while that they were talking
|
||
|
the half-remembered rhyme kept running through Winston's head. Oranges and
|
||
|
lemons say the bells of St Clement's, You owe me three farthings, say
|
||
|
the bells of St Martin's! It was curious, but when you said it to yourself
|
||
|
you had the illusion of actually hearing bells, the bells of a lost London
|
||
|
that still existed somewhere or other, disguised and forgotten. From one
|
||
|
ghostly steeple after another he seemed to hear them pealing forth. Yet so
|
||
|
far as he could remember he had never in real life heard church bells
|
||
|
ringing.
|
||
|
|
||
|
He got away from Mr Charrington and went down the stairs alone, so as not
|
||
|
to let the old man see him reconnoitring the street before stepping out of
|
||
|
the door. He had already made up his mind that after a suitable
|
||
|
interval--a month, say--he would take the risk of visiting the shop again.
|
||
|
It was perhaps not more dangerous than shirking an evening at the Centre.
|
||
|
The serious piece of folly had been to come back here in the first place,
|
||
|
after buying the diary and without knowing whether the proprietor of the
|
||
|
shop could be trusted. However----!
|
||
|
|
||
|
Yes, he thought again, he would come back. He would buy further scraps of
|
||
|
beautiful rubbish. He would buy the engraving of St Clement Danes, take
|
||
|
it out of its frame, and carry it home concealed under the jacket of his
|
||
|
overalls. He would drag the rest of that poem out of Mr Charrington's
|
||
|
memory. Even the lunatic project of renting the room upstairs flashed
|
||
|
momentarily through his mind again. For perhaps five seconds exaltation
|
||
|
made him careless, and he stepped out on to the pavement without so much
|
||
|
as a preliminary glance through the window. He had even started humming
|
||
|
to an improvised tune
|
||
|
|
||
|
|
||
|
Oranges and lemons, say the bells of St Clement's,
|
||
|
You owe me three farthings, say the----
|
||
|
|
||
|
|
||
|
Suddenly his heart seemed to turn to ice and his bowels to water. A figure
|
||
|
in blue overalls was coming down the pavement, not ten metres away. It was
|
||
|
the girl from the Fiction Department, the girl with dark hair. The light
|
||
|
was failing, but there was no difficulty in recognizing her. She looked
|
||
|
him straight in the face, then walked quickly on as though she had not
|
||
|
seen him.
|
||
|
|
||
|
For a few seconds Winston was too paralysed to move. Then he turned to the
|
||
|
right and walked heavily away, not noticing for the moment that he was
|
||
|
going in the wrong direction. At any rate, one question was settled. There
|
||
|
was no doubting any longer that the girl was spying on him. She must have
|
||
|
followed him here, because it was not credible that by pure chance she
|
||
|
should have happened to be walking on the same evening up the same obscure
|
||
|
backstreet, kilometres distant from any quarter where Party members lived.
|
||
|
It was too great a coincidence. Whether she was really an agent of the
|
||
|
Thought Police, or simply an amateur spy actuated by officiousness, hardly
|
||
|
mattered. It was enough that she was watching him. Probably she had seen
|
||
|
him go into the pub as well.
|
||
|
|
||
|
It was an effort to walk. The lump of glass in his pocket banged against
|
||
|
his thigh at each step, and he was half minded to take it out and throw it
|
||
|
away. The worst thing was the pain in his belly. For a couple of minutes
|
||
|
he had the feeling that he would die if he did not reach a lavatory soon.
|
||
|
But there would be no public lavatories in a quarter like this. Then the
|
||
|
spasm passed, leaving a dull ache behind.
|
||
|
|
||
|
The street was a blind alley. Winston halted, stood for several seconds
|
||
|
wondering vaguely what to do, then turned round and began to retrace his
|
||
|
steps. As he turned it occurred to him that the girl had only passed him
|
||
|
three minutes ago and that by running he could probably catch up with her.
|
||
|
He could keep on her track till they were in some quiet place, and then
|
||
|
smash her skull in with a cobblestone. The piece of glass in his pocket
|
||
|
would be heavy enough for the job. But he abandoned the idea immediately,
|
||
|
because even the thought of making any physical effort was unbearable. He
|
||
|
could not run, he could not strike a blow. Besides, she was young and lusty
|
||
|
and would defend herself. He thought also of hurrying to the Community
|
||
|
Centre and staying there till the place closed, so as to establish a
|
||
|
partial alibi for the evening. But that too was impossible. A deadly
|
||
|
lassitude had taken hold of him. All he wanted was to get home quickly and
|
||
|
then sit down and be quiet.
|
||
|
|
||
|
It was after twenty-two hours when he got back to the flat. The lights
|
||
|
would be switched off at the main at twenty-three thirty. He went into the
|
||
|
kitchen and swallowed nearly a teacupful of Victory Gin. Then he went to
|
||
|
the table in the alcove, sat down, and took the diary out of the drawer.
|
||
|
But he did not open it at once. From the telescreen a brassy female voice
|
||
|
was squalling a patriotic song. He sat staring at the marbled cover of the
|
||
|
book, trying without success to shut the voice out of his consciousness.
|
||
|
|
||
|
It was at night that they came for you, always at night. The proper thing
|
||
|
was to kill yourself before they got you. Undoubtedly some people did so.
|
||
|
Many of the disappearances were actually suicides. But it needed desperate
|
||
|
courage to kill yourself in a world where firearms, or any quick and
|
||
|
certain poison, were completely unprocurable. He thought with a kind of
|
||
|
astonishment of the biological uselessness of pain and fear, the treachery
|
||
|
of the human body which always freezes into inertia at exactly the moment
|
||
|
when a special effort is needed. He might have silenced the dark-haired
|
||
|
girl if only he had acted quickly enough: but precisely because of the
|
||
|
extremity of his danger he had lost the power to act. It struck him that
|
||
|
in moments of crisis one is never fighting against an external enemy, but
|
||
|
always against one's own body. Even now, in spite of the gin, the dull
|
||
|
ache in his belly made consecutive thought impossible. And it is the same,
|
||
|
he perceived, in all seemingly heroic or tragic situations. On the
|
||
|
battlefield, in the torture chamber, on a sinking ship, the issues that
|
||
|
you are fighting for are always forgotten, because the body swells up until
|
||
|
it fills the universe, and even when you are not paralysed by fright or
|
||
|
screaming with pain, life is a moment-to-moment struggle against hunger or
|
||
|
cold or sleeplessness, against a sour stomach or an aching tooth.
|
||
|
|
||
|
He opened the diary. It was important to write something down. The woman
|
||
|
on the telescreen had started a new song. Her voice seemed to stick into
|
||
|
his brain like jagged splinters of glass. He tried to think of O'Brien,
|
||
|
for whom, or to whom, the diary was written, but instead he began thinking
|
||
|
of the things that would happen to him after the Thought Police took him
|
||
|
away. It would not matter if they killed you at once. To be killed was
|
||
|
what you expected. But before death (nobody spoke of such things, yet
|
||
|
everybody knew of them) there was the routine of confession that had to
|
||
|
be gone through: the grovelling on the floor and screaming for mercy, the
|
||
|
crack of broken bones, the smashed teeth and bloody clots of hair.
|
||
|
|
||
|
Why did you have to endure it, since the end was always the same? Why was
|
||
|
it not possible to cut a few days or weeks out of your life? Nobody ever
|
||
|
escaped detection, and nobody ever failed to confess. When once you had
|
||
|
succumbed to thoughtcrime it was certain that by a given date you would be
|
||
|
dead. Why then did that horror, which altered nothing, have to lie embedded
|
||
|
in future time?
|
||
|
|
||
|
He tried with a little more success than before to summon up the image of
|
||
|
O'Brien. 'We shall meet in the place where there is no darkness,' O'Brien
|
||
|
had said to him. He knew what it meant, or thought he knew. The place where
|
||
|
there is no darkness was the imagined future, which one would never see,
|
||
|
but which, by foreknowledge, one could mystically share in. But with the
|
||
|
voice from the telescreen nagging at his ears he could not follow the train
|
||
|
of thought further. He put a cigarette in his mouth. Half the tobacco
|
||
|
promptly fell out on to his tongue, a bitter dust which was difficult to
|
||
|
spit out again. The face of Big Brother swam into his mind, displacing that
|
||
|
of O'Brien. Just as he had done a few days earlier, he slid a coin out of
|
||
|
his pocket and looked at it. The face gazed up at him, heavy, calm,
|
||
|
protecting: but what kind of smile was hidden beneath the dark moustache?
|
||
|
Like a leaden knell the words came back at him:
|
||
|
|
||
|
|
||
|
WAR IS PEACE
|
||
|
FREEDOM IS SLAVERY
|
||
|
IGNORANCE IS STRENGTH
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
PART TWO
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Chapter 1
|
||
|
|
||
|
|
||
|
|
||
|
It was the middle of the morning, and Winston had left the cubicle to go
|
||
|
to the lavatory.
|
||
|
|
||
|
A solitary figure was coming towards him from the other end of the long,
|
||
|
brightly-lit corridor. It was the girl with dark hair. Four days had gone
|
||
|
past since the evening when he had run into her outside the junk-shop.
|
||
|
As she came nearer he saw that her right arm was in a sling, not noticeable
|
||
|
at a distance because it was of the same colour as her overalls. Probably
|
||
|
she had crushed her hand while swinging round one of the big kaleidoscopes
|
||
|
on which the plots of novels were 'roughed in'. It was a common accident
|
||
|
in the Fiction Department.
|
||
|
|
||
|
They were perhaps four metres apart when the girl stumbled and fell almost
|
||
|
flat on her face. A sharp cry of pain was wrung out of her. She must have
|
||
|
fallen right on the injured arm. Winston stopped short. The girl had risen
|
||
|
to her knees. Her face had turned a milky yellow colour against which her
|
||
|
mouth stood out redder than ever. Her eyes were fixed on his, with an
|
||
|
appealing expression that looked more like fear than pain.
|
||
|
|
||
|
A curious emotion stirred in Winston's heart. In front of him was an enemy
|
||
|
who was trying to kill him: in front of him, also, was a human creature,
|
||
|
in pain and perhaps with a broken bone. Already he had instinctively
|
||
|
started forward to help her. In the moment when he had seen her fall on
|
||
|
the bandaged arm, it had been as though he felt the pain in his own body.
|
||
|
|
||
|
'You're hurt?' he said.
|
||
|
|
||
|
'It's nothing. My arm. It'll be all right in a second.'
|
||
|
|
||
|
She spoke as though her heart were fluttering. She had certainly turned
|
||
|
very pale.
|
||
|
|
||
|
'You haven't broken anything?'
|
||
|
|
||
|
'No, I'm all right. It hurt for a moment, that's all.'
|
||
|
|
||
|
She held out her free hand to him, and he helped her up. She had regained
|
||
|
some of her colour, and appeared very much better.
|
||
|
|
||
|
'It's nothing,' she repeated shortly. 'I only gave my wrist a bit of a
|
||
|
bang. Thanks, comrade!'
|
||
|
|
||
|
And with that she walked on in the direction in which she had been going,
|
||
|
as briskly as though it had really been nothing. The whole incident could
|
||
|
not have taken as much as half a minute. Not to let one's feelings appear
|
||
|
in one's face was a habit that had acquired the status of an instinct,
|
||
|
and in any case they had been standing straight in front of a telescreen
|
||
|
when the thing happened. Nevertheless it had been very difficult not to
|
||
|
betray a momentary surprise, for in the two or three seconds while he was
|
||
|
helping her up the girl had slipped something into his hand. There was no
|
||
|
question that she had done it intentionally. It was something small and
|
||
|
flat. As he passed through the lavatory door he transferred it to his
|
||
|
pocket and felt it with the tips of his fingers. It was a scrap of paper
|
||
|
folded into a square.
|
||
|
|
||
|
While he stood at the urinal he managed, with a little more fingering, to
|
||
|
get it unfolded. Obviously there must be a message of some kind written on
|
||
|
it. For a moment he was tempted to take it into one of the water-closets
|
||
|
and read it at once. But that would be shocking folly, as he well knew.
|
||
|
There was no place where you could be more certain that the telescreens
|
||
|
were watched continuously.
|
||
|
|
||
|
He went back to his cubicle, sat down, threw the fragment of paper
|
||
|
casually among the other papers on the desk, put on his spectacles and
|
||
|
hitched the speakwrite towards him. 'Five minutes,' he told himself,
|
||
|
'five minutes at the very least!' His heart bumped in his breast with
|
||
|
frightening loudness. Fortunately the piece of work he was engaged on was
|
||
|
mere routine, the rectification of a long list of figures, not needing
|
||
|
close attention.
|
||
|
|
||
|
Whatever was written on the paper, it must have some kind of political
|
||
|
meaning. So far as he could see there were two possibilities. One, much
|
||
|
the more likely, was that the girl was an agent of the Thought Police,
|
||
|
just as he had feared. He did not know why the Thought Police should
|
||
|
choose to deliver their messages in such a fashion, but perhaps they had
|
||
|
their reasons. The thing that was written on the paper might be a threat, a
|
||
|
summons, an order to commit suicide, a trap of some description. But there
|
||
|
was another, wilder possibility that kept raising its head, though he
|
||
|
tried vainly to suppress it. This was, that the message did not come from
|
||
|
the Thought Police at all, but from some kind of underground organization.
|
||
|
Perhaps the Brotherhood existed after all! Perhaps the girl was part of it!
|
||
|
No doubt the idea was absurd, but it had sprung into his mind in the very
|
||
|
instant of feeling the scrap of paper in his hand. It was not till a couple
|
||
|
of minutes later that the other, more probable explanation had occurred to
|
||
|
him. And even now, though his intellect told him that the message probably
|
||
|
meant death--still, that was not what he believed, and the unreasonable
|
||
|
hope persisted, and his heart banged, and it was with difficulty that he
|
||
|
kept his voice from trembling as he murmured his figures into the
|
||
|
speakwrite.
|
||
|
|
||
|
He rolled up the completed bundle of work and slid it into the pneumatic
|
||
|
tube. Eight minutes had gone by. He re-adjusted his spectacles on his nose,
|
||
|
sighed, and drew the next batch of work towards him, with the scrap of
|
||
|
paper on top of it. He flattened it out. On it was written, in a large
|
||
|
unformed handwriting:
|
||
|
|
||
|
I LOVE YOU.
|
||
|
|
||
|
For several seconds he was too stunned even to throw the incriminating
|
||
|
thing into the memory hole. When he did so, although he knew very well the
|
||
|
danger of showing too much interest, he could not resist reading it once
|
||
|
again, just to make sure that the words were really there.
|
||
|
|
||
|
For the rest of the morning it was very difficult to work. What was even
|
||
|
worse than having to focus his mind on a series of niggling jobs was the
|
||
|
need to conceal his agitation from the telescreen. He felt as though a
|
||
|
fire were burning in his belly. Lunch in the hot, crowded, noise-filled
|
||
|
canteen was torment. He had hoped to be alone for a little while during
|
||
|
the lunch hour, but as bad luck would have it the imbecile Parsons flopped
|
||
|
down beside him, the tang of his sweat almost defeating the tinny smell of
|
||
|
stew, and kept up a stream of talk about the preparations for Hate Week.
|
||
|
He was particularly enthusiastic about a papier-mache model of Big
|
||
|
Brother's head, two metres wide, which was being made for the occasion by
|
||
|
his daughter's troop of Spies. The irritating thing was that in the racket
|
||
|
of voices Winston could hardly hear what Parsons was saying, and was
|
||
|
constantly having to ask for some fatuous remark to be repeated. Just once
|
||
|
he caught a glimpse of the girl, at a table with two other girls at the
|
||
|
far end of the room. She appeared not to have seen him, and he did not
|
||
|
look in that direction again.
|
||
|
|
||
|
The afternoon was more bearable. Immediately after lunch there arrived a
|
||
|
delicate, difficult piece of work which would take several hours and
|
||
|
necessitated putting everything else aside. It consisted in falsifying a
|
||
|
series of production reports of two years ago, in such a way as to cast
|
||
|
discredit on a prominent member of the Inner Party, who was now under a
|
||
|
cloud. This was the kind of thing that Winston was good at, and for more
|
||
|
than two hours he succeeded in shutting the girl out of his mind
|
||
|
altogether. Then the memory of her face came back, and with it a raging,
|
||
|
intolerable desire to be alone. Until he could be alone it was impossible
|
||
|
to think this new development out. Tonight was one of his nights at the
|
||
|
Community Centre. He wolfed another tasteless meal in the canteen, hurried
|
||
|
off to the Centre, took part in the solemn foolery of a 'discussion group',
|
||
|
played two games of table tennis, swallowed several glasses of gin, and
|
||
|
sat for half an hour through a lecture entitled 'Ingsoc in relation to
|
||
|
chess'. His soul writhed with boredom, but for once he had had no impulse
|
||
|
to shirk his evening at the Centre. At the sight of the words I LOVE YOU
|
||
|
the desire to stay alive had welled up in him, and the taking of minor
|
||
|
risks suddenly seemed stupid. It was not till twenty-three hours, when he
|
||
|
was home and in bed--in the darkness, where you were safe even from the
|
||
|
telescreen so long as you kept silent--that he was able to think
|
||
|
continuously.
|
||
|
|
||
|
It was a physical problem that had to be solved: how to get in touch with
|
||
|
the girl and arrange a meeting. He did not consider any longer the
|
||
|
possibility that she might be laying some kind of trap for him. He knew
|
||
|
that it was not so, because of her unmistakable agitation when she handed
|
||
|
him the note. Obviously she had been frightened out of her wits, as well
|
||
|
she might be. Nor did the idea of refusing her advances even cross his
|
||
|
mind. Only five nights ago he had contemplated smashing her skull in with
|
||
|
a cobblestone, but that was of no importance. He thought of her naked,
|
||
|
youthful body, as he had seen it in his dream. He had imagined her a fool
|
||
|
like all the rest of them, her head stuffed with lies and hatred, her
|
||
|
belly full of ice. A kind of fever seized him at the thought that he might
|
||
|
lose her, the white youthful body might slip away from him! What he feared
|
||
|
more than anything else was that she would simply change her mind if he
|
||
|
did not get in touch with her quickly. But the physical difficulty of
|
||
|
meeting was enormous. It was like trying to make a move at chess when you
|
||
|
were already mated. Whichever way you turned, the telescreen faced you.
|
||
|
Actually, all the possible ways of communicating with her had occurred to
|
||
|
him within five minutes of reading the note; but now, with time to think,
|
||
|
he went over them one by one, as though laying out a row of instruments
|
||
|
on a table.
|
||
|
|
||
|
Obviously the kind of encounter that had happened this morning could not
|
||
|
be repeated. If she had worked in the Records Department it might have
|
||
|
been comparatively simple, but he had only a very dim idea whereabouts in
|
||
|
the building the Fiction Department lay, and he had no pretext for going
|
||
|
there. If he had known where she lived, and at what time she left work,
|
||
|
he could have contrived to meet her somewhere on her way home; but to try
|
||
|
to follow her home was not safe, because it would mean loitering about
|
||
|
outside the Ministry, which was bound to be noticed. As for sending a
|
||
|
letter through the mails, it was out of the question. By a routine that
|
||
|
was not even secret, all letters were opened in transit. Actually, few
|
||
|
people ever wrote letters. For the messages that it was occasionally
|
||
|
necessary to send, there were printed postcards with long lists of phrases,
|
||
|
and you struck out the ones that were inapplicable. In any case he did not
|
||
|
know the girl's name, let alone her address. Finally he decided that the
|
||
|
safest place was the canteen. If he could get her at a table by herself,
|
||
|
somewhere in the middle of the room, not too near the telescreens, and
|
||
|
with a sufficient buzz of conversation all round--if these conditions
|
||
|
endured for, say, thirty seconds, it might be possible to exchange a few
|
||
|
words.
|
||
|
|
||
|
For a week after this, life was like a restless dream. On the next day she
|
||
|
did not appear in the canteen until he was leaving it, the whistle having
|
||
|
already blown. Presumably she had been changed on to a later shift. They
|
||
|
passed each other without a glance. On the day after that she was in the
|
||
|
canteen at the usual time, but with three other girls and immediately
|
||
|
under a telescreen. Then for three dreadful days she did not appear at
|
||
|
all. His whole mind and body seemed to be afflicted with an unbearable
|
||
|
sensitivity, a sort of transparency, which made every movement, every
|
||
|
sound, every contact, every word that he had to speak or listen to, an
|
||
|
agony. Even in sleep he could not altogether escape from her image. He did
|
||
|
not touch the diary during those days. If there was any relief, it was in
|
||
|
his work, in which he could sometimes forget himself for ten minutes at a
|
||
|
stretch. He had absolutely no clue as to what had happened to her. There
|
||
|
was no enquiry he could make. She might have been vaporized, she might
|
||
|
have committed suicide, she might have been transferred to the other end
|
||
|
of Oceania: worst and likeliest of all, she might simply have changed her
|
||
|
mind and decided to avoid him.
|
||
|
|
||
|
The next day she reappeared. Her arm was out of the sling and she had a
|
||
|
band of sticking-plaster round her wrist. The relief of seeing her was
|
||
|
so great that he could not resist staring directly at her for several
|
||
|
seconds. On the following day he very nearly succeeded in speaking to her.
|
||
|
When he came into the canteen she was sitting at a table well out from the
|
||
|
wall, and was quite alone. It was early, and the place was not very full.
|
||
|
The queue edged forward till Winston was almost at the counter, then was
|
||
|
held up for two minutes because someone in front was complaining that he
|
||
|
had not received his tablet of saccharine. But the girl was still alone
|
||
|
when Winston secured his tray and began to make for her table. He walked
|
||
|
casually towards her, his eyes searching for a place at some table beyond
|
||
|
her. She was perhaps three metres away from him. Another two seconds would
|
||
|
do it. Then a voice behind him called, 'Smith!' He pretended not to hear.
|
||
|
'Smith!' repeated the voice, more loudly. It was no use. He turned round.
|
||
|
A blond-headed, silly-faced young man named Wilsher, whom he barely knew,
|
||
|
was inviting him with a smile to a vacant place at his table. It was not
|
||
|
safe to refuse. After having been recognized, he could not go and sit at
|
||
|
a table with an unattended girl. It was too noticeable. He sat down with
|
||
|
a friendly smile. The silly blond face beamed into his. Winston had a
|
||
|
hallucination of himself smashing a pick-axe right into the middle of it.
|
||
|
The girl's table filled up a few minutes later.
|
||
|
|
||
|
But she must have seen him coming towards her, and perhaps she would take
|
||
|
the hint. Next day he took care to arrive early. Surely enough, she was at
|
||
|
a table in about the same place, and again alone. The person immediately
|
||
|
ahead of him in the queue was a small, swiftly-moving, beetle-like man
|
||
|
with a flat face and tiny, suspicious eyes. As Winston turned away from
|
||
|
the counter with his tray, he saw that the little man was making straight
|
||
|
for the girl's table. His hopes sank again. There was a vacant place at a
|
||
|
table further away, but something in the little man's appearance suggested
|
||
|
that he would be sufficiently attentive to his own comfort to choose the
|
||
|
emptiest table. With ice at his heart Winston followed. It was no use
|
||
|
unless he could get the girl alone. At this moment there was a tremendous
|
||
|
crash. The little man was sprawling on all fours, his tray had gone flying,
|
||
|
two streams of soup and coffee were flowing across the floor. He started
|
||
|
to his feet with a malignant glance at Winston, whom he evidently
|
||
|
suspected of having tripped him up. But it was all right. Five seconds
|
||
|
later, with a thundering heart, Winston was sitting at the girl's table.
|
||
|
|
||
|
He did not look at her. He unpacked his tray and promptly began eating.
|
||
|
It was all-important to speak at once, before anyone else came, but now
|
||
|
a terrible fear had taken possession of him. A week had gone by since
|
||
|
she had first approached him. She would have changed her mind, she must
|
||
|
have changed her mind! It was impossible that this affair should end
|
||
|
successfully; such things did not happen in real life. He might have
|
||
|
flinched altogether from speaking if at this moment he had not seen
|
||
|
Ampleforth, the hairy-eared poet, wandering limply round the room with
|
||
|
a tray, looking for a place to sit down. In his vague way Ampleforth
|
||
|
was attached to Winston, and would certainly sit down at his table if
|
||
|
he caught sight of him. There was perhaps a minute in which to act. Both
|
||
|
Winston and the girl were eating steadily. The stuff they were eating was
|
||
|
a thin stew, actually a soup, of haricot beans. In a low murmur Winston
|
||
|
began speaking. Neither of them looked up; steadily they spooned the
|
||
|
watery stuff into their mouths, and between spoonfuls exchanged the few
|
||
|
necessary words in low expressionless voices.
|
||
|
|
||
|
'What time do you leave work?'
|
||
|
|
||
|
'Eighteen-thirty.'
|
||
|
|
||
|
'Where can we meet?'
|
||
|
|
||
|
'Victory Square, near the monument.'
|
||
|
|
||
|
'It's full of telescreens.'
|
||
|
|
||
|
'It doesn't matter if there's a crowd.'
|
||
|
|
||
|
'Any signal?'
|
||
|
|
||
|
'No. Don't come up to me until you see me among a lot of people. And don't
|
||
|
look at me. Just keep somewhere near me.'
|
||
|
|
||
|
'What time?'
|
||
|
|
||
|
'Nineteen hours.'
|
||
|
|
||
|
'All right.'
|
||
|
|
||
|
Ampleforth failed to see Winston and sat down at another table. They did
|
||
|
not speak again, and, so far as it was possible for two people sitting on
|
||
|
opposite sides of the same table, they did not look at one another. The
|
||
|
girl finished her lunch quickly and made off, while Winston stayed to
|
||
|
smoke a cigarette.
|
||
|
|
||
|
Winston was in Victory Square before the appointed time. He wandered round
|
||
|
the base of the enormous fluted column, at the top of which Big Brother's
|
||
|
statue gazed southward towards the skies where he had vanquished the
|
||
|
Eurasian aeroplanes (the Eastasian aeroplanes, it had been, a few years
|
||
|
ago) in the Battle of Airstrip One. In the street in front of it there was
|
||
|
a statue of a man on horseback which was supposed to represent Oliver
|
||
|
Cromwell. At five minutes past the hour the girl had still not appeared.
|
||
|
Again the terrible fear seized upon Winston. She was not coming, she had
|
||
|
changed her mind! He walked slowly up to the north side of the square and
|
||
|
got a sort of pale-coloured pleasure from identifying St Martin's Church,
|
||
|
whose bells, when it had bells, had chimed 'You owe me three farthings.'
|
||
|
Then he saw the girl standing at the base of the monument, reading or
|
||
|
pretending to read a poster which ran spirally up the column. It was not
|
||
|
safe to go near her until some more people had accumulated. There were
|
||
|
telescreens all round the pediment. But at this moment there was a din of
|
||
|
shouting and a zoom of heavy vehicles from somewhere to the left. Suddenly
|
||
|
everyone seemed to be running across the square. The girl nipped nimbly
|
||
|
round the lions at the base of the monument and joined in the rush.
|
||
|
Winston followed. As he ran, he gathered from some shouted remarks that
|
||
|
a convoy of Eurasian prisoners was passing.
|
||
|
|
||
|
Already a dense mass of people was blocking the south side of the square.
|
||
|
Winston, at normal times the kind of person who gravitates to the outer
|
||
|
edge of any kind of scrimmage, shoved, butted, squirmed his way forward
|
||
|
into the heart of the crowd. Soon he was within arm's length of the girl,
|
||
|
but the way was blocked by an enormous prole and an almost equally enormous
|
||
|
woman, presumably his wife, who seemed to form an impenetrable wall of
|
||
|
flesh. Winston wriggled himself sideways, and with a violent lunge managed
|
||
|
to drive his shoulder between them. For a moment it felt as though his
|
||
|
entrails were being ground to pulp between the two muscular hips, then he
|
||
|
had broken through, sweating a little. He was next to the girl. They were
|
||
|
shoulder to shoulder, both staring fixedly in front of them.
|
||
|
|
||
|
A long line of trucks, with wooden-faced guards armed with sub-machine
|
||
|
guns standing upright in each corner, was passing slowly down the street.
|
||
|
In the trucks little yellow men in shabby greenish uniforms were squatting,
|
||
|
jammed close together. Their sad, Mongolian faces gazed out over the sides
|
||
|
of the trucks utterly incurious. Occasionally when a truck jolted there
|
||
|
was a clank-clank of metal: all the prisoners were wearing leg-irons.
|
||
|
Truck-load after truck-load of the sad faces passed. Winston knew they
|
||
|
were there but he saw them only intermittently. The girl's shoulder, and
|
||
|
her arm right down to the elbow, were pressed against his. Her cheek was
|
||
|
almost near enough for him to feel its warmth. She had immediately taken
|
||
|
charge of the situation, just as she had done in the canteen. She began
|
||
|
speaking in the same expressionless voice as before, with lips barely
|
||
|
moving, a mere murmur easily drowned by the din of voices and the rumbling
|
||
|
of the trucks.
|
||
|
|
||
|
'Can you hear me?'
|
||
|
|
||
|
'Yes.'
|
||
|
|
||
|
'Can you get Sunday afternoon off?'
|
||
|
|
||
|
'Yes.'
|
||
|
|
||
|
'Then listen carefully. You'll have to remember this. Go to Paddington
|
||
|
Station----'
|
||
|
|
||
|
With a sort of military precision that astonished him, she outlined the
|
||
|
route that he was to follow. A half-hour railway journey; turn left outside
|
||
|
the station; two kilometres along the road; a gate with the top bar
|
||
|
missing; a path across a field; a grass-grown lane; a track between bushes;
|
||
|
a dead tree with moss on it. It was as though she had a map inside her
|
||
|
head. 'Can you remember all that?' she murmured finally.
|
||
|
|
||
|
'Yes.'
|
||
|
|
||
|
'You turn left, then right, then left again. And the gate's got no top bar.'
|
||
|
|
||
|
'Yes. What time?'
|
||
|
|
||
|
'About fifteen. You may have to wait. I'll get there by another way. Are
|
||
|
you sure you remember everything?'
|
||
|
|
||
|
'Yes.'
|
||
|
|
||
|
'Then get away from me as quick as you can.'
|
||
|
|
||
|
She need not have told him that. But for the moment they could not
|
||
|
extricate themselves from the crowd. The trucks were still filing past,
|
||
|
the people still insatiably gaping. At the start there had been a few boos
|
||
|
and hisses, but it came only from the Party members among the crowd, and
|
||
|
had soon stopped. The prevailing emotion was simply curiosity. Foreigners,
|
||
|
whether from Eurasia or from Eastasia, were a kind of strange animal. One
|
||
|
literally never saw them except in the guise of prisoners, and even as
|
||
|
prisoners one never got more than a momentary glimpse of them. Nor did
|
||
|
one know what became of them, apart from the few who were hanged as
|
||
|
war-criminals: the others simply vanished, presumably into forced-labour
|
||
|
camps. The round Mogol faces had given way to faces of a more European
|
||
|
type, dirty, bearded and exhausted. From over scrubby cheekbones eyes
|
||
|
looked into Winston's, sometimes with strange intensity, and flashed away
|
||
|
again. The convoy was drawing to an end. In the last truck he could see an
|
||
|
aged man, his face a mass of grizzled hair, standing upright with wrists
|
||
|
crossed in front of him, as though he were used to having them bound
|
||
|
together. It was almost time for Winston and the girl to part. But at the
|
||
|
last moment, while the crowd still hemmed them in, her hand felt for his
|
||
|
and gave it a fleeting squeeze.
|
||
|
|
||
|
It could not have been ten seconds, and yet it seemed a long time that
|
||
|
their hands were clasped together. He had time to learn every detail
|
||
|
of her hand. He explored the long fingers, the shapely nails, the
|
||
|
work-hardened palm with its row of callouses, the smooth flesh under the
|
||
|
wrist. Merely from feeling it he would have known it by sight. In the
|
||
|
same instant it occurred to him that he did not know what colour the
|
||
|
girl's eyes were. They were probably brown, but people with dark hair
|
||
|
sometimes had blue eyes. To turn his head and look at her would have
|
||
|
been inconceivable folly. With hands locked together, invisible among
|
||
|
the press of bodies, they stared steadily in front of them, and instead
|
||
|
of the eyes of the girl, the eyes of the aged prisoner gazed mournfully
|
||
|
at Winston out of nests of hair.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Chapter 2
|
||
|
|
||
|
|
||
|
|
||
|
Winston picked his way up the lane through dappled light and shade,
|
||
|
stepping out into pools of gold wherever the boughs parted. Under the
|
||
|
trees to the left of him the ground was misty with bluebells. The air
|
||
|
seemed to kiss one's skin. It was the second of May. From somewhere deeper
|
||
|
in the heart of the wood came the droning of ring-doves.
|
||
|
|
||
|
He was a bit early. There had been no difficulties about the journey, and
|
||
|
the girl was so evidently experienced that he was less frightened than he
|
||
|
would normally have been. Presumably she could be trusted to find a safe
|
||
|
place. In general you could not assume that you were much safer in the
|
||
|
country than in London. There were no telescreens, of course, but there
|
||
|
was always the danger of concealed microphones by which your voice might
|
||
|
be picked up and recognized; besides, it was not easy to make a journey
|
||
|
by yourself without attracting attention. For distances of less than
|
||
|
100 kilometres it was not necessary to get your passport endorsed, but
|
||
|
sometimes there were patrols hanging about the railway stations, who
|
||
|
examined the papers of any Party member they found there and asked awkward
|
||
|
questions. However, no patrols had appeared, and on the walk from the
|
||
|
station he had made sure by cautious backward glances that he was not
|
||
|
being followed. The train was full of proles, in holiday mood because of
|
||
|
the summery weather. The wooden-seated carriage in which he travelled was
|
||
|
filled to overflowing by a single enormous family, ranging from a toothless
|
||
|
great-grandmother to a month-old baby, going out to spend an afternoon
|
||
|
with 'in-laws' in the country, and, as they freely explained to Winston,
|
||
|
to get hold of a little black-market butter.
|
||
|
|
||
|
The lane widened, and in a minute he came to the footpath she had told him
|
||
|
of, a mere cattle-track which plunged between the bushes. He had no watch,
|
||
|
but it could not be fifteen yet. The bluebells were so thick underfoot
|
||
|
that it was impossible not to tread on them. He knelt down and began
|
||
|
picking some partly to pass the time away, but also from a vague idea that
|
||
|
he would like to have a bunch of flowers to offer to the girl when they
|
||
|
met. He had got together a big bunch and was smelling their faint sickly
|
||
|
scent when a sound at his back froze him, the unmistakable crackle of a
|
||
|
foot on twigs. He went on picking bluebells. It was the best thing to do.
|
||
|
It might be the girl, or he might have been followed after all. To look
|
||
|
round was to show guilt. He picked another and another. A hand fell
|
||
|
lightly on his shoulder.
|
||
|
|
||
|
He looked up. It was the girl. She shook her head, evidently as a warning
|
||
|
that he must keep silent, then parted the bushes and quickly led the way
|
||
|
along the narrow track into the wood. Obviously she had been that way
|
||
|
before, for she dodged the boggy bits as though by habit. Winston followed,
|
||
|
still clasping his bunch of flowers. His first feeling was relief, but as
|
||
|
he watched the strong slender body moving in front of him, with the scarlet
|
||
|
sash that was just tight enough to bring out the curve of her hips, the
|
||
|
sense of his own inferiority was heavy upon him. Even now it seemed quite
|
||
|
likely that when she turned round and looked at him she would draw back
|
||
|
after all. The sweetness of the air and the greenness of the leaves daunted
|
||
|
him. Already on the walk from the station the May sunshine had made him
|
||
|
feel dirty and etiolated, a creature of indoors, with the sooty dust of
|
||
|
London in the pores of his skin. It occurred to him that till now she had
|
||
|
probably never seen him in broad daylight in the open. They came to the
|
||
|
fallen tree that she had spoken of. The girl hopped over and forced apart
|
||
|
the bushes, in which there did not seem to be an opening. When Winston
|
||
|
followed her, he found that they were in a natural clearing, a tiny grassy
|
||
|
knoll surrounded by tall saplings that shut it in completely. The girl
|
||
|
stopped and turned.
|
||
|
|
||
|
'Here we are,' she said.
|
||
|
|
||
|
He was facing her at several paces' distance. As yet he did not dare move
|
||
|
nearer to her.
|
||
|
|
||
|
'I didn't want to say anything in the lane,' she went on, 'in case there's
|
||
|
a mike hidden there. I don't suppose there is, but there could be. There's
|
||
|
always the chance of one of those swine recognizing your voice. We're all
|
||
|
right here.'
|
||
|
|
||
|
He still had not the courage to approach her. 'We're all right here?'
|
||
|
he repeated stupidly.
|
||
|
|
||
|
'Yes. Look at the trees.' They were small ashes, which at some time had
|
||
|
been cut down and had sprouted up again into a forest of poles, none of
|
||
|
them thicker than one's wrist. 'There's nothing big enough to hide a mike
|
||
|
in. Besides, I've been here before.'
|
||
|
|
||
|
They were only making conversation. He had managed to move closer to her
|
||
|
now. She stood before him very upright, with a smile on her face that
|
||
|
looked faintly ironical, as though she were wondering why he was so slow
|
||
|
to act. The bluebells had cascaded on to the ground. They seemed to have
|
||
|
fallen of their own accord. He took her hand.
|
||
|
|
||
|
'Would you believe,' he said, 'that till this moment I didn't know what
|
||
|
colour your eyes were?' They were brown, he noted, a rather light shade of
|
||
|
brown, with dark lashes. 'Now that you've seen what I'm really like,
|
||
|
can you still bear to look at me?'
|
||
|
|
||
|
'Yes, easily.'
|
||
|
|
||
|
'I'm thirty-nine years old. I've got a wife that I can't get rid of. I've
|
||
|
got varicose veins. I've got five false teeth.'
|
||
|
|
||
|
'I couldn't care less,' said the girl.
|
||
|
|
||
|
The next moment, it was hard to say by whose act, she was in his arms.
|
||
|
At the beginning he had no feeling except sheer incredulity. The youthful
|
||
|
body was strained against his own, the mass of dark hair was against his
|
||
|
face, and yes! actually she had turned her face up and he was kissing the
|
||
|
wide red mouth. She had clasped her arms about his neck, she was calling
|
||
|
him darling, precious one, loved one. He had pulled her down on to the
|
||
|
ground, she was utterly unresisting, he could do what he liked with her.
|
||
|
But the truth was that he had no physical sensation, except that of mere
|
||
|
contact. All he felt was incredulity and pride. He was glad that this was
|
||
|
happening, but he had no physical desire. It was too soon, her youth and
|
||
|
prettiness had frightened him, he was too much used to living without
|
||
|
women--he did not know the reason. The girl picked herself up and pulled a
|
||
|
bluebell out of her hair. She sat against him, putting her arm round his
|
||
|
waist.
|
||
|
|
||
|
'Never mind, dear. There's no hurry. We've got the whole afternoon. Isn't
|
||
|
this a splendid hide-out? I found it when I got lost once on a community
|
||
|
hike. If anyone was coming you could hear them a hundred metres away.'
|
||
|
|
||
|
'What is your name?' said Winston.
|
||
|
|
||
|
'Julia. I know yours. It's Winston--Winston Smith.'
|
||
|
|
||
|
'How did you find that out?'
|
||
|
|
||
|
'I expect I'm better at finding things out than you are, dear. Tell me,
|
||
|
what did you think of me before that day I gave you the note?'
|
||
|
|
||
|
He did not feel any temptation to tell lies to her. It was even a sort of
|
||
|
love-offering to start off by telling the worst.
|
||
|
|
||
|
'I hated the sight of you,' he said. 'I wanted to rape you and then murder
|
||
|
you afterwards. Two weeks ago I thought seriously of smashing your head in
|
||
|
with a cobblestone. If you really want to know, I imagined that you had
|
||
|
something to do with the Thought Police.'
|
||
|
|
||
|
The girl laughed delightedly, evidently taking this as a
|
||
|
tribute to the excellence of her disguise.
|
||
|
|
||
|
'Not the Thought Police! You didn't honestly think that?'
|
||
|
|
||
|
'Well, perhaps not exactly that. But from your general appearance--merely
|
||
|
because you're young and fresh and healthy, you understand--I thought that
|
||
|
probably----'
|
||
|
|
||
|
'You thought I was a good Party member. Pure in word and deed. Banners,
|
||
|
processions, slogans, games, community hikes all that stuff. And you
|
||
|
thought that if I had a quarter of a chance I'd denounce you as a
|
||
|
thought-criminal and get you killed off?'
|
||
|
|
||
|
'Yes, something of that kind. A great many young girls are like that,
|
||
|
you know.'
|
||
|
|
||
|
'It's this bloody thing that does it,' she said, ripping off the scarlet
|
||
|
sash of the Junior Anti-Sex League and flinging it on to a bough. Then,
|
||
|
as though touching her waist had reminded her of something, she felt in
|
||
|
the pocket of her overalls and produced a small slab of chocolate. She
|
||
|
broke it in half and gave one of the pieces to Winston. Even before he had
|
||
|
taken it he knew by the smell that it was very unusual chocolate. It was
|
||
|
dark and shiny, and was wrapped in silver paper. Chocolate normally was
|
||
|
dull-brown crumbly stuff that tasted, as nearly as one could describe it,
|
||
|
like the smoke of a rubbish fire. But at some time or another he had tasted
|
||
|
chocolate like the piece she had given him. The first whiff of its scent
|
||
|
had stirred up some memory which he could not pin down, but which was
|
||
|
powerful and troubling.
|
||
|
|
||
|
'Where did you get this stuff?' he said.
|
||
|
|
||
|
'Black market,' she said indifferently. 'Actually I am that sort of girl,
|
||
|
to look at. I'm good at games. I was a troop-leader in the Spies. I do
|
||
|
voluntary work three evenings a week for the Junior Anti-Sex League. Hours
|
||
|
and hours I've spent pasting their bloody rot all over London. I always
|
||
|
carry one end of a banner in the processions. I always look cheerful and
|
||
|
I never shirk anything. Always yell with the crowd, that's what I say.
|
||
|
It's the only way to be safe.'
|
||
|
|
||
|
The first fragment of chocolate had melted on Winston's tongue. The taste
|
||
|
was delightful. But there was still that memory moving round the edges of
|
||
|
his consciousness, something strongly felt but not reducible to definite
|
||
|
shape, like an object seen out of the corner of one's eye. He pushed it
|
||
|
away from him, aware only that it was the memory of some action which he
|
||
|
would have liked to undo but could not.
|
||
|
|
||
|
'You are very young,' he said. 'You are ten or fifteen years younger than
|
||
|
I am. What could you see to attract you in a man like me?'
|
||
|
|
||
|
'It was something in your face. I thought I'd take a chance. I'm good at
|
||
|
spotting people who don't belong. As soon as I saw you I knew you were
|
||
|
against THEM.'
|
||
|
|
||
|
THEM, it appeared, meant the Party, and above all the Inner Party, about
|
||
|
whom she talked with an open jeering hatred which made Winston feel uneasy,
|
||
|
although he knew that they were safe here if they could be safe anywhere.
|
||
|
A thing that astonished him about her was the coarseness of her language.
|
||
|
Party members were supposed not to swear, and Winston himself very seldom
|
||
|
did swear, aloud, at any rate. Julia, however, seemed unable to mention
|
||
|
the Party, and especially the Inner Party, without using the kind of words
|
||
|
that you saw chalked up in dripping alley-ways. He did not dislike it. It
|
||
|
was merely one symptom of her revolt against the Party and all its ways,
|
||
|
and somehow it seemed natural and healthy, like the sneeze of a horse that
|
||
|
smells bad hay. They had left the clearing and were wandering again
|
||
|
through the chequered shade, with their arms round each other's waists
|
||
|
whenever it was wide enough to walk two abreast. He noticed how much
|
||
|
softer her waist seemed to feel now that the sash was gone. They did not
|
||
|
speak above a whisper. Outside the clearing, Julia said, it was better to
|
||
|
go quietly. Presently they had reached the edge of the little wood. She
|
||
|
stopped him.
|
||
|
|
||
|
'Don't go out into the open. There might be someone watching. We're all
|
||
|
right if we keep behind the boughs.'
|
||
|
|
||
|
They were standing in the shade of hazel bushes. The sunlight, filtering
|
||
|
through innumerable leaves, was still hot on their faces. Winston looked
|
||
|
out into the field beyond, and underwent a curious, slow shock of
|
||
|
recognition. He knew it by sight. An old, close-bitten pasture, with a
|
||
|
footpath wandering across it and a molehill here and there. In the ragged
|
||
|
hedge on the opposite side the boughs of the elm trees swayed just
|
||
|
perceptibly in the breeze, and their leaves stirred faintly in dense
|
||
|
masses like women's hair. Surely somewhere nearby, but out of sight,
|
||
|
there must be a stream with green pools where dace were swimming?
|
||
|
|
||
|
'Isn't there a stream somewhere near here?' he whispered.
|
||
|
|
||
|
'That's right, there is a stream. It's at the edge of the next field,
|
||
|
actually. There are fish in it, great big ones. You can watch them lying
|
||
|
in the pools under the willow trees, waving their tails.'
|
||
|
|
||
|
'It's the Golden Country--almost,' he murmured.
|
||
|
|
||
|
'The Golden Country?'
|
||
|
|
||
|
'It's nothing, really. A landscape I've seen sometimes in a dream.'
|
||
|
|
||
|
'Look!' whispered Julia.
|
||
|
|
||
|
A thrush had alighted on a bough not five metres away, almost at the level
|
||
|
of their faces. Perhaps it had not seen them. It was in the sun, they in
|
||
|
the shade. It spread out its wings, fitted them carefully into place
|
||
|
again, ducked its head for a moment, as though making a sort of obeisance
|
||
|
to the sun, and then began to pour forth a torrent of song. In the
|
||
|
afternoon hush the volume of sound was startling. Winston and Julia clung
|
||
|
together, fascinated. The music went on and on, minute after minute, with
|
||
|
astonishing variations, never once repeating itself, almost as though the
|
||
|
bird were deliberately showing off its virtuosity. Sometimes it stopped
|
||
|
for a few seconds, spread out and resettled its wings, then swelled its
|
||
|
speckled breast and again burst into song. Winston watched it with a sort
|
||
|
of vague reverence. For whom, for what, was that bird singing? No mate,
|
||
|
no rival was watching it. What made it sit at the edge of the lonely wood
|
||
|
and pour its music into nothingness? He wondered whether after all there
|
||
|
was a microphone hidden somewhere near. He and Julia had spoken only in
|
||
|
low whispers, and it would not pick up what they had said, but it would
|
||
|
pick up the thrush. Perhaps at the other end of the instrument some small,
|
||
|
beetle-like man was listening intently--listening to that. But by degrees
|
||
|
the flood of music drove all speculations out of his mind. It was as
|
||
|
though it were a kind of liquid stuff that poured all over him and got
|
||
|
mixed up with the sunlight that filtered through the leaves. He stopped
|
||
|
thinking and merely felt. The girl's waist in the bend of his arm was soft
|
||
|
and warm. He pulled her round so that they were breast to breast; her body
|
||
|
seemed to melt into his. Wherever his hands moved it was all as yielding as
|
||
|
water. Their mouths clung together; it was quite different from the hard
|
||
|
kisses they had exchanged earlier. When they moved their faces apart again
|
||
|
both of them sighed deeply. The bird took fright and fled with a clatter
|
||
|
of wings.
|
||
|
|
||
|
Winston put his lips against her ear. 'NOW,' he whispered.
|
||
|
|
||
|
'Not here,' she whispered back. 'Come back to the hide-out. It's safer.'
|
||
|
|
||
|
Quickly, with an occasional crackle of twigs, they threaded their way back
|
||
|
to the clearing. When they were once inside the ring of saplings she turned
|
||
|
and faced him. They were both breathing fast, but the smile had reappeared
|
||
|
round the corners of her mouth. She stood looking at him for an instant,
|
||
|
then felt at the zipper of her overalls. And, yes! it was almost as in his
|
||
|
dream. Almost as swiftly as he had imagined it, she had torn her clothes
|
||
|
off, and when she flung them aside it was with that same magnificent
|
||
|
gesture by which a whole civilization seemed to be annihilated. Her body
|
||
|
gleamed white in the sun. But for a moment he did not look at her body;
|
||
|
his eyes were anchored by the freckled face with its faint, bold smile.
|
||
|
He knelt down before her and took her hands in his.
|
||
|
|
||
|
'Have you done this before?'
|
||
|
|
||
|
'Of course. Hundreds of times--well, scores of times, anyway.'
|
||
|
|
||
|
'With Party members?'
|
||
|
|
||
|
'Yes, always with Party members.'
|
||
|
|
||
|
'With members of the Inner Party?'
|
||
|
|
||
|
'Not with those swine, no. But there's plenty that WOULD if they got half
|
||
|
a chance. They're not so holy as they make out.'
|
||
|
|
||
|
His heart leapt. Scores of times she had done it: he wished it had been
|
||
|
hundreds--thousands. Anything that hinted at corruption always filled him
|
||
|
with a wild hope. Who knew, perhaps the Party was rotten under the surface,
|
||
|
its cult of strenuousness and self-denial simply a sham concealing
|
||
|
iniquity. If he could have infected the whole lot of them with leprosy or
|
||
|
syphilis, how gladly he would have done so! Anything to rot, to weaken, to
|
||
|
undermine! He pulled her down so that they were kneeling face to face.
|
||
|
|
||
|
'Listen. The more men you've had, the more I love you. Do you understand
|
||
|
that?'
|
||
|
|
||
|
'Yes, perfectly.'
|
||
|
|
||
|
'I hate purity, I hate goodness! I don't want any virtue to exist anywhere.
|
||
|
I want everyone to be corrupt to the bones.'
|
||
|
|
||
|
'Well then, I ought to suit you, dear. I'm corrupt to the bones.'
|
||
|
|
||
|
'You like doing this? I don't mean simply me: I mean the thing in itself?'
|
||
|
|
||
|
'I adore it.'
|
||
|
|
||
|
That was above all what he wanted to hear. Not merely the love of one
|
||
|
person but the animal instinct, the simple undifferentiated desire: that
|
||
|
was the force that would tear the Party to pieces. He pressed her down
|
||
|
upon the grass, among the fallen bluebells. This time there was no
|
||
|
difficulty. Presently the rising and falling of their breasts slowed to
|
||
|
normal speed, and in a sort of pleasant helplessness they fell apart. The
|
||
|
sun seemed to have grown hotter. They were both sleepy. He reached out for
|
||
|
the discarded overalls and pulled them partly over her. Almost immediately
|
||
|
they fell asleep and slept for about half an hour.
|
||
|
|
||
|
Winston woke first. He sat up and watched the freckled face, still
|
||
|
peacefully asleep, pillowed on the palm of her hand. Except for her mouth,
|
||
|
you could not call her beautiful. There was a line or two round the eyes,
|
||
|
if you looked closely. The short dark hair was extraordinarily thick and
|
||
|
soft. It occurred to him that he still did not know her surname or where
|
||
|
she lived.
|
||
|
|
||
|
The young, strong body, now helpless in sleep, awoke in him a pitying,
|
||
|
protecting feeling. But the mindless tenderness that he had felt under
|
||
|
the hazel tree, while the thrush was singing, had not quite come back.
|
||
|
He pulled the overalls aside and studied her smooth white flank. In the
|
||
|
old days, he thought, a man looked at a girl's body and saw that it was
|
||
|
desirable, and that was the end of the story. But you could not have pure
|
||
|
love or pure lust nowadays. No emotion was pure, because everything was
|
||
|
mixed up with fear and hatred. Their embrace had been a battle, the climax
|
||
|
a victory. It was a blow struck against the Party. It was a political act.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Chapter 3
|
||
|
|
||
|
|
||
|
|
||
|
'We can come here once again,' said Julia. 'It's generally safe to use any
|
||
|
hide-out twice. But not for another month or two, of course.'
|
||
|
|
||
|
As soon as she woke up her demeanour had changed. She became alert and
|
||
|
business-like, put her clothes on, knotted the scarlet sash about her
|
||
|
waist, and began arranging the details of the journey home. It seemed
|
||
|
natural to leave this to her. She obviously had a practical cunning which
|
||
|
Winston lacked, and she seemed also to have an exhaustive knowledge of the
|
||
|
countryside round London, stored away from innumerable community hikes.
|
||
|
The route she gave him was quite different from the one by which he had
|
||
|
come, and brought him out at a different railway station. 'Never go home
|
||
|
the same way as you went out,' she said, as though enunciating an important
|
||
|
general principle. She would leave first, and Winston was to wait half an
|
||
|
hour before following her.
|
||
|
|
||
|
She had named a place where they could meet after work, four evenings
|
||
|
hence. It was a street in one of the poorer quarters, where there was an
|
||
|
open market which was generally crowded and noisy. She would be hanging
|
||
|
about among the stalls, pretending to be in search of shoelaces or
|
||
|
sewing-thread. If she judged that the coast was clear she would blow
|
||
|
her nose when he approached; otherwise he was to walk past her without
|
||
|
recognition. But with luck, in the middle of the crowd, it would be
|
||
|
safe to talk for a quarter of an hour and arrange another meeting.
|
||
|
|
||
|
'And now I must go,' she said as soon as he had mastered his instructions.
|
||
|
'I'm due back at nineteen-thirty. I've got to put in two hours for the
|
||
|
Junior Anti-Sex League, handing out leaflets, or something. Isn't it
|
||
|
bloody? Give me a brush-down, would you? Have I got any twigs in my hair?
|
||
|
Are you sure? Then good-bye, my love, good-bye!'
|
||
|
|
||
|
She flung herself into his arms, kissed him almost violently, and a moment
|
||
|
later pushed her way through the saplings and disappeared into the wood
|
||
|
with very little noise. Even now he had not found out her surname or her
|
||
|
address. However, it made no difference, for it was inconceivable that
|
||
|
they could ever meet indoors or exchange any kind of written communication.
|
||
|
|
||
|
As it happened, they never went back to the clearing in the wood. During
|
||
|
the month of May there was only one further occasion on which they actually
|
||
|
succeeded in making love. That was in another hiding-place known to Julia,
|
||
|
the belfry of a ruinous church in an almost-deserted stretch of country
|
||
|
where an atomic bomb had fallen thirty years earlier. It was a good
|
||
|
hiding-place when once you got there, but the getting there was very
|
||
|
dangerous. For the rest they could meet only in the streets, in a different
|
||
|
place every evening and never for more than half an hour at a time. In the
|
||
|
street it was usually possible to talk, after a fashion. As they drifted
|
||
|
down the crowded pavements, not quite abreast and never looking at one
|
||
|
another, they carried on a curious, intermittent conversation which flicked
|
||
|
on and off like the beams of a lighthouse, suddenly nipped into silence
|
||
|
by the approach of a Party uniform or the proximity of a telescreen, then
|
||
|
taken up again minutes later in the middle of a sentence, then abruptly
|
||
|
cut short as they parted at the agreed spot, then continued almost without
|
||
|
introduction on the following day. Julia appeared to be quite used to this
|
||
|
kind of conversation, which she called 'talking by instalments'. She was
|
||
|
also surprisingly adept at speaking without moving her lips. Just once in
|
||
|
almost a month of nightly meetings they managed to exchange a kiss. They
|
||
|
were passing in silence down a side-street (Julia would never speak when
|
||
|
they were away from the main streets) when there was a deafening roar, the
|
||
|
earth heaved, and the air darkened, and Winston found himself lying on his
|
||
|
side, bruised and terrified. A rocket bomb must have dropped quite near at
|
||
|
hand. Suddenly he became aware of Julia's face a few centimetres from his
|
||
|
own, deathly white, as white as chalk. Even her lips were white. She was
|
||
|
dead! He clasped her against him and found that he was kissing a live
|
||
|
warm face. But there was some powdery stuff that got in the way of his
|
||
|
lips. Both of their faces were thickly coated with plaster.
|
||
|
|
||
|
There were evenings when they reached their rendezvous and then had to
|
||
|
walk past one another without a sign, because a patrol had just come round
|
||
|
the corner or a helicopter was hovering overhead. Even if it had been
|
||
|
less dangerous, it would still have been difficult to find time to meet.
|
||
|
Winston's working week was sixty hours, Julia's was even longer, and
|
||
|
their free days varied according to the pressure of work and did not
|
||
|
often coincide. Julia, in any case, seldom had an evening completely free.
|
||
|
She spent an astonishing amount of time in attending lectures and
|
||
|
demonstrations, distributing literature for the junior Anti-Sex League,
|
||
|
preparing banners for Hate Week, making collections for the savings
|
||
|
campaign, and such-like activities. It paid, she said, it was camouflage.
|
||
|
If you kept the small rules, you could break the big ones. She even induced
|
||
|
Winston to mortgage yet another of his evenings by enrolling himself for
|
||
|
the part-time munition work which was done voluntarily by zealous Party
|
||
|
members. So, one evening every week, Winston spent four hours of paralysing
|
||
|
boredom, screwing together small bits of metal which were probably parts
|
||
|
of bomb fuses, in a draughty, ill-lit workshop where the knocking of
|
||
|
hammers mingled drearily with the music of the telescreens.
|
||
|
|
||
|
When they met in the church tower the gaps in their fragmentary
|
||
|
conversation were filled up. It was a blazing afternoon. The air in the
|
||
|
little square chamber above the bells was hot and stagnant, and smelt
|
||
|
overpoweringly of pigeon dung. They sat talking for hours on the dusty,
|
||
|
twig-littered floor, one or other of them getting up from time to time to
|
||
|
cast a glance through the arrowslits and make sure that no one was coming.
|
||
|
|
||
|
Julia was twenty-six years old. She lived in a hostel with thirty other
|
||
|
girls ('Always in the stink of women! How I hate women!' she said
|
||
|
parenthetically), and she worked, as he had guessed, on the novel-writing
|
||
|
machines in the Fiction Department. She enjoyed her work, which consisted
|
||
|
chiefly in running and servicing a powerful but tricky electric motor.
|
||
|
She was 'not clever', but was fond of using her hands and felt at home
|
||
|
with machinery. She could describe the whole process of composing a novel,
|
||
|
from the general directive issued by the Planning Committee down to the
|
||
|
final touching-up by the Rewrite Squad. But she was not interested in the
|
||
|
finished product. She 'didn't much care for reading,' she said. Books were
|
||
|
just a commodity that had to be produced, like jam or bootlaces.
|
||
|
|
||
|
She had no memories of anything before the early sixties and the only
|
||
|
person she had ever known who talked frequently of the days before the
|
||
|
Revolution was a grandfather who had disappeared when she was eight. At
|
||
|
school she had been captain of the hockey team and had won the gymnastics
|
||
|
trophy two years running. She had been a troop-leader in the Spies and a
|
||
|
branch secretary in the Youth League before joining the Junior Anti-Sex
|
||
|
League. She had always borne an excellent character. She had even (an
|
||
|
infallible mark of good reputation) been picked out to work in Pornosec,
|
||
|
the sub-section of the Fiction Department which turned out cheap
|
||
|
pornography for distribution among the proles. It was nicknamed Muck House
|
||
|
by the people who worked in it, she remarked. There she had remained for
|
||
|
a year, helping to produce booklets in sealed packets with titles like
|
||
|
'Spanking Stories' or 'One Night in a Girls' School', to be bought
|
||
|
furtively by proletarian youths who were under the impression that they
|
||
|
were buying something illegal.
|
||
|
|
||
|
'What are these books like?' said Winston curiously.
|
||
|
|
||
|
'Oh, ghastly rubbish. They're boring, really. They only have six plots,
|
||
|
but they swap them round a bit. Of course I was only on the kaleidoscopes.
|
||
|
I was never in the Rewrite Squad. I'm not literary, dear--not even enough
|
||
|
for that.'
|
||
|
|
||
|
He learned with astonishment that all the workers in Pornosec, except the
|
||
|
heads of the departments, were girls. The theory was that men, whose sex
|
||
|
instincts were less controllable than those of women, were in greater
|
||
|
danger of being corrupted by the filth they handled.
|
||
|
|
||
|
'They don't even like having married women there,' she added. Girls are
|
||
|
always supposed to be so pure. Here's one who isn't, anyway.
|
||
|
|
||
|
She had had her first love-affair when she was sixteen, with a Party member
|
||
|
of sixty who later committed suicide to avoid arrest. 'And a good job too,'
|
||
|
said Julia, 'otherwise they'd have had my name out of him when he
|
||
|
confessed.' Since then there had been various others. Life as she saw it
|
||
|
was quite simple. You wanted a good time; 'they', meaning the Party,
|
||
|
wanted to stop you having it; you broke the rules as best you could. She
|
||
|
seemed to think it just as natural that 'they' should want to rob you of
|
||
|
your pleasures as that you should want to avoid being caught. She hated
|
||
|
the Party, and said so in the crudest words, but she made no general
|
||
|
criticism of it. Except where it touched upon her own life she had no
|
||
|
interest in Party doctrine. He noticed that she never used Newspeak words
|
||
|
except the ones that had passed into everyday use. She had never heard of
|
||
|
the Brotherhood, and refused to believe in its existence. Any kind of
|
||
|
organized revolt against the Party, which was bound to be a failure,
|
||
|
struck her as stupid. The clever thing was to break the rules and stay
|
||
|
alive all the same. He wondered vaguely how many others like her there
|
||
|
might be in the younger generation people who had grown up in the world of
|
||
|
the Revolution, knowing nothing else, accepting the Party as something
|
||
|
unalterable, like the sky, not rebelling against its authority but simply
|
||
|
evading it, as a rabbit dodges a dog.
|
||
|
|
||
|
They did not discuss the possibility of getting married. It was too remote
|
||
|
to be worth thinking about. No imaginable committee would ever sanction
|
||
|
such a marriage even if Katharine, Winston's wife, could somehow have been
|
||
|
got rid of. It was hopeless even as a daydream.
|
||
|
|
||
|
'What was she like, your wife?' said Julia.
|
||
|
|
||
|
'She was--do you know the Newspeak word GOODTHINKFUL? Meaning naturally
|
||
|
orthodox, incapable of thinking a bad thought?'
|
||
|
|
||
|
'No, I didn't know the word, but I know the kind of person, right enough.'
|
||
|
|
||
|
He began telling her the story of his married life, but curiously enough
|
||
|
she appeared to know the essential parts of it already. She described
|
||
|
to him, almost as though she had seen or felt it, the stiffening of
|
||
|
Katharine's body as soon as he touched her, the way in which she still
|
||
|
seemed to be pushing him from her with all her strength, even when her
|
||
|
arms were clasped tightly round him. With Julia he felt no difficulty in
|
||
|
talking about such things: Katharine, in any case, had long ceased to be
|
||
|
a painful memory and became merely a distasteful one.
|
||
|
|
||
|
'I could have stood it if it hadn't been for one thing,' he said. He told
|
||
|
her about the frigid little ceremony that Katharine had forced him to go
|
||
|
through on the same night every week. 'She hated it, but nothing would
|
||
|
make her stop doing it. She used to call it--but you'll never guess.'
|
||
|
|
||
|
'Our duty to the Party,' said Julia promptly.
|
||
|
|
||
|
'How did you know that?'
|
||
|
|
||
|
'I've been at school too, dear. Sex talks once a month for the
|
||
|
over-sixteens. And in the Youth Movement. They rub it into you for years.
|
||
|
I dare say it works in a lot of cases. But of course you can never tell;
|
||
|
people are such hypocrites.'
|
||
|
|
||
|
She began to enlarge upon the subject. With Julia, everything came back
|
||
|
to her own sexuality. As soon as this was touched upon in any way she was
|
||
|
capable of great acuteness. Unlike Winston, she had grasped the inner
|
||
|
meaning of the Party's sexual puritanism. It was not merely that the sex
|
||
|
instinct created a world of its own which was outside the Party's control
|
||
|
and which therefore had to be destroyed if possible. What was more
|
||
|
important was that sexual privation induced hysteria, which was desirable
|
||
|
because it could be transformed into war-fever and leader-worship. The way
|
||
|
she put it was:
|
||
|
|
||
|
'When you make love you're using up energy; and afterwards you feel happy
|
||
|
and don't give a damn for anything. They can't bear you to feel like that.
|
||
|
They want you to be bursting with energy all the time. All this marching
|
||
|
up and down and cheering and waving flags is simply sex gone sour. If
|
||
|
you're happy inside yourself, why should you get excited about Big Brother
|
||
|
and the Three-Year Plans and the Two Minutes Hate and all the rest of
|
||
|
their bloody rot?'
|
||
|
|
||
|
That was very true, he thought. There was a direct intimate connexion
|
||
|
between chastity and political orthodoxy. For how could the fear, the
|
||
|
hatred, and the lunatic credulity which the Party needed in its members be
|
||
|
kept at the right pitch, except by bottling down some powerful instinct
|
||
|
and using it as a driving force? The sex impulse was dangerous to the
|
||
|
Party, and the Party had turned it to account. They had played a similar
|
||
|
trick with the instinct of parenthood. The family could not actually be
|
||
|
abolished, and, indeed, people were encouraged to be fond of their
|
||
|
children, in almost the old-fashioned way. The children, on the other hand,
|
||
|
were systematically turned against their parents and taught to spy on them
|
||
|
and report their deviations. The family had become in effect an extension
|
||
|
of the Thought Police. It was a device by means of which everyone could be
|
||
|
surrounded night and day by informers who knew him intimately.
|
||
|
|
||
|
Abruptly his mind went back to Katharine. Katharine would unquestionably
|
||
|
have denounced him to the Thought Police if she had not happened to be too
|
||
|
stupid to detect the unorthodoxy of his opinions. But what really recalled
|
||
|
her to him at this moment was the stifling heat of the afternoon, which
|
||
|
had brought the sweat out on his forehead. He began telling Julia of
|
||
|
something that had happened, or rather had failed to happen, on another
|
||
|
sweltering summer afternoon, eleven years ago.
|
||
|
|
||
|
It was three or four months after they were married. They had lost their
|
||
|
way on a community hike somewhere in Kent. They had only lagged behind
|
||
|
the others for a couple of minutes, but they took a wrong turning, and
|
||
|
presently found themselves pulled up short by the edge of an old chalk
|
||
|
quarry. It was a sheer drop of ten or twenty metres, with boulders at the
|
||
|
bottom. There was nobody of whom they could ask the way. As soon as she
|
||
|
realized that they were lost Katharine became very uneasy. To be away
|
||
|
from the noisy mob of hikers even for a moment gave her a feeling of
|
||
|
wrong-doing. She wanted to hurry back by the way they had come and start
|
||
|
searching in the other direction. But at this moment Winston noticed some
|
||
|
tufts of loosestrife growing in the cracks of the cliff beneath them.
|
||
|
One tuft was of two colours, magenta and brick-red, apparently growing on
|
||
|
the same root. He had never seen anything of the kind before, and he called
|
||
|
to Katharine to come and look at it.
|
||
|
|
||
|
'Look, Katharine! Look at those flowers. That clump down near the bottom.
|
||
|
Do you see they're two different colours?'
|
||
|
|
||
|
She had already turned to go, but she did rather fretfully come back for
|
||
|
a moment. She even leaned out over the cliff face to see where he was
|
||
|
pointing. He was standing a little behind her, and he put his hand on
|
||
|
her waist to steady her. At this moment it suddenly occurred to him how
|
||
|
completely alone they were. There was not a human creature anywhere, not a
|
||
|
leaf stirring, not even a bird awake. In a place like this the danger that
|
||
|
there would be a hidden microphone was very small, and even if there was a
|
||
|
microphone it would only pick up sounds. It was the hottest sleepiest hour
|
||
|
of the afternoon. The sun blazed down upon them, the sweat tickled his
|
||
|
face. And the thought struck him...
|
||
|
|
||
|
'Why didn't you give her a good shove?' said Julia. 'I would have.'
|
||
|
|
||
|
'Yes, dear, you would have. I would, if I'd been the same person then as
|
||
|
I am now. Or perhaps I would--I'm not certain.'
|
||
|
|
||
|
'Are you sorry you didn't?'
|
||
|
|
||
|
'Yes. On the whole I'm sorry I didn't.'
|
||
|
|
||
|
They were sitting side by side on the dusty floor. He pulled her closer
|
||
|
against him. Her head rested on his shoulder, the pleasant smell of her
|
||
|
hair conquering the pigeon dung. She was very young, he thought, she
|
||
|
still expected something from life, she did not understand that to push
|
||
|
an inconvenient person over a cliff solves nothing.
|
||
|
|
||
|
'Actually it would have made no difference,' he said.
|
||
|
|
||
|
'Then why are you sorry you didn't do it?'
|
||
|
|
||
|
'Only because I prefer a positive to a negative. In this game that we're
|
||
|
playing, we can't win. Some kinds of failure are better than other kinds,
|
||
|
that's all.'
|
||
|
|
||
|
He felt her shoulders give a wriggle of dissent. She always contradicted
|
||
|
him when he said anything of this kind. She would not accept it as a law
|
||
|
of nature that the individual is always defeated. In a way she realized
|
||
|
that she herself was doomed, that sooner or later the Thought Police would
|
||
|
catch her and kill her, but with another part of her mind she believed
|
||
|
that it was somehow possible to construct a secret world in which you could
|
||
|
live as you chose. All you needed was luck and cunning and boldness. She
|
||
|
did not understand that there was no such thing as happiness, that the
|
||
|
only victory lay in the far future, long after you were dead, that from
|
||
|
the moment of declaring war on the Party it was better to think of yourself
|
||
|
as a corpse.
|
||
|
|
||
|
'We are the dead,' he said.
|
||
|
|
||
|
'We're not dead yet,' said Julia prosaically.
|
||
|
|
||
|
'Not physically. Six months, a year--five years, conceivably. I am afraid
|
||
|
of death. You are young, so presumably you're more afraid of it than I am.
|
||
|
Obviously we shall put it off as long as we can. But it makes very little
|
||
|
difference. So long as human beings stay human, death and life are the
|
||
|
same thing.'
|
||
|
|
||
|
'Oh, rubbish! Which would you sooner sleep with, me or a skeleton? Don't
|
||
|
you enjoy being alive? Don't you like feeling: This is me, this is my hand,
|
||
|
this is my leg, I'm real, I'm solid, I'm alive! Don't you like THIS?'
|
||
|
|
||
|
She twisted herself round and pressed her bosom against him. He could feel
|
||
|
her breasts, ripe yet firm, through her overalls. Her body seemed to be
|
||
|
pouring some of its youth and vigour into his.
|
||
|
|
||
|
'Yes, I like that,' he said.
|
||
|
|
||
|
'Then stop talking about dying. And now listen, dear, we've got to fix
|
||
|
up about the next time we meet. We may as well go back to the place in
|
||
|
the wood. We've given it a good long rest. But you must get there by a
|
||
|
different way this time. I've got it all planned out. You take the
|
||
|
train--but look, I'll draw it out for you.'
|
||
|
|
||
|
And in her practical way she scraped together a small square of dust,
|
||
|
and with a twig from a pigeon's nest began drawing a map on the floor.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Chapter 4
|
||
|
|
||
|
|
||
|
|
||
|
Winston looked round the shabby little room above Mr Charrington's shop.
|
||
|
Beside the window the enormous bed was made up, with ragged blankets and
|
||
|
a coverless bolster. The old-fashioned clock with the twelve-hour face was
|
||
|
ticking away on the mantelpiece. In the corner, on the gateleg table, the
|
||
|
glass paperweight which he had bought on his last visit gleamed softly out
|
||
|
of the half-darkness.
|
||
|
|
||
|
In the fender was a battered tin oilstove, a saucepan, and two cups,
|
||
|
provided by Mr Charrington. Winston lit the burner and set a pan of water
|
||
|
to boil. He had brought an envelope full of Victory Coffee and some
|
||
|
saccharine tablets. The clock's hands said seventeen-twenty: it was
|
||
|
nineteen-twenty really. She was coming at nineteen-thirty.
|
||
|
|
||
|
Folly, folly, his heart kept saying: conscious, gratuitous, suicidal folly.
|
||
|
Of all the crimes that a Party member could commit, this one was the least
|
||
|
possible to conceal. Actually the idea had first floated into his head in
|
||
|
the form of a vision, of the glass paperweight mirrored by the surface
|
||
|
of the gateleg table. As he had foreseen, Mr Charrington had made no
|
||
|
difficulty about letting the room. He was obviously glad of the few dollars
|
||
|
that it would bring him. Nor did he seem shocked or become offensively
|
||
|
knowing when it was made clear that Winston wanted the room for the purpose
|
||
|
of a love-affair. Instead he looked into the middle distance and spoke in
|
||
|
generalities, with so delicate an air as to give the impression that he
|
||
|
had become partly invisible. Privacy, he said, was a very valuable thing.
|
||
|
Everyone wanted a place where they could be alone occasionally. And when
|
||
|
they had such a place, it was only common courtesy in anyone else who knew
|
||
|
of it to keep his knowledge to himself. He even, seeming almost to fade
|
||
|
out of existence as he did so, added that there were two entries to the
|
||
|
house, one of them through the back yard, which gave on an alley.
|
||
|
|
||
|
Under the window somebody was singing. Winston peeped out, secure in the
|
||
|
protection of the muslin curtain. The June sun was still high in the sky,
|
||
|
and in the sun-filled court below, a monstrous woman, solid as a Norman
|
||
|
pillar, with brawny red forearms and a sacking apron strapped about her
|
||
|
middle, was stumping to and fro between a washtub and a clothes line,
|
||
|
pegging out a series of square white things which Winston recognized as
|
||
|
babies' diapers. Whenever her mouth was not corked with clothes pegs she
|
||
|
was singing in a powerful contralto:
|
||
|
|
||
|
|
||
|
It was only an 'opeless fancy.
|
||
|
It passed like an Ipril dye,
|
||
|
But a look an' a word an' the dreams they stirred!
|
||
|
They 'ave stolen my 'eart awye!
|
||
|
|
||
|
|
||
|
The tune had been haunting London for weeks past. It was one of countless
|
||
|
similar songs published for the benefit of the proles by a sub-section of
|
||
|
the Music Department. The words of these songs were composed without any
|
||
|
human intervention whatever on an instrument known as a versificator.
|
||
|
But the woman sang so tunefully as to turn the dreadful rubbish into an
|
||
|
almost pleasant sound. He could hear the woman singing and the scrape of
|
||
|
her shoes on the flagstones, and the cries of the children in the street,
|
||
|
and somewhere in the far distance a faint roar of traffic, and yet the
|
||
|
room seemed curiously silent, thanks to the absence of a telescreen.
|
||
|
|
||
|
Folly, folly, folly! he thought again. It was inconceivable that they could
|
||
|
frequent this place for more than a few weeks without being caught. But
|
||
|
the temptation of having a hiding-place that was truly their own, indoors
|
||
|
and near at hand, had been too much for both of them. For some time
|
||
|
after their visit to the church belfry it had been impossible to arrange
|
||
|
meetings. Working hours had been drastically increased in anticipation of
|
||
|
Hate Week. It was more than a month distant, but the enormous, complex
|
||
|
preparations that it entailed were throwing extra work on to everybody.
|
||
|
Finally both of them managed to secure a free afternoon on the same day.
|
||
|
They had agreed to go back to the clearing in the wood. On the evening
|
||
|
beforehand they met briefly in the street. As usual, Winston hardly looked
|
||
|
at Julia as they drifted towards one another in the crowd, but from the
|
||
|
short glance he gave her it seemed to him that she was paler than usual.
|
||
|
|
||
|
'It's all off,' she murmured as soon as she judged it safe to speak.
|
||
|
'Tomorrow, I mean.'
|
||
|
|
||
|
'What?'
|
||
|
|
||
|
'Tomorrow afternoon. I can't come.'
|
||
|
|
||
|
'Why not?'
|
||
|
|
||
|
'Oh, the usual reason. It's started early this time.'
|
||
|
|
||
|
For a moment he was violently angry. During the month that he had known
|
||
|
her the nature of his desire for her had changed. At the beginning there
|
||
|
had been little true sensuality in it. Their first love-making had been
|
||
|
simply an act of the will. But after the second time it was different. The
|
||
|
smell of her hair, the taste of her mouth, the feeling of her skin seemed
|
||
|
to have got inside him, or into the air all round him. She had become a
|
||
|
physical necessity, something that he not only wanted but felt that he
|
||
|
had a right to. When she said that she could not come, he had the feeling
|
||
|
that she was cheating him. But just at this moment the crowd pressed
|
||
|
them together and their hands accidentally met. She gave the tips of his
|
||
|
fingers a quick squeeze that seemed to invite not desire but affection. It
|
||
|
struck him that when one lived with a woman this particular disappointment
|
||
|
must be a normal, recurring event; and a deep tenderness, such as he had
|
||
|
not felt for her before, suddenly took hold of him. He wished that they
|
||
|
were a married couple of ten years' standing. He wished that he were
|
||
|
walking through the streets with her just as they were doing now but openly
|
||
|
and without fear, talking of trivialities and buying odds and ends for the
|
||
|
household. He wished above all that they had some place where they could
|
||
|
be alone together without feeling the obligation to make love every time
|
||
|
they met. It was not actually at that moment, but at some time on the
|
||
|
following day, that the idea of renting Mr Charrington's room had occurred
|
||
|
to him. When he suggested it to Julia she had agreed with unexpected
|
||
|
readiness. Both of them knew that it was lunacy. It was as though they were
|
||
|
intentionally stepping nearer to their graves. As he sat waiting on the
|
||
|
edge of the bed he thought again of the cellars of the Ministry of Love.
|
||
|
It was curious how that predestined horror moved in and out of one's
|
||
|
consciousness. There it lay, fixed in future times, preceding death as
|
||
|
surely as 99 precedes 100. One could not avoid it, but one could perhaps
|
||
|
postpone it: and yet instead, every now and again, by a conscious, wilful
|
||
|
act, one chose to shorten the interval before it happened.
|
||
|
|
||
|
At this moment there was a quick step on the stairs. Julia burst into the
|
||
|
room. She was carrying a tool-bag of coarse brown canvas, such as he had
|
||
|
sometimes seen her carrying to and fro at the Ministry. He started forward
|
||
|
to take her in his arms, but she disengaged herself rather hurriedly,
|
||
|
partly because she was still holding the tool-bag.
|
||
|
|
||
|
'Half a second,' she said. 'Just let me show you what I've brought. Did
|
||
|
you bring some of that filthy Victory Coffee? I thought you would. You
|
||
|
can chuck it away again, because we shan't be needing it. Look here.'
|
||
|
|
||
|
She fell on her knees, threw open the bag, and tumbled out some spanners
|
||
|
and a screwdriver that filled the top part of it. Underneath were a number
|
||
|
of neat paper packets. The first packet that she passed to Winston had a
|
||
|
strange and yet vaguely familiar feeling. It was filled with some kind of
|
||
|
heavy, sand-like stuff which yielded wherever you touched it.
|
||
|
|
||
|
'It isn't sugar?' he said.
|
||
|
|
||
|
'Real sugar. Not saccharine, sugar. And here's a loaf of bread--proper
|
||
|
white bread, not our bloody stuff--and a little pot of jam. And here's a
|
||
|
tin of milk--but look! This is the one I'm really proud of. I had to wrap
|
||
|
a bit of sacking round it, because----'
|
||
|
|
||
|
But she did not need to tell him why she had wrapped it up. The smell was
|
||
|
already filling the room, a rich hot smell which seemed like an emanation
|
||
|
from his early childhood, but which one did occasionally meet with even
|
||
|
now, blowing down a passage-way before a door slammed, or diffusing itself
|
||
|
mysteriously in a crowded street, sniffed for an instant and then lost
|
||
|
again.
|
||
|
|
||
|
'It's coffee,' he murmured, 'real coffee.'
|
||
|
|
||
|
'It's Inner Party coffee. There's a whole kilo here,' she said.
|
||
|
|
||
|
'How did you manage to get hold of all these things?'
|
||
|
|
||
|
'It's all Inner Party stuff. There's nothing those swine don't have,
|
||
|
nothing. But of course waiters and servants and people pinch things,
|
||
|
and--look, I got a little packet of tea as well.'
|
||
|
|
||
|
Winston had squatted down beside her. He tore open a corner of the packet.
|
||
|
|
||
|
'It's real tea. Not blackberry leaves.'
|
||
|
|
||
|
'There's been a lot of tea about lately. They've captured India, or
|
||
|
something,' she said vaguely. 'But listen, dear. I want you to turn your
|
||
|
back on me for three minutes. Go and sit on the other side of the bed.
|
||
|
Don't go too near the window. And don't turn round till I tell you.'
|
||
|
|
||
|
Winston gazed abstractedly through the muslin curtain. Down in the yard
|
||
|
the red-armed woman was still marching to and fro between the washtub and
|
||
|
the line. She took two more pegs out of her mouth and sang with deep
|
||
|
feeling:
|
||
|
|
||
|
|
||
|
They sye that time 'eals all things,
|
||
|
They sye you can always forget;
|
||
|
But the smiles an' the tears acrorss the years
|
||
|
They twist my 'eart-strings yet!
|
||
|
|
||
|
|
||
|
She knew the whole drivelling song by heart, it seemed. Her voice floated
|
||
|
upward with the sweet summer air, very tuneful, charged with a sort of
|
||
|
happy melancholy. One had the feeling that she would have been perfectly
|
||
|
content, if the June evening had been endless and the supply of clothes
|
||
|
inexhaustible, to remain there for a thousand years, pegging out diapers
|
||
|
and singing rubbish. It struck him as a curious fact that he had never
|
||
|
heard a member of the Party singing alone and spontaneously. It would even
|
||
|
have seemed slightly unorthodox, a dangerous eccentricity, like talking to
|
||
|
oneself. Perhaps it was only when people were somewhere near the starvation
|
||
|
level that they had anything to sing about.
|
||
|
|
||
|
'You can turn round now,' said Julia.
|
||
|
|
||
|
He turned round, and for a second almost failed to recognize her. What he
|
||
|
had actually expected was to see her naked. But she was not naked. The
|
||
|
transformation that had happened was much more surprising than that. She
|
||
|
had painted her face.
|
||
|
|
||
|
She must have slipped into some shop in the proletarian quarters and bought
|
||
|
herself a complete set of make-up materials. Her lips were deeply reddened,
|
||
|
her cheeks rouged, her nose powdered; there was even a touch of something
|
||
|
under the eyes to make them brighter. It was not very skilfully done, but
|
||
|
Winston's standards in such matters were not high. He had never before
|
||
|
seen or imagined a woman of the Party with cosmetics on her face. The
|
||
|
improvement in her appearance was startling. With just a few dabs of colour
|
||
|
in the right places she had become not only very much prettier, but, above
|
||
|
all, far more feminine. Her short hair and boyish overalls merely added
|
||
|
to the effect. As he took her in his arms a wave of synthetic violets
|
||
|
flooded his nostrils. He remembered the half-darkness of a basement
|
||
|
kitchen, and a woman's cavernous mouth. It was the very same scent that
|
||
|
she had used; but at the moment it did not seem to matter.
|
||
|
|
||
|
'Scent too!' he said.
|
||
|
|
||
|
'Yes, dear, scent too. And do you know what I'm going to do next? I'm
|
||
|
going to get hold of a real woman's frock from somewhere and wear it
|
||
|
instead of these bloody trousers. I'll wear silk stockings and high-heeled
|
||
|
shoes! In this room I'm going to be a woman, not a Party comrade.'
|
||
|
|
||
|
They flung their clothes off and climbed into the huge mahogany bed. It
|
||
|
was the first time that he had stripped himself naked in her presence.
|
||
|
Until now he had been too much ashamed of his pale and meagre body, with
|
||
|
the varicose veins standing out on his calves and the discoloured patch
|
||
|
over his ankle. There were no sheets, but the blanket they lay on was
|
||
|
threadbare and smooth, and the size and springiness of the bed astonished
|
||
|
both of them. 'It's sure to be full of bugs, but who cares?' said Julia.
|
||
|
One never saw a double bed nowadays, except in the homes of the proles.
|
||
|
Winston had occasionally slept in one in his boyhood: Julia had never been
|
||
|
in one before, so far as she could remember.
|
||
|
|
||
|
Presently they fell asleep for a little while. When Winston woke up the
|
||
|
hands of the clock had crept round to nearly nine. He did not stir, because
|
||
|
Julia was sleeping with her head in the crook of his arm. Most of her
|
||
|
make-up had transferred itself to his own face or the bolster, but a light
|
||
|
stain of rouge still brought out the beauty of her cheekbone. A yellow ray
|
||
|
from the sinking sun fell across the foot of the bed and lighted up the
|
||
|
fireplace, where the water in the pan was boiling fast. Down in the yard
|
||
|
the woman had stopped singing, but the faint shouts of children floated in
|
||
|
from the street. He wondered vaguely whether in the abolished past it had
|
||
|
been a normal experience to lie in bed like this, in the cool of a summer
|
||
|
evening, a man and a woman with no clothes on, making love when they chose,
|
||
|
talking of what they chose, not feeling any compulsion to get up, simply
|
||
|
lying there and listening to peaceful sounds outside. Surely there could
|
||
|
never have been a time when that seemed ordinary? Julia woke up, rubbed
|
||
|
her eyes, and raised herself on her elbow to look at the oilstove.
|
||
|
|
||
|
'Half that water's boiled away,' she said. 'I'll get up and make some
|
||
|
coffee in another moment. We've got an hour. What time do they cut the
|
||
|
lights off at your flats?'
|
||
|
|
||
|
'Twenty-three thirty.'
|
||
|
|
||
|
'It's twenty-three at the hostel. But you have to get in earlier than that,
|
||
|
because--Hi! Get out, you filthy brute!'
|
||
|
|
||
|
She suddenly twisted herself over in the bed, seized a shoe from the floor,
|
||
|
and sent it hurtling into the corner with a boyish jerk of her arm, exactly
|
||
|
as he had seen her fling the dictionary at Goldstein, that morning during
|
||
|
the Two Minutes Hate.
|
||
|
|
||
|
'What was it?' he said in surprise.
|
||
|
|
||
|
'A rat. I saw him stick his beastly nose out of the wainscoting. There's a
|
||
|
hole down there. I gave him a good fright, anyway.'
|
||
|
|
||
|
'Rats!' murmured Winston. 'In this room!'
|
||
|
|
||
|
'They're all over the place,' said Julia indifferently as she lay down
|
||
|
again. 'We've even got them in the kitchen at the hostel. Some parts of
|
||
|
London are swarming with them. Did you know they attack children? Yes,
|
||
|
they do. In some of these streets a woman daren't leave a baby alone for
|
||
|
two minutes. It's the great huge brown ones that do it. And the nasty
|
||
|
thing is that the brutes always----'
|
||
|
|
||
|
'DON'T GO ON!' said Winston, with his eyes tightly shut.
|
||
|
|
||
|
'Dearest! You've gone quite pale. What's the matter? Do they make you feel
|
||
|
sick?'
|
||
|
|
||
|
'Of all horrors in the world--a rat!'
|
||
|
|
||
|
She pressed herself against him and wound her limbs round him, as though
|
||
|
to reassure him with the warmth of her body. He did not reopen his eyes
|
||
|
immediately. For several moments he had had the feeling of being back in a
|
||
|
nightmare which had recurred from time to time throughout his life. It was
|
||
|
always very much the same. He was standing in front of a wall of darkness,
|
||
|
and on the other side of it there was something unendurable, something too
|
||
|
dreadful to be faced. In the dream his deepest feeling was always one of
|
||
|
self-deception, because he did in fact know what was behind the wall of
|
||
|
darkness. With a deadly effort, like wrenching a piece out of his own
|
||
|
brain, he could even have dragged the thing into the open. He always woke
|
||
|
up without discovering what it was: but somehow it was connected with what
|
||
|
Julia had been saying when he cut her short.
|
||
|
|
||
|
'I'm sorry,' he said, 'it's nothing. I don't like rats, that's all.'
|
||
|
|
||
|
'Don't worry, dear, we're not going to have the filthy brutes in here.
|
||
|
I'll stuff the hole with a bit of sacking before we go. And next time we
|
||
|
come here I'll bring some plaster and bung it up properly.'
|
||
|
|
||
|
Already the black instant of panic was half-forgotten. Feeling slightly
|
||
|
ashamed of himself, he sat up against the bedhead. Julia got out of bed,
|
||
|
pulled on her overalls, and made the coffee. The smell that rose from the
|
||
|
saucepan was so powerful and exciting that they shut the window lest
|
||
|
anybody outside should notice it and become inquisitive. What was even
|
||
|
better than the taste of the coffee was the silky texture given to it by
|
||
|
the sugar, a thing Winston had almost forgotten after years of saccharine.
|
||
|
With one hand in her pocket and a piece of bread and jam in the other,
|
||
|
Julia wandered about the room, glancing indifferently at the bookcase,
|
||
|
pointing out the best way of repairing the gateleg table, plumping herself
|
||
|
down in the ragged arm-chair to see if it was comfortable, and examining
|
||
|
the absurd twelve-hour clock with a sort of tolerant amusement. She brought
|
||
|
the glass paperweight over to the bed to have a look at it in a better
|
||
|
light. He took it out of her hand, fascinated, as always, by the soft,
|
||
|
rainwatery appearance of the glass.
|
||
|
|
||
|
'What is it, do you think?' said Julia.
|
||
|
|
||
|
'I don't think it's anything--I mean, I don't think it was ever put to any
|
||
|
use. That's what I like about it. It's a little chunk of history that
|
||
|
they've forgotten to alter. It's a message from a hundred years ago, if
|
||
|
one knew how to read it.'
|
||
|
|
||
|
'And that picture over there'--she nodded at the engraving on the opposite
|
||
|
wall--'would that be a hundred years old?'
|
||
|
|
||
|
'More. Two hundred, I dare say. One can't tell. It's impossible to discover
|
||
|
the age of anything nowadays.'
|
||
|
|
||
|
She went over to look at it. 'Here's where that brute stuck his nose out,'
|
||
|
she said, kicking the wainscoting immediately below the picture. 'What is
|
||
|
this place? I've seen it before somewhere.'
|
||
|
|
||
|
'It's a church, or at least it used to be. St Clement Danes its name was.'
|
||
|
The fragment of rhyme that Mr Charrington had taught him came back into
|
||
|
his head, and he added half-nostalgically: "Oranges and lemons, say the
|
||
|
bells of St Clement's!"
|
||
|
|
||
|
To his astonishment she capped the line:
|
||
|
|
||
|
|
||
|
'You owe me three farthings, say the bells of St Martin's,
|
||
|
When will you pay me? say the bells of Old Bailey----'
|
||
|
|
||
|
|
||
|
'I can't remember how it goes on after that. But anyway I remember it ends
|
||
|
up, "Here comes a candle to light you to bed, here comes a chopper to chop
|
||
|
off your head!"'
|
||
|
|
||
|
It was like the two halves of a countersign. But there must be another
|
||
|
line after 'the bells of Old Bailey'. Perhaps it could be dug out of
|
||
|
Mr Charrington's memory, if he were suitably prompted.
|
||
|
|
||
|
'Who taught you that?' he said.
|
||
|
|
||
|
'My grandfather. He used to say it to me when I was a little girl. He was
|
||
|
vaporized when I was eight--at any rate, he disappeared. I wonder what a
|
||
|
lemon was,' she added inconsequently. 'I've seen oranges. They're a kind
|
||
|
of round yellow fruit with a thick skin.'
|
||
|
|
||
|
'I can remember lemons,' said Winston. 'They were quite common in the
|
||
|
fifties. They were so sour that it set your teeth on edge even to smell
|
||
|
them.'
|
||
|
|
||
|
'I bet that picture's got bugs behind it,' said Julia. 'I'll take it down
|
||
|
and give it a good clean some day. I suppose it's almost time we were
|
||
|
leaving. I must start washing this paint off. What a bore! I'll get the
|
||
|
lipstick off your face afterwards.'
|
||
|
|
||
|
Winston did not get up for a few minutes more. The room was darkening. He
|
||
|
turned over towards the light and lay gazing into the glass paperweight.
|
||
|
The inexhaustibly interesting thing was not the fragment of coral but the
|
||
|
interior of the glass itself. There was such a depth of it, and yet it was
|
||
|
almost as transparent as air. It was as though the surface of the glass
|
||
|
had been the arch of the sky, enclosing a tiny world with its atmosphere
|
||
|
complete. He had the feeling that he could get inside it, and that in
|
||
|
fact he was inside it, along with the mahogany bed and the gateleg table,
|
||
|
and the clock and the steel engraving and the paperweight itself. The
|
||
|
paperweight was the room he was in, and the coral was Julia's life and his
|
||
|
own, fixed in a sort of eternity at the heart of the crystal.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Chapter 5
|
||
|
|
||
|
|
||
|
|
||
|
Syme had vanished. A morning came, and he was missing from work: a few
|
||
|
thoughtless people commented on his absence. On the next day nobody
|
||
|
mentioned him. On the third day Winston went into the vestibule of the
|
||
|
Records Department to look at the notice-board. One of the notices carried
|
||
|
a printed list of the members of the Chess Committee, of whom Syme had
|
||
|
been one. It looked almost exactly as it had looked before--nothing had
|
||
|
been crossed out--but it was one name shorter. It was enough. Syme had
|
||
|
ceased to exist: he had never existed.
|
||
|
|
||
|
The weather was baking hot. In the labyrinthine Ministry the windowless,
|
||
|
air-conditioned rooms kept their normal temperature, but outside the
|
||
|
pavements scorched one's feet and the stench of the Tubes at the rush hours
|
||
|
was a horror. The preparations for Hate Week were in full swing, and the
|
||
|
staffs of all the Ministries were working overtime. Processions, meetings,
|
||
|
military parades, lectures, waxworks, displays, film shows, telescreen
|
||
|
programmes all had to be organized; stands had to be erected, effigies
|
||
|
built, slogans coined, songs written, rumours circulated, photographs
|
||
|
faked. Julia's unit in the Fiction Department had been taken off the
|
||
|
production of novels and was rushing out a series of atrocity pamphlets.
|
||
|
Winston, in addition to his regular work, spent long periods every day in
|
||
|
going through back files of 'The Times' and altering and embellishing news
|
||
|
items which were to be quoted in speeches. Late at night, when crowds of
|
||
|
rowdy proles roamed the streets, the town had a curiously febrile air. The
|
||
|
rocket bombs crashed oftener than ever, and sometimes in the far distance
|
||
|
there were enormous explosions which no one could explain and about which
|
||
|
there were wild rumours.
|
||
|
|
||
|
The new tune which was to be the theme-song of Hate Week (the Hate Song,
|
||
|
it was called) had already been composed and was being endlessly plugged
|
||
|
on the telescreens. It had a savage, barking rhythm which could not exactly
|
||
|
be called music, but resembled the beating of a drum. Roared out by
|
||
|
hundreds of voices to the tramp of marching feet, it was terrifying. The
|
||
|
proles had taken a fancy to it, and in the midnight streets it competed
|
||
|
with the still-popular 'It was only a hopeless fancy'. The Parsons children
|
||
|
played it at all hours of the night and day, unbearably, on a comb and a
|
||
|
piece of toilet paper. Winston's evenings were fuller than ever. Squads of
|
||
|
volunteers, organized by Parsons, were preparing the street for Hate Week,
|
||
|
stitching banners, painting posters, erecting flagstaffs on the roofs, and
|
||
|
perilously slinging wires across the street for the reception of streamers.
|
||
|
Parsons boasted that Victory Mansions alone would display four hundred
|
||
|
metres of bunting. He was in his native element and as happy as a lark.
|
||
|
The heat and the manual work had even given him a pretext for reverting
|
||
|
to shorts and an open shirt in the evenings. He was everywhere at once,
|
||
|
pushing, pulling, sawing, hammering, improvising, jollying everyone along
|
||
|
with comradely exhortations and giving out from every fold of his body what
|
||
|
seemed an inexhaustible supply of acrid-smelling sweat.
|
||
|
|
||
|
A new poster had suddenly appeared all over London. It had no caption,
|
||
|
and represented simply the monstrous figure of a Eurasian soldier, three
|
||
|
or four metres high, striding forward with expressionless Mongolian face
|
||
|
and enormous boots, a submachine gun pointed from his hip. From whatever
|
||
|
angle you looked at the poster, the muzzle of the gun, magnified by the
|
||
|
foreshortening, seemed to be pointed straight at you. The thing had been
|
||
|
plastered on every blank space on every wall, even outnumbering the
|
||
|
portraits of Big Brother. The proles, normally apathetic about the war,
|
||
|
were being lashed into one of their periodical frenzies of patriotism.
|
||
|
As though to harmonize with the general mood, the rocket bombs had been
|
||
|
killing larger numbers of people than usual. One fell on a crowded film
|
||
|
theatre in Stepney, burying several hundred victims among the ruins. The
|
||
|
whole population of the neighbourhood turned out for a long, trailing
|
||
|
funeral which went on for hours and was in effect an indignation meeting.
|
||
|
Another bomb fell on a piece of waste ground which was used as a playground
|
||
|
and several dozen children were blown to pieces. There were further angry
|
||
|
demonstrations, Goldstein was burned in effigy, hundreds of copies of the
|
||
|
poster of the Eurasian soldier were torn down and added to the flames, and
|
||
|
a number of shops were looted in the turmoil; then a rumour flew round
|
||
|
that spies were directing the rocket bombs by means of wireless waves, and
|
||
|
an old couple who were suspected of being of foreign extraction had their
|
||
|
house set on fire and perished of suffocation.
|
||
|
|
||
|
In the room over Mr Charrington's shop, when they could get there, Julia
|
||
|
and Winston lay side by side on a stripped bed under the open window,
|
||
|
naked for the sake of coolness. The rat had never come back, but the bugs
|
||
|
had multiplied hideously in the heat. It did not seem to matter. Dirty or
|
||
|
clean, the room was paradise. As soon as they arrived they would sprinkle
|
||
|
everything with pepper bought on the black market, tear off their clothes,
|
||
|
and make love with sweating bodies, then fall asleep and wake to find that
|
||
|
the bugs had rallied and were massing for the counter-attack.
|
||
|
|
||
|
Four, five, six--seven times they met during the month of June. Winston
|
||
|
had dropped his habit of drinking gin at all hours. He seemed to have lost
|
||
|
the need for it. He had grown fatter, his varicose ulcer had subsided,
|
||
|
leaving only a brown stain on the skin above his ankle, his fits of
|
||
|
coughing in the early morning had stopped. The process of life had ceased
|
||
|
to be intolerable, he had no longer any impulse to make faces at the
|
||
|
telescreen or shout curses at the top of his voice. Now that they had a
|
||
|
secure hiding-place, almost a home, it did not even seem a hardship that
|
||
|
they could only meet infrequently and for a couple of hours at a time.
|
||
|
What mattered was that the room over the junk-shop should exist. To know
|
||
|
that it was there, inviolate, was almost the same as being in it. The room
|
||
|
was a world, a pocket of the past where extinct animals could walk.
|
||
|
Mr Charrington, thought Winston, was another extinct animal. He usually
|
||
|
stopped to talk with Mr Charrington for a few minutes on his way upstairs.
|
||
|
The old man seemed seldom or never to go out of doors, and on the other
|
||
|
hand to have almost no customers. He led a ghostlike existence between the
|
||
|
tiny, dark shop, and an even tinier back kitchen where he prepared his
|
||
|
meals and which contained, among other things, an unbelievably ancient
|
||
|
gramophone with an enormous horn. He seemed glad of the opportunity to
|
||
|
talk. Wandering about among his worthless stock, with his long nose and
|
||
|
thick spectacles and his bowed shoulders in the velvet jacket, he had
|
||
|
always vaguely the air of being a collector rather than a tradesman.
|
||
|
With a sort of faded enthusiasm he would finger this scrap of rubbish or
|
||
|
that--a china bottle-stopper, the painted lid of a broken snuffbox, a
|
||
|
pinchbeck locket containing a strand of some long-dead baby's hair--never
|
||
|
asking that Winston should buy it, merely that he should admire it. To
|
||
|
talk to him was like listening to the tinkling of a worn-out musical-box.
|
||
|
He had dragged out from the corners of his memory some more fragments of
|
||
|
forgotten rhymes. There was one about four and twenty blackbirds, and
|
||
|
another about a cow with a crumpled horn, and another about the death
|
||
|
of poor Cock Robin. 'It just occurred to me you might be interested,' he
|
||
|
would say with a deprecating little laugh whenever he produced a new
|
||
|
fragment. But he could never recall more than a few lines of any one
|
||
|
rhyme.
|
||
|
|
||
|
Both of them knew--in a way, it was never out of their minds that what
|
||
|
was now happening could not last long. There were times when the fact of
|
||
|
impending death seemed as palpable as the bed they lay on, and they would
|
||
|
cling together with a sort of despairing sensuality, like a damned soul
|
||
|
grasping at his last morsel of pleasure when the clock is within five
|
||
|
minutes of striking. But there were also times when they had the illusion
|
||
|
not only of safety but of permanence. So long as they were actually in
|
||
|
this room, they both felt, no harm could come to them. Getting there was
|
||
|
difficult and dangerous, but the room itself was sanctuary. It was as when
|
||
|
Winston had gazed into the heart of the paperweight, with the feeling that
|
||
|
it would be possible to get inside that glassy world, and that once inside
|
||
|
it time could be arrested. Often they gave themselves up to daydreams of
|
||
|
escape. Their luck would hold indefinitely, and they would carry on their
|
||
|
intrigue, just like this, for the remainder of their natural lives. Or
|
||
|
Katharine would die, and by subtle manoeuvrings Winston and Julia would
|
||
|
succeed in getting married. Or they would commit suicide together. Or
|
||
|
they would disappear, alter themselves out of recognition, learn to speak
|
||
|
with proletarian accents, get jobs in a factory and live out their lives
|
||
|
undetected in a back-street. It was all nonsense, as they both knew. In
|
||
|
reality there was no escape. Even the one plan that was practicable,
|
||
|
suicide, they had no intention of carrying out. To hang on from day to day
|
||
|
and from week to week, spinning out a present that had no future, seemed
|
||
|
an unconquerable instinct, just as one's lungs will always draw the next
|
||
|
breath so long as there is air available.
|
||
|
|
||
|
Sometimes, too, they talked of engaging in active rebellion against the
|
||
|
Party, but with no notion of how to take the first step. Even if the
|
||
|
fabulous Brotherhood was a reality, there still remained the difficulty
|
||
|
of finding one's way into it. He told her of the strange intimacy that
|
||
|
existed, or seemed to exist, between himself and O'Brien, and of the
|
||
|
impulse he sometimes felt, simply to walk into O'Brien's presence, announce
|
||
|
that he was the enemy of the Party, and demand his help. Curiously enough,
|
||
|
this did not strike her as an impossibly rash thing to do. She was used to
|
||
|
judging people by their faces, and it seemed natural to her that Winston
|
||
|
should believe O'Brien to be trustworthy on the strength of a single flash
|
||
|
of the eyes. Moreover she took it for granted that everyone, or nearly
|
||
|
everyone, secretly hated the Party and would break the rules if he thought
|
||
|
it safe to do so. But she refused to believe that widespread, organized
|
||
|
opposition existed or could exist. The tales about Goldstein and his
|
||
|
underground army, she said, were simply a lot of rubbish which the Party
|
||
|
had invented for its own purposes and which you had to pretend to believe
|
||
|
in. Times beyond number, at Party rallies and spontaneous demonstrations,
|
||
|
she had shouted at the top of her voice for the execution of people whose
|
||
|
names she had never heard and in whose supposed crimes she had not the
|
||
|
faintest belief. When public trials were happening she had taken her place
|
||
|
in the detachments from the Youth League who surrounded the courts from
|
||
|
morning to night, chanting at intervals 'Death to the traitors!' During
|
||
|
the Two Minutes Hate she always excelled all others in shouting insults
|
||
|
at Goldstein. Yet she had only the dimmest idea of who Goldstein was and
|
||
|
what doctrines he was supposed to represent. She had grown up since the
|
||
|
Revolution and was too young to remember the ideological battles of the
|
||
|
fifties and sixties. Such a thing as an independent political movement was
|
||
|
outside her imagination: and in any case the Party was invincible. It
|
||
|
would always exist, and it would always be the same. You could only rebel
|
||
|
against it by secret disobedience or, at most, by isolated acts of
|
||
|
violence such as killing somebody or blowing something up.
|
||
|
|
||
|
In some ways she was far more acute than Winston, and far less susceptible
|
||
|
to Party propaganda. Once when he happened in some connexion to mention
|
||
|
the war against Eurasia, she startled him by saying casually that in her
|
||
|
opinion the war was not happening. The rocket bombs which fell daily on
|
||
|
London were probably fired by the Government of Oceania itself, 'just to
|
||
|
keep people frightened'. This was an idea that had literally never occurred
|
||
|
to him. She also stirred a sort of envy in him by telling him that during
|
||
|
the Two Minutes Hate her great difficulty was to avoid bursting out
|
||
|
laughing. But she only questioned the teachings of the Party when they
|
||
|
in some way touched upon her own life. Often she was ready to accept
|
||
|
the official mythology, simply because the difference between truth and
|
||
|
falsehood did not seem important to her. She believed, for instance, having
|
||
|
learnt it at school, that the Party had invented aeroplanes. (In his own
|
||
|
schooldays, Winston remembered, in the late fifties, it was only the
|
||
|
helicopter that the Party claimed to have invented; a dozen years later,
|
||
|
when Julia was at school, it was already claiming the aeroplane; one
|
||
|
generation more, and it would be claiming the steam engine.) And when he
|
||
|
told her that aeroplanes had been in existence before he was born and long
|
||
|
before the Revolution, the fact struck her as totally uninteresting. After
|
||
|
all, what did it matter who had invented aeroplanes? It was rather more
|
||
|
of a shock to him when he discovered from some chance remark that she did
|
||
|
not remember that Oceania, four years ago, had been at war with Eastasia
|
||
|
and at peace with Eurasia. It was true that she regarded the whole war as
|
||
|
a sham: but apparently she had not even noticed that the name of the enemy
|
||
|
had changed. 'I thought we'd always been at war with Eurasia,' she said
|
||
|
vaguely. It frightened him a little. The invention of aeroplanes dated
|
||
|
from long before her birth, but the switchover in the war had happened
|
||
|
only four years ago, well after she was grown up. He argued with her about
|
||
|
it for perhaps a quarter of an hour. In the end he succeeded in forcing
|
||
|
her memory back until she did dimly recall that at one time Eastasia and
|
||
|
not Eurasia had been the enemy. But the issue still struck her as
|
||
|
unimportant. 'Who cares?' she said impatiently. 'It's always one bloody
|
||
|
war after another, and one knows the news is all lies anyway.'
|
||
|
|
||
|
Sometimes he talked to her of the Records Department and the impudent
|
||
|
forgeries that he committed there. Such things did not appear to horrify
|
||
|
her. She did not feel the abyss opening beneath her feet at the thought
|
||
|
of lies becoming truths. He told her the story of Jones, Aaronson, and
|
||
|
Rutherford and the momentous slip of paper which he had once held between
|
||
|
his fingers. It did not make much impression on her. At first, indeed, she
|
||
|
failed to grasp the point of the story.
|
||
|
|
||
|
'Were they friends of yours?' she said.
|
||
|
|
||
|
'No, I never knew them. They were Inner Party members. Besides, they were
|
||
|
far older men than I was. They belonged to the old days, before the
|
||
|
Revolution. I barely knew them by sight.'
|
||
|
|
||
|
'Then what was there to worry about? People are being killed off all the
|
||
|
time, aren't they?'
|
||
|
|
||
|
He tried to make her understand. 'This was an exceptional case. It wasn't
|
||
|
just a question of somebody being killed. Do you realize that the past,
|
||
|
starting from yesterday, has been actually abolished? If it survives
|
||
|
anywhere, it's in a few solid objects with no words attached to them, like
|
||
|
that lump of glass there. Already we know almost literally nothing about
|
||
|
the Revolution and the years before the Revolution. Every record has been
|
||
|
destroyed or falsified, every book has been rewritten, every picture has
|
||
|
been repainted, every statue and street and building has been renamed,
|
||
|
every date has been altered. And that process is continuing day by day and
|
||
|
minute by minute. History has stopped. Nothing exists except an endless
|
||
|
present in which the Party is always right. I know, of course, that the
|
||
|
past is falsified, but it would never be possible for me to prove it, even
|
||
|
when I did the falsification myself. After the thing is done, no evidence
|
||
|
ever remains. The only evidence is inside my own mind, and I don't know
|
||
|
with any certainty that any other human being shares my memories. Just in
|
||
|
that one instance, in my whole life, I did possess actual concrete evidence
|
||
|
after the event--years after it.'
|
||
|
|
||
|
'And what good was that?'
|
||
|
|
||
|
'It was no good, because I threw it away a few minutes later. But if the
|
||
|
same thing happened today, I should keep it.'
|
||
|
|
||
|
'Well, I wouldn't!' said Julia. 'I'm quite ready to take risks, but only
|
||
|
for something worth while, not for bits of old newspaper. What could you
|
||
|
have done with it even if you had kept it?'
|
||
|
|
||
|
'Not much, perhaps. But it was evidence. It might have planted a few doubts
|
||
|
here and there, supposing that I'd dared to show it to anybody. I don't
|
||
|
imagine that we can alter anything in our own lifetime. But one can imagine
|
||
|
little knots of resistance springing up here and there--small groups of
|
||
|
people banding themselves together, and gradually growing, and even leaving
|
||
|
a few records behind, so that the next generations can carry on where we
|
||
|
leave off.'
|
||
|
|
||
|
'I'm not interested in the next generation, dear. I'm interested in US.'
|
||
|
|
||
|
'You're only a rebel from the waist downwards,' he told her.
|
||
|
|
||
|
She thought this brilliantly witty and flung her arms round him in delight.
|
||
|
|
||
|
In the ramifications of party doctrine she had not the faintest interest.
|
||
|
Whenever he began to talk of the principles of Ingsoc, doublethink, the
|
||
|
mutability of the past, and the denial of objective reality, and to use
|
||
|
Newspeak words, she became bored and confused and said that she never paid
|
||
|
any attention to that kind of thing. One knew that it was all rubbish, so
|
||
|
why let oneself be worried by it? She knew when to cheer and when to boo,
|
||
|
and that was all one needed. If he persisted in talking of such subjects,
|
||
|
she had a disconcerting habit of falling asleep. She was one of those
|
||
|
people who can go to sleep at any hour and in any position. Talking to her,
|
||
|
he realized how easy it was to present an appearance of orthodoxy while
|
||
|
having no grasp whatever of what orthodoxy meant. In a way, the world-view
|
||
|
of the Party imposed itself most successfully on people incapable of
|
||
|
understanding it. They could be made to accept the most flagrant violations
|
||
|
of reality, because they never fully grasped the enormity of what was
|
||
|
demanded of them, and were not sufficiently interested in public events to
|
||
|
notice what was happening. By lack of understanding they remained sane.
|
||
|
They simply swallowed everything, and what they swallowed did them no harm,
|
||
|
because it left no residue behind, just as a grain of corn will pass
|
||
|
undigested through the body of a bird.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Chapter 6
|
||
|
|
||
|
|
||
|
|
||
|
It had happened at last. The expected message had come. All his life, it
|
||
|
seemed to him, he had been waiting for this to happen.
|
||
|
|
||
|
He was walking down the long corridor at the Ministry and he was almost
|
||
|
at the spot where Julia had slipped the note into his hand when he became
|
||
|
aware that someone larger than himself was walking just behind him. The
|
||
|
person, whoever it was, gave a small cough, evidently as a prelude to
|
||
|
speaking. Winston stopped abruptly and turned. It was O'Brien.
|
||
|
|
||
|
At last they were face to face, and it seemed that his only impulse was
|
||
|
to run away. His heart bounded violently. He would have been incapable of
|
||
|
speaking. O'Brien, however, had continued forward in the same movement,
|
||
|
laying a friendly hand for a moment on Winston's arm, so that the two of
|
||
|
them were walking side by side. He began speaking with the peculiar grave
|
||
|
courtesy that differentiated him from the majority of Inner Party members.
|
||
|
|
||
|
'I had been hoping for an opportunity of talking to you,' he said. 'I was
|
||
|
reading one of your Newspeak articles in 'The Times' the other day. You
|
||
|
take a scholarly interest in Newspeak, I believe?'
|
||
|
|
||
|
Winston had recovered part of his self-possession. 'Hardly scholarly,' he
|
||
|
said. 'I'm only an amateur. It's not my subject. I have never had anything
|
||
|
to do with the actual construction of the language.'
|
||
|
|
||
|
'But you write it very elegantly,' said O'Brien. 'That is not only my own
|
||
|
opinion. I was talking recently to a friend of yours who is certainly an
|
||
|
expert. His name has slipped my memory for the moment.'
|
||
|
|
||
|
Again Winston's heart stirred painfully. It was inconceivable that this
|
||
|
was anything other than a reference to Syme. But Syme was not only dead,
|
||
|
he was abolished, an unperson. Any identifiable reference to him would have
|
||
|
been mortally dangerous. O'Brien's remark must obviously have been intended
|
||
|
as a signal, a codeword. By sharing a small act of thoughtcrime he had
|
||
|
turned the two of them into accomplices. They had continued to stroll
|
||
|
slowly down the corridor, but now O'Brien halted. With the curious,
|
||
|
disarming friendliness that he always managed to put in to the gesture he
|
||
|
resettled his spectacles on his nose. Then he went on:
|
||
|
|
||
|
'What I had really intended to say was that in your article I noticed you
|
||
|
had used two words which have become obsolete. But they have only become
|
||
|
so very recently. Have you seen the tenth edition of the Newspeak
|
||
|
Dictionary?'
|
||
|
|
||
|
'No,' said Winston. 'I didn't think it had been issued yet. We are still
|
||
|
using the ninth in the Records Department.'
|
||
|
|
||
|
'The tenth edition is not due to appear for some months, I believe. But a
|
||
|
few advance copies have been circulated. I have one myself. It might
|
||
|
interest you to look at it, perhaps?'
|
||
|
|
||
|
'Very much so,' said Winston, immediately seeing where this tended.
|
||
|
|
||
|
'Some of the new developments are most ingenious. The reduction in the
|
||
|
number of verbs--that is the point that will appeal to you, I think. Let
|
||
|
me see, shall I send a messenger to you with the dictionary? But I am
|
||
|
afraid I invariably forget anything of that kind. Perhaps you could pick
|
||
|
it up at my flat at some time that suited you? Wait. Let me give you my
|
||
|
address.'
|
||
|
|
||
|
They were standing in front of a telescreen. Somewhat absent-mindedly
|
||
|
O'Brien felt two of his pockets and then produced a small leather-covered
|
||
|
notebook and a gold ink-pencil. Immediately beneath the telescreen, in
|
||
|
such a position that anyone who was watching at the other end of the
|
||
|
instrument could read what he was writing, he scribbled an address, tore
|
||
|
out the page and handed it to Winston.
|
||
|
|
||
|
'I am usually at home in the evenings,' he said. 'If not, my servant will
|
||
|
give you the dictionary.'
|
||
|
|
||
|
He was gone, leaving Winston holding the scrap of paper, which this time
|
||
|
there was no need to conceal. Nevertheless he carefully memorized what was
|
||
|
written on it, and some hours later dropped it into the memory hole along
|
||
|
with a mass of other papers.
|
||
|
|
||
|
They had been talking to one another for a couple of minutes at the most.
|
||
|
There was only one meaning that the episode could possibly have. It had
|
||
|
been contrived as a way of letting Winston know O'Brien's address. This
|
||
|
was necessary, because except by direct enquiry it was never possible to
|
||
|
discover where anyone lived. There were no directories of any kind. 'If
|
||
|
you ever want to see me, this is where I can be found,' was what O'Brien
|
||
|
had been saying to him. Perhaps there would even be a message concealed
|
||
|
somewhere in the dictionary. But at any rate, one thing was certain. The
|
||
|
conspiracy that he had dreamed of did exist, and he had reached the outer
|
||
|
edges of it.
|
||
|
|
||
|
He knew that sooner or later he would obey O'Brien's summons. Perhaps
|
||
|
tomorrow, perhaps after a long delay--he was not certain. What was
|
||
|
happening was only the working-out of a process that had started years
|
||
|
ago. The first step had been a secret, involuntary thought, the second
|
||
|
had been the opening of the diary. He had moved from thoughts to words,
|
||
|
and now from words to actions. The last step was something that would
|
||
|
happen in the Ministry of Love. He had accepted it. The end was contained
|
||
|
in the beginning. But it was frightening: or, more exactly, it was like
|
||
|
a foretaste of death, like being a little less alive. Even while he was
|
||
|
speaking to O'Brien, when the meaning of the words had sunk in, a chilly
|
||
|
shuddering feeling had taken possession of his body. He had the sensation
|
||
|
of stepping into the dampness of a grave, and it was not much better
|
||
|
because he had always known that the grave was there and waiting for him.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Chapter 7
|
||
|
|
||
|
|
||
|
|
||
|
Winston had woken up with his eyes full of tears. Julia rolled sleepily
|
||
|
against him, murmuring something that might have been 'What's the matter?'
|
||
|
|
||
|
'I dreamt--' he began, and stopped short. It was too complex to be put
|
||
|
into words. There was the dream itself, and there was a memory connected
|
||
|
with it that had swum into his mind in the few seconds after waking.
|
||
|
|
||
|
He lay back with his eyes shut, still sodden in the atmosphere of the
|
||
|
dream. It was a vast, luminous dream in which his whole life seemed to
|
||
|
stretch out before him like a landscape on a summer evening after rain.
|
||
|
It had all occurred inside the glass paperweight, but the surface of the
|
||
|
glass was the dome of the sky, and inside the dome everything was flooded
|
||
|
with clear soft light in which one could see into interminable distances.
|
||
|
The dream had also been comprehended by--indeed, in some sense it had
|
||
|
consisted in--a gesture of the arm made by his mother, and made again
|
||
|
thirty years later by the Jewish woman he had seen on the news film,
|
||
|
trying to shelter the small boy from the bullets, before the helicopter
|
||
|
blew them both to pieces.
|
||
|
|
||
|
'Do you know,' he said, 'that until this moment I believed I had murdered
|
||
|
my mother?'
|
||
|
|
||
|
'Why did you murder her?' said Julia, almost asleep.
|
||
|
|
||
|
'I didn't murder her. Not physically.'
|
||
|
|
||
|
In the dream he had remembered his last glimpse of his mother, and within
|
||
|
a few moments of waking the cluster of small events surrounding it had all
|
||
|
come back. It was a memory that he must have deliberately pushed out of
|
||
|
his consciousness over many years. He was not certain of the date, but he
|
||
|
could not have been less than ten years old, possibly twelve, when it had
|
||
|
happened.
|
||
|
|
||
|
His father had disappeared some time earlier, how much earlier he could
|
||
|
not remember. He remembered better the rackety, uneasy circumstances of
|
||
|
the time: the periodical panics about air-raids and the sheltering in Tube
|
||
|
stations, the piles of rubble everywhere, the unintelligible proclamations
|
||
|
posted at street corners, the gangs of youths in shirts all the same
|
||
|
colour, the enormous queues outside the bakeries, the intermittent
|
||
|
machine-gun fire in the distance--above all, the fact that there was
|
||
|
never enough to eat. He remembered long afternoons spent with other boys
|
||
|
in scrounging round dustbins and rubbish heaps, picking out the ribs of
|
||
|
cabbage leaves, potato peelings, sometimes even scraps of stale breadcrust
|
||
|
from which they carefully scraped away the cinders; and also in waiting
|
||
|
for the passing of trucks which travelled over a certain route and were
|
||
|
known to carry cattle feed, and which, when they jolted over the bad
|
||
|
patches in the road, sometimes spilt a few fragments of oil-cake.
|
||
|
|
||
|
When his father disappeared, his mother did not show any surprise or any
|
||
|
violent grief, but a sudden change came over her. She seemed to have
|
||
|
become completely spiritless. It was evident even to Winston that she was
|
||
|
waiting for something that she knew must happen. She did everything that
|
||
|
was needed--cooked, washed, mended, made the bed, swept the floor, dusted
|
||
|
the mantelpiece--always very slowly and with a curious lack of superfluous
|
||
|
motion, like an artist's lay-figure moving of its own accord. Her large
|
||
|
shapely body seemed to relapse naturally into stillness. For hours at a
|
||
|
time she would sit almost immobile on the bed, nursing his young sister,
|
||
|
a tiny, ailing, very silent child of two or three, with a face made simian
|
||
|
by thinness. Very occasionally she would take Winston in her arms and
|
||
|
press him against her for a long time without saying anything. He was
|
||
|
aware, in spite of his youthfulness and selfishness, that this was somehow
|
||
|
connected with the never-mentioned thing that was about to happen.
|
||
|
|
||
|
He remembered the room where they lived, a dark, close-smelling room that
|
||
|
seemed half filled by a bed with a white counterpane. There was a gas ring
|
||
|
in the fender, and a shelf where food was kept, and on the landing outside
|
||
|
there was a brown earthenware sink, common to several rooms. He remembered
|
||
|
his mother's statuesque body bending over the gas ring to stir at something
|
||
|
in a saucepan. Above all he remembered his continuous hunger, and the
|
||
|
fierce sordid battles at mealtimes. He would ask his mother naggingly,
|
||
|
over and over again, why there was not more food, he would shout and storm
|
||
|
at her (he even remembered the tones of his voice, which was beginning to
|
||
|
break prematurely and sometimes boomed in a peculiar way), or he would
|
||
|
attempt a snivelling note of pathos in his efforts to get more than his
|
||
|
share. His mother was quite ready to give him more than his share. She
|
||
|
took it for granted that he, 'the boy', should have the biggest portion;
|
||
|
but however much she gave him he invariably demanded more. At every meal
|
||
|
she would beseech him not to be selfish and to remember that his little
|
||
|
sister was sick and also needed food, but it was no use. He would cry out
|
||
|
with rage when she stopped ladling, he would try to wrench the saucepan
|
||
|
and spoon out of her hands, he would grab bits from his sister's plate.
|
||
|
He knew that he was starving the other two, but he could not help it; he
|
||
|
even felt that he had a right to do it. The clamorous hunger in his belly
|
||
|
seemed to justify him. Between meals, if his mother did not stand guard,
|
||
|
he was constantly pilfering at the wretched store of food on the shelf.
|
||
|
|
||
|
One day a chocolate ration was issued. There had been no such issue for
|
||
|
weeks or months past. He remembered quite clearly that precious little
|
||
|
morsel of chocolate. It was a two-ounce slab (they still talked about
|
||
|
ounces in those days) between the three of them. It was obvious that it
|
||
|
ought to be divided into three equal parts. Suddenly, as though he were
|
||
|
listening to somebody else, Winston heard himself demanding in a loud
|
||
|
booming voice that he should be given the whole piece. His mother told him
|
||
|
not to be greedy. There was a long, nagging argument that went round and
|
||
|
round, with shouts, whines, tears, remonstrances, bargainings. His tiny
|
||
|
sister, clinging to her mother with both hands, exactly like a baby monkey,
|
||
|
sat looking over her shoulder at him with large, mournful eyes. In the
|
||
|
end his mother broke off three-quarters of the chocolate and gave it to
|
||
|
Winston, giving the other quarter to his sister. The little girl took hold
|
||
|
of it and looked at it dully, perhaps not knowing what it was. Winston
|
||
|
stood watching her for a moment. Then with a sudden swift spring he had
|
||
|
snatched the piece of chocolate out of his sister's hand and was fleeing
|
||
|
for the door.
|
||
|
|
||
|
'Winston, Winston!' his mother called after him. 'Come back! Give your
|
||
|
sister back her chocolate!'
|
||
|
|
||
|
He stopped, but did not come back. His mother's anxious eyes were fixed on
|
||
|
his face. Even now he was thinking about the thing, he did not know what
|
||
|
it was that was on the point of happening. His sister, conscious of having
|
||
|
been robbed of something, had set up a feeble wail. His mother drew her
|
||
|
arm round the child and pressed its face against her breast. Something in
|
||
|
the gesture told him that his sister was dying. He turned and fled down
|
||
|
the stairs, with the chocolate growing sticky in his hand.
|
||
|
|
||
|
He never saw his mother again. After he had devoured the chocolate he felt
|
||
|
somewhat ashamed of himself and hung about in the streets for several
|
||
|
hours, until hunger drove him home. When he came back his mother had
|
||
|
disappeared. This was already becoming normal at that time. Nothing was
|
||
|
gone from the room except his mother and his sister. They had not taken
|
||
|
any clothes, not even his mother's overcoat. To this day he did not know
|
||
|
with any certainty that his mother was dead. It was perfectly possible
|
||
|
that she had merely been sent to a forced-labour camp. As for his sister,
|
||
|
she might have been removed, like Winston himself, to one of the colonies
|
||
|
for homeless children (Reclamation Centres, they were called) which had
|
||
|
grown up as a result of the civil war, or she might have been sent to the
|
||
|
labour camp along with his mother, or simply left somewhere or other
|
||
|
to die.
|
||
|
|
||
|
The dream was still vivid in his mind, especially the enveloping protecting
|
||
|
gesture of the arm in which its whole meaning seemed to be contained. His
|
||
|
mind went back to another dream of two months ago. Exactly as his mother
|
||
|
had sat on the dingy white-quilted bed, with the child clinging to her, so
|
||
|
she had sat in the sunken ship, far underneath him, and drowning deeper
|
||
|
every minute, but still looking up at him through the darkening water.
|
||
|
|
||
|
He told Julia the story of his mother's disappearance. Without opening her
|
||
|
eyes she rolled over and settled herself into a more comfortable position.
|
||
|
|
||
|
'I expect you were a beastly little swine in those days,' she said
|
||
|
indistinctly. 'All children are swine.'
|
||
|
|
||
|
'Yes. But the real point of the story----'
|
||
|
|
||
|
From her breathing it was evident that she was going off to sleep again.
|
||
|
He would have liked to continue talking about his mother. He did not
|
||
|
suppose, from what he could remember of her, that she had been an unusual
|
||
|
woman, still less an intelligent one; and yet she had possessed a kind of
|
||
|
nobility, a kind of purity, simply because the standards that she obeyed
|
||
|
were private ones. Her feelings were her own, and could not be altered
|
||
|
from outside. It would not have occurred to her that an action which is
|
||
|
ineffectual thereby becomes meaningless. If you loved someone, you loved
|
||
|
him, and when you had nothing else to give, you still gave him love. When
|
||
|
the last of the chocolate was gone, his mother had clasped the child in
|
||
|
her arms. It was no use, it changed nothing, it did not produce more
|
||
|
chocolate, it did not avert the child's death or her own; but it seemed
|
||
|
natural to her to do it. The refugee woman in the boat had also covered
|
||
|
the little boy with her arm, which was no more use against the bullets
|
||
|
than a sheet of paper. The terrible thing that the Party had done was to
|
||
|
persuade you that mere impulses, mere feelings, were of no account, while
|
||
|
at the same time robbing you of all power over the material world. When
|
||
|
once you were in the grip of the Party, what you felt or did not feel,
|
||
|
what you did or refrained from doing, made literally no difference.
|
||
|
Whatever happened you vanished, and neither you nor your actions were ever
|
||
|
heard of again. You were lifted clean out of the stream of history. And
|
||
|
yet to the people of only two generations ago this would not have seemed
|
||
|
all-important, because they were not attempting to alter history. They
|
||
|
were governed by private loyalties which they did not question. What
|
||
|
mattered were individual relationships, and a completely helpless gesture,
|
||
|
an embrace, a tear, a word spoken to a dying man, could have value in
|
||
|
itself. The proles, it suddenly occurred to him, had remained in this
|
||
|
condition. They were not loyal to a party or a country or an idea, they
|
||
|
were loyal to one another. For the first time in his life he did not
|
||
|
despise the proles or think of them merely as an inert force which would
|
||
|
one day spring to life and regenerate the world. The proles had stayed
|
||
|
human. They had not become hardened inside. They had held on to the
|
||
|
primitive emotions which he himself had to re-learn by conscious effort.
|
||
|
And in thinking this he remembered, without apparent relevance, how a few
|
||
|
weeks ago he had seen a severed hand lying on the pavement and had kicked
|
||
|
it into the gutter as though it had been a cabbage-stalk.
|
||
|
|
||
|
'The proles are human beings,' he said aloud. 'We are not human.'
|
||
|
|
||
|
'Why not?' said Julia, who had woken up again.
|
||
|
|
||
|
He thought for a little while. 'Has it ever occurred to you,' he said,
|
||
|
'that the best thing for us to do would be simply to walk out of here
|
||
|
before it's too late, and never see each other again?'
|
||
|
|
||
|
'Yes, dear, it has occurred to me, several times. But I'm not going to do
|
||
|
it, all the same.'
|
||
|
|
||
|
'We've been lucky,' he said 'but it can't last much longer. You're young.
|
||
|
You look normal and innocent. If you keep clear of people like me, you
|
||
|
might stay alive for another fifty years.'
|
||
|
|
||
|
'No. I've thought it all out. What you do, I'm going to do. And don't be
|
||
|
too downhearted. I'm rather good at staying alive.'
|
||
|
|
||
|
'We may be together for another six months--a year--there's no knowing.
|
||
|
At the end we're certain to be apart. Do you realize how utterly alone we
|
||
|
shall be? When once they get hold of us there will be nothing, literally
|
||
|
nothing, that either of us can do for the other. If I confess, they'll
|
||
|
shoot you, and if I refuse to confess, they'll shoot you just the same.
|
||
|
Nothing that I can do or say, or stop myself from saying, will put off
|
||
|
your death for as much as five minutes. Neither of us will even know
|
||
|
whether the other is alive or dead. We shall be utterly without power of
|
||
|
any kind. The one thing that matters is that we shouldn't betray one
|
||
|
another, although even that can't make the slightest difference.'
|
||
|
|
||
|
'If you mean confessing,' she said, 'we shall do that, right enough.
|
||
|
Everybody always confesses. You can't help it. They torture you.'
|
||
|
|
||
|
'I don't mean confessing. Confession is not betrayal. What you say or do
|
||
|
doesn't matter: only feelings matter. If they could make me stop loving
|
||
|
you--that would be the real betrayal.'
|
||
|
|
||
|
She thought it over. 'They can't do that,' she said finally. 'It's the one
|
||
|
thing they can't do. They can make you say anything--ANYTHING--but they
|
||
|
can't make you believe it. They can't get inside you.'
|
||
|
|
||
|
'No,' he said a little more hopefully, 'no; that's quite true. They can't
|
||
|
get inside you. If you can FEEL that staying human is worth while, even
|
||
|
when it can't have any result whatever, you've beaten them.'
|
||
|
|
||
|
He thought of the telescreen with its never-sleeping ear. They could spy
|
||
|
upon you night and day, but if you kept your head you could still outwit
|
||
|
them. With all their cleverness they had never mastered the secret of
|
||
|
finding out what another human being was thinking. Perhaps that was less
|
||
|
true when you were actually in their hands. One did not know what happened
|
||
|
inside the Ministry of Love, but it was possible to guess: tortures, drugs,
|
||
|
delicate instruments that registered your nervous reactions, gradual
|
||
|
wearing-down by sleeplessness and solitude and persistent questioning.
|
||
|
Facts, at any rate, could not be kept hidden. They could be tracked down
|
||
|
by enquiry, they could be squeezed out of you by torture. But if the object
|
||
|
was not to stay alive but to stay human, what difference did it ultimately
|
||
|
make? They could not alter your feelings: for that matter you could not
|
||
|
alter them yourself, even if you wanted to. They could lay bare in the
|
||
|
utmost detail everything that you had done or said or thought; but the
|
||
|
inner heart, whose workings were mysterious even to yourself, remained
|
||
|
impregnable.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Chapter 8
|
||
|
|
||
|
|
||
|
|
||
|
They had done it, they had done it at last!
|
||
|
|
||
|
The room they were standing in was long-shaped and softly lit. The
|
||
|
telescreen was dimmed to a low murmur; the richness of the dark-blue carpet
|
||
|
gave one the impression of treading on velvet. At the far end of the room
|
||
|
O'Brien was sitting at a table under a green-shaded lamp, with a mass of
|
||
|
papers on either side of him. He had not bothered to look up when the
|
||
|
servant showed Julia and Winston in.
|
||
|
|
||
|
Winston's heart was thumping so hard that he doubted whether he would be
|
||
|
able to speak. They had done it, they had done it at last, was all he
|
||
|
could think. It had been a rash act to come here at all, and sheer folly
|
||
|
to arrive together; though it was true that they had come by different
|
||
|
routes and only met on O'Brien's doorstep. But merely to walk into such a
|
||
|
place needed an effort of the nerve. It was only on very rare occasions
|
||
|
that one saw inside the dwelling-places of the Inner Party, or even
|
||
|
penetrated into the quarter of the town where they lived. The whole
|
||
|
atmosphere of the huge block of flats, the richness and spaciousness of
|
||
|
everything, the unfamiliar smells of good food and good tobacco, the
|
||
|
silent and incredibly rapid lifts sliding up and down, the white-jacketed
|
||
|
servants hurrying to and fro--everything was intimidating. Although he had
|
||
|
a good pretext for coming here, he was haunted at every step by the fear
|
||
|
that a black-uniformed guard would suddenly appear from round the corner,
|
||
|
demand his papers, and order him to get out. O'Brien's servant, however,
|
||
|
had admitted the two of them without demur. He was a small, dark-haired
|
||
|
man in a white jacket, with a diamond-shaped, completely expressionless
|
||
|
face which might have been that of a Chinese. The passage down which he
|
||
|
led them was softly carpeted, with cream-papered walls and white
|
||
|
wainscoting, all exquisitely clean. That too was intimidating. Winston
|
||
|
could not remember ever to have seen a passageway whose walls were not
|
||
|
grimy from the contact of human bodies.
|
||
|
|
||
|
O'Brien had a slip of paper between his fingers and seemed to be studying
|
||
|
it intently. His heavy face, bent down so that one could see the line of
|
||
|
the nose, looked both formidable and intelligent. For perhaps twenty
|
||
|
seconds he sat without stirring. Then he pulled the speakwrite towards
|
||
|
him and rapped out a message in the hybrid jargon of the Ministries:
|
||
|
|
||
|
'Items one comma five comma seven approved fullwise stop suggestion
|
||
|
contained item six doubleplus ridiculous verging crimethink cancel stop
|
||
|
unproceed constructionwise antegetting plusfull estimates machinery
|
||
|
overheads stop end message.'
|
||
|
|
||
|
He rose deliberately from his chair and came towards them across the
|
||
|
soundless carpet. A little of the official atmosphere seemed to have fallen
|
||
|
away from him with the Newspeak words, but his expression was grimmer than
|
||
|
usual, as though he were not pleased at being disturbed. The terror that
|
||
|
Winston already felt was suddenly shot through by a streak of ordinary
|
||
|
embarrassment. It seemed to him quite possible that he had simply made a
|
||
|
stupid mistake. For what evidence had he in reality that O'Brien was any
|
||
|
kind of political conspirator? Nothing but a flash of the eyes and a single
|
||
|
equivocal remark: beyond that, only his own secret imaginings, founded on
|
||
|
a dream. He could not even fall back on the pretence that he had come to
|
||
|
borrow the dictionary, because in that case Julia's presence was impossible
|
||
|
to explain. As O'Brien passed the telescreen a thought seemed to strike
|
||
|
him. He stopped, turned aside and pressed a switch on the wall. There was
|
||
|
a sharp snap. The voice had stopped.
|
||
|
|
||
|
Julia uttered a tiny sound, a sort of squeak of surprise. Even in the midst
|
||
|
of his panic, Winston was too much taken aback to be able to hold his
|
||
|
tongue.
|
||
|
|
||
|
'You can turn it off!' he said.
|
||
|
|
||
|
'Yes,' said O'Brien, 'we can turn it off. We have that privilege.'
|
||
|
|
||
|
He was opposite them now. His solid form towered over the pair of them,
|
||
|
and the expression on his face was still indecipherable. He was waiting,
|
||
|
somewhat sternly, for Winston to speak, but about what? Even now it was
|
||
|
quite conceivable that he was simply a busy man wondering irritably why he
|
||
|
had been interrupted. Nobody spoke. After the stopping of the telescreen
|
||
|
the room seemed deadly silent. The seconds marched past, enormous. With
|
||
|
difficulty Winston continued to keep his eyes fixed on O'Brien's. Then
|
||
|
suddenly the grim face broke down into what might have been the beginnings
|
||
|
of a smile. With his characteristic gesture O'Brien resettled his
|
||
|
spectacles on his nose.
|
||
|
|
||
|
'Shall I say it, or will you?' he said.
|
||
|
|
||
|
'I will say it,' said Winston promptly. 'That thing is really turned off?'
|
||
|
|
||
|
'Yes, everything is turned off. We are alone.'
|
||
|
|
||
|
'We have come here because----'
|
||
|
|
||
|
He paused, realizing for the first time the vagueness of
|
||
|
his own motives. Since he did not in fact know what kind of
|
||
|
help he expected from O'Brien, it was not easy to say why he
|
||
|
had come here. He went on, conscious that what he was saying
|
||
|
must sound both feeble and pretentious:
|
||
|
|
||
|
'We believe that there is some kind of conspiracy, some kind of secret
|
||
|
organization working against the Party, and that you are involved in it.
|
||
|
We want to join it and work for it. We are enemies of the Party. We
|
||
|
disbelieve in the principles of Ingsoc. We are thought-criminals. We are
|
||
|
also adulterers. I tell you this because we want to put ourselves at your
|
||
|
mercy. If you want us to incriminate ourselves in any other way, we are
|
||
|
ready.'
|
||
|
|
||
|
He stopped and glanced over his shoulder, with the feeling that the door
|
||
|
had opened. Sure enough, the little yellow-faced servant had come in
|
||
|
without knocking. Winston saw that he was carrying a tray with a decanter
|
||
|
and glasses.
|
||
|
|
||
|
'Martin is one of us,' said O'Brien impassively. 'Bring the drinks over
|
||
|
here, Martin. Put them on the round table. Have we enough chairs? Then
|
||
|
we may as well sit down and talk in comfort. Bring a chair for yourself,
|
||
|
Martin. This is business. You can stop being a servant for the next ten
|
||
|
minutes.'
|
||
|
|
||
|
The little man sat down, quite at his ease, and yet still with a
|
||
|
servant-like air, the air of a valet enjoying a privilege. Winston
|
||
|
regarded him out of the corner of his eye. It struck him that the man's
|
||
|
whole life was playing a part, and that he felt it to be dangerous to
|
||
|
drop his assumed personality even for a moment. O'Brien took the decanter
|
||
|
by the neck and filled up the glasses with a dark-red liquid. It aroused
|
||
|
in Winston dim memories of something seen long ago on a wall or a
|
||
|
hoarding--a vast bottle composed of electric lights which seemed to move
|
||
|
up and down and pour its contents into a glass. Seen from the top the
|
||
|
stuff looked almost black, but in the decanter it gleamed like a ruby.
|
||
|
It had a sour-sweet smell. He saw Julia pick up her glass and sniff at
|
||
|
it with frank curiosity.
|
||
|
|
||
|
'It is called wine,' said O'Brien with a faint smile. 'You will have read
|
||
|
about it in books, no doubt. Not much of it gets to the Outer Party, I am
|
||
|
afraid.' His face grew solemn again, and he raised his glass: 'I think it
|
||
|
is fitting that we should begin by drinking a health. To our Leader: To
|
||
|
Emmanuel Goldstein.'
|
||
|
|
||
|
Winston took up his glass with a certain eagerness. Wine was a thing he
|
||
|
had read and dreamed about. Like the glass paperweight or Mr Charrington's
|
||
|
half-remembered rhymes, it belonged to the vanished, romantic past, the
|
||
|
olden time as he liked to call it in his secret thoughts. For some reason
|
||
|
he had always thought of wine as having an intensely sweet taste, like
|
||
|
that of blackberry jam and an immediate intoxicating effect. Actually,
|
||
|
when he came to swallow it, the stuff was distinctly disappointing. The
|
||
|
truth was that after years of gin-drinking he could barely taste it. He
|
||
|
set down the empty glass.
|
||
|
|
||
|
'Then there is such a person as Goldstein?' he said.
|
||
|
|
||
|
'Yes, there is such a person, and he is alive. Where, I do not know.'
|
||
|
|
||
|
'And the conspiracy--the organization? Is it real? It is not simply an
|
||
|
invention of the Thought Police?'
|
||
|
|
||
|
'No, it is real. The Brotherhood, we call it. You will never learn much
|
||
|
more about the Brotherhood than that it exists and that you belong to it.
|
||
|
I will come back to that presently.' He looked at his wrist-watch. 'It is
|
||
|
unwise even for members of the Inner Party to turn off the telescreen for
|
||
|
more than half an hour. You ought not to have come here together, and
|
||
|
you will have to leave separately. You, comrade'--he bowed his head to
|
||
|
Julia--'will leave first. We have about twenty minutes at our disposal.
|
||
|
You will understand that I must start by asking you certain questions.
|
||
|
In general terms, what are you prepared to do?'
|
||
|
|
||
|
'Anything that we are capable of,' said Winston.
|
||
|
|
||
|
O'Brien had turned himself a little in his chair so that he was facing
|
||
|
Winston. He almost ignored Julia, seeming to take it for granted that
|
||
|
Winston could speak for her. For a moment the lids flitted down over his
|
||
|
eyes. He began asking his questions in a low, expressionless voice, as
|
||
|
though this were a routine, a sort of catechism, most of whose answers
|
||
|
were known to him already.
|
||
|
|
||
|
'You are prepared to give your lives?'
|
||
|
|
||
|
'Yes.'
|
||
|
|
||
|
'You are prepared to commit murder?'
|
||
|
|
||
|
'Yes.'
|
||
|
|
||
|
'To commit acts of sabotage which may cause the death of hundreds of
|
||
|
innocent people?'
|
||
|
|
||
|
'Yes.'
|
||
|
|
||
|
'To betray your country to foreign powers?'
|
||
|
|
||
|
'Yes.'
|
||
|
|
||
|
'You are prepared to cheat, to forge, to blackmail, to corrupt the minds
|
||
|
of children, to distribute habit-forming drugs, to encourage prostitution,
|
||
|
to disseminate venereal diseases--to do anything which is likely to cause
|
||
|
demoralization and weaken the power of the Party?'
|
||
|
|
||
|
'Yes.'
|
||
|
|
||
|
'If, for example, it would somehow serve our interests to throw sulphuric
|
||
|
acid in a child's face--are you prepared to do that?'
|
||
|
|
||
|
'Yes.'
|
||
|
|
||
|
'You are prepared to lose your identity and live out the rest of your life
|
||
|
as a waiter or a dock-worker?'
|
||
|
|
||
|
'Yes.'
|
||
|
|
||
|
'You are prepared to commit suicide, if and when we order you to do so?'
|
||
|
|
||
|
'Yes.'
|
||
|
|
||
|
'You are prepared, the two of you, to separate and never see one another
|
||
|
again?'
|
||
|
|
||
|
'No!' broke in Julia.
|
||
|
|
||
|
It appeared to Winston that a long time passed before he answered. For a
|
||
|
moment he seemed even to have been deprived of the power of speech. His
|
||
|
tongue worked soundlessly, forming the opening syllables first of one word,
|
||
|
then of the other, over and over again. Until he had said it, he did not
|
||
|
know which word he was going to say. 'No,' he said finally.
|
||
|
|
||
|
'You did well to tell me,' said O'Brien. 'It is necessary for us to know
|
||
|
everything.'
|
||
|
|
||
|
He turned himself toward Julia and added in a voice with somewhat more
|
||
|
expression in it:
|
||
|
|
||
|
'Do you understand that even if he survives, it may be as a different
|
||
|
person? We may be obliged to give him a new identity. His face, his
|
||
|
movements, the shape of his hands, the colour of his hair--even his voice
|
||
|
would be different. And you yourself might have become a different person.
|
||
|
Our surgeons can alter people beyond recognition. Sometimes it is
|
||
|
necessary. Sometimes we even amputate a limb.'
|
||
|
|
||
|
Winston could not help snatching another sidelong glance at Martin's
|
||
|
Mongolian face. There were no scars that he could see. Julia had turned a
|
||
|
shade paler, so that her freckles were showing, but she faced O'Brien
|
||
|
boldly. She murmured something that seemed to be assent.
|
||
|
|
||
|
'Good. Then that is settled.'
|
||
|
|
||
|
There was a silver box of cigarettes on the table. With a rather
|
||
|
absent-minded air O'Brien pushed them towards the others, took one himself,
|
||
|
then stood up and began to pace slowly to and fro, as though he could think
|
||
|
better standing. They were very good cigarettes, very thick and
|
||
|
well-packed, with an unfamiliar silkiness in the paper. O'Brien looked at
|
||
|
his wrist-watch again.
|
||
|
|
||
|
'You had better go back to your Pantry, Martin,' he said. 'I shall switch
|
||
|
on in a quarter of an hour. Take a good look at these comrades' faces
|
||
|
before you go. You will be seeing them again. I may not.'
|
||
|
|
||
|
Exactly as they had done at the front door, the little man's dark eyes
|
||
|
flickered over their faces. There was not a trace of friendliness in his
|
||
|
manner. He was memorizing their appearance, but he felt no interest in
|
||
|
them, or appeared to feel none. It occurred to Winston that a synthetic
|
||
|
face was perhaps incapable of changing its expression. Without speaking
|
||
|
or giving any kind of salutation, Martin went out, closing the door
|
||
|
silently behind him. O'Brien was strolling up and down, one hand in the
|
||
|
pocket of his black overalls, the other holding his cigarette.
|
||
|
|
||
|
'You understand,' he said, 'that you will be fighting in the dark. You
|
||
|
will always be in the dark. You will receive orders and you will obey them,
|
||
|
without knowing why. Later I shall send you a book from which you will
|
||
|
learn the true nature of the society we live in, and the strategy by which
|
||
|
we shall destroy it. When you have read the book, you will be full members
|
||
|
of the Brotherhood. But between the general aims that we are fighting for
|
||
|
and the immediate tasks of the moment, you will never know anything. I
|
||
|
tell you that the Brotherhood exists, but I cannot tell you whether it
|
||
|
numbers a hundred members, or ten million. From your personal knowledge
|
||
|
you will never be able to say that it numbers even as many as a dozen. You
|
||
|
will have three or four contacts, who will be renewed from time to time as
|
||
|
they disappear. As this was your first contact, it will be preserved. When
|
||
|
you receive orders, they will come from me. If we find it necessary to
|
||
|
communicate with you, it will be through Martin. When you are finally
|
||
|
caught, you will confess. That is unavoidable. But you will have very
|
||
|
little to confess, other than your own actions. You will not be able to
|
||
|
betray more than a handful of unimportant people. Probably you will not
|
||
|
even betray me. By that time I may be dead, or I shall have become a
|
||
|
different person, with a different face.'
|
||
|
|
||
|
He continued to move to and fro over the soft carpet. In spite of the
|
||
|
bulkiness of his body there was a remarkable grace in his movements. It
|
||
|
came out even in the gesture with which he thrust a hand into his pocket,
|
||
|
or manipulated a cigarette. More even than of strength, he gave an
|
||
|
impression of confidence and of an understanding tinged by irony. However
|
||
|
much in earnest he might be, he had nothing of the single-mindedness that
|
||
|
belongs to a fanatic. When he spoke of murder, suicide, venereal disease,
|
||
|
amputated limbs, and altered faces, it was with a faint air of persiflage.
|
||
|
'This is unavoidable,' his voice seemed to say; 'this is what we have got
|
||
|
to do, unflinchingly. But this is not what we shall be doing when life is
|
||
|
worth living again.' A wave of admiration, almost of worship, flowed out
|
||
|
from Winston towards O'Brien. For the moment he had forgotten the shadowy
|
||
|
figure of Goldstein. When you looked at O'Brien's powerful shoulders and
|
||
|
his blunt-featured face, so ugly and yet so civilized, it was impossible
|
||
|
to believe that he could be defeated. There was no stratagem that he was
|
||
|
not equal to, no danger that he could not foresee. Even Julia seemed to
|
||
|
be impressed. She had let her cigarette go out and was listening intently.
|
||
|
O'Brien went on:
|
||
|
|
||
|
'You will have heard rumours of the existence of the Brotherhood. No doubt
|
||
|
you have formed your own picture of it. You have imagined, probably, a
|
||
|
huge underworld of conspirators, meeting secretly in cellars, scribbling
|
||
|
messages on walls, recognizing one another by codewords or by special
|
||
|
movements of the hand. Nothing of the kind exists. The members of the
|
||
|
Brotherhood have no way of recognizing one another, and it is impossible
|
||
|
for any one member to be aware of the identity of more than a few others.
|
||
|
Goldstein himself, if he fell into the hands of the Thought Police, could
|
||
|
not give them a complete list of members, or any information that would
|
||
|
lead them to a complete list. No such list exists. The Brotherhood cannot
|
||
|
be wiped out because it is not an organization in the ordinary sense.
|
||
|
Nothing holds it together except an idea which is indestructible. You
|
||
|
will never have anything to sustain you, except the idea. You will get no
|
||
|
comradeship and no encouragement. When finally you are caught, you will
|
||
|
get no help. We never help our members. At most, when it is absolutely
|
||
|
necessary that someone should be silenced, we are occasionally able to
|
||
|
smuggle a razor blade into a prisoner's cell. You will have to get used
|
||
|
to living without results and without hope. You will work for a while,
|
||
|
you will be caught, you will confess, and then you will die. Those are
|
||
|
the only results that you will ever see. There is no possibility that any
|
||
|
perceptible change will happen within our own lifetime. We are the dead.
|
||
|
Our only true life is in the future. We shall take part in it as handfuls
|
||
|
of dust and splinters of bone. But how far away that future may be, there
|
||
|
is no knowing. It might be a thousand years. At present nothing is possible
|
||
|
except to extend the area of sanity little by little. We cannot act
|
||
|
collectively. We can only spread our knowledge outwards from individual to
|
||
|
individual, generation after generation. In the face of the Thought Police
|
||
|
there is no other way.'
|
||
|
|
||
|
He halted and looked for the third time at his wrist-watch.
|
||
|
|
||
|
'It is almost time for you to leave, comrade,' he said to Julia. 'Wait.
|
||
|
The decanter is still half full.'
|
||
|
|
||
|
He filled the glasses and raised his own glass by the stem.
|
||
|
|
||
|
'What shall it be this time?' he said, still with the same faint
|
||
|
suggestion of irony. 'To the confusion of the Thought Police? To the
|
||
|
death of Big Brother? To humanity? To the future?'
|
||
|
|
||
|
'To the past,' said Winston.
|
||
|
|
||
|
'The past is more important,' agreed O'Brien gravely.
|
||
|
|
||
|
They emptied their glasses, and a moment later Julia stood up to go.
|
||
|
O'Brien took a small box from the top of a cabinet and handed her a flat
|
||
|
white tablet which he told her to place on her tongue. It was important,
|
||
|
he said, not to go out smelling of wine: the lift attendants were very
|
||
|
observant. As soon as the door had shut behind her he appeared to forget
|
||
|
her existence. He took another pace or two up and down, then stopped.
|
||
|
|
||
|
'There are details to be settled,' he said. 'I assume that you have a
|
||
|
hiding-place of some kind?'
|
||
|
|
||
|
Winston explained about the room over Mr Charrington's shop.
|
||
|
|
||
|
'That will do for the moment. Later we will arrange something else for you.
|
||
|
It is important to change one's hiding-place frequently. Meanwhile I shall
|
||
|
send you a copy of THE BOOK'--even O'Brien, Winston noticed, seemed to
|
||
|
pronounce the words as though they were in italics--'Goldstein's book, you
|
||
|
understand, as soon as possible. It may be some days before I can get hold
|
||
|
of one. There are not many in existence, as you can imagine. The Thought
|
||
|
Police hunt them down and destroy them almost as fast as we can produce
|
||
|
them. It makes very little difference. The book is indestructible. If
|
||
|
the last copy were gone, we could reproduce it almost word for word. Do
|
||
|
you carry a brief-case to work with you?' he added.
|
||
|
|
||
|
'As a rule, yes.'
|
||
|
|
||
|
'What is it like?'
|
||
|
|
||
|
'Black, very shabby. With two straps.'
|
||
|
|
||
|
'Black, two straps, very shabby--good. One day in the fairly near
|
||
|
future--I cannot give a date--one of the messages among your morning's
|
||
|
work will contain a misprinted word, and you will have to ask for a
|
||
|
repeat. On the following day you will go to work without your brief-case.
|
||
|
At some time during the day, in the street, a man will touch you on the
|
||
|
arm and say "I think you have dropped your brief-case." The one he gives
|
||
|
you will contain a copy of Goldstein's book. You will return it within
|
||
|
fourteen days.'
|
||
|
|
||
|
They were silent for a moment.
|
||
|
|
||
|
'There are a couple of minutes before you need go,' said O'Brien. 'We
|
||
|
shall meet again--if we do meet again----'
|
||
|
|
||
|
Winston looked up at him. 'In the place where there is no darkness?'
|
||
|
he said hesitantly.
|
||
|
|
||
|
O'Brien nodded without appearance of surprise. 'In the place where there
|
||
|
is no darkness,' he said, as though he had recognized the allusion. 'And
|
||
|
in the meantime, is there anything that you wish to say before you leave?
|
||
|
Any message? Any question?.'
|
||
|
|
||
|
Winston thought. There did not seem to be any further question that he
|
||
|
wanted to ask: still less did he feel any impulse to utter high-sounding
|
||
|
generalities. Instead of anything directly connected with O'Brien or the
|
||
|
Brotherhood, there came into his mind a sort of composite picture of the
|
||
|
dark bedroom where his mother had spent her last days, and the little room
|
||
|
over Mr Charrington's shop, and the glass paperweight, and the steel
|
||
|
engraving in its rosewood frame. Almost at random he said:
|
||
|
|
||
|
'Did you ever happen to hear an old rhyme that begins "Oranges and lemons,
|
||
|
say the bells of St Clement's"?'
|
||
|
|
||
|
Again O'Brien nodded. With a sort of grave courtesy he completed the
|
||
|
stanza:
|
||
|
|
||
|
|
||
|
'Oranges and lemons, say the bells of St Clement's,
|
||
|
You owe me three farthings, say the bells of St Martin's,
|
||
|
When will you pay me? say the bells of Old Bailey,
|
||
|
When I grow rich, say the bells of Shoreditch.'
|
||
|
|
||
|
|
||
|
'You knew the last line!' said Winston.
|
||
|
|
||
|
'Yes, I knew the last line. And now, I am afraid, it is time for you to go.
|
||
|
But wait. You had better let me give you one of these tablets.'
|
||
|
|
||
|
As Winston stood up O'Brien held out a hand. His powerful grip crushed
|
||
|
the bones of Winston's palm. At the door Winston looked back, but O'Brien
|
||
|
seemed already to be in process of putting him out of mind. He was waiting
|
||
|
with his hand on the switch that controlled the telescreen. Beyond him
|
||
|
Winston could see the writing-table with its green-shaded lamp and the
|
||
|
speakwrite and the wire baskets deep-laden with papers. The incident was
|
||
|
closed. Within thirty seconds, it occurred to him, O'Brien would be back
|
||
|
at his interrupted and important work on behalf of the Party.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Chapter 9
|
||
|
|
||
|
|
||
|
|
||
|
Winston was gelatinous with fatigue. Gelatinous was the right word. It had
|
||
|
come into his head spontaneously. His body seemed to have not only the
|
||
|
weakness of a jelly, but its translucency. He felt that if he held up his
|
||
|
hand he would be able to see the light through it. All the blood and
|
||
|
lymph had been drained out of him by an enormous debauch of work, leaving
|
||
|
only a frail structure of nerves, bones, and skin. All sensations seemed
|
||
|
to be magnified. His overalls fretted his shoulders, the pavement tickled
|
||
|
his feet, even the opening and closing of a hand was an effort that made
|
||
|
his joints creak.
|
||
|
|
||
|
He had worked more than ninety hours in five days. So had everyone else in
|
||
|
the Ministry. Now it was all over, and he had literally nothing to do, no
|
||
|
Party work of any description, until tomorrow morning. He could spend six
|
||
|
hours in the hiding-place and another nine in his own bed. Slowly, in
|
||
|
mild afternoon sunshine, he walked up a dingy street in the direction
|
||
|
of Mr Charrington's shop, keeping one eye open for the patrols, but
|
||
|
irrationally convinced that this afternoon there was no danger of anyone
|
||
|
interfering with him. The heavy brief-case that he was carrying bumped
|
||
|
against his knee at each step, sending a tingling sensation up and down
|
||
|
the skin of his leg. Inside it was the book, which he had now had in his
|
||
|
possession for six days and had not yet opened, nor even looked at.
|
||
|
|
||
|
On the sixth day of Hate Week, after the processions, the speeches, the
|
||
|
shouting, the singing, the banners, the posters, the films, the waxworks,
|
||
|
the rolling of drums and squealing of trumpets, the tramp of marching feet,
|
||
|
the grinding of the caterpillars of tanks, the roar of massed planes,
|
||
|
the booming of guns--after six days of this, when the great orgasm was
|
||
|
quivering to its climax and the general hatred of Eurasia had boiled up
|
||
|
into such delirium that if the crowd could have got their hands on the
|
||
|
2,000 Eurasian war-criminals who were to be publicly hanged on the last
|
||
|
day of the proceedings, they would unquestionably have torn them to
|
||
|
pieces--at just this moment it had been announced that Oceania was not
|
||
|
after all at war with Eurasia. Oceania was at war with Eastasia. Eurasia
|
||
|
was an ally.
|
||
|
|
||
|
There was, of course, no admission that any change had taken place. Merely
|
||
|
it became known, with extreme suddenness and everywhere at once, that
|
||
|
Eastasia and not Eurasia was the enemy. Winston was taking part in a
|
||
|
demonstration in one of the central London squares at the moment when it
|
||
|
happened. It was night, and the white faces and the scarlet banners were
|
||
|
luridly floodlit. The square was packed with several thousand people,
|
||
|
including a block of about a thousand schoolchildren in the uniform of the
|
||
|
Spies. On a scarlet-draped platform an orator of the Inner Party, a small
|
||
|
lean man with disproportionately long arms and a large bald skull over
|
||
|
which a few lank locks straggled, was haranguing the crowd. A little
|
||
|
Rumpelstiltskin figure, contorted with hatred, he gripped the neck of the
|
||
|
microphone with one hand while the other, enormous at the end of a bony
|
||
|
arm, clawed the air menacingly above his head. His voice, made metallic by
|
||
|
the amplifiers, boomed forth an endless catalogue of atrocities, massacres,
|
||
|
deportations, lootings, rapings, torture of prisoners, bombing of
|
||
|
civilians, lying propaganda, unjust aggressions, broken treaties. It was
|
||
|
almost impossible to listen to him without being first convinced and then
|
||
|
maddened. At every few moments the fury of the crowd boiled over and the
|
||
|
voice of the speaker was drowned by a wild beast-like roaring that rose
|
||
|
uncontrollably from thousands of throats. The most savage yells of all
|
||
|
came from the schoolchildren. The speech had been proceeding for perhaps
|
||
|
twenty minutes when a messenger hurried on to the platform and a scrap of
|
||
|
paper was slipped into the speaker's hand. He unrolled and read it without
|
||
|
pausing in his speech. Nothing altered in his voice or manner, or in the
|
||
|
content of what he was saying, but suddenly the names were different.
|
||
|
Without words said, a wave of understanding rippled through the crowd.
|
||
|
Oceania was at war with Eastasia! The next moment there was a tremendous
|
||
|
commotion. The banners and posters with which the square was decorated
|
||
|
were all wrong! Quite half of them had the wrong faces on them. It was
|
||
|
sabotage! The agents of Goldstein had been at work! There was a riotous
|
||
|
interlude while posters were ripped from the walls, banners torn to shreds
|
||
|
and trampled underfoot. The Spies performed prodigies of activity in
|
||
|
clambering over the rooftops and cutting the streamers that fluttered from
|
||
|
the chimneys. But within two or three minutes it was all over. The orator,
|
||
|
still gripping the neck of the microphone, his shoulders hunched forward,
|
||
|
his free hand clawing at the air, had gone straight on with his speech.
|
||
|
One minute more, and the feral roars of rage were again bursting from the
|
||
|
crowd. The Hate continued exactly as before, except that the target had
|
||
|
been changed.
|
||
|
|
||
|
The thing that impressed Winston in looking back was that the speaker had
|
||
|
switched from one line to the other actually in midsentence, not only
|
||
|
without a pause, but without even breaking the syntax. But at the moment
|
||
|
he had other things to preoccupy him. It was during the moment of disorder
|
||
|
while the posters were being torn down that a man whose face he did not
|
||
|
see had tapped him on the shoulder and said, 'Excuse me, I think you've
|
||
|
dropped your brief-case.' He took the brief-case abstractedly, without
|
||
|
speaking. He knew that it would be days before he had an opportunity to
|
||
|
look inside it. The instant that the demonstration was over he went
|
||
|
straight to the Ministry of Truth, though the time was now nearly
|
||
|
twenty-three hours. The entire staff of the Ministry had done likewise.
|
||
|
The orders already issuing from the telescreen, recalling them to their
|
||
|
posts, were hardly necessary.
|
||
|
|
||
|
Oceania was at war with Eastasia: Oceania had always been at war with
|
||
|
Eastasia. A large part of the political literature of five years was now
|
||
|
completely obsolete. Reports and records of all kinds, newspapers, books,
|
||
|
pamphlets, films, sound-tracks, photographs--all had to be rectified at
|
||
|
lightning speed. Although no directive was ever issued, it was known that
|
||
|
the chiefs of the Department intended that within one week no reference
|
||
|
to the war with Eurasia, or the alliance with Eastasia, should remain in
|
||
|
existence anywhere. The work was overwhelming, all the more so because
|
||
|
the processes that it involved could not be called by their true
|
||
|
names. Everyone in the Records Department worked eighteen hours in the
|
||
|
twenty-four, with two three-hour snatches of sleep. Mattresses were brought
|
||
|
up from the cellars and pitched all over the corridors: meals consisted of
|
||
|
sandwiches and Victory Coffee wheeled round on trolleys by attendants from
|
||
|
the canteen. Each time that Winston broke off for one of his spells of
|
||
|
sleep he tried to leave his desk clear of work, and each time that he
|
||
|
crawled back sticky-eyed and aching, it was to find that another shower
|
||
|
of paper cylinders had covered the desk like a snowdrift, half-burying the
|
||
|
speakwrite and overflowing on to the floor, so that the first job was
|
||
|
always to stack them into a neat enough pile to give him room to work.
|
||
|
What was worst of all was that the work was by no means purely mechanical.
|
||
|
Often it was enough merely to substitute one name for another, but any
|
||
|
detailed report of events demanded care and imagination. Even the
|
||
|
geographical knowledge that one needed in transferring the war from one
|
||
|
part of the world to another was considerable.
|
||
|
|
||
|
By the third day his eyes ached unbearably and his spectacles needed wiping
|
||
|
every few minutes. It was like struggling with some crushing physical task,
|
||
|
something which one had the right to refuse and which one was nevertheless
|
||
|
neurotically anxious to accomplish. In so far as he had time to remember
|
||
|
it, he was not troubled by the fact that every word he murmured into the
|
||
|
speakwrite, every stroke of his ink-pencil, was a deliberate lie. He was
|
||
|
as anxious as anyone else in the Department that the forgery should be
|
||
|
perfect. On the morning of the sixth day the dribble of cylinders slowed
|
||
|
down. For as much as half an hour nothing came out of the tube; then one
|
||
|
more cylinder, then nothing. Everywhere at about the same time the work
|
||
|
was easing off. A deep and as it were secret sigh went through the
|
||
|
Department. A mighty deed, which could never be mentioned, had been
|
||
|
achieved. It was now impossible for any human being to prove by documentary
|
||
|
evidence that the war with Eurasia had ever happened. At twelve hundred it
|
||
|
was unexpectedly announced that all workers in the Ministry were free till
|
||
|
tomorrow morning. Winston, still carrying the brief-case containing the
|
||
|
book, which had remained between his feet while he worked and under his
|
||
|
body while he slept, went home, shaved himself, and almost fell asleep in
|
||
|
his bath, although the water was barely more than tepid.
|
||
|
|
||
|
With a sort of voluptuous creaking in his joints he climbed the stair above
|
||
|
Mr Charrington's shop. He was tired, but not sleepy any longer. He opened
|
||
|
the window, lit the dirty little oilstove and put on a pan of water for
|
||
|
coffee. Julia would arrive presently: meanwhile there was the book. He
|
||
|
sat down in the sluttish armchair and undid the straps of the brief-case.
|
||
|
|
||
|
A heavy black volume, amateurishly bound, with no name or title on the
|
||
|
cover. The print also looked slightly irregular. The pages were worn at
|
||
|
the edges, and fell apart, easily, as though the book had passed through
|
||
|
many hands. The inscription on the title-page ran:
|
||
|
|
||
|
|
||
|
THE THEORY AND PRACTICE OF
|
||
|
OLIGARCHICAL COLLECTIVISM
|
||
|
by
|
||
|
Emmanuel Goldstein
|
||
|
|
||
|
|
||
|
Winston began reading:
|
||
|
|
||
|
|
||
|
Chapter I
|
||
|
Ignorance is Strength
|
||
|
|
||
|
Throughout recorded time, and probably since the end of the Neolithic Age,
|
||
|
there have been three kinds of people in the world, the High, the Middle,
|
||
|
and the Low. They have been subdivided in many ways, they have borne
|
||
|
countless different names, and their relative numbers, as well as their
|
||
|
attitude towards one another, have varied from age to age: but the
|
||
|
essential structure of society has never altered. Even after enormous
|
||
|
upheavals and seemingly irrevocable changes, the same pattern has always
|
||
|
reasserted itself, just as a gyroscope will always return to equilibrium,
|
||
|
however far it is pushed one way or the other.
|
||
|
|
||
|
The aims of these groups are entirely irreconcilable...
|
||
|
|
||
|
|
||
|
Winston stopped reading, chiefly in order to appreciate the fact that he
|
||
|
was reading, in comfort and safety. He was alone: no telescreen, no ear at
|
||
|
the keyhole, no nervous impulse to glance over his shoulder or cover the
|
||
|
page with his hand. The sweet summer air played against his cheek. From
|
||
|
somewhere far away there floated the faint shouts of children: in the room
|
||
|
itself there was no sound except the insect voice of the clock. He settled
|
||
|
deeper into the arm-chair and put his feet up on the fender. It was bliss,
|
||
|
it was eternity. Suddenly, as one sometimes does with a book of which one
|
||
|
knows that one will ultimately read and re-read every word, he opened it
|
||
|
at a different place and found himself at Chapter III. He went on reading:
|
||
|
|
||
|
|
||
|
Chapter III
|
||
|
War is Peace
|
||
|
|
||
|
The splitting up of the world into three great super-states was an event
|
||
|
which could be and indeed was foreseen before the middle of the twentieth
|
||
|
century. With the absorption of Europe by Russia and of the British Empire
|
||
|
by the United States, two of the three existing powers, Eurasia and
|
||
|
Oceania, were already effectively in being. The third, Eastasia, only
|
||
|
emerged as a distinct unit after another decade of confused fighting. The
|
||
|
frontiers between the three super-states are in some places arbitrary, and
|
||
|
in others they fluctuate according to the fortunes of war, but in general
|
||
|
they follow geographical lines. Eurasia comprises the whole of the northern
|
||
|
part of the European and Asiatic land-mass, from Portugal to the Bering
|
||
|
Strait. Oceania comprises the Americas, the Atlantic islands including the
|
||
|
British Isles, Australasia, and the southern portion of Africa. Eastasia,
|
||
|
smaller than the others and with a less definite western frontier,
|
||
|
comprises China and the countries to the south of it, the Japanese islands
|
||
|
and a large but fluctuating portion of Manchuria, Mongolia, and Tibet.
|
||
|
|
||
|
In one combination or another, these three super-states are permanently at
|
||
|
war, and have been so for the past twenty-five years. War, however, is no
|
||
|
longer the desperate, annihilating struggle that it was in the early
|
||
|
decades of the twentieth century. It is a warfare of limited aims between
|
||
|
combatants who are unable to destroy one another, have no material cause
|
||
|
for fighting and are not divided by any genuine ideological difference.
|
||
|
This is not to say that either the conduct of war, or the prevailing
|
||
|
attitude towards it, has become less bloodthirsty or more chivalrous.
|
||
|
On the contrary, war hysteria is continuous and universal in all countries,
|
||
|
and such acts as raping, looting, the slaughter of children, the reduction
|
||
|
of whole populations to slavery, and reprisals against prisoners which
|
||
|
extend even to boiling and burying alive, are looked upon as normal,
|
||
|
and, when they are committed by one's own side and not by the enemy,
|
||
|
meritorious. But in a physical sense war involves very small numbers of
|
||
|
people, mostly highly-trained specialists, and causes comparatively few
|
||
|
casualties. The fighting, when there is any, takes place on the vague
|
||
|
frontiers whose whereabouts the average man can only guess at, or round
|
||
|
the Floating Fortresses which guard strategic spots on the sea lanes. In
|
||
|
the centres of civilization war means no more than a continuous shortage
|
||
|
of consumption goods, and the occasional crash of a rocket bomb which may
|
||
|
cause a few scores of deaths. War has in fact changed its character. More
|
||
|
exactly, the reasons for which war is waged have changed in their order of
|
||
|
importance. Motives which were already present to some small extent in the
|
||
|
great wars of the early twentieth century have now become dominant and
|
||
|
are consciously recognized and acted upon.
|
||
|
|
||
|
To understand the nature of the present war--for in spite of the regrouping
|
||
|
which occurs every few years, it is always the same war--one must realize
|
||
|
in the first place that it is impossible for it to be decisive. None of
|
||
|
the three super-states could be definitively conquered even by the other
|
||
|
two in combination. They are too evenly matched, and their natural defences
|
||
|
are too formidable. Eurasia is protected by its vast land spaces, Oceania
|
||
|
by the width of the Atlantic and the Pacific, Eastasia by the fecundity
|
||
|
and industriousness of its inhabitants. Secondly, there is no longer, in
|
||
|
a material sense, anything to fight about. With the establishment of
|
||
|
self-contained economies, in which production and consumption are geared
|
||
|
to one another, the scramble for markets which was a main cause of
|
||
|
previous wars has come to an end, while the competition for raw materials
|
||
|
is no longer a matter of life and death. In any case each of the three
|
||
|
super-states is so vast that it can obtain almost all the materials that
|
||
|
it needs within its own boundaries. In so far as the war has a direct
|
||
|
economic purpose, it is a war for labour power. Between the frontiers of
|
||
|
the super-states, and not permanently in the possession of any of them,
|
||
|
there lies a rough quadrilateral with its corners at Tangier, Brazzaville,
|
||
|
Darwin, and Hong Kong, containing within it about a fifth of the population
|
||
|
of the earth. It is for the possession of these thickly-populated regions,
|
||
|
and of the northern ice-cap, that the three powers are constantly
|
||
|
struggling. In practice no one power ever controls the whole of the
|
||
|
disputed area. Portions of it are constantly changing hands, and it is the
|
||
|
chance of seizing this or that fragment by a sudden stroke of treachery
|
||
|
that dictates the endless changes of alignment.
|
||
|
|
||
|
All of the disputed territories contain valuable minerals, and some of
|
||
|
them yield important vegetable products such as rubber which in colder
|
||
|
climates it is necessary to synthesize by comparatively expensive methods.
|
||
|
But above all they contain a bottomless reserve of cheap labour. Whichever
|
||
|
power controls equatorial Africa, or the countries of the Middle East, or
|
||
|
Southern India, or the Indonesian Archipelago, disposes also of the bodies
|
||
|
of scores or hundreds of millions of ill-paid and hard-working coolies.
|
||
|
The inhabitants of these areas, reduced more or less openly to the status
|
||
|
of slaves, pass continually from conqueror to conqueror, and are expended
|
||
|
like so much coal or oil in the race to turn out more armaments, to capture
|
||
|
more territory, to control more labour power, to turn out more armaments,
|
||
|
to capture more territory, and so on indefinitely. It should be noted that
|
||
|
the fighting never really moves beyond the edges of the disputed areas.
|
||
|
The frontiers of Eurasia flow back and forth between the basin of the Congo
|
||
|
and the northern shore of the Mediterranean; the islands of the Indian
|
||
|
Ocean and the Pacific are constantly being captured and recaptured by
|
||
|
Oceania or by Eastasia; in Mongolia the dividing line between Eurasia and
|
||
|
Eastasia is never stable; round the Pole all three powers lay claim to
|
||
|
enormous territories which in fact are largely uninhabited and unexplored:
|
||
|
but the balance of power always remains roughly even, and the territory
|
||
|
which forms the heartland of each super-state always remains inviolate.
|
||
|
Moreover, the labour of the exploited peoples round the Equator is not
|
||
|
really necessary to the world's economy. They add nothing to the wealth of
|
||
|
the world, since whatever they produce is used for purposes of war, and
|
||
|
the object of waging a war is always to be in a better position in which
|
||
|
to wage another war. By their labour the slave populations allow the tempo
|
||
|
of continuous warfare to be speeded up. But if they did not exist, the
|
||
|
structure of world society, and the process by which it maintains itself,
|
||
|
would not be essentially different.
|
||
|
|
||
|
The primary aim of modern warfare (in accordance with the principles of
|
||
|
DOUBLETHINK, this aim is simultaneously recognized and not recognized by
|
||
|
the directing brains of the Inner Party) is to use up the products of the
|
||
|
machine without raising the general standard of living. Ever since the end
|
||
|
of the nineteenth century, the problem of what to do with the surplus of
|
||
|
consumption goods has been latent in industrial society. At present, when
|
||
|
few human beings even have enough to eat, this problem is obviously not
|
||
|
urgent, and it might not have become so, even if no artificial processes
|
||
|
of destruction had been at work. The world of today is a bare, hungry,
|
||
|
dilapidated place compared with the world that existed before 1914, and
|
||
|
still more so if compared with the imaginary future to which the people of
|
||
|
that period looked forward. In the early twentieth century, the vision of
|
||
|
a future society unbelievably rich, leisured, orderly, and efficient--a
|
||
|
glittering antiseptic world of glass and steel and snow-white concrete--was
|
||
|
part of the consciousness of nearly every literate person. Science and
|
||
|
technology were developing at a prodigious speed, and it seemed natural to
|
||
|
assume that they would go on developing. This failed to happen, partly
|
||
|
because of the impoverishment caused by a long series of wars and
|
||
|
revolutions, partly because scientific and technical progress depended on
|
||
|
the empirical habit of thought, which could not survive in a strictly
|
||
|
regimented society. As a whole the world is more primitive today than it
|
||
|
was fifty years ago. Certain backward areas have advanced, and various
|
||
|
devices, always in some way connected with warfare and police espionage,
|
||
|
have been developed, but experiment and invention have largely stopped,
|
||
|
and the ravages of the atomic war of the nineteen-fifties have never been
|
||
|
fully repaired. Nevertheless the dangers inherent in the machine are still
|
||
|
there. From the moment when the machine first made its appearance it
|
||
|
was clear to all thinking people that the need for human drudgery, and
|
||
|
therefore to a great extent for human inequality, had disappeared. If the
|
||
|
machine were used deliberately for that end, hunger, overwork, dirt,
|
||
|
illiteracy, and disease could be eliminated within a few generations.
|
||
|
And in fact, without being used for any such purpose, but by a sort of
|
||
|
automatic process--by producing wealth which it was sometimes impossible
|
||
|
not to distribute--the machine did raise the living standards of the
|
||
|
average human being very greatly over a period of about fifty years at
|
||
|
the end of the nineteenth and the beginning of the twentieth centuries.
|
||
|
|
||
|
But it was also clear that an all-round increase in wealth threatened the
|
||
|
destruction--indeed, in some sense was the destruction--of a hierarchical
|
||
|
society. In a world in which everyone worked short hours, had enough to
|
||
|
eat, lived in a house with a bathroom and a refrigerator, and possessed
|
||
|
a motor-car or even an aeroplane, the most obvious and perhaps the most
|
||
|
important form of inequality would already have disappeared. If it once
|
||
|
became general, wealth would confer no distinction. It was possible, no
|
||
|
doubt, to imagine a society in which WEALTH, in the sense of personal
|
||
|
possessions and luxuries, should be evenly distributed, while POWER
|
||
|
remained in the hands of a small privileged caste. But in practice such
|
||
|
a society could not long remain stable. For if leisure and security were
|
||
|
enjoyed by all alike, the great mass of human beings who are normally
|
||
|
stupefied by poverty would become literate and would learn to think for
|
||
|
themselves; and when once they had done this, they would sooner or later
|
||
|
realize that the privileged minority had no function, and they would sweep
|
||
|
it away. In the long run, a hierarchical society was only possible on a
|
||
|
basis of poverty and ignorance. To return to the agricultural past, as
|
||
|
some thinkers about the beginning of the twentieth century dreamed of
|
||
|
doing, was not a practicable solution. It conflicted with the tendency
|
||
|
towards mechanization which had become quasi-instinctive throughout almost
|
||
|
the whole world, and moreover, any country which remained industrially
|
||
|
backward was helpless in a military sense and was bound to be dominated,
|
||
|
directly or indirectly, by its more advanced rivals.
|
||
|
|
||
|
Nor was it a satisfactory solution to keep the masses in poverty by
|
||
|
restricting the output of goods. This happened to a great extent during
|
||
|
the final phase of capitalism, roughly between 1920 and 1940. The economy
|
||
|
of many countries was allowed to stagnate, land went out of cultivation,
|
||
|
capital equipment was not added to, great blocks of the population were
|
||
|
prevented from working and kept half alive by State charity. But this,
|
||
|
too, entailed military weakness, and since the privations it inflicted
|
||
|
were obviously unnecessary, it made opposition inevitable. The problem was
|
||
|
how to keep the wheels of industry turning without increasing the real
|
||
|
wealth of the world. Goods must be produced, but they must not be
|
||
|
distributed. And in practice the only way of achieving this was by
|
||
|
continuous warfare.
|
||
|
|
||
|
The essential act of war is destruction, not necessarily of human lives,
|
||
|
but of the products of human labour. War is a way of shattering to pieces,
|
||
|
or pouring into the stratosphere, or sinking in the depths of the sea,
|
||
|
materials which might otherwise be used to make the masses too comfortable,
|
||
|
and hence, in the long run, too intelligent. Even when weapons of war are
|
||
|
not actually destroyed, their manufacture is still a convenient way of
|
||
|
expending labour power without producing anything that can be consumed.
|
||
|
A Floating Fortress, for example, has locked up in it the labour that
|
||
|
would build several hundred cargo-ships. Ultimately it is scrapped as
|
||
|
obsolete, never having brought any material benefit to anybody, and with
|
||
|
further enormous labours another Floating Fortress is built. In principle
|
||
|
the war effort is always so planned as to eat up any surplus that might
|
||
|
exist after meeting the bare needs of the population. In practice the needs
|
||
|
of the population are always underestimated, with the result that there is
|
||
|
a chronic shortage of half the necessities of life; but this is looked on
|
||
|
as an advantage. It is deliberate policy to keep even the favoured groups
|
||
|
somewhere near the brink of hardship, because a general state of scarcity
|
||
|
increases the importance of small privileges and thus magnifies the
|
||
|
distinction between one group and another. By the standards of the early
|
||
|
twentieth century, even a member of the Inner Party lives an austere,
|
||
|
laborious kind of life. Nevertheless, the few luxuries that he does enjoy
|
||
|
his large, well-appointed flat, the better texture of his clothes, the
|
||
|
better quality of his food and drink and tobacco, his two or three
|
||
|
servants, his private motor-car or helicopter--set him in a different world
|
||
|
from a member of the Outer Party, and the members of the Outer Party have
|
||
|
a similar advantage in comparison with the submerged masses whom we call
|
||
|
'the proles'. The social atmosphere is that of a besieged city, where the
|
||
|
possession of a lump of horseflesh makes the difference between wealth and
|
||
|
poverty. And at the same time the consciousness of being at war, and
|
||
|
therefore in danger, makes the handing-over of all power to a small caste
|
||
|
seem the natural, unavoidable condition of survival.
|
||
|
|
||
|
War, it will be seen, accomplishes the necessary destruction, but
|
||
|
accomplishes it in a psychologically acceptable way. In principle it would
|
||
|
be quite simple to waste the surplus labour of the world by building
|
||
|
temples and pyramids, by digging holes and filling them up again, or even
|
||
|
by producing vast quantities of goods and then setting fire to them. But
|
||
|
this would provide only the economic and not the emotional basis for a
|
||
|
hierarchical society. What is concerned here is not the morale of masses,
|
||
|
whose attitude is unimportant so long as they are kept steadily at work,
|
||
|
but the morale of the Party itself. Even the humblest Party member is
|
||
|
expected to be competent, industrious, and even intelligent within narrow
|
||
|
limits, but it is also necessary that he should be a credulous and ignorant
|
||
|
fanatic whose prevailing moods are fear, hatred, adulation, and orgiastic
|
||
|
triumph. In other words it is necessary that he should have the mentality
|
||
|
appropriate to a state of war. It does not matter whether the war is
|
||
|
actually happening, and, since no decisive victory is possible, it does
|
||
|
not matter whether the war is going well or badly. All that is needed is
|
||
|
that a state of war should exist. The splitting of the intelligence which
|
||
|
the Party requires of its members, and which is more easily achieved in an
|
||
|
atmosphere of war, is now almost universal, but the higher up the ranks
|
||
|
one goes, the more marked it becomes. It is precisely in the Inner Party
|
||
|
that war hysteria and hatred of the enemy are strongest. In his capacity
|
||
|
as an administrator, it is often necessary for a member of the Inner Party
|
||
|
to know that this or that item of war news is untruthful, and he may often
|
||
|
be aware that the entire war is spurious and is either not happening or
|
||
|
is being waged for purposes quite other than the declared ones: but such
|
||
|
knowledge is easily neutralized by the technique of DOUBLETHINK. Meanwhile
|
||
|
no Inner Party member wavers for an instant in his mystical belief that
|
||
|
the war is real, and that it is bound to end victoriously, with Oceania
|
||
|
the undisputed master of the entire world.
|
||
|
|
||
|
All members of the Inner Party believe in this coming conquest as an
|
||
|
article of faith. It is to be achieved either by gradually acquiring more
|
||
|
and more territory and so building up an overwhelming preponderance of
|
||
|
power, or by the discovery of some new and unanswerable weapon. The search
|
||
|
for new weapons continues unceasingly, and is one of the very few remaining
|
||
|
activities in which the inventive or speculative type of mind can find any
|
||
|
outlet. In Oceania at the present day, Science, in the old sense, has
|
||
|
almost ceased to exist. In Newspeak there is no word for 'Science'. The
|
||
|
empirical method of thought, on which all the scientific achievements of
|
||
|
the past were founded, is opposed to the most fundamental principles of
|
||
|
Ingsoc. And even technological progress only happens when its products can
|
||
|
in some way be used for the diminution of human liberty. In all the useful
|
||
|
arts the world is either standing still or going backwards. The fields are
|
||
|
cultivated with horse-ploughs while books are written by machinery. But
|
||
|
in matters of vital importance--meaning, in effect, war and police
|
||
|
espionage--the empirical approach is still encouraged, or at least
|
||
|
tolerated. The two aims of the Party are to conquer the whole surface of
|
||
|
the earth and to extinguish once and for all the possibility of independent
|
||
|
thought. There are therefore two great problems which the Party is
|
||
|
concerned to solve. One is how to discover, against his will, what another
|
||
|
human being is thinking, and the other is how to kill several hundred
|
||
|
million people in a few seconds without giving warning beforehand. In
|
||
|
so far as scientific research still continues, this is its subject matter.
|
||
|
The scientist of today is either a mixture of psychologist and inquisitor,
|
||
|
studying with real ordinary minuteness the meaning of facial expressions,
|
||
|
gestures, and tones of voice, and testing the truth-producing effects of
|
||
|
drugs, shock therapy, hypnosis, and physical torture; or he is chemist,
|
||
|
physicist, or biologist concerned only with such branches of his special
|
||
|
subject as are relevant to the taking of life. In the vast laboratories
|
||
|
of the Ministry of Peace, and in the experimental stations hidden in the
|
||
|
Brazilian forests, or in the Australian desert, or on lost islands of
|
||
|
the Antarctic, the teams of experts are indefatigably at work. Some are
|
||
|
concerned simply with planning the logistics of future wars; others devise
|
||
|
larger and larger rocket bombs, more and more powerful explosives, and more
|
||
|
and more impenetrable armour-plating; others search for new and deadlier
|
||
|
gases, or for soluble poisons capable of being produced in such quantities
|
||
|
as to destroy the vegetation of whole continents, or for breeds of disease
|
||
|
germs immunized against all possible antibodies; others strive to produce
|
||
|
a vehicle that shall bore its way under the soil like a submarine under
|
||
|
the water, or an aeroplane as independent of its base as a sailing-ship;
|
||
|
others explore even remoter possibilities such as focusing the sun's rays
|
||
|
through lenses suspended thousands of kilometres away in space, or
|
||
|
producing artificial earthquakes and tidal waves by tapping the heat at
|
||
|
the earth's centre.
|
||
|
|
||
|
But none of these projects ever comes anywhere near realization, and none
|
||
|
of the three super-states ever gains a significant lead on the others.
|
||
|
What is more remarkable is that all three powers already possess, in the
|
||
|
atomic bomb, a weapon far more powerful than any that their present
|
||
|
researches are likely to discover. Although the Party, according to its
|
||
|
habit, claims the invention for itself, atomic bombs first appeared as
|
||
|
early as the nineteen-forties, and were first used on a large scale about
|
||
|
ten years later. At that time some hundreds of bombs were dropped on
|
||
|
industrial centres, chiefly in European Russia, Western Europe, and
|
||
|
North America. The effect was to convince the ruling groups of all
|
||
|
countries that a few more atomic bombs would mean the end of organized
|
||
|
society, and hence of their own power. Thereafter, although no formal
|
||
|
agreement was ever made or hinted at, no more bombs were dropped. All three
|
||
|
powers merely continue to produce atomic bombs and store them up against
|
||
|
the decisive opportunity which they all believe will come sooner or later.
|
||
|
And meanwhile the art of war has remained almost stationary for thirty or
|
||
|
forty years. Helicopters are more used than they were formerly, bombing
|
||
|
planes have been largely superseded by self-propelled projectiles, and the
|
||
|
fragile movable battleship has given way to the almost unsinkable Floating
|
||
|
Fortress; but otherwise there has been little development. The tank, the
|
||
|
submarine, the torpedo, the machine gun, even the rifle and the hand
|
||
|
grenade are still in use. And in spite of the endless slaughters reported
|
||
|
in the Press and on the telescreens, the desperate battles of earlier wars,
|
||
|
in which hundreds of thousands or even millions of men were often killed
|
||
|
in a few weeks, have never been repeated.
|
||
|
|
||
|
None of the three super-states ever attempts any manoeuvre which involves
|
||
|
the risk of serious defeat. When any large operation is undertaken, it is
|
||
|
usually a surprise attack against an ally. The strategy that all three
|
||
|
powers are following, or pretend to themselves that they are following,
|
||
|
is the same. The plan is, by a combination of fighting, bargaining, and
|
||
|
well-timed strokes of treachery, to acquire a ring of bases completely
|
||
|
encircling one or other of the rival states, and then to sign a pact of
|
||
|
friendship with that rival and remain on peaceful terms for so many years
|
||
|
as to lull suspicion to sleep. During this time rockets loaded with atomic
|
||
|
bombs can be assembled at all the strategic spots; finally they will all
|
||
|
be fired simultaneously, with effects so devastating as to make retaliation
|
||
|
impossible. It will then be time to sign a pact of friendship with the
|
||
|
remaining world-power, in preparation for another attack. This scheme, it
|
||
|
is hardly necessary to say, is a mere daydream, impossible of realization.
|
||
|
Moreover, no fighting ever occurs except in the disputed areas round the
|
||
|
Equator and the Pole: no invasion of enemy territory is ever undertaken.
|
||
|
This explains the fact that in some places the frontiers between the
|
||
|
super-states are arbitrary. Eurasia, for example, could easily conquer the
|
||
|
British Isles, which are geographically part of Europe, or on the other
|
||
|
hand it would be possible for Oceania to push its frontiers to the Rhine
|
||
|
or even to the Vistula. But this would violate the principle, followed on
|
||
|
all sides though never formulated, of cultural integrity. If Oceania were
|
||
|
to conquer the areas that used once to be known as France and Germany, it
|
||
|
would be necessary either to exterminate the inhabitants, a task of great
|
||
|
physical difficulty, or to assimilate a population of about a hundred
|
||
|
million people, who, so far as technical development goes, are roughly on
|
||
|
the Oceanic level. The problem is the same for all three super-states.
|
||
|
It is absolutely necessary to their structure that there should be no
|
||
|
contact with foreigners, except, to a limited extent, with war prisoners
|
||
|
and coloured slaves. Even the official ally of the moment is always
|
||
|
regarded with the darkest suspicion. War prisoners apart, the average
|
||
|
citizen of Oceania never sets eyes on a citizen of either Eurasia or
|
||
|
Eastasia, and he is forbidden the knowledge of foreign languages. If he
|
||
|
were allowed contact with foreigners he would discover that they are
|
||
|
creatures similar to himself and that most of what he has been told about
|
||
|
them is lies. The sealed world in which he lives would be broken, and the
|
||
|
fear, hatred, and self-righteousness on which his morale depends might
|
||
|
evaporate. It is therefore realized on all sides that however often Persia,
|
||
|
or Egypt, or Java, or Ceylon may change hands, the main frontiers must
|
||
|
never be crossed by anything except bombs.
|
||
|
|
||
|
Under this lies a fact never mentioned aloud, but tacitly understood and
|
||
|
acted upon: namely, that the conditions of life in all three super-states
|
||
|
are very much the same. In Oceania the prevailing philosophy is called
|
||
|
Ingsoc, in Eurasia it is called Neo-Bolshevism, and in Eastasia it is
|
||
|
called by a Chinese name usually translated as Death-Worship, but perhaps
|
||
|
better rendered as Obliteration of the Self. The citizen of Oceania is not
|
||
|
allowed to know anything of the tenets of the other two philosophies, but
|
||
|
he is taught to execrate them as barbarous outrages upon morality and
|
||
|
common sense. Actually the three philosophies are barely distinguishable,
|
||
|
and the social systems which they support are not distinguishable at all.
|
||
|
Everywhere there is the same pyramidal structure, the same worship of
|
||
|
semi-divine leader, the same economy existing by and for continuous
|
||
|
warfare. It follows that the three super-states not only cannot conquer
|
||
|
one another, but would gain no advantage by doing so. On the contrary,
|
||
|
so long as they remain in conflict they prop one another up, like three
|
||
|
sheaves of corn. And, as usual, the ruling groups of all three powers are
|
||
|
simultaneously aware and unaware of what they are doing. Their lives are
|
||
|
dedicated to world conquest, but they also know that it is necessary that
|
||
|
the war should continue everlastingly and without victory. Meanwhile the
|
||
|
fact that there IS no danger of conquest makes possible the denial of
|
||
|
reality which is the special feature of Ingsoc and its rival systems of
|
||
|
thought. Here it is necessary to repeat what has been said earlier, that
|
||
|
by becoming continuous war has fundamentally changed its character.
|
||
|
|
||
|
In past ages, a war, almost by definition, was something that sooner or
|
||
|
later came to an end, usually in unmistakable victory or defeat. In the
|
||
|
past, also, war was one of the main instruments by which human societies
|
||
|
were kept in touch with physical reality. All rulers in all ages have tried
|
||
|
to impose a false view of the world upon their followers, but they could
|
||
|
not afford to encourage any illusion that tended to impair military
|
||
|
efficiency. So long as defeat meant the loss of independence, or some other
|
||
|
result generally held to be undesirable, the precautions against defeat
|
||
|
had to be serious. Physical facts could not be ignored. In philosophy, or
|
||
|
religion, or ethics, or politics, two and two might make five, but when
|
||
|
one was designing a gun or an aeroplane they had to make four. Inefficient
|
||
|
nations were always conquered sooner or later, and the struggle for
|
||
|
efficiency was inimical to illusions. Moreover, to be efficient it was
|
||
|
necessary to be able to learn from the past, which meant having a fairly
|
||
|
accurate idea of what had happened in the past. Newspapers and history
|
||
|
books were, of course, always coloured and biased, but falsification of
|
||
|
the kind that is practised today would have been impossible. War was a
|
||
|
sure safeguard of sanity, and so far as the ruling classes were concerned
|
||
|
it was probably the most important of all safeguards. While wars could be
|
||
|
won or lost, no ruling class could be completely irresponsible.
|
||
|
|
||
|
But when war becomes literally continuous, it also ceases to be dangerous.
|
||
|
When war is continuous there is no such thing as military necessity.
|
||
|
Technical progress can cease and the most palpable facts can be denied or
|
||
|
disregarded. As we have seen, researches that could be called scientific
|
||
|
are still carried out for the purposes of war, but they are essentially a
|
||
|
kind of daydreaming, and their failure to show results is not important.
|
||
|
Efficiency, even military efficiency, is no longer needed. Nothing is
|
||
|
efficient in Oceania except the Thought Police. Since each of the three
|
||
|
super-states is unconquerable, each is in effect a separate universe within
|
||
|
which almost any perversion of thought can be safely practised. Reality
|
||
|
only exerts its pressure through the needs of everyday life--the need to
|
||
|
eat and drink, to get shelter and clothing, to avoid swallowing poison or
|
||
|
stepping out of top-storey windows, and the like. Between life and death,
|
||
|
and between physical pleasure and physical pain, there is still a
|
||
|
distinction, but that is all. Cut off from contact with the outer world,
|
||
|
and with the past, the citizen of Oceania is like a man in interstellar
|
||
|
space, who has no way of knowing which direction is up and which is down.
|
||
|
The rulers of such a state are absolute, as the Pharaohs or the Caesars
|
||
|
could not be. They are obliged to prevent their followers from starving
|
||
|
to death in numbers large enough to be inconvenient, and they are obliged
|
||
|
to remain at the same low level of military technique as their rivals; but
|
||
|
once that minimum is achieved, they can twist reality into whatever shape
|
||
|
they choose.
|
||
|
|
||
|
The war, therefore, if we judge it by the standards of previous wars, is
|
||
|
merely an imposture. It is like the battles between certain ruminant
|
||
|
animals whose horns are set at such an angle that they are incapable of
|
||
|
hurting one another. But though it is unreal it is not meaningless. It
|
||
|
eats up the surplus of consumable goods, and it helps to preserve the
|
||
|
special mental atmosphere that a hierarchical society needs. War, it will
|
||
|
be seen, is now a purely internal affair. In the past, the ruling groups
|
||
|
of all countries, although they might recognize their common interest and
|
||
|
therefore limit the destructiveness of war, did fight against one another,
|
||
|
and the victor always plundered the vanquished. In our own day they are
|
||
|
not fighting against one another at all. The war is waged by each ruling
|
||
|
group against its own subjects, and the object of the war is not to make
|
||
|
or prevent conquests of territory, but to keep the structure of society
|
||
|
intact. The very word 'war', therefore, has become misleading. It would
|
||
|
probably be accurate to say that by becoming continuous war has ceased to
|
||
|
exist. The peculiar pressure that it exerted on human beings between the
|
||
|
Neolithic Age and the early twentieth century has disappeared and been
|
||
|
replaced by something quite different. The effect would be much the same
|
||
|
if the three super-states, instead of fighting one another, should agree
|
||
|
to live in perpetual peace, each inviolate within its own boundaries. For
|
||
|
in that case each would still be a self-contained universe, freed for ever
|
||
|
from the sobering influence of external danger. A peace that was truly
|
||
|
permanent would be the same as a permanent war. This--although the vast
|
||
|
majority of Party members understand it only in a shallower sense--is the
|
||
|
inner meaning of the Party slogan: WAR IS PEACE.
|
||
|
|
||
|
|
||
|
Winston stopped reading for a moment. Somewhere in remote distance a
|
||
|
rocket bomb thundered. The blissful feeling of being alone with the
|
||
|
forbidden book, in a room with no telescreen, had not worn off. Solitude
|
||
|
and safety were physical sensations, mixed up somehow with the tiredness
|
||
|
of his body, the softness of the chair, the touch of the faint breeze from
|
||
|
the window that played upon his cheek. The book fascinated him, or more
|
||
|
exactly it reassured him. In a sense it told him nothing that was new, but
|
||
|
that was part of the attraction. It said what he would have said, if it
|
||
|
had been possible for him to set his scattered thoughts in order. It was
|
||
|
the product of a mind similar to his own, but enormously more powerful,
|
||
|
more systematic, less fear-ridden. The best books, he perceived, are those
|
||
|
that tell you what you know already. He had just turned back to Chapter I
|
||
|
when he heard Julia's footstep on the stair and started out of his chair
|
||
|
to meet her. She dumped her brown tool-bag on the floor and flung herself
|
||
|
into his arms. It was more than a week since they had seen one another.
|
||
|
|
||
|
'I've got THE BOOK,' he said as they disentangled themselves.
|
||
|
|
||
|
'Oh, you've got it? Good,' she said without much interest, and almost
|
||
|
immediately knelt down beside the oil stove to make the coffee.
|
||
|
|
||
|
They did not return to the subject until they had been in bed for half an
|
||
|
hour. The evening was just cool enough to make it worth while to pull up
|
||
|
the counterpane. From below came the familiar sound of singing and the
|
||
|
scrape of boots on the flagstones. The brawny red-armed woman whom Winston
|
||
|
had seen there on his first visit was almost a fixture in the yard. There
|
||
|
seemed to be no hour of daylight when she was not marching to and fro
|
||
|
between the washtub and the line, alternately gagging herself with clothes
|
||
|
pegs and breaking forth into lusty song. Julia had settled down on her
|
||
|
side and seemed to be already on the point of falling asleep. He reached
|
||
|
out for the book, which was lying on the floor, and sat up against the
|
||
|
bedhead.
|
||
|
|
||
|
'We must read it,' he said. 'You too. All members of the Brotherhood have
|
||
|
to read it.'
|
||
|
|
||
|
'You read it,' she said with her eyes shut. 'Read it aloud. That's the
|
||
|
best way. Then you can explain it to me as you go.'
|
||
|
|
||
|
The clock's hands said six, meaning eighteen. They had three or four hours
|
||
|
ahead of them. He propped the book against his knees and began reading:
|
||
|
|
||
|
|
||
|
Chapter I
|
||
|
Ignorance is Strength
|
||
|
|
||
|
Throughout recorded time, and probably since the end of the Neolithic Age,
|
||
|
there have been three kinds of people in the world, the High, the Middle,
|
||
|
and the Low. They have been subdivided in many ways, they have borne
|
||
|
countless different names, and their relative numbers, as well as their
|
||
|
attitude towards one another, have varied from age to age: but the
|
||
|
essential structure of society has never altered. Even after enormous
|
||
|
upheavals and seemingly irrevocable changes, the same pattern has always
|
||
|
reasserted itself, just as a gyroscope will always return to equilibrium,
|
||
|
however far it is pushed one way or the other
|
||
|
|
||
|
|
||
|
'Julia, are you awake?' said Winston.
|
||
|
|
||
|
'Yes, my love, I'm listening. Go on. It's marvellous.'
|
||
|
|
||
|
He continued reading:
|
||
|
|
||
|
|
||
|
The aims of these three groups are entirely irreconcilable. The aim of
|
||
|
the High is to remain where they are. The aim of the Middle is to change
|
||
|
places with the High. The aim of the Low, when they have an aim--for it
|
||
|
is an abiding characteristic of the Low that they are too much crushed
|
||
|
by drudgery to be more than intermittently conscious of anything outside
|
||
|
their daily lives--is to abolish all distinctions and create a society in
|
||
|
which all men shall be equal. Thus throughout history a struggle which is
|
||
|
the same in its main outlines recurs over and over again. For long periods
|
||
|
the High seem to be securely in power, but sooner or later there always
|
||
|
comes a moment when they lose either their belief in themselves or their
|
||
|
capacity to govern efficiently, or both. They are then overthrown by the
|
||
|
Middle, who enlist the Low on their side by pretending to them that they
|
||
|
are fighting for liberty and justice. As soon as they have reached their
|
||
|
objective, the Middle thrust the Low back into their old position of
|
||
|
servitude, and themselves become the High. Presently a new Middle group
|
||
|
splits off from one of the other groups, or from both of them, and the
|
||
|
struggle begins over again. Of the three groups, only the Low are never
|
||
|
even temporarily successful in achieving their aims. It would be an
|
||
|
exaggeration to say that throughout history there has been no progress of
|
||
|
a material kind. Even today, in a period of decline, the average human
|
||
|
being is physically better off than he was a few centuries ago. But no
|
||
|
advance in wealth, no softening of manners, no reform or revolution has
|
||
|
ever brought human equality a millimetre nearer. From the point of view of
|
||
|
the Low, no historic change has ever meant much more than a change in the
|
||
|
name of their masters.
|
||
|
|
||
|
By the late nineteenth century the recurrence of this pattern had become
|
||
|
obvious to many observers. There then rose schools of thinkers who
|
||
|
interpreted history as a cyclical process and claimed to show that
|
||
|
inequality was the unalterable law of human life. This doctrine, of course,
|
||
|
had always had its adherents, but in the manner in which it was now put
|
||
|
forward there was a significant change. In the past the need for a
|
||
|
hierarchical form of society had been the doctrine specifically of the
|
||
|
High. It had been preached by kings and aristocrats and by the priests,
|
||
|
lawyers, and the like who were parasitical upon them, and it had generally
|
||
|
been softened by promises of compensation in an imaginary world beyond the
|
||
|
grave. The Middle, so long as it was struggling for power, had always made
|
||
|
use of such terms as freedom, justice, and fraternity. Now, however, the
|
||
|
concept of human brotherhood began to be assailed by people who were not
|
||
|
yet in positions of command, but merely hoped to be so before long. In the
|
||
|
past the Middle had made revolutions under the banner of equality, and
|
||
|
then had established a fresh tyranny as soon as the old one was overthrown.
|
||
|
The new Middle groups in effect proclaimed their tyranny beforehand.
|
||
|
Socialism, a theory which appeared in the early nineteenth century and was
|
||
|
the last link in a chain of thought stretching back to the slave rebellions
|
||
|
of antiquity, was still deeply infected by the Utopianism of past ages.
|
||
|
But in each variant of Socialism that appeared from about 1900 onwards the
|
||
|
aim of establishing liberty and equality was more and more openly
|
||
|
abandoned. The new movements which appeared in the middle years of the
|
||
|
century, Ingsoc in Oceania, Neo-Bolshevism in Eurasia, Death-Worship, as
|
||
|
it is commonly called, in Eastasia, had the conscious aim of perpetuating
|
||
|
UNfreedom and INequality. These new movements, of course, grew out of the
|
||
|
old ones and tended to keep their names and pay lip-service to their
|
||
|
ideology. But the purpose of all of them was to arrest progress and freeze
|
||
|
history at a chosen moment. The familiar pendulum swing was to happen once
|
||
|
more, and then stop. As usual, the High were to be turned out by the
|
||
|
Middle, who would then become the High; but this time, by conscious
|
||
|
strategy, the High would be able to maintain their position permanently.
|
||
|
|
||
|
The new doctrines arose partly because of the accumulation of historical
|
||
|
knowledge, and the growth of the historical sense, which had hardly existed
|
||
|
before the nineteenth century. The cyclical movement of history was now
|
||
|
intelligible, or appeared to be so; and if it was intelligible, then it
|
||
|
was alterable. But the principal, underlying cause was that, as early
|
||
|
as the beginning of the twentieth century, human equality had become
|
||
|
technically possible. It was still true that men were not equal in their
|
||
|
native talents and that functions had to be specialized in ways that
|
||
|
favoured some individuals against others; but there was no longer any real
|
||
|
need for class distinctions or for large differences of wealth. In earlier
|
||
|
ages, class distinctions had been not only inevitable but desirable.
|
||
|
Inequality was the price of civilization. With the development of machine
|
||
|
production, however, the case was altered. Even if it was still necessary
|
||
|
for human beings to do different kinds of work, it was no longer necessary
|
||
|
for them to live at different social or economic levels. Therefore, from
|
||
|
the point of view of the new groups who were on the point of seizing power,
|
||
|
human equality was no longer an ideal to be striven after, but a danger to
|
||
|
be averted. In more primitive ages, when a just and peaceful society was
|
||
|
in fact not possible, it had been fairly easy to believe it. The idea of
|
||
|
an earthly paradise in which men should live together in a state of
|
||
|
brotherhood, without laws and without brute labour, had haunted the human
|
||
|
imagination for thousands of years. And this vision had had a certain hold
|
||
|
even on the groups who actually profited by each historical change. The
|
||
|
heirs of the French, English, and American revolutions had partly believed
|
||
|
in their own phrases about the rights of man, freedom of speech, equality
|
||
|
before the law, and the like, and have even allowed their conduct to be
|
||
|
influenced by them to some extent. But by the fourth decade of the
|
||
|
twentieth century all the main currents of political thought were
|
||
|
authoritarian. The earthly paradise had been discredited at exactly the
|
||
|
moment when it became realizable. Every new political theory, by whatever
|
||
|
name it called itself, led back to hierarchy and regimentation. And in the
|
||
|
general hardening of outlook that set in round about 1930, practices which
|
||
|
had been long abandoned, in some cases for hundreds of years--imprisonment
|
||
|
without trial, the use of war prisoners as slaves, public executions,
|
||
|
torture to extract confessions, the use of hostages, and the deportation
|
||
|
of whole populations--not only became common again, but were tolerated
|
||
|
and even defended by people who considered themselves enlightened and
|
||
|
progressive.
|
||
|
|
||
|
It was only after a decade of national wars, civil wars, revolutions, and
|
||
|
counter-revolutions in all parts of the world that Ingsoc and its rivals
|
||
|
emerged as fully worked-out political theories. But they had been
|
||
|
foreshadowed by the various systems, generally called totalitarian, which
|
||
|
had appeared earlier in the century, and the main outlines of the world
|
||
|
which would emerge from the prevailing chaos had long been obvious. What
|
||
|
kind of people would control this world had been equally obvious. The new
|
||
|
aristocracy was made up for the most part of bureaucrats, scientists,
|
||
|
technicians, trade-union organizers, publicity experts, sociologists,
|
||
|
teachers, journalists, and professional politicians. These people, whose
|
||
|
origins lay in the salaried middle class and the upper grades of the
|
||
|
working class, had been shaped and brought together by the barren world of
|
||
|
monopoly industry and centralized government. As compared with their
|
||
|
opposite numbers in past ages, they were less avaricious, less tempted by
|
||
|
luxury, hungrier for pure power, and, above all, more conscious of what
|
||
|
they were doing and more intent on crushing opposition. This last
|
||
|
difference was cardinal. By comparison with that existing today, all the
|
||
|
tyrannies of the past were half-hearted and inefficient. The ruling groups
|
||
|
were always infected to some extent by liberal ideas, and were content to
|
||
|
leave loose ends everywhere, to regard only the overt act and to be
|
||
|
uninterested in what their subjects were thinking. Even the Catholic Church
|
||
|
of the Middle Ages was tolerant by modern standards. Part of the reason
|
||
|
for this was that in the past no government had the power to keep its
|
||
|
citizens under constant surveillance. The invention of print, however,
|
||
|
made it easier to manipulate public opinion, and the film and the radio
|
||
|
carried the process further. With the development of television, and
|
||
|
the technical advance which made it possible to receive and transmit
|
||
|
simultaneously on the same instrument, private life came to an end. Every
|
||
|
citizen, or at least every citizen important enough to be worth watching,
|
||
|
could be kept for twenty-four hours a day under the eyes of the police
|
||
|
and in the sound of official propaganda, with all other channels of
|
||
|
communication closed. The possibility of enforcing not only complete
|
||
|
obedience to the will of the State, but complete uniformity of opinion
|
||
|
on all subjects, now existed for the first time.
|
||
|
|
||
|
After the revolutionary period of the fifties and sixties, society
|
||
|
regrouped itself, as always, into High, Middle, and Low. But the new High
|
||
|
group, unlike all its forerunners, did not act upon instinct but knew what
|
||
|
was needed to safeguard its position. It had long been realized that the
|
||
|
only secure basis for oligarchy is collectivism. Wealth and privilege
|
||
|
are most easily defended when they are possessed jointly. The so-called
|
||
|
'abolition of private property' which took place in the middle years of
|
||
|
the century meant, in effect, the concentration of property in far fewer
|
||
|
hands than before: but with this difference, that the new owners were a
|
||
|
group instead of a mass of individuals. Individually, no member of the
|
||
|
Party owns anything, except petty personal belongings. Collectively, the
|
||
|
Party owns everything in Oceania, because it controls everything, and
|
||
|
disposes of the products as it thinks fit. In the years following the
|
||
|
Revolution it was able to step into this commanding position almost
|
||
|
unopposed, because the whole process was represented as an act of
|
||
|
collectivization. It had always been assumed that if the capitalist class
|
||
|
were expropriated, Socialism must follow: and unquestionably the
|
||
|
capitalists had been expropriated. Factories, mines, land, houses,
|
||
|
transport--everything had been taken away from them: and since these
|
||
|
things were no longer private property, it followed that they must be
|
||
|
public property. Ingsoc, which grew out of the earlier Socialist movement
|
||
|
and inherited its phraseology, has in fact carried out the main item in
|
||
|
the Socialist programme; with the result, foreseen and intended beforehand,
|
||
|
that economic inequality has been made permanent.
|
||
|
|
||
|
But the problems of perpetuating a hierarchical society go deeper than
|
||
|
this. There are only four ways in which a ruling group can fall from power.
|
||
|
Either it is conquered from without, or it governs so inefficiently that
|
||
|
the masses are stirred to revolt, or it allows a strong and discontented
|
||
|
Middle group to come into being, or it loses its own self-confidence and
|
||
|
willingness to govern. These causes do not operate singly, and as a rule
|
||
|
all four of them are present in some degree. A ruling class which could
|
||
|
guard against all of them would remain in power permanently. Ultimately
|
||
|
the determining factor is the mental attitude of the ruling class itself.
|
||
|
|
||
|
After the middle of the present century, the first danger had in reality
|
||
|
disappeared. Each of the three powers which now divide the world is in
|
||
|
fact unconquerable, and could only become conquerable through slow
|
||
|
demographic changes which a government with wide powers can easily avert.
|
||
|
The second danger, also, is only a theoretical one. The masses never
|
||
|
revolt of their own accord, and they never revolt merely because they are
|
||
|
oppressed. Indeed, so long as they are not permitted to have standards of
|
||
|
comparison, they never even become aware that they are oppressed. The
|
||
|
recurrent economic crises of past times were totally unnecessary and are
|
||
|
not now permitted to happen, but other and equally large dislocations
|
||
|
can and do happen without having political results, because there is no
|
||
|
way in which discontent can become articulate. As for the problem of
|
||
|
over-production, which has been latent in our society since the development
|
||
|
of machine technique, it is solved by the device of continuous warfare
|
||
|
(see Chapter III), which is also useful in keying up public morale to the
|
||
|
necessary pitch. From the point of view of our present rulers, therefore,
|
||
|
the only genuine dangers are the splitting-off of a new group of able,
|
||
|
under-employed, power-hungry people, and the growth of liberalism and
|
||
|
scepticism in their own ranks. The problem, that is to say, is educational.
|
||
|
It is a problem of continuously moulding the consciousness both of the
|
||
|
directing group and of the larger executive group that lies immediately
|
||
|
below it. The consciousness of the masses needs only to be influenced in
|
||
|
a negative way.
|
||
|
|
||
|
Given this background, one could infer, if one did not know it already,
|
||
|
the general structure of Oceanic society. At the apex of the pyramid comes
|
||
|
Big Brother. Big Brother is infallible and all-powerful. Every success,
|
||
|
every achievement, every victory, every scientific discovery, all
|
||
|
knowledge, all wisdom, all happiness, all virtue, are held to issue
|
||
|
directly from his leadership and inspiration. Nobody has ever seen Big
|
||
|
Brother. He is a face on the hoardings, a voice on the telescreen. We
|
||
|
may be reasonably sure that he will never die, and there is already
|
||
|
considerable uncertainty as to when he was born. Big Brother is the guise
|
||
|
in which the Party chooses to exhibit itself to the world. His function is
|
||
|
to act as a focusing point for love, fear, and reverence, emotions which
|
||
|
are more easily felt towards an individual than towards an organization.
|
||
|
Below Big Brother comes the Inner Party. Its numbers limited to six
|
||
|
millions, or something less than 2 per cent of the population of Oceania.
|
||
|
Below the Inner Party comes the Outer Party, which, if the Inner Party is
|
||
|
described as the brain of the State, may be justly likened to the hands.
|
||
|
Below that come the dumb masses whom we habitually refer to as 'the
|
||
|
proles', numbering perhaps 85 per cent of the population. In the terms
|
||
|
of our earlier classification, the proles are the Low: for the slave
|
||
|
population of the equatorial lands who pass constantly from conqueror
|
||
|
to conqueror, are not a permanent or necessary part of the structure.
|
||
|
|
||
|
In principle, membership of these three groups is not hereditary. The
|
||
|
child of Inner Party parents is in theory not born into the Inner Party.
|
||
|
Admission to either branch of the Party is by examination, taken at the
|
||
|
age of sixteen. Nor is there any racial discrimination, or any marked
|
||
|
domination of one province by another. Jews, Negroes, South Americans of
|
||
|
pure Indian blood are to be found in the highest ranks of the Party, and
|
||
|
the administrators of any area are always drawn from the inhabitants of
|
||
|
that area. In no part of Oceania do the inhabitants have the feeling that
|
||
|
they are a colonial population ruled from a distant capital. Oceania has
|
||
|
no capital, and its titular head is a person whose whereabouts nobody
|
||
|
knows. Except that English is its chief LINGUA FRANCA and Newspeak its
|
||
|
official language, it is not centralized in any way. Its rulers are not
|
||
|
held together by blood-ties but by adherence to a common doctrine. It is
|
||
|
true that our society is stratified, and very rigidly stratified, on what
|
||
|
at first sight appear to be hereditary lines. There is far less to-and-fro
|
||
|
movement between the different groups than happened under capitalism or
|
||
|
even in the pre-industrial age. Between the two branches of the Party
|
||
|
there is a certain amount of interchange, but only so much as will ensure
|
||
|
that weaklings are excluded from the Inner Party and that ambitious
|
||
|
members of the Outer Party are made harmless by allowing them to rise.
|
||
|
Proletarians, in practice, are not allowed to graduate into the Party. The
|
||
|
most gifted among them, who might possibly become nuclei of discontent,
|
||
|
are simply marked down by the Thought Police and eliminated. But this
|
||
|
state of affairs is not necessarily permanent, nor is it a matter of
|
||
|
principle. The Party is not a class in the old sense of the word. It does
|
||
|
not aim at transmitting power to its own children, as such; and if there
|
||
|
were no other way of keeping the ablest people at the top, it would be
|
||
|
perfectly prepared to recruit an entire new generation from the ranks of
|
||
|
the proletariat. In the crucial years, the fact that the Party was not a
|
||
|
hereditary body did a great deal to neutralize opposition. The older kind
|
||
|
of Socialist, who had been trained to fight against something called
|
||
|
'class privilege' assumed that what is not hereditary cannot be permanent.
|
||
|
He did not see that the continuity of an oligarchy need not be physical,
|
||
|
nor did he pause to reflect that hereditary aristocracies have always been
|
||
|
shortlived, whereas adoptive organizations such as the Catholic Church
|
||
|
have sometimes lasted for hundreds or thousands of years. The essence of
|
||
|
oligarchical rule is not father-to-son inheritance, but the persistence of
|
||
|
a certain world-view and a certain way of life, imposed by the dead upon
|
||
|
the living. A ruling group is a ruling group so long as it can nominate
|
||
|
its successors. The Party is not concerned with perpetuating its blood but
|
||
|
with perpetuating itself. WHO wields power is not important, provided that
|
||
|
the hierarchical structure remains always the same.
|
||
|
|
||
|
All the beliefs, habits, tastes, emotions, mental attitudes that
|
||
|
characterize our time are really designed to sustain the mystique of
|
||
|
the Party and prevent the true nature of present-day society from being
|
||
|
perceived. Physical rebellion, or any preliminary move towards rebellion,
|
||
|
is at present not possible. From the proletarians nothing is to be feared.
|
||
|
Left to themselves, they will continue from generation to generation and
|
||
|
from century to century, working, breeding, and dying, not only without
|
||
|
any impulse to rebel, but without the power of grasping that the world
|
||
|
could be other than it is. They could only become dangerous if the advance
|
||
|
of industrial technique made it necessary to educate them more highly;
|
||
|
but, since military and commercial rivalry are no longer important, the
|
||
|
level of popular education is actually declining. What opinions the masses
|
||
|
hold, or do not hold, is looked on as a matter of indifference. They can
|
||
|
be granted intellectual liberty because they have no intellect. In a Party
|
||
|
member, on the other hand, not even the smallest deviation of opinion on
|
||
|
the most unimportant subject can be tolerated.
|
||
|
|
||
|
A Party member lives from birth to death under the eye of the Thought
|
||
|
Police. Even when he is alone he can never be sure that he is alone.
|
||
|
Wherever he may be, asleep or awake, working or resting, in his bath or in
|
||
|
bed, he can be inspected without warning and without knowing that he is
|
||
|
being inspected. Nothing that he does is indifferent. His friendships, his
|
||
|
relaxations, his behaviour towards his wife and children, the expression
|
||
|
of his face when he is alone, the words he mutters in sleep, even the
|
||
|
characteristic movements of his body, are all jealously scrutinized. Not
|
||
|
only any actual misdemeanour, but any eccentricity, however small, any
|
||
|
change of habits, any nervous mannerism that could possibly be the symptom
|
||
|
of an inner struggle, is certain to be detected. He has no freedom of
|
||
|
choice in any direction whatever. On the other hand his actions are not
|
||
|
regulated by law or by any clearly formulated code of behaviour. In Oceania
|
||
|
there is no law. Thoughts and actions which, when detected, mean certain
|
||
|
death are not formally forbidden, and the endless purges, arrests,
|
||
|
tortures, imprisonments, and vaporizations are not inflicted as punishment
|
||
|
for crimes which have actually been committed, but are merely the
|
||
|
wiping-out of persons who might perhaps commit a crime at some time in the
|
||
|
future. A Party member is required to have not only the right opinions,
|
||
|
but the right instincts. Many of the beliefs and attitudes demanded of him
|
||
|
are never plainly stated, and could not be stated without laying bare the
|
||
|
contradictions inherent in Ingsoc. If he is a person naturally orthodox
|
||
|
(in Newspeak a GOODTHINKER), he will in all circumstances know, without
|
||
|
taking thought, what is the true belief or the desirable emotion. But in
|
||
|
any case an elaborate mental training, undergone in childhood and grouping
|
||
|
itself round the Newspeak words CRIMESTOP, BLACKWHITE, and DOUBLETHINK,
|
||
|
makes him unwilling and unable to think too deeply on any subject whatever.
|
||
|
|
||
|
A Party member is expected to have no private emotions and no respites
|
||
|
from enthusiasm. He is supposed to live in a continuous frenzy of hatred
|
||
|
of foreign enemies and internal traitors, triumph over victories, and
|
||
|
self-abasement before the power and wisdom of the Party. The discontents
|
||
|
produced by his bare, unsatisfying life are deliberately turned outwards
|
||
|
and dissipated by such devices as the Two Minutes Hate, and the
|
||
|
speculations which might possibly induce a sceptical or rebellious attitude
|
||
|
are killed in advance by his early acquired inner discipline. The first
|
||
|
and simplest stage in the discipline, which can be taught even to young
|
||
|
children, is called, in Newspeak, CRIMESTOP. CRIMESTOP means the faculty
|
||
|
of stopping short, as though by instinct, at the threshold of any dangerous
|
||
|
thought. It includes the power of not grasping analogies, of failing to
|
||
|
perceive logical errors, of misunderstanding the simplest arguments if
|
||
|
they are inimical to Ingsoc, and of being bored or repelled by any train
|
||
|
of thought which is capable of leading in a heretical direction. CRIMESTOP,
|
||
|
in short, means protective stupidity. But stupidity is not enough. On the
|
||
|
contrary, orthodoxy in the full sense demands a control over one's own
|
||
|
mental processes as complete as that of a contortionist over his body.
|
||
|
Oceanic society rests ultimately on the belief that Big Brother is
|
||
|
omnipotent and that the Party is infallible. But since in reality Big
|
||
|
Brother is not omnipotent and the party is not infallible, there is need
|
||
|
for an unwearying, moment-to-moment flexibility in the treatment of facts.
|
||
|
The keyword here is BLACKWHITE. Like so many Newspeak words, this word has
|
||
|
two mutually contradictory meanings. Applied to an opponent, it means the
|
||
|
habit of impudently claiming that black is white, in contradiction of the
|
||
|
plain facts. Applied to a Party member, it means a loyal willingness to
|
||
|
say that black is white when Party discipline demands this. But it means
|
||
|
also the ability to BELIEVE that black is white, and more, to KNOW that
|
||
|
black is white, and to forget that one has ever believed the contrary.
|
||
|
This demands a continuous alteration of the past, made possible by the
|
||
|
system of thought which really embraces all the rest, and which is known
|
||
|
in Newspeak as DOUBLETHINK.
|
||
|
|
||
|
The alteration of the past is necessary for two reasons, one of which is
|
||
|
subsidiary and, so to speak, precautionary. The subsidiary reason is that
|
||
|
the Party member, like the proletarian, tolerates present-day conditions
|
||
|
partly because he has no standards of comparison. He must be cut off from
|
||
|
the past, just as he must be cut off from foreign countries, because it is
|
||
|
necessary for him to believe that he is better off than his ancestors and
|
||
|
that the average level of material comfort is constantly rising. But by
|
||
|
far the more important reason for the readjustment of the past is the
|
||
|
need to safeguard the infallibility of the Party. It is not merely that
|
||
|
speeches, statistics, and records of every kind must be constantly brought
|
||
|
up to date in order to show that the predictions of the Party were in
|
||
|
all cases right. It is also that no change in doctrine or in political
|
||
|
alignment can ever be admitted. For to change one's mind, or even one's
|
||
|
policy, is a confession of weakness. If, for example, Eurasia or Eastasia
|
||
|
(whichever it may be) is the enemy today, then that country must always
|
||
|
have been the enemy. And if the facts say otherwise then the facts must
|
||
|
be altered. Thus history is continuously rewritten. This day-to-day
|
||
|
falsification of the past, carried out by the Ministry of Truth, is as
|
||
|
necessary to the stability of the regime as the work of repression and
|
||
|
espionage carried out by the Ministry of Love.
|
||
|
|
||
|
The mutability of the past is the central tenet of Ingsoc. Past events,
|
||
|
it is argued, have no objective existence, but survive only in written
|
||
|
records and in human memories. The past is whatever the records and the
|
||
|
memories agree upon. And since the Party is in full control of all records
|
||
|
and in equally full control of the minds of its members, it follows that
|
||
|
the past is whatever the Party chooses to make it. It also follows that
|
||
|
though the past is alterable, it never has been altered in any specific
|
||
|
instance. For when it has been recreated in whatever shape is needed at
|
||
|
the moment, then this new version IS the past, and no different past can
|
||
|
ever have existed. This holds good even when, as often happens, the same
|
||
|
event has to be altered out of recognition several times in the course of
|
||
|
a year. At all times the Party is in possession of absolute truth, and
|
||
|
clearly the absolute can never have been different from what it is now.
|
||
|
It will be seen that the control of the past depends above all on the
|
||
|
training of memory. To make sure that all written records agree with
|
||
|
the orthodoxy of the moment is merely a mechanical act. But it is also
|
||
|
necessary to REMEMBER that events happened in the desired manner. And if
|
||
|
it is necessary to rearrange one's memories or to tamper with written
|
||
|
records, then it is necessary to FORGET that one has done so. The trick of
|
||
|
doing this can be learned like any other mental technique. It is learned
|
||
|
by the majority of Party members, and certainly by all who are intelligent
|
||
|
as well as orthodox. In Oldspeak it is called, quite frankly, 'reality
|
||
|
control'. In Newspeak it is called DOUBLETHINK, though DOUBLETHINK
|
||
|
comprises much else as well.
|
||
|
|
||
|
DOUBLETHINK means the power of holding two contradictory beliefs in one's
|
||
|
mind simultaneously, and accepting both of them. The Party intellectual
|
||
|
knows in which direction his memories must be altered; he therefore knows
|
||
|
that he is playing tricks with reality; but by the exercise of DOUBLETHINK
|
||
|
he also satisfies himself that reality is not violated. The process has to
|
||
|
be conscious, or it would not be carried out with sufficient precision,
|
||
|
but it also has to be unconscious, or it would bring with it a feeling of
|
||
|
falsity and hence of guilt. DOUBLETHINK lies at the very heart of Ingsoc,
|
||
|
since the essential act of the Party is to use conscious deception while
|
||
|
retaining the firmness of purpose that goes with complete honesty. To tell
|
||
|
deliberate lies while genuinely believing in them, to forget any fact that
|
||
|
has become inconvenient, and then, when it becomes necessary again, to
|
||
|
draw it back from oblivion for just so long as it is needed, to deny the
|
||
|
existence of objective reality and all the while to take account of the
|
||
|
reality which one denies--all this is indispensably necessary. Even in
|
||
|
using the word DOUBLETHINK it is necessary to exercise DOUBLETHINK. For
|
||
|
by using the word one admits that one is tampering with reality; by a
|
||
|
fresh act of DOUBLETHINK one erases this knowledge; and so on indefinitely,
|
||
|
with the lie always one leap ahead of the truth. Ultimately it is by means
|
||
|
of DOUBLETHINK that the Party has been able--and may, for all we know,
|
||
|
continue to be able for thousands of years--to arrest the course of
|
||
|
history.
|
||
|
|
||
|
All past oligarchies have fallen from power either because they ossified
|
||
|
or because they grew soft. Either they became stupid and arrogant, failed
|
||
|
to adjust themselves to changing circumstances, and were overthrown; or
|
||
|
they became liberal and cowardly, made concessions when they should have
|
||
|
used force, and once again were overthrown. They fell, that is to say,
|
||
|
either through consciousness or through unconsciousness. It is the
|
||
|
achievement of the Party to have produced a system of thought in which
|
||
|
both conditions can exist simultaneously. And upon no other intellectual
|
||
|
basis could the dominion of the Party be made permanent. If one is to rule,
|
||
|
and to continue ruling, one must be able to dislocate the sense of reality.
|
||
|
For the secret of rulership is to combine a belief in one's own
|
||
|
infallibility with the Power to learn from past mistakes.
|
||
|
|
||
|
It need hardly be said that the subtlest practitioners of DOUBLETHINK are
|
||
|
those who invented DOUBLETHINK and know that it is a vast system of mental
|
||
|
cheating. In our society, those who have the best knowledge of what is
|
||
|
happening are also those who are furthest from seeing the world as it is.
|
||
|
In general, the greater the understanding, the greater the delusion; the
|
||
|
more intelligent, the less sane. One clear illustration of this is the
|
||
|
fact that war hysteria increases in intensity as one rises in the social
|
||
|
scale. Those whose attitude towards the war is most nearly rational are
|
||
|
the subject peoples of the disputed territories. To these people the war
|
||
|
is simply a continuous calamity which sweeps to and fro over their bodies
|
||
|
like a tidal wave. Which side is winning is a matter of complete
|
||
|
indifference to them. They are aware that a change of overlordship means
|
||
|
simply that they will be doing the same work as before for new masters who
|
||
|
treat them in the same manner as the old ones. The slightly more favoured
|
||
|
workers whom we call 'the proles' are only intermittently conscious of the
|
||
|
war. When it is necessary they can be prodded into frenzies of fear and
|
||
|
hatred, but when left to themselves they are capable of forgetting for
|
||
|
long periods that the war is happening. It is in the ranks of the Party,
|
||
|
and above all of the Inner Party, that the true war enthusiasm is found.
|
||
|
World-conquest is believed in most firmly by those who know it to be
|
||
|
impossible. This peculiar linking-together of opposites--knowledge with
|
||
|
ignorance, cynicism with fanaticism--is one of the chief distinguishing
|
||
|
marks of Oceanic society. The official ideology abounds with contradictions
|
||
|
even when there is no practical reason for them. Thus, the Party rejects
|
||
|
and vilifies every principle for which the Socialist movement originally
|
||
|
stood, and it chooses to do this in the name of Socialism. It preaches
|
||
|
a contempt for the working class unexampled for centuries past, and it
|
||
|
dresses its members in a uniform which was at one time peculiar to manual
|
||
|
workers and was adopted for that reason. It systematically undermines the
|
||
|
solidarity of the family, and it calls its leader by a name which is a
|
||
|
direct appeal to the sentiment of family loyalty. Even the names of the
|
||
|
four Ministries by which we are governed exhibit a sort of impudence in
|
||
|
their deliberate reversal of the facts. The Ministry of Peace concerns
|
||
|
itself with war, the Ministry of Truth with lies, the Ministry of Love
|
||
|
with torture and the Ministry of Plenty with starvation. These
|
||
|
contradictions are not accidental, nor do they result from ordinary
|
||
|
hypocrisy; they are deliberate exercises in DOUBLETHINK. For it is only
|
||
|
by reconciling contradictions that power can be retained indefinitely.
|
||
|
In no other way could the ancient cycle be broken. If human equality is
|
||
|
to be for ever averted--if the High, as we have called them, are to keep
|
||
|
their places permanently--then the prevailing mental condition must be
|
||
|
controlled insanity.
|
||
|
|
||
|
But there is one question which until this moment we have almost ignored.
|
||
|
It is; WHY should human equality be averted? Supposing that the mechanics
|
||
|
of the process have been rightly described, what is the motive for this
|
||
|
huge, accurately planned effort to freeze history at a particular moment
|
||
|
of time?
|
||
|
|
||
|
Here we reach the central secret. As we have seen. the mystique of the
|
||
|
Party, and above all of the Inner Party, depends upon DOUBLETHINK But
|
||
|
deeper than this lies the original motive, the never-questioned instinct
|
||
|
that first led to the seizure of power and brought DOUBLETHINK, the
|
||
|
Thought Police, continuous warfare, and all the other necessary
|
||
|
paraphernalia into existence afterwards. This motive really consists...
|
||
|
|
||
|
|
||
|
Winston became aware of silence, as one becomes aware of a new sound. It
|
||
|
seemed to him that Julia had been very still for some time past. She was
|
||
|
lying on her side, naked from the waist upwards, with her cheek pillowed
|
||
|
on her hand and one dark lock tumbling across her eyes. Her breast rose
|
||
|
and fell slowly and regularly.
|
||
|
|
||
|
'Julia.'
|
||
|
|
||
|
No answer.
|
||
|
|
||
|
'Julia, are you awake?'
|
||
|
|
||
|
No answer. She was asleep. He shut the book, put it carefully on the floor,
|
||
|
lay down, and pulled the coverlet over both of them.
|
||
|
|
||
|
He had still, he reflected, not learned the ultimate secret. He understood
|
||
|
HOW; he did not understand WHY. Chapter I, like Chapter III, had not
|
||
|
actually told him anything that he did not know, it had merely systematized
|
||
|
the knowledge that he possessed already. But after reading it he knew
|
||
|
better than before that he was not mad. Being in a minority, even a
|
||
|
minority of one, did not make you mad. There was truth and there was
|
||
|
untruth, and if you clung to the truth even against the whole world, you
|
||
|
were not mad. A yellow beam from the sinking sun slanted in through the
|
||
|
window and fell across the pillow. He shut his eyes. The sun on his face
|
||
|
and the girl's smooth body touching his own gave him a strong, sleepy,
|
||
|
confident feeling. He was safe, everything was all right. He fell asleep
|
||
|
murmuring 'Sanity is not statistical,' with the feeling that this remark
|
||
|
contained in it a profound wisdom.
|
||
|
|
||
|
*****
|
||
|
|
||
|
When he woke it was with the sensation of having slept for a long time,
|
||
|
but a glance at the old-fashioned clock told him that it was only
|
||
|
twenty-thirty. He lay dozing for a while; then the usual deep-lunged
|
||
|
singing struck up from the yard below:
|
||
|
|
||
|
|
||
|
'It was only an 'opeless fancy,
|
||
|
It passed like an Ipril dye,
|
||
|
But a look an' a word an' the dreams they stirred
|
||
|
They 'ave stolen my 'eart awye!'
|
||
|
|
||
|
|
||
|
The drivelling song seemed to have kept its popularity. You still heard it
|
||
|
all over the place. It had outlived the Hate Song. Julia woke at the
|
||
|
sound, stretched herself luxuriously, and got out of bed.
|
||
|
|
||
|
'I'm hungry,' she said. 'Let's make some more coffee. Damn! The stove's
|
||
|
gone out and the water's cold.' She picked the stove up and shook it.
|
||
|
'There's no oil in it.'
|
||
|
|
||
|
'We can get some from old Charrington, I expect.'
|
||
|
|
||
|
'The funny thing is I made sure it was full. I'm going to put my clothes
|
||
|
on,' she added. 'It seems to have got colder.'
|
||
|
|
||
|
Winston also got up and dressed himself. The indefatigable voice sang on:
|
||
|
|
||
|
|
||
|
'They sye that time 'eals all things,
|
||
|
They sye you can always forget;
|
||
|
But the smiles an' the tears acrorss the years
|
||
|
They twist my 'eart-strings yet!'
|
||
|
|
||
|
|
||
|
As he fastened the belt of his overalls he strolled across to the window.
|
||
|
The sun must have gone down behind the houses; it was not shining into the
|
||
|
yard any longer. The flagstones were wet as though they had just been
|
||
|
washed, and he had the feeling that the sky had been washed too, so fresh
|
||
|
and pale was the blue between the chimney-pots. Tirelessly the woman
|
||
|
marched to and fro, corking and uncorking herself, singing and falling
|
||
|
silent, and pegging out more diapers, and more and yet more. He wondered
|
||
|
whether she took in washing for a living or was merely the slave of twenty
|
||
|
or thirty grandchildren. Julia had come across to his side; together they
|
||
|
gazed down with a sort of fascination at the sturdy figure below. As he
|
||
|
looked at the woman in her characteristic attitude, her thick arms reaching
|
||
|
up for the line, her powerful mare-like buttocks protruded, it struck him
|
||
|
for the first time that she was beautiful. It had never before occurred to
|
||
|
him that the body of a woman of fifty, blown up to monstrous dimensions by
|
||
|
childbearing, then hardened, roughened by work till it was coarse in the
|
||
|
grain like an over-ripe turnip, could be beautiful. But it was so, and
|
||
|
after all, he thought, why not? The solid, contourless body, like a block
|
||
|
of granite, and the rasping red skin, bore the same relation to the body
|
||
|
of a girl as the rose-hip to the rose. Why should the fruit be held
|
||
|
inferior to the flower?
|
||
|
|
||
|
'She's beautiful,' he murmured.
|
||
|
|
||
|
'She's a metre across the hips, easily,' said Julia.
|
||
|
|
||
|
'That is her style of beauty,' said Winston.
|
||
|
|
||
|
He held Julia's supple waist easily encircled by his arm. From the hip to
|
||
|
the knee her flank was against his. Out of their bodies no child would
|
||
|
ever come. That was the one thing they could never do. Only by word of
|
||
|
mouth, from mind to mind, could they pass on the secret. The woman down
|
||
|
there had no mind, she had only strong arms, a warm heart, and a fertile
|
||
|
belly. He wondered how many children she had given birth to. It might
|
||
|
easily be fifteen. She had had her momentary flowering, a year, perhaps,
|
||
|
of wild-rose beauty and then she had suddenly swollen like a fertilized
|
||
|
fruit and grown hard and red and coarse, and then her life had been
|
||
|
laundering, scrubbing, darning, cooking, sweeping, polishing, mending,
|
||
|
scrubbing, laundering, first for children, then for grandchildren, over
|
||
|
thirty unbroken years. At the end of it she was still singing. The mystical
|
||
|
reverence that he felt for her was somehow mixed up with the aspect of
|
||
|
the pale, cloudless sky, stretching away behind the chimney-pots into
|
||
|
interminable distance. It was curious to think that the sky was the same
|
||
|
for everybody, in Eurasia or Eastasia as well as here. And the people
|
||
|
under the sky were also very much the same--everywhere, all over the world,
|
||
|
hundreds of thousands of millions of people just like this, people ignorant
|
||
|
of one another's existence, held apart by walls of hatred and lies, and
|
||
|
yet almost exactly the same--people who had never learned to think but who
|
||
|
were storing up in their hearts and bellies and muscles the power that
|
||
|
would one day overturn the world. If there was hope, it lay in the proles!
|
||
|
Without having read to the end of THE BOOK, he knew that that must be
|
||
|
Goldstein's final message. The future belonged to the proles. And could he
|
||
|
be sure that when their time came the world they constructed would not be
|
||
|
just as alien to him, Winston Smith, as the world of the Party? Yes,
|
||
|
because at the least it would be a world of sanity. Where there is
|
||
|
equality there can be sanity. Sooner or later it would happen, strength
|
||
|
would change into consciousness. The proles were immortal, you could not
|
||
|
doubt it when you looked at that valiant figure in the yard. In the end
|
||
|
their awakening would come. And until that happened, though it might be a
|
||
|
thousand years, they would stay alive against all the odds, like birds,
|
||
|
passing on from body to body the vitality which the Party did not share
|
||
|
and could not kill.
|
||
|
|
||
|
'Do you remember,' he said, 'the thrush that sang to us, that first day,
|
||
|
at the edge of the wood?'
|
||
|
|
||
|
'He wasn't singing to us,' said Julia. 'He was singing to please himself.
|
||
|
Not even that. He was just singing.'
|
||
|
|
||
|
The birds sang, the proles sang. the Party did not sing. All round the
|
||
|
world, in London and New York, in Africa and Brazil, and in the mysterious,
|
||
|
forbidden lands beyond the frontiers, in the streets of Paris and Berlin,
|
||
|
in the villages of the endless Russian plain, in the bazaars of China and
|
||
|
Japan--everywhere stood the same solid unconquerable figure, made monstrous
|
||
|
by work and childbearing, toiling from birth to death and still singing.
|
||
|
Out of those mighty loins a race of conscious beings must one day come.
|
||
|
You were the dead, theirs was the future. But you could share in that
|
||
|
future if you kept alive the mind as they kept alive the body, and passed
|
||
|
on the secret doctrine that two plus two make four.
|
||
|
|
||
|
'We are the dead,' he said.
|
||
|
|
||
|
'We are the dead,' echoed Julia dutifully.
|
||
|
|
||
|
'You are the dead,' said an iron voice behind them.
|
||
|
|
||
|
They sprang apart. Winston's entrails seemed to have turned into ice. He
|
||
|
could see the white all round the irises of Julia's eyes. Her face had
|
||
|
turned a milky yellow. The smear of rouge that was still on each cheekbone
|
||
|
stood out sharply, almost as though unconnected with the skin beneath.
|
||
|
|
||
|
'You are the dead,' repeated the iron voice.
|
||
|
|
||
|
'It was behind the picture,' breathed Julia.
|
||
|
|
||
|
'It was behind the picture,' said the voice. 'Remain exactly where you
|
||
|
are. Make no movement until you are ordered.'
|
||
|
|
||
|
It was starting, it was starting at last! They could do nothing except
|
||
|
stand gazing into one another's eyes. To run for life, to get out of the
|
||
|
house before it was too late--no such thought occurred to them. Unthinkable
|
||
|
to disobey the iron voice from the wall. There was a snap as though a catch
|
||
|
had been turned back, and a crash of breaking glass. The picture had fallen
|
||
|
to the floor uncovering the telescreen behind it.
|
||
|
|
||
|
'Now they can see us,' said Julia.
|
||
|
|
||
|
'Now we can see you,' said the voice. 'Stand out in the middle of the
|
||
|
room. Stand back to back. Clasp your hands behind your heads. Do not touch
|
||
|
one another.'
|
||
|
|
||
|
They were not touching, but it seemed to him that he could feel Julia's
|
||
|
body shaking. Or perhaps it was merely the shaking of his own. He could
|
||
|
just stop his teeth from chattering, but his knees were beyond his control.
|
||
|
There was a sound of trampling boots below, inside the house and outside.
|
||
|
The yard seemed to be full of men. Something was being dragged across the
|
||
|
stones. The woman's singing had stopped abruptly. There was a long, rolling
|
||
|
clang, as though the washtub had been flung across the yard, and then a
|
||
|
confusion of angry shouts which ended in a yell of pain.
|
||
|
|
||
|
'The house is surrounded,' said Winston.
|
||
|
|
||
|
'The house is surrounded,' said the voice.
|
||
|
|
||
|
He heard Julia snap her teeth together. 'I suppose we may as well say
|
||
|
good-bye,' she said.
|
||
|
|
||
|
'You may as well say good-bye,' said the voice. And then another quite
|
||
|
different voice, a thin, cultivated voice which Winston had the impression
|
||
|
of having heard before, struck in; 'And by the way, while we are on the
|
||
|
subject, "Here comes a candle to light you to bed, here comes a chopper to
|
||
|
chop off your head"!'
|
||
|
|
||
|
Something crashed on to the bed behind Winston's back. The head of a ladder
|
||
|
had been thrust through the window and had burst in the frame. Someone was
|
||
|
climbing through the window. There was a stampede of boots up the stairs.
|
||
|
The room was full of solid men in black uniforms, with iron-shod boots on
|
||
|
their feet and truncheons in their hands.
|
||
|
|
||
|
Winston was not trembling any longer. Even his eyes he barely moved. One
|
||
|
thing alone mattered; to keep still, to keep still and not give them an
|
||
|
excuse to hit you! A man with a smooth prize-fighter's jowl in which the
|
||
|
mouth was only a slit paused opposite him balancing his truncheon
|
||
|
meditatively between thumb and forefinger. Winston met his eyes. The
|
||
|
feeling of nakedness, with one's hands behind one's head and one's face
|
||
|
and body all exposed, was almost unbearable. The man protruded the tip
|
||
|
of a white tongue, licked the place where his lips should have been, and
|
||
|
then passed on. There was another crash. Someone had picked up the glass
|
||
|
paperweight from the table and smashed it to pieces on the hearth-stone.
|
||
|
|
||
|
The fragment of coral, a tiny crinkle of pink like a sugar rosebud from
|
||
|
a cake, rolled across the mat. How small, thought Winston, how small it
|
||
|
always was! There was a gasp and a thump behind him, and he received a
|
||
|
violent kick on the ankle which nearly flung him off his balance. One of
|
||
|
the men had smashed his fist into Julia's solar plexus, doubling her up
|
||
|
like a pocket ruler. She was thrashing about on the floor, fighting for
|
||
|
breath. Winston dared not turn his head even by a millimetre, but sometimes
|
||
|
her livid, gasping face came within the angle of his vision. Even in his
|
||
|
terror it was as though he could feel the pain in his own body, the deadly
|
||
|
pain which nevertheless was less urgent than the struggle to get back her
|
||
|
breath. He knew what it was like; the terrible, agonizing pain which was
|
||
|
there all the while but could not be suffered yet, because before all else
|
||
|
it was necessary to be able to breathe. Then two of the men hoisted her
|
||
|
up by knees and shoulders, and carried her out of the room like a sack.
|
||
|
Winston had a glimpse of her face, upside down, yellow and contorted, with
|
||
|
the eyes shut, and still with a smear of rouge on either cheek; and that
|
||
|
was the last he saw of her.
|
||
|
|
||
|
He stood dead still. No one had hit him yet. Thoughts which came of their
|
||
|
own accord but seemed totally uninteresting began to flit through his
|
||
|
mind. He wondered whether they had got Mr Charrington. He wondered what
|
||
|
they had done to the woman in the yard. He noticed that he badly wanted
|
||
|
to urinate, and felt a faint surprise, because he had done so only two or
|
||
|
three hours ago. He noticed that the clock on the mantelpiece said nine,
|
||
|
meaning twenty-one. But the light seemed too strong. Would not the light
|
||
|
be fading at twenty-one hours on an August evening? He wondered whether
|
||
|
after all he and Julia had mistaken the time--had slept the clock round
|
||
|
and thought it was twenty-thirty when really it was nought eight-thirty
|
||
|
on the following morning. But he did not pursue the thought further.
|
||
|
It was not interesting.
|
||
|
|
||
|
There was another, lighter step in the passage. Mr Charrington came into
|
||
|
the room. The demeanour of the black-uniformed men suddenly became more
|
||
|
subdued. Something had also changed in Mr Charrington's appearance. His
|
||
|
eye fell on the fragments of the glass paperweight.
|
||
|
|
||
|
'Pick up those pieces,' he said sharply.
|
||
|
|
||
|
A man stooped to obey. The cockney accent had disappeared; Winston suddenly
|
||
|
realized whose voice it was that he had heard a few moments ago on the
|
||
|
telescreen. Mr Charrington was still wearing his old velvet jacket, but
|
||
|
his hair, which had been almost white, had turned black. Also he was not
|
||
|
wearing his spectacles. He gave Winston a single sharp glance, as though
|
||
|
verifying his identity, and then paid no more attention to him. He was
|
||
|
still recognizable, but he was not the same person any longer. His body
|
||
|
had straightened, and seemed to have grown bigger. His face had undergone
|
||
|
only tiny changes that had nevertheless worked a complete transformation.
|
||
|
The black eyebrows were less bushy, the wrinkles were gone, the whole
|
||
|
lines of the face seemed to have altered; even the nose seemed shorter. It
|
||
|
was the alert, cold face of a man of about five-and-thirty. It occurred to
|
||
|
Winston that for the first time in his life he was looking, with knowledge,
|
||
|
at a member of the Thought Police.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
PART THREE
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Chapter 1
|
||
|
|
||
|
|
||
|
|
||
|
He did not know where he was. Presumably he was in the Ministry of Love,
|
||
|
but there was no way of making certain. He was in a high-ceilinged
|
||
|
windowless cell with walls of glittering white porcelain. Concealed lamps
|
||
|
flooded it with cold light, and there was a low, steady humming sound
|
||
|
which he supposed had something to do with the air supply. A bench, or
|
||
|
shelf, just wide enough to sit on ran round the wall, broken only by the
|
||
|
door and, at the end opposite the door, a lavatory pan with no wooden
|
||
|
seat. There were four telescreens, one in each wall.
|
||
|
|
||
|
There was a dull aching in his belly. It had been there ever since they
|
||
|
had bundled him into the closed van and driven him away. But he was also
|
||
|
hungry, with a gnawing, unwholesome kind of hunger. It might be twenty-four
|
||
|
hours since he had eaten, it might be thirty-six. He still did not know,
|
||
|
probably never would know, whether it had been morning or evening when
|
||
|
they arrested him. Since he was arrested he had not been fed.
|
||
|
|
||
|
He sat as still as he could on the narrow bench, with his hands crossed
|
||
|
on his knee. He had already learned to sit still. If you made unexpected
|
||
|
movements they yelled at you from the telescreen. But the craving for food
|
||
|
was growing upon him. What he longed for above all was a piece of bread.
|
||
|
He had an idea that there were a few breadcrumbs in the pocket of his
|
||
|
overalls. It was even possible--he thought this because from time to time
|
||
|
something seemed to tickle his leg--that there might be a sizeable bit of
|
||
|
crust there. In the end the temptation to find out overcame his fear; he
|
||
|
slipped a hand into his pocket.
|
||
|
|
||
|
'Smith!' yelled a voice from the telescreen. '6079 Smith W.! Hands out of
|
||
|
pockets in the cells!'
|
||
|
|
||
|
He sat still again, his hands crossed on his knee. Before being brought
|
||
|
here he had been taken to another place which must have been an ordinary
|
||
|
prison or a temporary lock-up used by the patrols. He did not know how
|
||
|
long he had been there; some hours at any rate; with no clocks and no
|
||
|
daylight it was hard to gauge the time. It was a noisy, evil-smelling
|
||
|
place. They had put him into a cell similar to the one he was now in,
|
||
|
but filthily dirty and at all times crowded by ten or fifteen people. The
|
||
|
majority of them were common criminals, but there were a few political
|
||
|
prisoners among them. He had sat silent against the wall, jostled by dirty
|
||
|
bodies, too preoccupied by fear and the pain in his belly to take much
|
||
|
interest in his surroundings, but still noticing the astonishing difference
|
||
|
in demeanour between the Party prisoners and the others. The Party
|
||
|
prisoners were always silent and terrified, but the ordinary criminals
|
||
|
seemed to care nothing for anybody. They yelled insults at the guards,
|
||
|
fought back fiercely when their belongings were impounded, wrote obscene
|
||
|
words on the floor, ate smuggled food which they produced from mysterious
|
||
|
hiding-places in their clothes, and even shouted down the telescreen when
|
||
|
it tried to restore order. On the other hand some of them seemed to be on
|
||
|
good terms with the guards, called them by nicknames, and tried to wheedle
|
||
|
cigarettes through the spyhole in the door. The guards, too, treated the
|
||
|
common criminals with a certain forbearance, even when they had to handle
|
||
|
them roughly. There was much talk about the forced-labour camps to which
|
||
|
most of the prisoners expected to be sent. It was 'all right' in the
|
||
|
camps, he gathered, so long as you had good contacts and knew the ropes.
|
||
|
There was bribery, favouritism, and racketeering of every kind, there was
|
||
|
homosexuality and prostitution, there was even illicit alcohol distilled
|
||
|
from potatoes. The positions of trust were given only to the common
|
||
|
criminals, especially the gangsters and the murderers, who formed a sort
|
||
|
of aristocracy. All the dirty jobs were done by the politicals.
|
||
|
|
||
|
There was a constant come-and-go of prisoners of every description:
|
||
|
drug-peddlers, thieves, bandits, black-marketeers, drunks, prostitutes.
|
||
|
Some of the drunks were so violent that the other prisoners had to combine
|
||
|
to suppress them. An enormous wreck of a woman, aged about sixty, with
|
||
|
great tumbling breasts and thick coils of white hair which had come down
|
||
|
in her struggles, was carried in, kicking and shouting, by four guards,
|
||
|
who had hold of her one at each corner. They wrenched off the boots with
|
||
|
which she had been trying to kick them, and dumped her down across
|
||
|
Winston's lap, almost breaking his thigh-bones. The woman hoisted herself
|
||
|
upright and followed them out with a yell of 'F---- bastards!' Then,
|
||
|
noticing that she was sitting on something uneven, she slid off Winston's
|
||
|
knees on to the bench.
|
||
|
|
||
|
'Beg pardon, dearie,' she said. 'I wouldn't 'a sat on you, only the buggers
|
||
|
put me there. They dono 'ow to treat a lady, do they?' She paused, patted
|
||
|
her breast, and belched. 'Pardon,' she said, 'I ain't meself, quite.'
|
||
|
|
||
|
She leant forward and vomited copiously on the floor.
|
||
|
|
||
|
'Thass better,' she said, leaning back with closed eyes. 'Never keep it
|
||
|
down, thass what I say. Get it up while it's fresh on your stomach, like.'
|
||
|
|
||
|
She revived, turned to have another look at Winston and seemed immediately
|
||
|
to take a fancy to him. She put a vast arm round his shoulder and drew him
|
||
|
towards her, breathing beer and vomit into his face.
|
||
|
|
||
|
'Wass your name, dearie?' she said.
|
||
|
|
||
|
'Smith,' said Winston.
|
||
|
|
||
|
'Smith?' said the woman. 'Thass funny. My name's Smith too. Why,' she
|
||
|
added sentimentally, 'I might be your mother!'
|
||
|
|
||
|
She might, thought Winston, be his mother. She was about the right age and
|
||
|
physique, and it was probable that people changed somewhat after twenty
|
||
|
years in a forced-labour camp.
|
||
|
|
||
|
No one else had spoken to him. To a surprising extent the ordinary
|
||
|
criminals ignored the Party prisoners. 'The polITS,' they called them,
|
||
|
with a sort of uninterested contempt. The Party prisoners seemed terrified
|
||
|
of speaking to anybody, and above all of speaking to one another. Only
|
||
|
once, when two Party members, both women, were pressed close together on
|
||
|
the bench, he overheard amid the din of voices a few hurriedly-whispered
|
||
|
words; and in particular a reference to something called 'room one-oh-one',
|
||
|
which he did not understand.
|
||
|
|
||
|
It might be two or three hours ago that they had brought him here. The
|
||
|
dull pain in his belly never went away, but sometimes it grew better and
|
||
|
sometimes worse, and his thoughts expanded or contracted accordingly. When
|
||
|
it grew worse he thought only of the pain itself, and of his desire for
|
||
|
food. When it grew better, panic took hold of him. There were moments
|
||
|
when he foresaw the things that would happen to him with such actuality
|
||
|
that his heart galloped and his breath stopped. He felt the smash of
|
||
|
truncheons on his elbows and iron-shod boots on his shins; he saw himself
|
||
|
grovelling on the floor, screaming for mercy through broken teeth. He
|
||
|
hardly thought of Julia. He could not fix his mind on her. He loved her
|
||
|
and would not betray her; but that was only a fact, known as he knew the
|
||
|
rules of arithmetic. He felt no love for her, and he hardly even wondered
|
||
|
what was happening to her. He thought oftener of O'Brien, with a flickering
|
||
|
hope. O'Brien might know that he had been arrested. The Brotherhood, he
|
||
|
had said, never tried to save its members. But there was the razor blade;
|
||
|
they would send the razor blade if they could. There would be perhaps five
|
||
|
seconds before the guard could rush into the cell. The blade would bite
|
||
|
into him with a sort of burning coldness, and even the fingers that held
|
||
|
it would be cut to the bone. Everything came back to his sick body, which
|
||
|
shrank trembling from the smallest pain. He was not certain that he would
|
||
|
use the razor blade even if he got the chance. It was more natural to exist
|
||
|
from moment to moment, accepting another ten minutes' life even with the
|
||
|
certainty that there was torture at the end of it.
|
||
|
|
||
|
Sometimes he tried to calculate the number of porcelain bricks in the
|
||
|
walls of the cell. It should have been easy, but he always lost count at
|
||
|
some point or another. More often he wondered where he was, and what time
|
||
|
of day it was. At one moment he felt certain that it was broad daylight
|
||
|
outside, and at the next equally certain that it was pitch darkness. In
|
||
|
this place, he knew instinctively, the lights would never be turned out.
|
||
|
It was the place with no darkness: he saw now why O'Brien had seemed to
|
||
|
recognize the allusion. In the Ministry of Love there were no windows. His
|
||
|
cell might be at the heart of the building or against its outer wall; it
|
||
|
might be ten floors below ground, or thirty above it. He moved himself
|
||
|
mentally from place to place, and tried to determine by the feeling of his
|
||
|
body whether he was perched high in the air or buried deep underground.
|
||
|
|
||
|
There was a sound of marching boots outside. The steel door opened with
|
||
|
a clang. A young officer, a trim black-uniformed figure who seemed to
|
||
|
glitter all over with polished leather, and whose pale, straight-featured
|
||
|
face was like a wax mask, stepped smartly through the doorway. He motioned
|
||
|
to the guards outside to bring in the prisoner they were leading. The
|
||
|
poet Ampleforth shambled into the cell. The door clanged shut again.
|
||
|
|
||
|
Ampleforth made one or two uncertain movements from side to side, as
|
||
|
though having some idea that there was another door to go out of, and then
|
||
|
began to wander up and down the cell. He had not yet noticed Winston's
|
||
|
presence. His troubled eyes were gazing at the wall about a metre above
|
||
|
the level of Winston's head. He was shoeless; large, dirty toes were
|
||
|
sticking out of the holes in his socks. He was also several days away
|
||
|
from a shave. A scrubby beard covered his face to the cheekbones, giving
|
||
|
him an air of ruffianism that went oddly with his large weak frame and
|
||
|
nervous movements.
|
||
|
|
||
|
Winston roused himself a little from his lethargy. He must speak
|
||
|
to Ampleforth, and risk the yell from the telescreen. It was even
|
||
|
conceivable that Ampleforth was the bearer of the razor blade.
|
||
|
|
||
|
'Ampleforth,' he said.
|
||
|
|
||
|
There was no yell from the telescreen. Ampleforth paused, mildly startled.
|
||
|
His eyes focused themselves slowly on Winston.
|
||
|
|
||
|
'Ah, Smith!' he said. 'You too!'
|
||
|
|
||
|
'What are you in for?'
|
||
|
|
||
|
'To tell you the truth--' He sat down awkwardly on the bench opposite
|
||
|
Winston. 'There is only one offence, is there not?' he said.
|
||
|
|
||
|
'And have you committed it?'
|
||
|
|
||
|
'Apparently I have.'
|
||
|
|
||
|
He put a hand to his forehead and pressed his temples for a moment, as
|
||
|
though trying to remember something.
|
||
|
|
||
|
'These things happen,' he began vaguely. 'I have been able to recall one
|
||
|
instance--a possible instance. It was an indiscretion, undoubtedly. We
|
||
|
were producing a definitive edition of the poems of Kipling. I allowed the
|
||
|
word "God" to remain at the end of a line. I could not help it!' he added
|
||
|
almost indignantly, raising his face to look at Winston. 'It was impossible
|
||
|
to change the line. The rhyme was "rod". Do you realize that there are only
|
||
|
twelve rhymes to "rod" in the entire language? For days I had racked my
|
||
|
brains. There WAS no other rhyme.'
|
||
|
|
||
|
The expression on his face changed. The annoyance passed out of it and for
|
||
|
a moment he looked almost pleased. A sort of intellectual warmth, the joy
|
||
|
of the pedant who has found out some useless fact, shone through the dirt
|
||
|
and scrubby hair.
|
||
|
|
||
|
'Has it ever occurred to you,' he said, 'that the whole history of English
|
||
|
poetry has been determined by the fact that the English language lacks
|
||
|
rhymes?'
|
||
|
|
||
|
No, that particular thought had never occurred to Winston. Nor, in the
|
||
|
circumstances, did it strike him as very important or interesting.
|
||
|
|
||
|
'Do you know what time of day it is?' he said.
|
||
|
|
||
|
Ampleforth looked startled again. 'I had hardly thought about it. They
|
||
|
arrested me--it could be two days ago--perhaps three.' His eyes flitted
|
||
|
round the walls, as though he half expected to find a window somewhere.
|
||
|
'There is no difference between night and day in this place. I do not see
|
||
|
how one can calculate the time.'
|
||
|
|
||
|
They talked desultorily for some minutes, then, without apparent reason,
|
||
|
a yell from the telescreen bade them be silent. Winston sat quietly, his
|
||
|
hands crossed. Ampleforth, too large to sit in comfort on the narrow
|
||
|
bench, fidgeted from side to side, clasping his lank hands first round one
|
||
|
knee, then round the other. The telescreen barked at him to keep still.
|
||
|
Time passed. Twenty minutes, an hour--it was difficult to judge. Once more
|
||
|
there was a sound of boots outside. Winston's entrails contracted. Soon,
|
||
|
very soon, perhaps in five minutes, perhaps now, the tramp of boots would
|
||
|
mean that his own turn had come.
|
||
|
|
||
|
The door opened. The cold-faced young officer stepped into the cell. With
|
||
|
a brief movement of the hand he indicated Ampleforth.
|
||
|
|
||
|
'Room 101,' he said.
|
||
|
|
||
|
Ampleforth marched clumsily out between the guards, his face vaguely
|
||
|
perturbed, but uncomprehending.
|
||
|
|
||
|
What seemed like a long time passed. The pain in Winston's belly had
|
||
|
revived. His mind sagged round and round on the same trick, like a ball
|
||
|
falling again and again into the same series of slots. He had only six
|
||
|
thoughts. The pain in his belly; a piece of bread; the blood and the
|
||
|
screaming; O'Brien; Julia; the razor blade. There was another spasm in his
|
||
|
entrails, the heavy boots were approaching. As the door opened, the wave
|
||
|
of air that it created brought in a powerful smell of cold sweat. Parsons
|
||
|
walked into the cell. He was wearing khaki shorts and a sports-shirt.
|
||
|
|
||
|
This time Winston was startled into self-forgetfulness.
|
||
|
|
||
|
'YOU here!' he said.
|
||
|
|
||
|
Parsons gave Winston a glance in which there was neither interest nor
|
||
|
surprise, but only misery. He began walking jerkily up and down, evidently
|
||
|
unable to keep still. Each time he straightened his pudgy knees it was
|
||
|
apparent that they were trembling. His eyes had a wide-open, staring look,
|
||
|
as though he could not prevent himself from gazing at something in the
|
||
|
middle distance.
|
||
|
|
||
|
'What are you in for?' said Winston.
|
||
|
|
||
|
'Thoughtcrime!' said Parsons, almost blubbering. The tone of his voice
|
||
|
implied at once a complete admission of his guilt and a sort of incredulous
|
||
|
horror that such a word could be applied to himself. He paused opposite
|
||
|
Winston and began eagerly appealing to him: 'You don't think they'll shoot
|
||
|
me, do you, old chap? They don't shoot you if you haven't actually done
|
||
|
anything--only thoughts, which you can't help? I know they give you a fair
|
||
|
hearing. Oh, I trust them for that! They'll know my record, won't they?
|
||
|
YOU know what kind of chap I was. Not a bad chap in my way. Not brainy, of
|
||
|
course, but keen. I tried to do my best for the Party, didn't I? I'll get
|
||
|
off with five years, don't you think? Or even ten years? A chap like me
|
||
|
could make himself pretty useful in a labour-camp. They wouldn't shoot me
|
||
|
for going off the rails just once?'
|
||
|
|
||
|
'Are you guilty?' said Winston.
|
||
|
|
||
|
'Of course I'm guilty!' cried Parsons with a servile glance at the
|
||
|
telescreen. 'You don't think the Party would arrest an innocent man,
|
||
|
do you?' His frog-like face grew calmer, and even took on a slightly
|
||
|
sanctimonious expression. 'Thoughtcrime is a dreadful thing, old man,'
|
||
|
he said sententiously. 'It's insidious. It can get hold of you without
|
||
|
your even knowing it. Do you know how it got hold of me? In my sleep! Yes,
|
||
|
that's a fact. There I was, working away, trying to do my bit--never knew
|
||
|
I had any bad stuff in my mind at all. And then I started talking in my
|
||
|
sleep. Do you know what they heard me saying?'
|
||
|
|
||
|
He sank his voice, like someone who is obliged for medical reasons to
|
||
|
utter an obscenity.
|
||
|
|
||
|
'"Down with Big Brother!" Yes, I said that! Said it over and over again,
|
||
|
it seems. Between you and me, old man, I'm glad they got me before it went
|
||
|
any further. Do you know what I'm going to say to them when I go up before
|
||
|
the tribunal? "Thank you," I'm going to say, "thank you for saving me
|
||
|
before it was too late."'
|
||
|
|
||
|
'Who denounced you?' said Winston.
|
||
|
|
||
|
'It was my little daughter,' said Parsons with a sort of doleful pride.
|
||
|
'She listened at the keyhole. Heard what I was saying, and nipped off to
|
||
|
the patrols the very next day. Pretty smart for a nipper of seven, eh?
|
||
|
I don't bear her any grudge for it. In fact I'm proud of her. It shows I
|
||
|
brought her up in the right spirit, anyway.'
|
||
|
|
||
|
He made a few more jerky movements up and down, several times, casting a
|
||
|
longing glance at the lavatory pan. Then he suddenly ripped down his
|
||
|
shorts.
|
||
|
|
||
|
'Excuse me, old man,' he said. 'I can't help it. It's the waiting.'
|
||
|
|
||
|
He plumped his large posterior into the lavatory pan. Winston covered his
|
||
|
face with his hands.
|
||
|
|
||
|
'Smith!' yelled the voice from the telescreen. '6079 Smith W.! Uncover your
|
||
|
face. No faces covered in the cells.'
|
||
|
|
||
|
Winston uncovered his face. Parsons used the lavatory, loudly and
|
||
|
abundantly. It then turned out that the plug was defective and the cell
|
||
|
stank abominably for hours afterwards.
|
||
|
|
||
|
Parsons was removed. More prisoners came and went, mysteriously. One, a
|
||
|
woman, was consigned to 'Room 101', and, Winston noticed, seemed to shrivel
|
||
|
and turn a different colour when she heard the words. A time came when, if
|
||
|
it had been morning when he was brought here, it would be afternoon; or if
|
||
|
it had been afternoon, then it would be midnight. There were six prisoners
|
||
|
in the cell, men and women. All sat very still. Opposite Winston there sat
|
||
|
a man with a chinless, toothy face exactly like that of some large,
|
||
|
harmless rodent. His fat, mottled cheeks were so pouched at the bottom
|
||
|
that it was difficult not to believe that he had little stores of food
|
||
|
tucked away there. His pale-grey eyes flitted timorously from face to face
|
||
|
and turned quickly away again when he caught anyone's eye.
|
||
|
|
||
|
The door opened, and another prisoner was brought in whose appearance sent
|
||
|
a momentary chill through Winston. He was a commonplace, mean-looking man
|
||
|
who might have been an engineer or technician of some kind. But what was
|
||
|
startling was the emaciation of his face. It was like a skull. Because of
|
||
|
its thinness the mouth and eyes looked disproportionately large, and the
|
||
|
eyes seemed filled with a murderous, unappeasable hatred of somebody or
|
||
|
something.
|
||
|
|
||
|
The man sat down on the bench at a little distance from Winston. Winston
|
||
|
did not look at him again, but the tormented, skull-like face was as
|
||
|
vivid in his mind as though it had been straight in front of his eyes.
|
||
|
Suddenly he realized what was the matter. The man was dying of starvation.
|
||
|
The same thought seemed to occur almost simultaneously to everyone in the
|
||
|
cell. There was a very faint stirring all the way round the bench. The
|
||
|
eyes of the chinless man kept flitting towards the skull-faced man, then
|
||
|
turning guiltily away, then being dragged back by an irresistible
|
||
|
attraction. Presently he began to fidget on his seat. At last he stood up,
|
||
|
waddled clumsily across the cell, dug down into the pocket of his overalls,
|
||
|
and, with an abashed air, held out a grimy piece of bread to the
|
||
|
skull-faced man.
|
||
|
|
||
|
There was a furious, deafening roar from the telescreen. The chinless man
|
||
|
jumped in his tracks. The skull-faced man had quickly thrust his hands
|
||
|
behind his back, as though demonstrating to all the world that he refused
|
||
|
the gift.
|
||
|
|
||
|
'Bumstead!' roared the voice. '2713 Bumstead J.! Let fall that piece of
|
||
|
bread!'
|
||
|
|
||
|
The chinless man dropped the piece of bread on the floor.
|
||
|
|
||
|
'Remain standing where you are,' said the voice. 'Face the door. Make no
|
||
|
movement.'
|
||
|
|
||
|
The chinless man obeyed. His large pouchy cheeks were quivering
|
||
|
uncontrollably. The door clanged open. As the young officer entered and
|
||
|
stepped aside, there emerged from behind him a short stumpy guard with
|
||
|
enormous arms and shoulders. He took his stand opposite the chinless man,
|
||
|
and then, at a signal from the officer, let free a frightful blow, with
|
||
|
all the weight of his body behind it, full in the chinless man's mouth.
|
||
|
The force of it seemed almost to knock him clear of the floor. His body
|
||
|
was flung across the cell and fetched up against the base of the lavatory
|
||
|
seat. For a moment he lay as though stunned, with dark blood oozing from
|
||
|
his mouth and nose. A very faint whimpering or squeaking, which seemed
|
||
|
unconscious, came out of him. Then he rolled over and raised himself
|
||
|
unsteadily on hands and knees. Amid a stream of blood and saliva, the two
|
||
|
halves of a dental plate fell out of his mouth.
|
||
|
|
||
|
The prisoners sat very still, their hands crossed on their knees. The
|
||
|
chinless man climbed back into his place. Down one side of his face the
|
||
|
flesh was darkening. His mouth had swollen into a shapeless cherry-coloured
|
||
|
mass with a black hole in the middle of it.
|
||
|
|
||
|
From time to time a little blood dripped on to the breast of his overalls.
|
||
|
His grey eyes still flitted from face to face, more guiltily than ever,
|
||
|
as though he were trying to discover how much the others despised him for
|
||
|
his humiliation.
|
||
|
|
||
|
The door opened. With a small gesture the officer indicated the
|
||
|
skull-faced man.
|
||
|
|
||
|
'Room 101,' he said.
|
||
|
|
||
|
There was a gasp and a flurry at Winston's side. The man had actually
|
||
|
flung himself on his knees on the floor, with his hand clasped together.
|
||
|
|
||
|
'Comrade! Officer!' he cried. 'You don't have to take me to that place!
|
||
|
Haven't I told you everything already? What else is it you want to know?
|
||
|
There's nothing I wouldn't confess, nothing! Just tell me what it is and
|
||
|
I'll confess straight off. Write it down and I'll sign it--anything!
|
||
|
Not room 101!'
|
||
|
|
||
|
'Room 101,' said the officer.
|
||
|
|
||
|
The man's face, already very pale, turned a colour Winston would not have
|
||
|
believed possible. It was definitely, unmistakably, a shade of green.
|
||
|
|
||
|
'Do anything to me!' he yelled. 'You've been starving me for weeks. Finish
|
||
|
it off and let me die. Shoot me. Hang me. Sentence me to twenty-five
|
||
|
years. Is there somebody else you want me to give away? Just say who it is
|
||
|
and I'll tell you anything you want. I don't care who it is or what you do
|
||
|
to them. I've got a wife and three children. The biggest of them isn't six
|
||
|
years old. You can take the whole lot of them and cut their throats in
|
||
|
front of my eyes, and I'll stand by and watch it. But not Room 101!'
|
||
|
|
||
|
'Room 101,' said the officer.
|
||
|
|
||
|
The man looked frantically round at the other prisoners, as though with
|
||
|
some idea that he could put another victim in his own place. His eyes
|
||
|
settled on the smashed face of the chinless man. He flung out a lean arm.
|
||
|
|
||
|
'That's the one you ought to be taking, not me!' he shouted. 'You didn't
|
||
|
hear what he was saying after they bashed his face. Give me a chance and
|
||
|
I'll tell you every word of it. HE'S the one that's against the Party, not
|
||
|
me.' The guards stepped forward. The man's voice rose to a shriek. 'You
|
||
|
didn't hear him!' he repeated. 'Something went wrong with the telescreen.
|
||
|
HE'S the one you want. Take him, not me!'
|
||
|
|
||
|
The two sturdy guards had stooped to take him by the arms. But just at
|
||
|
this moment he flung himself across the floor of the cell and grabbed one
|
||
|
of the iron legs that supported the bench. He had set up a wordless
|
||
|
howling, like an animal. The guards took hold of him to wrench him loose,
|
||
|
but he clung on with astonishing strength. For perhaps twenty seconds
|
||
|
they were hauling at him. The prisoners sat quiet, their hands crossed on
|
||
|
their knees, looking straight in front of them. The howling stopped; the
|
||
|
man had no breath left for anything except hanging on. Then there was a
|
||
|
different kind of cry. A kick from a guard's boot had broken the fingers
|
||
|
of one of his hands. They dragged him to his feet.
|
||
|
|
||
|
'Room 101,' said the officer.
|
||
|
|
||
|
The man was led out, walking unsteadily, with head sunken, nursing his
|
||
|
crushed hand, all the fight had gone out of him.
|
||
|
|
||
|
A long time passed. If it had been midnight when the skull-faced man was
|
||
|
taken away, it was morning: if morning, it was afternoon. Winston was
|
||
|
alone, and had been alone for hours. The pain of sitting on the narrow
|
||
|
bench was such that often he got up and walked about, unreproved by the
|
||
|
telescreen. The piece of bread still lay where the chinless man had
|
||
|
dropped it. At the beginning it needed a hard effort not to look at it,
|
||
|
but presently hunger gave way to thirst. His mouth was sticky and
|
||
|
evil-tasting. The humming sound and the unvarying white light induced a
|
||
|
sort of faintness, an empty feeling inside his head. He would get up
|
||
|
because the ache in his bones was no longer bearable, and then would sit
|
||
|
down again almost at once because he was too dizzy to make sure of
|
||
|
staying on his feet. Whenever his physical sensations were a little under
|
||
|
control the terror returned. Sometimes with a fading hope he thought of
|
||
|
O'Brien and the razor blade. It was thinkable that the razor blade might
|
||
|
arrive concealed in his food, if he were ever fed. More dimly he thought
|
||
|
of Julia. Somewhere or other she was suffering perhaps far worse than he.
|
||
|
She might be screaming with pain at this moment. He thought: 'If I could
|
||
|
save Julia by doubling my own pain, would I do it? Yes, I would.' But that
|
||
|
was merely an intellectual decision, taken because he knew that he ought
|
||
|
to take it. He did not feel it. In this place you could not feel anything,
|
||
|
except pain and foreknowledge of pain. Besides, was it possible, when you
|
||
|
were actually suffering it, to wish for any reason that your own pain
|
||
|
should increase? But that question was not answerable yet.
|
||
|
|
||
|
The boots were approaching again. The door opened. O'Brien came in.
|
||
|
|
||
|
Winston started to his feet. The shock of the sight had driven all
|
||
|
caution out of him. For the first time in many years he forgot the
|
||
|
presence of the telescreen.
|
||
|
|
||
|
'They've got you too!' he cried.
|
||
|
|
||
|
'They got me a long time ago,' said O'Brien with a mild, almost regretful
|
||
|
irony. He stepped aside. From behind him there emerged a broad-chested
|
||
|
guard with a long black truncheon in his hand.
|
||
|
|
||
|
'You know this, Winston,' said O'Brien. 'Don't deceive yourself. You did
|
||
|
know it--you have always known it.'
|
||
|
|
||
|
Yes, he saw now, he had always known it. But there was no time to think of
|
||
|
that. All he had eyes for was the truncheon in the guard's hand. It might
|
||
|
fall anywhere; on the crown, on the tip of the ear, on the upper arm, on
|
||
|
the elbow----
|
||
|
|
||
|
The elbow! He had slumped to his knees, almost paralysed, clasping the
|
||
|
stricken elbow with his other hand. Everything had exploded into yellow
|
||
|
light. Inconceivable, inconceivable that one blow could cause such pain!
|
||
|
The light cleared and he could see the other two looking down at him. The
|
||
|
guard was laughing at his contortions. One question at any rate was
|
||
|
answered. Never, for any reason on earth, could you wish for an increase
|
||
|
of pain. Of pain you could wish only one thing: that it should stop.
|
||
|
Nothing in the world was so bad as physical pain. In the face of pain
|
||
|
there are no heroes, no heroes, he thought over and over as he writhed
|
||
|
on the floor, clutching uselessly at his disabled left arm.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Chapter 2
|
||
|
|
||
|
|
||
|
|
||
|
He was lying on something that felt like a camp bed, except that it was
|
||
|
higher off the ground and that he was fixed down in some way so that he
|
||
|
could not move. Light that seemed stronger than usual was falling on his
|
||
|
face. O'Brien was standing at his side, looking down at him intently. At
|
||
|
the other side of him stood a man in a white coat, holding a hypodermic
|
||
|
syringe.
|
||
|
|
||
|
Even after his eyes were open he took in his surroundings only gradually.
|
||
|
He had the impression of swimming up into this room from some quite
|
||
|
different world, a sort of underwater world far beneath it. How long he
|
||
|
had been down there he did not know. Since the moment when they arrested
|
||
|
him he had not seen darkness or daylight. Besides, his memories were not
|
||
|
continuous. There had been times when consciousness, even the sort of
|
||
|
consciousness that one has in sleep, had stopped dead and started again
|
||
|
after a blank interval. But whether the intervals were of days or weeks
|
||
|
or only seconds, there was no way of knowing.
|
||
|
|
||
|
With that first blow on the elbow the nightmare had started. Later he was
|
||
|
to realize that all that then happened was merely a preliminary, a routine
|
||
|
interrogation to which nearly all prisoners were subjected. There was a
|
||
|
long range of crimes--espionage, sabotage, and the like--to which everyone
|
||
|
had to confess as a matter of course. The confession was a formality,
|
||
|
though the torture was real. How many times he had been beaten, how long
|
||
|
the beatings had continued, he could not remember. Always there were five
|
||
|
or six men in black uniforms at him simultaneously. Sometimes it was
|
||
|
fists, sometimes it was truncheons, sometimes it was steel rods, sometimes
|
||
|
it was boots. There were times when he rolled about the floor, as shameless
|
||
|
as an animal, writhing his body this way and that in an endless, hopeless
|
||
|
effort to dodge the kicks, and simply inviting more and yet more kicks,
|
||
|
in his ribs, in his belly, on his elbows, on his shins, in his groin,
|
||
|
in his testicles, on the bone at the base of his spine. There were times
|
||
|
when it went on and on until the cruel, wicked, unforgivable thing seemed
|
||
|
to him not that the guards continued to beat him but that he could not
|
||
|
force himself into losing consciousness. There were times when his nerve
|
||
|
so forsook him that he began shouting for mercy even before the beating
|
||
|
began, when the mere sight of a fist drawn back for a blow was enough
|
||
|
to make him pour forth a confession of real and imaginary crimes. There
|
||
|
were other times when he started out with the resolve of confessing
|
||
|
nothing, when every word had to be forced out of him between gasps of
|
||
|
pain, and there were times when he feebly tried to compromise, when he
|
||
|
said to himself: 'I will confess, but not yet. I must hold out till the
|
||
|
pain becomes unbearable. Three more kicks, two more kicks, and then I will
|
||
|
tell them what they want.' Sometimes he was beaten till he could hardly
|
||
|
stand, then flung like a sack of potatoes on to the stone floor of a cell,
|
||
|
left to recuperate for a few hours, and then taken out and beaten again.
|
||
|
There were also longer periods of recovery. He remembered them dimly,
|
||
|
because they were spent chiefly in sleep or stupor. He remembered a cell
|
||
|
with a plank bed, a sort of shelf sticking out from the wall, and a tin
|
||
|
wash-basin, and meals of hot soup and bread and sometimes coffee. He
|
||
|
remembered a surly barber arriving to scrape his chin and crop his hair,
|
||
|
and businesslike, unsympathetic men in white coats feeling his pulse,
|
||
|
tapping his reflexes, turning up his eyelids, running harsh fingers over
|
||
|
him in search for broken bones, and shooting needles into his arm to make
|
||
|
him sleep.
|
||
|
|
||
|
The beatings grew less frequent, and became mainly a threat, a horror
|
||
|
to which he could be sent back at any moment when his answers were
|
||
|
unsatisfactory. His questioners now were not ruffians in black uniforms
|
||
|
but Party intellectuals, little rotund men with quick movements and
|
||
|
flashing spectacles, who worked on him in relays over periods which
|
||
|
lasted--he thought, he could not be sure--ten or twelve hours at a stretch.
|
||
|
These other questioners saw to it that he was in constant slight pain, but
|
||
|
it was not chiefly pain that they relied on. They slapped his face, wrung
|
||
|
his ears, pulled his hair, made him stand on one leg, refused him leave to
|
||
|
urinate, shone glaring lights in his face until his eyes ran with water;
|
||
|
but the aim of this was simply to humiliate him and destroy his power of
|
||
|
arguing and reasoning. Their real weapon was the merciless questioning
|
||
|
that went on and on, hour after hour, tripping him up, laying traps for
|
||
|
him, twisting everything that he said, convicting him at every step of
|
||
|
lies and self-contradiction until he began weeping as much from shame as
|
||
|
from nervous fatigue. Sometimes he would weep half a dozen times in a
|
||
|
single session. Most of the time they screamed abuse at him and threatened
|
||
|
at every hesitation to deliver him over to the guards again; but sometimes
|
||
|
they would suddenly change their tune, call him comrade, appeal to him in
|
||
|
the name of Ingsoc and Big Brother, and ask him sorrowfully whether even
|
||
|
now he had not enough loyalty to the Party left to make him wish to
|
||
|
undo the evil he had done. When his nerves were in rags after hours of
|
||
|
questioning, even this appeal could reduce him to snivelling tears. In the
|
||
|
end the nagging voices broke him down more completely than the boots and
|
||
|
fists of the guards. He became simply a mouth that uttered, a hand that
|
||
|
signed, whatever was demanded of him. His sole concern was to find out
|
||
|
what they wanted him to confess, and then confess it quickly, before the
|
||
|
bullying started anew. He confessed to the assassination of eminent Party
|
||
|
members, the distribution of seditious pamphlets, embezzlement of public
|
||
|
funds, sale of military secrets, sabotage of every kind. He confessed that
|
||
|
he had been a spy in the pay of the Eastasian government as far back as
|
||
|
1968. He confessed that he was a religious believer, an admirer of
|
||
|
capitalism, and a sexual pervert. He confessed that he had murdered his
|
||
|
wife, although he knew, and his questioners must have known, that his wife
|
||
|
was still alive. He confessed that for years he had been in personal touch
|
||
|
with Goldstein and had been a member of an underground organization which
|
||
|
had included almost every human being he had ever known. It was easier to
|
||
|
confess everything and implicate everybody. Besides, in a sense it was all
|
||
|
true. It was true that he had been the enemy of the Party, and in the eyes
|
||
|
of the Party there was no distinction between the thought and the deed.
|
||
|
|
||
|
There were also memories of another kind. They stood out in his mind
|
||
|
disconnectedly, like pictures with blackness all round them.
|
||
|
|
||
|
He was in a cell which might have been either dark or light, because he
|
||
|
could see nothing except a pair of eyes. Near at hand some kind of
|
||
|
instrument was ticking slowly and regularly. The eyes grew larger and more
|
||
|
luminous. Suddenly he floated out of his seat, dived into the eyes, and
|
||
|
was swallowed up.
|
||
|
|
||
|
He was strapped into a chair surrounded by dials, under dazzling lights.
|
||
|
A man in a white coat was reading the dials. There was a tramp of heavy
|
||
|
boots outside. The door clanged open. The waxed-faced officer marched in,
|
||
|
followed by two guards.
|
||
|
|
||
|
'Room 101,' said the officer.
|
||
|
|
||
|
The man in the white coat did not turn round. He did not look at Winston
|
||
|
either; he was looking only at the dials.
|
||
|
|
||
|
He was rolling down a mighty corridor, a kilometre wide, full of glorious,
|
||
|
golden light, roaring with laughter and shouting out confessions at the
|
||
|
top of his voice. He was confessing everything, even the things he had
|
||
|
succeeded in holding back under the torture. He was relating the entire
|
||
|
history of his life to an audience who knew it already. With him were the
|
||
|
guards, the other questioners, the men in white coats, O'Brien, Julia,
|
||
|
Mr Charrington, all rolling down the corridor together and shouting with
|
||
|
laughter. Some dreadful thing which had lain embedded in the future had
|
||
|
somehow been skipped over and had not happened. Everything was all right,
|
||
|
there was no more pain, the last detail of his life was laid bare,
|
||
|
understood, forgiven.
|
||
|
|
||
|
He was starting up from the plank bed in the half-certainty that he had
|
||
|
heard O'Brien's voice. All through his interrogation, although he had
|
||
|
never seen him, he had had the feeling that O'Brien was at his elbow, just
|
||
|
out of sight. It was O'Brien who was directing everything. It was he who
|
||
|
set the guards on to Winston and who prevented them from killing him. It
|
||
|
was he who decided when Winston should scream with pain, when he should
|
||
|
have a respite, when he should be fed, when he should sleep, when the
|
||
|
drugs should be pumped into his arm. It was he who asked the questions and
|
||
|
suggested the answers. He was the tormentor, he was the protector, he was
|
||
|
the inquisitor, he was the friend. And once--Winston could not remember
|
||
|
whether it was in drugged sleep, or in normal sleep, or even in a moment
|
||
|
of wakefulness--a voice murmured in his ear: 'Don't worry, Winston; you
|
||
|
are in my keeping. For seven years I have watched over you. Now the
|
||
|
turning-point has come. I shall save you, I shall make you perfect.' He
|
||
|
was not sure whether it was O'Brien's voice; but it was the same voice
|
||
|
that had said to him, 'We shall meet in the place where there is no
|
||
|
darkness,' in that other dream, seven years ago.
|
||
|
|
||
|
He did not remember any ending to his interrogation. There was a period of
|
||
|
blackness and then the cell, or room, in which he now was had gradually
|
||
|
materialized round him. He was almost flat on his back, and unable to move.
|
||
|
His body was held down at every essential point. Even the back of his head
|
||
|
was gripped in some manner. O'Brien was looking down at him gravely and
|
||
|
rather sadly. His face, seen from below, looked coarse and worn, with
|
||
|
pouches under the eyes and tired lines from nose to chin. He was older
|
||
|
than Winston had thought him; he was perhaps forty-eight or fifty. Under
|
||
|
his hand there was a dial with a lever on top and figures running round
|
||
|
the face.
|
||
|
|
||
|
'I told you,' said O'Brien, 'that if we met again it would be here.'
|
||
|
|
||
|
'Yes,' said Winston.
|
||
|
|
||
|
Without any warning except a slight movement of O'Brien's hand, a wave of
|
||
|
pain flooded his body. It was a frightening pain, because he could not see
|
||
|
what was happening, and he had the feeling that some mortal injury was
|
||
|
being done to him. He did not know whether the thing was really happening,
|
||
|
or whether the effect was electrically produced; but his body was being
|
||
|
wrenched out of shape, the joints were being slowly torn apart. Although
|
||
|
the pain had brought the sweat out on his forehead, the worst of all was
|
||
|
the fear that his backbone was about to snap. He set his teeth and
|
||
|
breathed hard through his nose, trying to keep silent as long as possible.
|
||
|
|
||
|
'You are afraid,' said O'Brien, watching his face, 'that in another moment
|
||
|
something is going to break. Your especial fear is that it will be your
|
||
|
backbone. You have a vivid mental picture of the vertebrae snapping apart
|
||
|
and the spinal fluid dripping out of them. That is what you are thinking,
|
||
|
is it not, Winston?'
|
||
|
|
||
|
Winston did not answer. O'Brien drew back the lever on the dial. The wave
|
||
|
of pain receded almost as quickly as it had come.
|
||
|
|
||
|
'That was forty,' said O'Brien. 'You can see that the numbers on this dial
|
||
|
run up to a hundred. Will you please remember, throughout our conversation,
|
||
|
that I have it in my power to inflict pain on you at any moment and to
|
||
|
whatever degree I choose? If you tell me any lies, or attempt to
|
||
|
prevaricate in any way, or even fall below your usual level of
|
||
|
intelligence, you will cry out with pain, instantly. Do you understand
|
||
|
that?'
|
||
|
|
||
|
'Yes,' said Winston.
|
||
|
|
||
|
O'Brien's manner became less severe. He resettled his spectacles
|
||
|
thoughtfully, and took a pace or two up and down. When he spoke his voice
|
||
|
was gentle and patient. He had the air of a doctor, a teacher, even a
|
||
|
priest, anxious to explain and persuade rather than to punish.
|
||
|
|
||
|
'I am taking trouble with you, Winston,' he said, 'because you are worth
|
||
|
trouble. You know perfectly well what is the matter with you. You have
|
||
|
known it for years, though you have fought against the knowledge. You are
|
||
|
mentally deranged. You suffer from a defective memory. You are unable to
|
||
|
remember real events and you persuade yourself that you remember other
|
||
|
events which never happened. Fortunately it is curable. You have never
|
||
|
cured yourself of it, because you did not choose to. There was a small
|
||
|
effort of the will that you were not ready to make. Even now, I am well
|
||
|
aware, you are clinging to your disease under the impression that it is
|
||
|
a virtue. Now we will take an example. At this moment, which power is
|
||
|
Oceania at war with?'
|
||
|
|
||
|
'When I was arrested, Oceania was at war with Eastasia.'
|
||
|
|
||
|
'With Eastasia. Good. And Oceania has always been at war with Eastasia,
|
||
|
has it not?'
|
||
|
|
||
|
Winston drew in his breath. He opened his mouth to speak and then did not
|
||
|
speak. He could not take his eyes away from the dial.
|
||
|
|
||
|
'The truth, please, Winston. YOUR truth. Tell me what you think you
|
||
|
remember.'
|
||
|
|
||
|
'I remember that until only a week before I was arrested, we were not at
|
||
|
war with Eastasia at all. We were in alliance with them. The war was
|
||
|
against Eurasia. That had lasted for four years. Before that----'
|
||
|
|
||
|
O'Brien stopped him with a movement of the hand.
|
||
|
|
||
|
'Another example,' he said. 'Some years ago you had a very serious delusion
|
||
|
indeed. You believed that three men, three one-time Party members named
|
||
|
Jones, Aaronson, and Rutherford--men who were executed for treachery and
|
||
|
sabotage after making the fullest possible confession--were not guilty of
|
||
|
the crimes they were charged with. You believed that you had seen
|
||
|
unmistakable documentary evidence proving that their confessions were
|
||
|
false. There was a certain photograph about which you had a hallucination.
|
||
|
You believed that you had actually held it in your hands. It was a
|
||
|
photograph something like this.'
|
||
|
|
||
|
An oblong slip of newspaper had appeared between O'Brien's fingers. For
|
||
|
perhaps five seconds it was within the angle of Winston's vision. It was
|
||
|
a photograph, and there was no question of its identity. It was THE
|
||
|
photograph. It was another copy of the photograph of Jones, Aaronson, and
|
||
|
Rutherford at the party function in New York, which he had chanced upon
|
||
|
eleven years ago and promptly destroyed. For only an instant it was before
|
||
|
his eyes, then it was out of sight again. But he had seen it,
|
||
|
unquestionably he had seen it! He made a desperate, agonizing effort to
|
||
|
wrench the top half of his body free. It was impossible to move so much as
|
||
|
a centimetre in any direction. For the moment he had even forgotten the
|
||
|
dial. All he wanted was to hold the photograph in his fingers again, or at
|
||
|
least to see it.
|
||
|
|
||
|
'It exists!' he cried.
|
||
|
|
||
|
'No,' said O'Brien.
|
||
|
|
||
|
He stepped across the room. There was a memory hole in the opposite wall.
|
||
|
O'Brien lifted the grating. Unseen, the frail slip of paper was whirling
|
||
|
away on the current of warm air; it was vanishing in a flash of flame.
|
||
|
O'Brien turned away from the wall.
|
||
|
|
||
|
'Ashes,' he said. 'Not even identifiable ashes. Dust. It does not exist.
|
||
|
It never existed.'
|
||
|
|
||
|
'But it did exist! It does exist! It exists in memory. I remember it.
|
||
|
You remember it.'
|
||
|
|
||
|
'I do not remember it,' said O'Brien.
|
||
|
|
||
|
Winston's heart sank. That was doublethink. He had a feeling of deadly
|
||
|
helplessness. If he could have been certain that O'Brien was lying, it
|
||
|
would not have seemed to matter. But it was perfectly possible that O'Brien
|
||
|
had really forgotten the photograph. And if so, then already he would have
|
||
|
forgotten his denial of remembering it, and forgotten the act of
|
||
|
forgetting. How could one be sure that it was simple trickery? Perhaps
|
||
|
that lunatic dislocation in the mind could really happen: that was the
|
||
|
thought that defeated him.
|
||
|
|
||
|
O'Brien was looking down at him speculatively. More than ever he had the
|
||
|
air of a teacher taking pains with a wayward but promising child.
|
||
|
|
||
|
'There is a Party slogan dealing with the control of the past,' he said.
|
||
|
'Repeat it, if you please.'
|
||
|
|
||
|
'"Who controls the past controls the future: who controls the present
|
||
|
controls the past,"' repeated Winston obediently.
|
||
|
|
||
|
'"Who controls the present controls the past,"' said O'Brien, nodding his
|
||
|
head with slow approval. 'Is it your opinion, Winston, that the past has
|
||
|
real existence?'
|
||
|
|
||
|
Again the feeling of helplessness descended upon Winston. His eyes flitted
|
||
|
towards the dial. He not only did not know whether 'yes' or 'no' was the
|
||
|
answer that would save him from pain; he did not even know which answer he
|
||
|
believed to be the true one.
|
||
|
|
||
|
O'Brien smiled faintly. 'You are no metaphysician, Winston,' he said.
|
||
|
'Until this moment you had never considered what is meant by existence. I
|
||
|
will put it more precisely. Does the past exist concretely, in space? Is
|
||
|
there somewhere or other a place, a world of solid objects, where the past
|
||
|
is still happening?'
|
||
|
|
||
|
'No.'
|
||
|
|
||
|
'Then where does the past exist, if at all?'
|
||
|
|
||
|
'In records. It is written down.'
|
||
|
|
||
|
'In records. And----?'
|
||
|
|
||
|
'In the mind. In human memories.'
|
||
|
|
||
|
'In memory. Very well, then. We, the Party, control all records, and we
|
||
|
control all memories. Then we control the past, do we not?'
|
||
|
|
||
|
'But how can you stop people remembering things?' cried Winston again
|
||
|
momentarily forgetting the dial. 'It is involuntary. It is outside oneself.
|
||
|
How can you control memory? You have not controlled mine!'
|
||
|
|
||
|
O'Brien's manner grew stern again. He laid his hand on the dial.
|
||
|
|
||
|
'On the contrary,' he said, 'YOU have not controlled it. That is what has
|
||
|
brought you here. You are here because you have failed in humility, in
|
||
|
self-discipline. You would not make the act of submission which is the
|
||
|
price of sanity. You preferred to be a lunatic, a minority of one. Only the
|
||
|
disciplined mind can see reality, Winston. You believe that reality is
|
||
|
something objective, external, existing in its own right. You also believe
|
||
|
that the nature of reality is self-evident. When you delude yourself into
|
||
|
thinking that you see something, you assume that everyone else sees the
|
||
|
same thing as you. But I tell you, Winston, that reality is not external.
|
||
|
Reality exists in the human mind, and nowhere else. Not in the individual
|
||
|
mind, which can make mistakes, and in any case soon perishes: only in the
|
||
|
mind of the Party, which is collective and immortal. Whatever the Party
|
||
|
holds to be the truth, is truth. It is impossible to see reality except by
|
||
|
looking through the eyes of the Party. That is the fact that you have got
|
||
|
to relearn, Winston. It needs an act of self-destruction, an effort of the
|
||
|
will. You must humble yourself before you can become sane.'
|
||
|
|
||
|
He paused for a few moments, as though to allow what he had been saying to
|
||
|
sink in.
|
||
|
|
||
|
'Do you remember,' he went on, 'writing in your diary, "Freedom is the
|
||
|
freedom to say that two plus two make four"?'
|
||
|
|
||
|
'Yes,' said Winston.
|
||
|
|
||
|
O'Brien held up his left hand, its back towards Winston, with the thumb
|
||
|
hidden and the four fingers extended.
|
||
|
|
||
|
'How many fingers am I holding up, Winston?'
|
||
|
|
||
|
'Four.'
|
||
|
|
||
|
'And if the party says that it is not four but five--then how many?'
|
||
|
|
||
|
'Four.'
|
||
|
|
||
|
The word ended in a gasp of pain. The needle of the dial had shot up to
|
||
|
fifty-five. The sweat had sprung out all over Winston's body. The air tore
|
||
|
into his lungs and issued again in deep groans which even by clenching his
|
||
|
teeth he could not stop. O'Brien watched him, the four fingers still
|
||
|
extended. He drew back the lever. This time the pain was only slightly
|
||
|
eased.
|
||
|
|
||
|
'How many fingers, Winston?'
|
||
|
|
||
|
'Four.'
|
||
|
|
||
|
The needle went up to sixty.
|
||
|
|
||
|
'How many fingers, Winston?'
|
||
|
|
||
|
'Four! Four! What else can I say? Four!'
|
||
|
|
||
|
The needle must have risen again, but he did not look at it. The heavy,
|
||
|
stern face and the four fingers filled his vision. The fingers stood up
|
||
|
before his eyes like pillars, enormous, blurry, and seeming to vibrate,
|
||
|
but unmistakably four.
|
||
|
|
||
|
'How many fingers, Winston?'
|
||
|
|
||
|
'Four! Stop it, stop it! How can you go on? Four! Four!'
|
||
|
|
||
|
'How many fingers, Winston?'
|
||
|
|
||
|
'Five! Five! Five!'
|
||
|
|
||
|
'No, Winston, that is no use. You are lying. You still think there are
|
||
|
four. How many fingers, please?'
|
||
|
|
||
|
'Four! five! Four! Anything you like. Only stop it, stop the pain!'
|
||
|
|
||
|
Abruptly he was sitting up with O'Brien's arm round his shoulders. He had
|
||
|
perhaps lost consciousness for a few seconds. The bonds that had held his
|
||
|
body down were loosened. He felt very cold, he was shaking uncontrollably,
|
||
|
his teeth were chattering, the tears were rolling down his cheeks. For a
|
||
|
moment he clung to O'Brien like a baby, curiously comforted by the heavy
|
||
|
arm round his shoulders. He had the feeling that O'Brien was his protector,
|
||
|
that the pain was something that came from outside, from some other source,
|
||
|
and that it was O'Brien who would save him from it.
|
||
|
|
||
|
'You are a slow learner, Winston,' said O'Brien gently.
|
||
|
|
||
|
'How can I help it?' he blubbered. 'How can I help seeing what is in front
|
||
|
of my eyes? Two and two are four.'
|
||
|
|
||
|
'Sometimes, Winston. Sometimes they are five. Sometimes they are three.
|
||
|
Sometimes they are all of them at once. You must try harder. It is not
|
||
|
easy to become sane.'
|
||
|
|
||
|
He laid Winston down on the bed. The grip of his limbs tightened again,
|
||
|
but the pain had ebbed away and the trembling had stopped, leaving him
|
||
|
merely weak and cold. O'Brien motioned with his head to the man in the
|
||
|
white coat, who had stood immobile throughout the proceedings. The man in
|
||
|
the white coat bent down and looked closely into Winston's eyes, felt his
|
||
|
pulse, laid an ear against his chest, tapped here and there, then he
|
||
|
nodded to O'Brien.
|
||
|
|
||
|
'Again,' said O'Brien.
|
||
|
|
||
|
The pain flowed into Winston's body. The needle must be at seventy,
|
||
|
seventy-five. He had shut his eyes this time. He knew that the fingers
|
||
|
were still there, and still four. All that mattered was somehow to stay
|
||
|
alive until the spasm was over. He had ceased to notice whether he was
|
||
|
crying out or not. The pain lessened again. He opened his eyes. O'Brien
|
||
|
had drawn back the lever.
|
||
|
|
||
|
'How many fingers, Winston?'
|
||
|
|
||
|
'Four. I suppose there are four. I would see five if I could. I am trying
|
||
|
to see five.'
|
||
|
|
||
|
'Which do you wish: to persuade me that you see five, or really to see
|
||
|
them?'
|
||
|
|
||
|
'Really to see them.'
|
||
|
|
||
|
'Again,' said O'Brien.
|
||
|
|
||
|
Perhaps the needle was eighty--ninety. Winston could not intermittently
|
||
|
remember why the pain was happening. Behind his screwed-up eyelids a
|
||
|
forest of fingers seemed to be moving in a sort of dance, weaving in and
|
||
|
out, disappearing behind one another and reappearing again. He was trying
|
||
|
to count them, he could not remember why. He knew only that it was
|
||
|
impossible to count them, and that this was somehow due to the mysterious
|
||
|
identity between five and four. The pain died down again. When he opened
|
||
|
his eyes it was to find that he was still seeing the same thing.
|
||
|
Innumerable fingers, like moving trees, were still streaming past in
|
||
|
either direction, crossing and recrossing. He shut his eyes again.
|
||
|
|
||
|
'How many fingers am I holding up, Winston?'
|
||
|
|
||
|
'I don't know. I don't know. You will kill me if you do that again. Four,
|
||
|
five, six--in all honesty I don't know.'
|
||
|
|
||
|
'Better,' said O'Brien.
|
||
|
|
||
|
A needle slid into Winston's arm. Almost in the same instant a blissful,
|
||
|
healing warmth spread all through his body. The pain was already
|
||
|
half-forgotten. He opened his eyes and looked up gratefully at O'Brien.
|
||
|
At sight of the heavy, lined face, so ugly and so intelligent, his heart
|
||
|
seemed to turn over. If he could have moved he would have stretched out
|
||
|
a hand and laid it on O'Brien's arm. He had never loved him so deeply as
|
||
|
at this moment, and not merely because he had stopped the pain. The old
|
||
|
feeling, that at bottom it did not matter whether O'Brien was a friend
|
||
|
or an enemy, had come back. O'Brien was a person who could be talked to.
|
||
|
Perhaps one did not want to be loved so much as to be understood. O'Brien
|
||
|
had tortured him to the edge of lunacy, and in a little while, it was
|
||
|
certain, he would send him to his death. It made no difference. In some
|
||
|
sense that went deeper than friendship, they were intimates: somewhere or
|
||
|
other, although the actual words might never be spoken, there was a place
|
||
|
where they could meet and talk. O'Brien was looking down at him with an
|
||
|
expression which suggested that the same thought might be in his own mind.
|
||
|
When he spoke it was in an easy, conversational tone.
|
||
|
|
||
|
'Do you know where you are, Winston?' he said.
|
||
|
|
||
|
'I don't know. I can guess. In the Ministry of Love.'
|
||
|
|
||
|
'Do you know how long you have been here?'
|
||
|
|
||
|
'I don't know. Days, weeks, months--I think it is months.'
|
||
|
|
||
|
'And why do you imagine that we bring people to this place?'
|
||
|
|
||
|
'To make them confess.'
|
||
|
|
||
|
'No, that is not the reason. Try again.'
|
||
|
|
||
|
'To punish them.'
|
||
|
|
||
|
'No!' exclaimed O'Brien. His voice had changed extraordinarily, and his
|
||
|
face had suddenly become both stern and animated. 'No! Not merely to
|
||
|
extract your confession, not to punish you. Shall I tell you why we have
|
||
|
brought you here? To cure you! To make you sane! Will you understand,
|
||
|
Winston, that no one whom we bring to this place ever leaves our hands
|
||
|
uncured? We are not interested in those stupid crimes that you have
|
||
|
committed. The Party is not interested in the overt act: the thought is
|
||
|
all we care about. We do not merely destroy our enemies, we change them.
|
||
|
Do you understand what I mean by that?'
|
||
|
|
||
|
He was bending over Winston. His face looked enormous because of its
|
||
|
nearness, and hideously ugly because it was seen from below. Moreover it
|
||
|
was filled with a sort of exaltation, a lunatic intensity. Again Winston's
|
||
|
heart shrank. If it had been possible he would have cowered deeper into
|
||
|
the bed. He felt certain that O'Brien was about to twist the dial out of
|
||
|
sheer wantonness. At this moment, however, O'Brien turned away. He took a
|
||
|
pace or two up and down. Then he continued less vehemently:
|
||
|
|
||
|
'The first thing for you to understand is that in this place there are no
|
||
|
martyrdoms. You have read of the religious persecutions of the past. In
|
||
|
the Middle Ages there was the Inquisition. It was a failure. It set out
|
||
|
to eradicate heresy, and ended by perpetuating it. For every heretic it
|
||
|
burned at the stake, thousands of others rose up. Why was that? Because
|
||
|
the Inquisition killed its enemies in the open, and killed them while
|
||
|
they were still unrepentant: in fact, it killed them because they were
|
||
|
unrepentant. Men were dying because they would not abandon their true
|
||
|
beliefs. Naturally all the glory belonged to the victim and all the shame
|
||
|
to the Inquisitor who burned him. Later, in the twentieth century, there
|
||
|
were the totalitarians, as they were called. There were the German Nazis
|
||
|
and the Russian Communists. The Russians persecuted heresy more cruelly
|
||
|
than the Inquisition had done. And they imagined that they had learned
|
||
|
from the mistakes of the past; they knew, at any rate, that one must not
|
||
|
make martyrs. Before they exposed their victims to public trial, they
|
||
|
deliberately set themselves to destroy their dignity. They wore them down
|
||
|
by torture and solitude until they were despicable, cringing wretches,
|
||
|
confessing whatever was put into their mouths, covering themselves with
|
||
|
abuse, accusing and sheltering behind one another, whimpering for mercy.
|
||
|
And yet after only a few years the same thing had happened over again.
|
||
|
The dead men had become martyrs and their degradation was forgotten. Once
|
||
|
again, why was it? In the first place, because the confessions that they
|
||
|
had made were obviously extorted and untrue. We do not make mistakes of
|
||
|
that kind. All the confessions that are uttered here are true. We make
|
||
|
them true. And above all we do not allow the dead to rise up against us.
|
||
|
You must stop imagining that posterity will vindicate you, Winston.
|
||
|
Posterity will never hear of you. You will be lifted clean out from the
|
||
|
stream of history. We shall turn you into gas and pour you into the
|
||
|
stratosphere. Nothing will remain of you, not a name in a register, not
|
||
|
a memory in a living brain. You will be annihilated in the past as well
|
||
|
as in the future. You will never have existed.'
|
||
|
|
||
|
Then why bother to torture me? thought Winston, with a momentary
|
||
|
bitterness. O'Brien checked his step as though Winston had uttered the
|
||
|
thought aloud. His large ugly face came nearer, with the eyes a little
|
||
|
narrowed.
|
||
|
|
||
|
'You are thinking,' he said, 'that since we intend to destroy you utterly,
|
||
|
so that nothing that you say or do can make the smallest difference--in
|
||
|
that case, why do we go to the trouble of interrogating you first? That is
|
||
|
what you were thinking, was it not?'
|
||
|
|
||
|
'Yes,' said Winston.
|
||
|
|
||
|
O'Brien smiled slightly. 'You are a flaw in the pattern, Winston. You are
|
||
|
a stain that must be wiped out. Did I not tell you just now that we are
|
||
|
different from the persecutors of the past? We are not content with
|
||
|
negative obedience, nor even with the most abject submission. When finally
|
||
|
you surrender to us, it must be of your own free will. We do not destroy
|
||
|
the heretic because he resists us: so long as he resists us we never
|
||
|
destroy him. We convert him, we capture his inner mind, we reshape him.
|
||
|
We burn all evil and all illusion out of him; we bring him over to our
|
||
|
side, not in appearance, but genuinely, heart and soul. We make him one of
|
||
|
ourselves before we kill him. It is intolerable to us that an erroneous
|
||
|
thought should exist anywhere in the world, however secret and powerless
|
||
|
it may be. Even in the instant of death we cannot permit any deviation. In
|
||
|
the old days the heretic walked to the stake still a heretic, proclaiming
|
||
|
his heresy, exulting in it. Even the victim of the Russian purges could
|
||
|
carry rebellion locked up in his skull as he walked down the passage
|
||
|
waiting for the bullet. But we make the brain perfect before we blow it
|
||
|
out. The command of the old despotisms was "Thou shalt not". The command
|
||
|
of the totalitarians was "Thou shalt". Our command is "THOU ART". No one
|
||
|
whom we bring to this place ever stands out against us. Everyone is washed
|
||
|
clean. Even those three miserable traitors in whose innocence you once
|
||
|
believed--Jones, Aaronson, and Rutherford--in the end we broke them down.
|
||
|
I took part in their interrogation myself. I saw them gradually worn down,
|
||
|
whimpering, grovelling, weeping--and in the end it was not with pain or
|
||
|
fear, only with penitence. By the time we had finished with them they were
|
||
|
only the shells of men. There was nothing left in them except sorrow for
|
||
|
what they had done, and love of Big Brother. It was touching to see
|
||
|
how they loved him. They begged to be shot quickly, so that they could die
|
||
|
while their minds were still clean.'
|
||
|
|
||
|
His voice had grown almost dreamy. The exaltation, the lunatic enthusiasm,
|
||
|
was still in his face. He is not pretending, thought Winston, he is not a
|
||
|
hypocrite, he believes every word he says. What most oppressed him was the
|
||
|
consciousness of his own intellectual inferiority. He watched the heavy
|
||
|
yet graceful form strolling to and fro, in and out of the range of his
|
||
|
vision. O'Brien was a being in all ways larger than himself. There was no
|
||
|
idea that he had ever had, or could have, that O'Brien had not long ago
|
||
|
known, examined, and rejected. His mind CONTAINED Winston's mind. But
|
||
|
in that case how could it be true that O'Brien was mad? It must be he,
|
||
|
Winston, who was mad. O'Brien halted and looked down at him. His voice had
|
||
|
grown stern again.
|
||
|
|
||
|
'Do not imagine that you will save yourself, Winston, however completely
|
||
|
you surrender to us. No one who has once gone astray is ever spared. And
|
||
|
even if we chose to let you live out the natural term of your life, still
|
||
|
you would never escape from us. What happens to you here is for ever.
|
||
|
Understand that in advance. We shall crush you down to the point from
|
||
|
which there is no coming back. Things will happen to you from which you
|
||
|
could not recover, if you lived a thousand years. Never again will you be
|
||
|
capable of ordinary human feeling. Everything will be dead inside you.
|
||
|
Never again will you be capable of love, or friendship, or joy of living,
|
||
|
or laughter, or curiosity, or courage, or integrity. You will be hollow.
|
||
|
We shall squeeze you empty, and then we shall fill you with ourselves.'
|
||
|
|
||
|
He paused and signed to the man in the white coat. Winston was aware of
|
||
|
some heavy piece of apparatus being pushed into place behind his head.
|
||
|
O'Brien had sat down beside the bed, so that his face was almost on a
|
||
|
level with Winston's.
|
||
|
|
||
|
'Three thousand,' he said, speaking over Winston's head to the man in the
|
||
|
white coat.
|
||
|
|
||
|
Two soft pads, which felt slightly moist, clamped themselves against
|
||
|
Winston's temples. He quailed. There was pain coming, a new kind of pain.
|
||
|
O'Brien laid a hand reassuringly, almost kindly, on his.
|
||
|
|
||
|
'This time it will not hurt,' he said. 'Keep your eyes fixed on mine.'
|
||
|
|
||
|
At this moment there was a devastating explosion, or what seemed like an
|
||
|
explosion, though it was not certain whether there was any noise. There
|
||
|
was undoubtedly a blinding flash of light. Winston was not hurt, only
|
||
|
prostrated. Although he had already been lying on his back when the thing
|
||
|
happened, he had a curious feeling that he had been knocked into that
|
||
|
position. A terrific painless blow had flattened him out. Also something
|
||
|
had happened inside his head. As his eyes regained their focus he
|
||
|
remembered who he was, and where he was, and recognized the face that was
|
||
|
gazing into his own; but somewhere or other there was a large patch of
|
||
|
emptiness, as though a piece had been taken out of his brain.
|
||
|
|
||
|
'It will not last,' said O'Brien. 'Look me in the eyes. What country is
|
||
|
Oceania at war with?'
|
||
|
|
||
|
Winston thought. He knew what was meant by Oceania and that he himself was
|
||
|
a citizen of Oceania. He also remembered Eurasia and Eastasia; but who was
|
||
|
at war with whom he did not know. In fact he had not been aware that there
|
||
|
was any war.
|
||
|
|
||
|
'I don't remember.'
|
||
|
|
||
|
'Oceania is at war with Eastasia. Do you remember that now?'
|
||
|
|
||
|
'Yes.'
|
||
|
|
||
|
'Oceania has always been at war with Eastasia. Since the beginning of your
|
||
|
life, since the beginning of the Party, since the beginning of history,
|
||
|
the war has continued without a break, always the same war. Do you
|
||
|
remember that?'
|
||
|
|
||
|
'Yes.'
|
||
|
|
||
|
'Eleven years ago you created a legend about three men who had been
|
||
|
condemned to death for treachery. You pretended that you had seen a piece
|
||
|
of paper which proved them innocent. No such piece of paper ever existed.
|
||
|
You invented it, and later you grew to believe in it. You remember now the
|
||
|
very moment at which you first invented it. Do you remember that?'
|
||
|
|
||
|
'Yes.'
|
||
|
|
||
|
'Just now I held up the fingers of my hand to you. You saw five fingers.
|
||
|
Do you remember that?'
|
||
|
|
||
|
'Yes.'
|
||
|
|
||
|
O'Brien held up the fingers of his left hand, with the thumb concealed.
|
||
|
|
||
|
'There are five fingers there. Do you see five fingers?'
|
||
|
|
||
|
'Yes.'
|
||
|
|
||
|
And he did see them, for a fleeting instant, before the scenery of his
|
||
|
mind changed. He saw five fingers, and there was no deformity. Then
|
||
|
everything was normal again, and the old fear, the hatred, and the
|
||
|
bewilderment came crowding back again. But there had been a moment--he did
|
||
|
not know how long, thirty seconds, perhaps--of luminous certainty, when
|
||
|
each new suggestion of O'Brien's had filled up a patch of emptiness and
|
||
|
become absolute truth, and when two and two could have been three as
|
||
|
easily as five, if that were what was needed. It had faded but before
|
||
|
O'Brien had dropped his hand; but though he could not recapture it, he
|
||
|
could remember it, as one remembers a vivid experience at some period of
|
||
|
one's life when one was in effect a different person.
|
||
|
|
||
|
'You see now,' said O'Brien, 'that it is at any rate possible.'
|
||
|
|
||
|
'Yes,' said Winston.
|
||
|
|
||
|
O'Brien stood up with a satisfied air. Over to his left Winston saw the
|
||
|
man in the white coat break an ampoule and draw back the plunger of a
|
||
|
syringe. O'Brien turned to Winston with a smile. In almost the old manner
|
||
|
he resettled his spectacles on his nose.
|
||
|
|
||
|
'Do you remember writing in your diary,' he said, 'that it did not matter
|
||
|
whether I was a friend or an enemy, since I was at least a person who
|
||
|
understood you and could be talked to? You were right. I enjoy talking to
|
||
|
you. Your mind appeals to me. It resembles my own mind except that you
|
||
|
happen to be insane. Before we bring the session to an end you can ask me
|
||
|
a few questions, if you choose.'
|
||
|
|
||
|
'Any question I like?'
|
||
|
|
||
|
'Anything.' He saw that Winston's eyes were upon the dial. 'It is switched
|
||
|
off. What is your first question?'
|
||
|
|
||
|
'What have you done with Julia?' said Winston.
|
||
|
|
||
|
O'Brien smiled again. 'She betrayed you, Winston. Immediately--unreservedly.
|
||
|
I have seldom seen anyone come over to us so promptly. You would hardly
|
||
|
recognize her if you saw her. All her rebelliousness, her deceit, her
|
||
|
folly, her dirty-mindedness--everything has been burned out of her. It was
|
||
|
a perfect conversion, a textbook case.'
|
||
|
|
||
|
'You tortured her?'
|
||
|
|
||
|
O'Brien left this unanswered. 'Next question,' he said.
|
||
|
|
||
|
'Does Big Brother exist?'
|
||
|
|
||
|
'Of course he exists. The Party exists. Big Brother is the embodiment of
|
||
|
the Party.'
|
||
|
|
||
|
'Does he exist in the same way as I exist?'
|
||
|
|
||
|
'You do not exist,' said O'Brien.
|
||
|
|
||
|
Once again the sense of helplessness assailed him. He knew, or he could
|
||
|
imagine, the arguments which proved his own nonexistence; but they were
|
||
|
nonsense, they were only a play on words. Did not the statement, 'You do
|
||
|
not exist', contain a logical absurdity? But what use was it to say so?
|
||
|
His mind shrivelled as he thought of the unanswerable, mad arguments with
|
||
|
which O'Brien would demolish him.
|
||
|
|
||
|
'I think I exist,' he said wearily. 'I am conscious of my own identity.
|
||
|
I was born and I shall die. I have arms and legs. I occupy a particular
|
||
|
point in space. No other solid object can occupy the same point
|
||
|
simultaneously. In that sense, does Big Brother exist?'
|
||
|
|
||
|
'It is of no importance. He exists.'
|
||
|
|
||
|
'Will Big Brother ever die?'
|
||
|
|
||
|
'Of course not. How could he die? Next question.'
|
||
|
|
||
|
'Does the Brotherhood exist?'
|
||
|
|
||
|
'That, Winston, you will never know. If we choose to set you free when we
|
||
|
have finished with you, and if you live to be ninety years old, still you
|
||
|
will never learn whether the answer to that question is Yes or No. As long
|
||
|
as you live it will be an unsolved riddle in your mind.'
|
||
|
|
||
|
Winston lay silent. His breast rose and fell a little faster. He still had
|
||
|
not asked the question that had come into his mind the first. He had got
|
||
|
to ask it, and yet it was as though his tongue would not utter it. There
|
||
|
was a trace of amusement in O'Brien's face. Even his spectacles seemed to
|
||
|
wear an ironical gleam. He knows, thought Winston suddenly, he knows what
|
||
|
I am going to ask! At the thought the words burst out of him:
|
||
|
|
||
|
'What is in Room 101?'
|
||
|
|
||
|
The expression on O'Brien's face did not change. He answered drily:
|
||
|
|
||
|
'You know what is in Room 101, Winston. Everyone knows what is in
|
||
|
Room 101.'
|
||
|
|
||
|
He raised a finger to the man in the white coat. Evidently the session was
|
||
|
at an end. A needle jerked into Winston's arm. He sank almost instantly
|
||
|
into deep sleep.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Chapter 3
|
||
|
|
||
|
|
||
|
|
||
|
'There are three stages in your reintegration,' said O'Brien. 'There is
|
||
|
learning, there is understanding, and there is acceptance. It is time for
|
||
|
you to enter upon the second stage.'
|
||
|
|
||
|
As always, Winston was lying flat on his back. But of late his bonds were
|
||
|
looser. They still held him to the bed, but he could move his knees a
|
||
|
little and could turn his head from side to side and raise his arms from
|
||
|
the elbow. The dial, also, had grown to be less of a terror. He could
|
||
|
evade its pangs if he was quick-witted enough: it was chiefly when he
|
||
|
showed stupidity that O'Brien pulled the lever. Sometimes they got through
|
||
|
a whole session without use of the dial. He could not remember how many
|
||
|
sessions there had been. The whole process seemed to stretch out over a
|
||
|
long, indefinite time--weeks, possibly--and the intervals between the
|
||
|
sessions might sometimes have been days, sometimes only an hour or two.
|
||
|
|
||
|
'As you lie there,' said O'Brien, 'you have often wondered--you have even
|
||
|
asked me--why the Ministry of Love should expend so much time and trouble
|
||
|
on you. And when you were free you were puzzled by what was essentially
|
||
|
the same question. You could grasp the mechanics of the Society you lived
|
||
|
in, but not its underlying motives. Do you remember writing in your diary,
|
||
|
"I understand HOW: I do not understand WHY"? It was when you thought about
|
||
|
"why" that you doubted your own sanity. You have read THE BOOK,
|
||
|
Goldstein's book, or parts of it, at least. Did it tell you anything that
|
||
|
you did not know already?'
|
||
|
|
||
|
'You have read it?' said Winston.
|
||
|
|
||
|
'I wrote it. That is to say, I collaborated in writing it. No book is
|
||
|
produced individually, as you know.'
|
||
|
|
||
|
'Is it true, what it says?'
|
||
|
|
||
|
'As description, yes. The programme it sets forth is nonsense. The secret
|
||
|
accumulation of knowledge--a gradual spread of enlightenment--ultimately
|
||
|
a proletarian rebellion--the overthrow of the Party. You foresaw yourself
|
||
|
that that was what it would say. It is all nonsense. The proletarians will
|
||
|
never revolt, not in a thousand years or a million. They cannot. I do
|
||
|
not have to tell you the reason: you know it already. If you have ever
|
||
|
cherished any dreams of violent insurrection, you must abandon them. There
|
||
|
is no way in which the Party can be overthrown. The rule of the Party is
|
||
|
for ever. Make that the starting-point of your thoughts.'
|
||
|
|
||
|
He came closer to the bed. 'For ever!' he repeated. 'And now let us get
|
||
|
back to the question of "how" and "why". You understand well enough HOW
|
||
|
the Party maintains itself in power. Now tell me WHY we cling to power.
|
||
|
What is our motive? Why should we want power? Go on, speak,' he added as
|
||
|
Winston remained silent.
|
||
|
|
||
|
Nevertheless Winston did not speak for another moment or two. A feeling of
|
||
|
weariness had overwhelmed him. The faint, mad gleam of enthusiasm had come
|
||
|
back into O'Brien's face. He knew in advance what O'Brien would say. That
|
||
|
the Party did not seek power for its own ends, but only for the good of
|
||
|
the majority. That it sought power because men in the mass were frail,
|
||
|
cowardly creatures who could not endure liberty or face the truth, and
|
||
|
must be ruled over and systematically deceived by others who were stronger
|
||
|
than themselves. That the choice for mankind lay between freedom and
|
||
|
happiness, and that, for the great bulk of mankind, happiness was better.
|
||
|
That the party was the eternal guardian of the weak, a dedicated sect
|
||
|
doing evil that good might come, sacrificing its own happiness to that of
|
||
|
others. The terrible thing, thought Winston, the terrible thing was that
|
||
|
when O'Brien said this he would believe it. You could see it in his face.
|
||
|
O'Brien knew everything. A thousand times better than Winston he knew what
|
||
|
the world was really like, in what degradation the mass of human beings
|
||
|
lived and by what lies and barbarities the Party kept them there. He had
|
||
|
understood it all, weighed it all, and it made no difference: all was
|
||
|
justified by the ultimate purpose. What can you do, thought Winston,
|
||
|
against the lunatic who is more intelligent than yourself, who gives your
|
||
|
arguments a fair hearing and then simply persists in his lunacy?
|
||
|
|
||
|
'You are ruling over us for our own good,' he said feebly. 'You believe
|
||
|
that human beings are not fit to govern themselves, and therefore----'
|
||
|
|
||
|
He started and almost cried out. A pang of pain had shot through his body.
|
||
|
O'Brien had pushed the lever of the dial up to thirty-five.
|
||
|
|
||
|
'That was stupid, Winston, stupid!' he said. 'You should know better than
|
||
|
to say a thing like that.'
|
||
|
|
||
|
He pulled the lever back and continued:
|
||
|
|
||
|
'Now I will tell you the answer to my question. It is this. The Party
|
||
|
seeks power entirely for its own sake. We are not interested in the good
|
||
|
of others; we are interested solely in power. Not wealth or luxury or long
|
||
|
life or happiness: only power, pure power. What pure power means you will
|
||
|
understand presently. We are different from all the oligarchies of the
|
||
|
past, in that we know what we are doing. All the others, even those who
|
||
|
resembled ourselves, were cowards and hypocrites. The German Nazis and the
|
||
|
Russian Communists came very close to us in their methods, but they never
|
||
|
had the courage to recognize their own motives. They pretended, perhaps
|
||
|
they even believed, that they had seized power unwillingly and for a
|
||
|
limited time, and that just round the corner there lay a paradise where
|
||
|
human beings would be free and equal. We are not like that. We know that
|
||
|
no one ever seizes power with the intention of relinquishing it. Power is
|
||
|
not a means, it is an end. One does not establish a dictatorship in order
|
||
|
to safeguard a revolution; one makes the revolution in order to establish
|
||
|
the dictatorship. The object of persecution is persecution. The object of
|
||
|
torture is torture. The object of power is power. Now do you begin to
|
||
|
understand me?'
|
||
|
|
||
|
Winston was struck, as he had been struck before, by the tiredness of
|
||
|
O'Brien's face. It was strong and fleshy and brutal, it was full of
|
||
|
intelligence and a sort of controlled passion before which he felt himself
|
||
|
helpless; but it was tired. There were pouches under the eyes, the skin
|
||
|
sagged from the cheekbones. O'Brien leaned over him, deliberately bringing
|
||
|
the worn face nearer.
|
||
|
|
||
|
'You are thinking,' he said, 'that my face is old and tired. You are
|
||
|
thinking that I talk of power, and yet I am not even able to prevent the
|
||
|
decay of my own body. Can you not understand, Winston, that the individual
|
||
|
is only a cell? The weariness of the cell is the vigour of the organism.
|
||
|
Do you die when you cut your fingernails?'
|
||
|
|
||
|
He turned away from the bed and began strolling up and down again, one hand
|
||
|
in his pocket.
|
||
|
|
||
|
'We are the priests of power,' he said. 'God is power. But at present
|
||
|
power is only a word so far as you are concerned. It is time for you to
|
||
|
gather some idea of what power means. The first thing you must realize
|
||
|
is that power is collective. The individual only has power in so far as
|
||
|
he ceases to be an individual. You know the Party slogan: "Freedom is
|
||
|
Slavery". Has it ever occurred to you that it is reversible? Slavery is
|
||
|
freedom. Alone--free--the human being is always defeated. It must be so,
|
||
|
because every human being is doomed to die, which is the greatest of all
|
||
|
failures. But if he can make complete, utter submission, if he can escape
|
||
|
from his identity, if he can merge himself in the Party so that he IS the
|
||
|
Party, then he is all-powerful and immortal. The second thing for you to
|
||
|
realize is that power is power over human beings. Over the body--but, above
|
||
|
all, over the mind. Power over matter--external reality, as you would call
|
||
|
it--is not important. Already our control over matter is absolute.'
|
||
|
|
||
|
For a moment Winston ignored the dial. He made a violent effort to raise
|
||
|
himself into a sitting position, and merely succeeded in wrenching his
|
||
|
body painfully.
|
||
|
|
||
|
'But how can you control matter?' he burst out. 'You don't even control
|
||
|
the climate or the law of gravity. And there are disease, pain, death----'
|
||
|
|
||
|
O'Brien silenced him by a movement of his hand. 'We control matter because
|
||
|
we control the mind. Reality is inside the skull. You will learn by
|
||
|
degrees, Winston. There is nothing that we could not do. Invisibility,
|
||
|
levitation--anything. I could float off this floor like a soap bubble if
|
||
|
I wish to. I do not wish to, because the Party does not wish it. You must
|
||
|
get rid of those nineteenth-century ideas about the laws of Nature. We
|
||
|
make the laws of Nature.'
|
||
|
|
||
|
'But you do not! You are not even masters of this planet. What about
|
||
|
Eurasia and Eastasia? You have not conquered them yet.'
|
||
|
|
||
|
'Unimportant. We shall conquer them when it suits us. And if we did not,
|
||
|
what difference would it make? We can shut them out of existence. Oceania
|
||
|
is the world.'
|
||
|
|
||
|
'But the world itself is only a speck of dust. And man is tiny--helpless!
|
||
|
How long has he been in existence? For millions of years the earth was
|
||
|
uninhabited.'
|
||
|
|
||
|
'Nonsense. The earth is as old as we are, no older. How could it be older?
|
||
|
Nothing exists except through human consciousness.'
|
||
|
|
||
|
'But the rocks are full of the bones of extinct animals--mammoths and
|
||
|
mastodons and enormous reptiles which lived here long before man was ever
|
||
|
heard of.'
|
||
|
|
||
|
'Have you ever seen those bones, Winston? Of course not. Nineteenth-century
|
||
|
biologists invented them. Before man there was nothing. After man, if he
|
||
|
could come to an end, there would be nothing. Outside man there is
|
||
|
nothing.'
|
||
|
|
||
|
'But the whole universe is outside us. Look at the stars! Some of them are
|
||
|
a million light-years away. They are out of our reach for ever.'
|
||
|
|
||
|
'What are the stars?' said O'Brien indifferently. 'They are bits of fire
|
||
|
a few kilometres away. We could reach them if we wanted to. Or we could
|
||
|
blot them out. The earth is the centre of the universe. The sun and the
|
||
|
stars go round it.'
|
||
|
|
||
|
Winston made another convulsive movement. This time he did not say
|
||
|
anything. O'Brien continued as though answering a spoken objection:
|
||
|
|
||
|
'For certain purposes, of course, that is not true. When we navigate the
|
||
|
ocean, or when we predict an eclipse, we often find it convenient to
|
||
|
assume that the earth goes round the sun and that the stars are millions
|
||
|
upon millions of kilometres away. But what of it? Do you suppose it is
|
||
|
beyond us to produce a dual system of astronomy? The stars can be near
|
||
|
or distant, according as we need them. Do you suppose our mathematicians
|
||
|
are unequal to that? Have you forgotten doublethink?'
|
||
|
|
||
|
Winston shrank back upon the bed. Whatever he said, the swift answer
|
||
|
crushed him like a bludgeon. And yet he knew, he KNEW, that he was in the
|
||
|
right. The belief that nothing exists outside your own mind--surely there
|
||
|
must be some way of demonstrating that it was false? Had it not been
|
||
|
exposed long ago as a fallacy? There was even a name for it, which he
|
||
|
had forgotten. A faint smile twitched the corners of O'Brien's mouth as
|
||
|
he looked down at him.
|
||
|
|
||
|
'I told you, Winston,' he said, 'that metaphysics is not your strong
|
||
|
point. The word you are trying to think of is solipsism. But you are
|
||
|
mistaken. This is not solipsism. Collective solipsism, if you like. But
|
||
|
that is a different thing: in fact, the opposite thing. All this is a
|
||
|
digression,' he added in a different tone. 'The real power, the power we
|
||
|
have to fight for night and day, is not power over things, but over men.'
|
||
|
He paused, and for a moment assumed again his air of a schoolmaster
|
||
|
questioning a promising pupil: 'How does one man assert his power over
|
||
|
another, Winston?'
|
||
|
|
||
|
Winston thought. 'By making him suffer,' he said.
|
||
|
|
||
|
'Exactly. By making him suffer. Obedience is not enough. Unless he is
|
||
|
suffering, how can you be sure that he is obeying your will and not his
|
||
|
own? Power is in inflicting pain and humiliation. Power is in tearing
|
||
|
human minds to pieces and putting them together again in new shapes of
|
||
|
your own choosing. Do you begin to see, then, what kind of world we are
|
||
|
creating? It is the exact opposite of the stupid hedonistic Utopias that
|
||
|
the old reformers imagined. A world of fear and treachery and torment, a
|
||
|
world of trampling and being trampled upon, a world which will grow not
|
||
|
less but MORE merciless as it refines itself. Progress in our world will
|
||
|
be progress towards more pain. The old civilizations claimed that they
|
||
|
were founded on love or justice. Ours is founded upon hatred. In our world
|
||
|
there will be no emotions except fear, rage, triumph, and self-abasement.
|
||
|
Everything else we shall destroy--everything. Already we are breaking down
|
||
|
the habits of thought which have survived from before the Revolution. We
|
||
|
have cut the links between child and parent, and between man and man, and
|
||
|
between man and woman. No one dares trust a wife or a child or a friend
|
||
|
any longer. But in the future there will be no wives and no friends.
|
||
|
Children will be taken from their mothers at birth, as one takes eggs from
|
||
|
a hen. The sex instinct will be eradicated. Procreation will be an annual
|
||
|
formality like the renewal of a ration card. We shall abolish the orgasm.
|
||
|
Our neurologists are at work upon it now. There will be no loyalty, except
|
||
|
loyalty towards the Party. There will be no love, except the love of
|
||
|
Big Brother. There will be no laughter, except the laugh of triumph over
|
||
|
a defeated enemy. There will be no art, no literature, no science. When
|
||
|
we are omnipotent we shall have no more need of science. There will be
|
||
|
no distinction between beauty and ugliness. There will be no curiosity,
|
||
|
no enjoyment of the process of life. All competing pleasures will be
|
||
|
destroyed. But always--do not forget this, Winston--always there will be
|
||
|
the intoxication of power, constantly increasing and constantly growing
|
||
|
subtler. Always, at every moment, there will be the thrill of victory,
|
||
|
the sensation of trampling on an enemy who is helpless. If you want a
|
||
|
picture of the future, imagine a boot stamping on a human face--for ever.'
|
||
|
|
||
|
He paused as though he expected Winston to speak. Winston had tried to
|
||
|
shrink back into the surface of the bed again. He could not say anything.
|
||
|
His heart seemed to be frozen. O'Brien went on:
|
||
|
|
||
|
'And remember that it is for ever. The face will always be there to be
|
||
|
stamped upon. The heretic, the enemy of society, will always be there, so
|
||
|
that he can be defeated and humiliated over again. Everything that you
|
||
|
have undergone since you have been in our hands--all that will continue,
|
||
|
and worse. The espionage, the betrayals, the arrests, the tortures, the
|
||
|
executions, the disappearances will never cease. It will be a world of
|
||
|
terror as much as a world of triumph. The more the Party is powerful, the
|
||
|
less it will be tolerant: the weaker the opposition, the tighter the
|
||
|
despotism. Goldstein and his heresies will live for ever. Every day, at
|
||
|
every moment, they will be defeated, discredited, ridiculed, spat upon and
|
||
|
yet they will always survive. This drama that I have played out with you
|
||
|
during seven years will be played out over and over again generation after
|
||
|
generation, always in subtler forms. Always we shall have the heretic here
|
||
|
at our mercy, screaming with pain, broken up, contemptible--and in the end
|
||
|
utterly penitent, saved from himself, crawling to our feet of his own
|
||
|
accord. That is the world that we are preparing, Winston. A world of
|
||
|
victory after victory, triumph after triumph after triumph: an endless
|
||
|
pressing, pressing, pressing upon the nerve of power. You are beginning,
|
||
|
I can see, to realize what that world will be like. But in the end you
|
||
|
will do more than understand it. You will accept it, welcome it, become
|
||
|
part of it.'
|
||
|
|
||
|
Winston had recovered himself sufficiently to speak. 'You can't!' he said
|
||
|
weakly.
|
||
|
|
||
|
'What do you mean by that remark, Winston?'
|
||
|
|
||
|
'You could not create such a world as you have just described. It is a
|
||
|
dream. It is impossible.'
|
||
|
|
||
|
'Why?'
|
||
|
|
||
|
'It is impossible to found a civilization on fear and hatred and cruelty.
|
||
|
It would never endure.'
|
||
|
|
||
|
'Why not?'
|
||
|
|
||
|
'It would have no vitality. It would disintegrate. It would commit
|
||
|
suicide.'
|
||
|
|
||
|
'Nonsense. You are under the impression that hatred is more exhausting
|
||
|
than love. Why should it be? And if it were, what difference would that
|
||
|
make? Suppose that we choose to wear ourselves out faster. Suppose that we
|
||
|
quicken the tempo of human life till men are senile at thirty. Still what
|
||
|
difference would it make? Can you not understand that the death of the
|
||
|
individual is not death? The party is immortal.'
|
||
|
|
||
|
As usual, the voice had battered Winston into helplessness. Moreover he
|
||
|
was in dread that if he persisted in his disagreement O'Brien would twist
|
||
|
the dial again. And yet he could not keep silent. Feebly, without
|
||
|
arguments, with nothing to support him except his inarticulate horror of
|
||
|
what O'Brien had said, he returned to the attack.
|
||
|
|
||
|
'I don't know--I don't care. Somehow you will fail. Something will defeat
|
||
|
you. Life will defeat you.'
|
||
|
|
||
|
'We control life, Winston, at all its levels. You are imagining that there
|
||
|
is something called human nature which will be outraged by what we do and
|
||
|
will turn against us. But we create human nature. Men are infinitely
|
||
|
malleable. Or perhaps you have returned to your old idea that the
|
||
|
proletarians or the slaves will arise and overthrow us. Put it out of your
|
||
|
mind. They are helpless, like the animals. Humanity is the Party. The
|
||
|
others are outside--irrelevant.'
|
||
|
|
||
|
'I don't care. In the end they will beat you. Sooner or later they will
|
||
|
see you for what you are, and then they will tear you to pieces.'
|
||
|
|
||
|
'Do you see any evidence that that is happening? Or any reason why it
|
||
|
should?'
|
||
|
|
||
|
'No. I believe it. I KNOW that you will fail. There is something in the
|
||
|
universe--I don't know, some spirit, some principle--that you will never
|
||
|
overcome.'
|
||
|
|
||
|
'Do you believe in God, Winston?'
|
||
|
|
||
|
'No.'
|
||
|
|
||
|
'Then what is it, this principle that will defeat us?'
|
||
|
|
||
|
'I don't know. The spirit of Man.'
|
||
|
|
||
|
'And do you consider yourself a man?'
|
||
|
|
||
|
'Yes.'
|
||
|
|
||
|
'If you are a man, Winston, you are the last man. Your kind is extinct; we
|
||
|
are the inheritors. Do you understand that you are ALONE? You are outside
|
||
|
history, you are non-existent.' His manner changed and he said more
|
||
|
harshly: 'And you consider yourself morally superior to us, with our lies
|
||
|
and our cruelty?'
|
||
|
|
||
|
'Yes, I consider myself superior.'
|
||
|
|
||
|
O'Brien did not speak. Two other voices were speaking. After a moment
|
||
|
Winston recognized one of them as his own. It was a sound-track of the
|
||
|
conversation he had had with O'Brien, on the night when he had enrolled
|
||
|
himself in the Brotherhood. He heard himself promising to lie, to steal,
|
||
|
to forge, to murder, to encourage drug-taking and prostitution, to
|
||
|
disseminate venereal diseases, to throw vitriol in a child's face. O'Brien
|
||
|
made a small impatient gesture, as though to say that the demonstration
|
||
|
was hardly worth making. Then he turned a switch and the voices stopped.
|
||
|
|
||
|
'Get up from that bed,' he said.
|
||
|
|
||
|
The bonds had loosened themselves. Winston lowered himself to the floor
|
||
|
and stood up unsteadily.
|
||
|
|
||
|
'You are the last man,' said O'Brien. 'You are the guardian of the human
|
||
|
spirit. You shall see yourself as you are. Take off your clothes.'
|
||
|
|
||
|
Winston undid the bit of string that held his overalls together. The zip
|
||
|
fastener had long since been wrenched out of them. He could not remember
|
||
|
whether at any time since his arrest he had taken off all his clothes at
|
||
|
one time. Beneath the overalls his body was looped with filthy yellowish
|
||
|
rags, just recognizable as the remnants of underclothes. As he slid
|
||
|
them to the ground he saw that there was a three-sided mirror at the far
|
||
|
end of the room. He approached it, then stopped short. An involuntary cry
|
||
|
had broken out of him.
|
||
|
|
||
|
'Go on,' said O'Brien. 'Stand between the wings of the mirror. You shall
|
||
|
see the side view as well.'
|
||
|
|
||
|
He had stopped because he was frightened. A bowed, grey-coloured,
|
||
|
skeleton-like thing was coming towards him. Its actual appearance was
|
||
|
frightening, and not merely the fact that he knew it to be himself. He
|
||
|
moved closer to the glass. The creature's face seemed to be protruded,
|
||
|
because of its bent carriage. A forlorn, jailbird's face with a nobby
|
||
|
forehead running back into a bald scalp, a crooked nose, and
|
||
|
battered-looking cheekbones above which his eyes were fierce and watchful.
|
||
|
The cheeks were seamed, the mouth had a drawn-in look. Certainly it was
|
||
|
his own face, but it seemed to him that it had changed more than he had
|
||
|
changed inside. The emotions it registered would be different from the
|
||
|
ones he felt. He had gone partially bald. For the first moment he had
|
||
|
thought that he had gone grey as well, but it was only the scalp that was
|
||
|
grey. Except for his hands and a circle of his face, his body was grey all
|
||
|
over with ancient, ingrained dirt. Here and there under the dirt there
|
||
|
were the red scars of wounds, and near the ankle the varicose ulcer was an
|
||
|
inflamed mass with flakes of skin peeling off it. But the truly frightening
|
||
|
thing was the emaciation of his body. The barrel of the ribs was as narrow
|
||
|
as that of a skeleton: the legs had shrunk so that the knees were thicker
|
||
|
than the thighs. He saw now what O'Brien had meant about seeing the side
|
||
|
view. The curvature of the spine was astonishing. The thin shoulders were
|
||
|
hunched forward so as to make a cavity of the chest, the scraggy neck
|
||
|
seemed to be bending double under the weight of the skull. At a guess he
|
||
|
would have said that it was the body of a man of sixty, suffering from
|
||
|
some malignant disease.
|
||
|
|
||
|
'You have thought sometimes,' said O'Brien, 'that my face--the face of a
|
||
|
member of the Inner Party--looks old and worn. What do you think of your
|
||
|
own face?'
|
||
|
|
||
|
He seized Winston's shoulder and spun him round so that he was facing him.
|
||
|
|
||
|
'Look at the condition you are in!' he said. 'Look at this filthy grime
|
||
|
all over your body. Look at the dirt between your toes. Look at that
|
||
|
disgusting running sore on your leg. Do you know that you stink like a
|
||
|
goat? Probably you have ceased to notice it. Look at your emaciation. Do
|
||
|
you see? I can make my thumb and forefinger meet round your bicep. I could
|
||
|
snap your neck like a carrot. Do you know that you have lost twenty-five
|
||
|
kilograms since you have been in our hands? Even your hair is coming out
|
||
|
in handfuls. Look!' He plucked at Winston's head and brought away a tuft
|
||
|
of hair. 'Open your mouth. Nine, ten, eleven teeth left. How many had you
|
||
|
when you came to us? And the few you have left are dropping out of your
|
||
|
head. Look here!'
|
||
|
|
||
|
He seized one of Winston's remaining front teeth between his powerful
|
||
|
thumb and forefinger. A twinge of pain shot through Winston's jaw. O'Brien
|
||
|
had wrenched the loose tooth out by the roots. He tossed it across the
|
||
|
cell.
|
||
|
|
||
|
'You are rotting away,' he said; 'you are falling to pieces. What are you?
|
||
|
A bag of filth. Now turn around and look into that mirror again. Do you
|
||
|
see that thing facing you? That is the last man. If you are human, that is
|
||
|
humanity. Now put your clothes on again.'
|
||
|
|
||
|
Winston began to dress himself with slow stiff movements. Until now he had
|
||
|
not seemed to notice how thin and weak he was. Only one thought stirred in
|
||
|
his mind: that he must have been in this place longer than he had imagined.
|
||
|
Then suddenly as he fixed the miserable rags round himself a feeling of
|
||
|
pity for his ruined body overcame him. Before he knew what he was doing
|
||
|
he had collapsed on to a small stool that stood beside the bed and burst
|
||
|
into tears. He was aware of his ugliness, his gracelessness, a bundle of
|
||
|
bones in filthy underclothes sitting weeping in the harsh white light: but
|
||
|
he could not stop himself. O'Brien laid a hand on his shoulder, almost
|
||
|
kindly.
|
||
|
|
||
|
'It will not last for ever,' he said. 'You can escape from it whenever you
|
||
|
choose. Everything depends on yourself.'
|
||
|
|
||
|
'You did it!' sobbed Winston. 'You reduced me to this state.'
|
||
|
|
||
|
'No, Winston, you reduced yourself to it. This is what you accepted when
|
||
|
you set yourself up against the Party. It was all contained in that first
|
||
|
act. Nothing has happened that you did not foresee.'
|
||
|
|
||
|
He paused, and then went on:
|
||
|
|
||
|
'We have beaten you, Winston. We have broken you up. You have seen what
|
||
|
your body is like. Your mind is in the same state. I do not think there
|
||
|
can be much pride left in you. You have been kicked and flogged and
|
||
|
insulted, you have screamed with pain, you have rolled on the floor in
|
||
|
your own blood and vomit. You have whimpered for mercy, you have betrayed
|
||
|
everybody and everything. Can you think of a single degradation that has
|
||
|
not happened to you?'
|
||
|
|
||
|
Winston had stopped weeping, though the tears were still oozing out of his
|
||
|
eyes. He looked up at O'Brien.
|
||
|
|
||
|
'I have not betrayed Julia,' he said.
|
||
|
|
||
|
O'Brien looked down at him thoughtfully. 'No,' he said; 'no; that is
|
||
|
perfectly true. You have not betrayed Julia.'
|
||
|
|
||
|
The peculiar reverence for O'Brien, which nothing seemed able to destroy,
|
||
|
flooded Winston's heart again. How intelligent, he thought, how
|
||
|
intelligent! Never did O'Brien fail to understand what was said to him.
|
||
|
Anyone else on earth would have answered promptly that he HAD betrayed
|
||
|
Julia. For what was there that they had not screwed out of him under the
|
||
|
torture? He had told them everything he knew about her, her habits, her
|
||
|
character, her past life; he had confessed in the most trivial detail
|
||
|
everything that had happened at their meetings, all that he had said to
|
||
|
her and she to him, their black-market meals, their adulteries, their
|
||
|
vague plottings against the Party--everything. And yet, in the sense in
|
||
|
which he intended the word, he had not betrayed her. He had not stopped
|
||
|
loving her; his feelings towards her had remained the same. O'Brien had
|
||
|
seen what he meant without the need for explanation.
|
||
|
|
||
|
'Tell me,' he said, 'how soon will they shoot me?'
|
||
|
|
||
|
'It might be a long time,' said O'Brien. 'You are a difficult case. But
|
||
|
don't give up hope. Everyone is cured sooner or later. In the end we shall
|
||
|
shoot you.'
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Chapter 4
|
||
|
|
||
|
|
||
|
|
||
|
He was much better. He was growing fatter and stronger every day, if it
|
||
|
was proper to speak of days.
|
||
|
|
||
|
The white light and the humming sound were the same as ever, but the cell
|
||
|
was a little more comfortable than the others he had been in. There was a
|
||
|
pillow and a mattress on the plank bed, and a stool to sit on. They had
|
||
|
given him a bath, and they allowed him to wash himself fairly frequently
|
||
|
in a tin basin. They even gave him warm water to wash with. They had given
|
||
|
him new underclothes and a clean suit of overalls. They had dressed his
|
||
|
varicose ulcer with soothing ointment. They had pulled out the remnants
|
||
|
of his teeth and given him a new set of dentures.
|
||
|
|
||
|
Weeks or months must have passed. It would have been possible now to keep
|
||
|
count of the passage of time, if he had felt any interest in doing so,
|
||
|
since he was being fed at what appeared to be regular intervals. He was
|
||
|
getting, he judged, three meals in the twenty-four hours; sometimes he
|
||
|
wondered dimly whether he was getting them by night or by day. The food
|
||
|
was surprisingly good, with meat at every third meal. Once there was even
|
||
|
a packet of cigarettes. He had no matches, but the never-speaking guard
|
||
|
who brought his food would give him a light. The first time he tried to
|
||
|
smoke it made him sick, but he persevered, and spun the packet out for
|
||
|
a long time, smoking half a cigarette after each meal.
|
||
|
|
||
|
They had given him a white slate with a stump of pencil tied to the
|
||
|
corner. At first he made no use of it. Even when he was awake he was
|
||
|
completely torpid. Often he would lie from one meal to the next almost
|
||
|
without stirring, sometimes asleep, sometimes waking into vague reveries
|
||
|
in which it was too much trouble to open his eyes. He had long grown
|
||
|
used to sleeping with a strong light on his face. It seemed to make no
|
||
|
difference, except that one's dreams were more coherent. He dreamed a
|
||
|
great deal all through this time, and they were always happy dreams. He
|
||
|
was in the Golden Country, or he was sitting among enormous glorious,
|
||
|
sunlit ruins, with his mother, with Julia, with O'Brien--not doing
|
||
|
anything, merely sitting in the sun, talking of peaceful things. Such
|
||
|
thoughts as he had when he was awake were mostly about his dreams. He
|
||
|
seemed to have lost the power of intellectual effort, now that the
|
||
|
stimulus of pain had been removed. He was not bored, he had no desire
|
||
|
for conversation or distraction. Merely to be alone, not to be beaten
|
||
|
or questioned, to have enough to eat, and to be clean all over, was
|
||
|
completely satisfying.
|
||
|
|
||
|
By degrees he came to spend less time in sleep, but he still felt no
|
||
|
impulse to get off the bed. All he cared for was to lie quiet and feel the
|
||
|
strength gathering in his body. He would finger himself here and there,
|
||
|
trying to make sure that it was not an illusion that his muscles were
|
||
|
growing rounder and his skin tauter. Finally it was established beyond a
|
||
|
doubt that he was growing fatter; his thighs were now definitely thicker
|
||
|
than his knees. After that, reluctantly at first, he began exercising
|
||
|
himself regularly. In a little while he could walk three kilometres,
|
||
|
measured by pacing the cell, and his bowed shoulders were growing
|
||
|
straighter. He attempted more elaborate exercises, and was astonished and
|
||
|
humiliated to find what things he could not do. He could not move out of a
|
||
|
walk, he could not hold his stool out at arm's length, he could not stand
|
||
|
on one leg without falling over. He squatted down on his heels, and found
|
||
|
that with agonizing pains in thigh and calf he could just lift himself to
|
||
|
a standing position. He lay flat on his belly and tried to lift his weight
|
||
|
by his hands. It was hopeless, he could not raise himself a centimetre.
|
||
|
But after a few more days--a few more mealtimes--even that feat was
|
||
|
accomplished. A time came when he could do it six times running. He began
|
||
|
to grow actually proud of his body, and to cherish an intermittent belief
|
||
|
that his face also was growing back to normal. Only when he chanced to put
|
||
|
his hand on his bald scalp did he remember the seamed, ruined face that
|
||
|
had looked back at him out of the mirror.
|
||
|
|
||
|
His mind grew more active. He sat down on the plank bed, his back against
|
||
|
the wall and the slate on his knees, and set to work deliberately at the
|
||
|
task of re-educating himself.
|
||
|
|
||
|
He had capitulated, that was agreed. In reality, as he saw now, he had
|
||
|
been ready to capitulate long before he had taken the decision. From the
|
||
|
moment when he was inside the Ministry of Love--and yes, even during those
|
||
|
minutes when he and Julia had stood helpless while the iron voice from the
|
||
|
telescreen told them what to do--he had grasped the frivolity, the
|
||
|
shallowness of his attempt to set himself up against the power of the
|
||
|
Party. He knew now that for seven years the Thought Police had watched him
|
||
|
like a beetle under a magnifying glass. There was no physical act, no word
|
||
|
spoken aloud, that they had not noticed, no train of thought that they had
|
||
|
not been able to infer. Even the speck of whitish dust on the cover of his
|
||
|
diary they had carefully replaced. They had played sound-tracks to him,
|
||
|
shown him photographs. Some of them were photographs of Julia and himself.
|
||
|
Yes, even... He could not fight against the Party any longer. Besides,
|
||
|
the Party was in the right. It must be so; how could the immortal,
|
||
|
collective brain be mistaken? By what external standard could you check
|
||
|
its judgements? Sanity was statistical. It was merely a question of
|
||
|
learning to think as they thought. Only----!
|
||
|
|
||
|
The pencil felt thick and awkward in his fingers. He began to write down
|
||
|
the thoughts that came into his head. He wrote first in large clumsy
|
||
|
capitals:
|
||
|
|
||
|
|
||
|
FREEDOM IS SLAVERY
|
||
|
|
||
|
|
||
|
Then almost without a pause he wrote beneath it:
|
||
|
|
||
|
|
||
|
TWO AND TWO MAKE FIVE
|
||
|
|
||
|
|
||
|
But then there came a sort of check. His mind, as though shying away from
|
||
|
something, seemed unable to concentrate. He knew that he knew what came
|
||
|
next, but for the moment he could not recall it. When he did recall it,
|
||
|
it was only by consciously reasoning out what it must be: it did not come
|
||
|
of its own accord. He wrote:
|
||
|
|
||
|
|
||
|
GOD IS POWER
|
||
|
|
||
|
|
||
|
He accepted everything. The past was alterable. The past never had been
|
||
|
altered. Oceania was at war with Eastasia. Oceania had always been at war
|
||
|
with Eastasia. Jones, Aaronson, and Rutherford were guilty of the crimes
|
||
|
they were charged with. He had never seen the photograph that disproved
|
||
|
their guilt. It had never existed, he had invented it. He remembered
|
||
|
remembering contrary things, but those were false memories, products of
|
||
|
self-deception. How easy it all was! Only surrender, and everything else
|
||
|
followed. It was like swimming against a current that swept you backwards
|
||
|
however hard you struggled, and then suddenly deciding to turn round and
|
||
|
go with the current instead of opposing it. Nothing had changed except
|
||
|
your own attitude: the predestined thing happened in any case. He hardly
|
||
|
knew why he had ever rebelled. Everything was easy, except----!
|
||
|
|
||
|
Anything could be true. The so-called laws of Nature were nonsense. The
|
||
|
law of gravity was nonsense. 'If I wished,' O'Brien had said, 'I could
|
||
|
float off this floor like a soap bubble.' Winston worked it out. 'If he
|
||
|
THINKS he floats off the floor, and if I simultaneously THINK I see him
|
||
|
do it, then the thing happens.' Suddenly, like a lump of submerged wreckage
|
||
|
breaking the surface of water, the thought burst into his mind: 'It doesn't
|
||
|
really happen. We imagine it. It is hallucination.' He pushed the thought
|
||
|
under instantly. The fallacy was obvious. It presupposed that somewhere
|
||
|
or other, outside oneself, there was a 'real' world where 'real' things
|
||
|
happened. But how could there be such a world? What knowledge have we of
|
||
|
anything, save through our own minds? All happenings are in the mind.
|
||
|
Whatever happens in all minds, truly happens.
|
||
|
|
||
|
He had no difficulty in disposing of the fallacy, and he was in no danger
|
||
|
of succumbing to it. He realized, nevertheless, that it ought never to
|
||
|
have occurred to him. The mind should develop a blind spot whenever a
|
||
|
dangerous thought presented itself. The process should be automatic,
|
||
|
instinctive. CRIMESTOP, they called it in Newspeak.
|
||
|
|
||
|
He set to work to exercise himself in crimestop. He presented himself with
|
||
|
propositions--'the Party says the earth is flat', 'the party says that
|
||
|
ice is heavier than water'--and trained himself in not seeing or not
|
||
|
understanding the arguments that contradicted them. It was not easy.
|
||
|
It needed great powers of reasoning and improvisation. The arithmetical
|
||
|
problems raised, for instance, by such a statement as 'two and two make
|
||
|
five' were beyond his intellectual grasp. It needed also a sort of
|
||
|
athleticism of mind, an ability at one moment to make the most delicate
|
||
|
use of logic and at the next to be unconscious of the crudest logical
|
||
|
errors. Stupidity was as necessary as intelligence, and as difficult to
|
||
|
attain.
|
||
|
|
||
|
All the while, with one part of his mind, he wondered how soon they would
|
||
|
shoot him. 'Everything depends on yourself,' O'Brien had said; but he knew
|
||
|
that there was no conscious act by which he could bring it nearer. It
|
||
|
might be ten minutes hence, or ten years. They might keep him for years in
|
||
|
solitary confinement, they might send him to a labour-camp, they might
|
||
|
release him for a while, as they sometimes did. It was perfectly possible
|
||
|
that before he was shot the whole drama of his arrest and interrogation
|
||
|
would be enacted all over again. The one certain thing was that death
|
||
|
never came at an expected moment. The tradition--the unspoken tradition:
|
||
|
somehow you knew it, though you never heard it said--was that they shot
|
||
|
you from behind; always in the back of the head, without warning, as you
|
||
|
walked down a corridor from cell to cell.
|
||
|
|
||
|
One day--but 'one day' was not the right expression; just as probably it
|
||
|
was in the middle of the night: once--he fell into a strange, blissful
|
||
|
reverie. He was walking down the corridor, waiting for the bullet. He knew
|
||
|
that it was coming in another moment. Everything was settled, smoothed
|
||
|
out, reconciled. There were no more doubts, no more arguments, no more
|
||
|
pain, no more fear. His body was healthy and strong. He walked easily,
|
||
|
with a joy of movement and with a feeling of walking in sunlight. He was
|
||
|
not any longer in the narrow white corridors in the Ministry of Love, he
|
||
|
was in the enormous sunlit passage, a kilometre wide, down which he had
|
||
|
seemed to walk in the delirium induced by drugs. He was in the Golden
|
||
|
Country, following the foot-track across the old rabbit-cropped pasture.
|
||
|
He could feel the short springy turf under his feet and the gentle sunshine
|
||
|
on his face. At the edge of the field were the elm trees, faintly stirring,
|
||
|
and somewhere beyond that was the stream where the dace lay in the green
|
||
|
pools under the willows.
|
||
|
|
||
|
Suddenly he started up with a shock of horror. The sweat broke out on his
|
||
|
backbone. He had heard himself cry aloud:
|
||
|
|
||
|
'Julia! Julia! Julia, my love! Julia!'
|
||
|
|
||
|
For a moment he had had an overwhelming hallucination of her presence. She
|
||
|
had seemed to be not merely with him, but inside him. It was as though she
|
||
|
had got into the texture of his skin. In that moment he had loved her far
|
||
|
more than he had ever done when they were together and free. Also he knew
|
||
|
that somewhere or other she was still alive and needed his help.
|
||
|
|
||
|
He lay back on the bed and tried to compose himself. What had he done? How
|
||
|
many years had he added to his servitude by that moment of weakness?
|
||
|
|
||
|
In another moment he would hear the tramp of boots outside. They could not
|
||
|
let such an outburst go unpunished. They would know now, if they had not
|
||
|
known before, that he was breaking the agreement he had made with them.
|
||
|
He obeyed the Party, but he still hated the Party. In the old days he had
|
||
|
hidden a heretical mind beneath an appearance of conformity. Now he had
|
||
|
retreated a step further: in the mind he had surrendered, but he had hoped
|
||
|
to keep the inner heart inviolate. He knew that he was in the wrong, but
|
||
|
he preferred to be in the wrong. They would understand that--O'Brien would
|
||
|
understand it. It was all confessed in that single foolish cry.
|
||
|
|
||
|
He would have to start all over again. It might take years. He ran a hand
|
||
|
over his face, trying to familiarize himself with the new shape. There
|
||
|
were deep furrows in the cheeks, the cheekbones felt sharp, the nose
|
||
|
flattened. Besides, since last seeing himself in the glass he had been
|
||
|
given a complete new set of teeth. It was not easy to preserve
|
||
|
inscrutability when you did not know what your face looked like. In any
|
||
|
case, mere control of the features was not enough. For the first time he
|
||
|
perceived that if you want to keep a secret you must also hide it from
|
||
|
yourself. You must know all the while that it is there, but until it is
|
||
|
needed you must never let it emerge into your consciousness in any shape
|
||
|
that could be given a name. From now onwards he must not only think right;
|
||
|
he must feel right, dream right. And all the while he must keep his hatred
|
||
|
locked up inside him like a ball of matter which was part of himself and
|
||
|
yet unconnected with the rest of him, a kind of cyst.
|
||
|
|
||
|
One day they would decide to shoot him. You could not tell when it would
|
||
|
happen, but a few seconds beforehand it should be possible to guess. It
|
||
|
was always from behind, walking down a corridor. Ten seconds would be
|
||
|
enough. In that time the world inside him could turn over. And then
|
||
|
suddenly, without a word uttered, without a check in his step, without the
|
||
|
changing of a line in his face--suddenly the camouflage would be down and
|
||
|
bang! would go the batteries of his hatred. Hatred would fill him like an
|
||
|
enormous roaring flame. And almost in the same instant bang! would go the
|
||
|
bullet, too late, or too early. They would have blown his brain to pieces
|
||
|
before they could reclaim it. The heretical thought would be unpunished,
|
||
|
unrepented, out of their reach for ever. They would have blown a hole in
|
||
|
their own perfection. To die hating them, that was freedom.
|
||
|
|
||
|
He shut his eyes. It was more difficult than accepting an intellectual
|
||
|
discipline. It was a question of degrading himself, mutilating himself. He
|
||
|
had got to plunge into the filthiest of filth. What was the most horrible,
|
||
|
sickening thing of all? He thought of Big Brother. The enormous face
|
||
|
(because of constantly seeing it on posters he always thought of it as
|
||
|
being a metre wide), with its heavy black moustache and the eyes that
|
||
|
followed you to and fro, seemed to float into his mind of its own accord.
|
||
|
What were his true feelings towards Big Brother?
|
||
|
|
||
|
There was a heavy tramp of boots in the passage. The steel door swung open
|
||
|
with a clang. O'Brien walked into the cell. Behind him were the waxen-faced
|
||
|
officer and the black-uniformed guards.
|
||
|
|
||
|
'Get up,' said O'Brien. 'Come here.'
|
||
|
|
||
|
Winston stood opposite him. O'Brien took Winston's shoulders between his
|
||
|
strong hands and looked at him closely.
|
||
|
|
||
|
'You have had thoughts of deceiving me,' he said. 'That was stupid.
|
||
|
Stand up straighter. Look me in the face.'
|
||
|
|
||
|
He paused, and went on in a gentler tone:
|
||
|
|
||
|
'You are improving. Intellectually there is very little wrong with you.
|
||
|
It is only emotionally that you have failed to make progress. Tell me,
|
||
|
Winston--and remember, no lies: you know that I am always able to detect
|
||
|
a lie--tell me, what are your true feelings towards Big Brother?'
|
||
|
|
||
|
'I hate him.'
|
||
|
|
||
|
'You hate him. Good. Then the time has come for you to take the last step.
|
||
|
You must love Big Brother. It is not enough to obey him: you must love
|
||
|
him.'
|
||
|
|
||
|
He released Winston with a little push towards the guards.
|
||
|
|
||
|
'Room 101,' he said.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Chapter 5
|
||
|
|
||
|
|
||
|
|
||
|
At each stage of his imprisonment he had known, or seemed to know,
|
||
|
whereabouts he was in the windowless building. Possibly there were slight
|
||
|
differences in the air pressure. The cells where the guards had beaten him
|
||
|
were below ground level. The room where he had been interrogated by
|
||
|
O'Brien was high up near the roof. This place was many metres underground,
|
||
|
as deep down as it was possible to go.
|
||
|
|
||
|
It was bigger than most of the cells he had been in. But he hardly noticed
|
||
|
his surroundings. All he noticed was that there were two small tables
|
||
|
straight in front of him, each covered with green baize. One was only a
|
||
|
metre or two from him, the other was further away, near the door. He was
|
||
|
strapped upright in a chair, so tightly that he could move nothing, not
|
||
|
even his head. A sort of pad gripped his head from behind, forcing him to
|
||
|
look straight in front of him.
|
||
|
|
||
|
For a moment he was alone, then the door opened and O'Brien came in.
|
||
|
|
||
|
'You asked me once,' said O'Brien, 'what was in Room 101. I told you that
|
||
|
you knew the answer already. Everyone knows it. The thing that is in
|
||
|
Room 101 is the worst thing in the world.'
|
||
|
|
||
|
The door opened again. A guard came in, carrying something made of wire,
|
||
|
a box or basket of some kind. He set it down on the further table. Because
|
||
|
of the position in which O'Brien was standing. Winston could not see what
|
||
|
the thing was.
|
||
|
|
||
|
'The worst thing in the world,' said O'Brien, 'varies from individual to
|
||
|
individual. It may be burial alive, or death by fire, or by drowning, or
|
||
|
by impalement, or fifty other deaths. There are cases where it is some
|
||
|
quite trivial thing, not even fatal.'
|
||
|
|
||
|
He had moved a little to one side, so that Winston had a better view of
|
||
|
the thing on the table. It was an oblong wire cage with a handle on top
|
||
|
for carrying it by. Fixed to the front of it was something that looked
|
||
|
like a fencing mask, with the concave side outwards. Although it was three
|
||
|
or four metres away from him, he could see that the cage was divided
|
||
|
lengthways into two compartments, and that there was some kind of creature
|
||
|
in each. They were rats.
|
||
|
|
||
|
'In your case,' said O'Brien, 'the worst thing in the world happens to be
|
||
|
rats.'
|
||
|
|
||
|
A sort of premonitory tremor, a fear of he was not certain what, had
|
||
|
passed through Winston as soon as he caught his first glimpse of the cage.
|
||
|
But at this moment the meaning of the mask-like attachment in front of it
|
||
|
suddenly sank into him. His bowels seemed to turn to water.
|
||
|
|
||
|
'You can't do that!' he cried out in a high cracked voice. 'You couldn't,
|
||
|
you couldn't! It's impossible.'
|
||
|
|
||
|
'Do you remember,' said O'Brien, 'the moment of panic that used to occur
|
||
|
in your dreams? There was a wall of blackness in front of you, and a
|
||
|
roaring sound in your ears. There was something terrible on the other side
|
||
|
of the wall. You knew that you knew what it was, but you dared not drag it
|
||
|
into the open. It was the rats that were on the other side of the wall.'
|
||
|
|
||
|
'O'Brien!' said Winston, making an effort to control his voice. 'You know
|
||
|
this is not necessary. What is it that you want me to do?'
|
||
|
|
||
|
O'Brien made no direct answer. When he spoke it was in the schoolmasterish
|
||
|
manner that he sometimes affected. He looked thoughtfully into the
|
||
|
distance, as though he were addressing an audience somewhere behind
|
||
|
Winston's back.
|
||
|
|
||
|
'By itself,' he said, 'pain is not always enough. There are occasions when
|
||
|
a human being will stand out against pain, even to the point of death.
|
||
|
But for everyone there is something unendurable--something that cannot be
|
||
|
contemplated. Courage and cowardice are not involved. If you are falling
|
||
|
from a height it is not cowardly to clutch at a rope. If you have come up
|
||
|
from deep water it is not cowardly to fill your lungs with air. It is
|
||
|
merely an instinct which cannot be destroyed. It is the same with the
|
||
|
rats. For you, they are unendurable. They are a form of pressure that you
|
||
|
cannot withstand, even if you wished to. You will do what is required of
|
||
|
you.'
|
||
|
|
||
|
'But what is it, what is it? How can I do it if I don't know what it is?'
|
||
|
|
||
|
O'Brien picked up the cage and brought it across to the nearer table.
|
||
|
He set it down carefully on the baize cloth. Winston could hear the blood
|
||
|
singing in his ears. He had the feeling of sitting in utter loneliness.
|
||
|
He was in the middle of a great empty plain, a flat desert drenched with
|
||
|
sunlight, across which all sounds came to him out of immense distances.
|
||
|
Yet the cage with the rats was not two metres away from him. They were
|
||
|
enormous rats. They were at the age when a rat's muzzle grows blunt and
|
||
|
fierce and his fur brown instead of grey.
|
||
|
|
||
|
'The rat,' said O'Brien, still addressing his invisible audience,
|
||
|
'although a rodent, is carnivorous. You are aware of that. You will have
|
||
|
heard of the things that happen in the poor quarters of this town. In some
|
||
|
streets a woman dare not leave her baby alone in the house, even for five
|
||
|
minutes. The rats are certain to attack it. Within quite a small time they
|
||
|
will strip it to the bones. They also attack sick or dying people. They
|
||
|
show astonishing intelligence in knowing when a human being is helpless.'
|
||
|
|
||
|
There was an outburst of squeals from the cage. It seemed to reach Winston
|
||
|
from far away. The rats were fighting; they were trying to get at each
|
||
|
other through the partition. He heard also a deep groan of despair.
|
||
|
That, too, seemed to come from outside himself.
|
||
|
|
||
|
O'Brien picked up the cage, and, as he did so, pressed something in it.
|
||
|
There was a sharp click. Winston made a frantic effort to tear himself
|
||
|
loose from the chair. It was hopeless; every part of him, even his head,
|
||
|
was held immovably. O'Brien moved the cage nearer. It was less than a
|
||
|
metre from Winston's face.
|
||
|
|
||
|
'I have pressed the first lever,' said O'Brien. 'You understand the
|
||
|
construction of this cage. The mask will fit over your head, leaving no
|
||
|
exit. When I press this other lever, the door of the cage will slide up.
|
||
|
These starving brutes will shoot out of it like bullets. Have you ever
|
||
|
seen a rat leap through the air? They will leap on to your face and bore
|
||
|
straight into it. Sometimes they attack the eyes first. Sometimes they
|
||
|
burrow through the cheeks and devour the tongue.'
|
||
|
|
||
|
The cage was nearer; it was closing in. Winston heard a succession of
|
||
|
shrill cries which appeared to be occurring in the air above his head. But
|
||
|
he fought furiously against his panic. To think, to think, even with a
|
||
|
split second left--to think was the only hope. Suddenly the foul musty
|
||
|
odour of the brutes struck his nostrils. There was a violent convulsion of
|
||
|
nausea inside him, and he almost lost consciousness. Everything had gone
|
||
|
black. For an instant he was insane, a screaming animal. Yet he came out
|
||
|
of the blackness clutching an idea. There was one and only one way to save
|
||
|
himself. He must interpose another human being, the BODY of another human
|
||
|
being, between himself and the rats.
|
||
|
|
||
|
The circle of the mask was large enough now to shut out the vision of
|
||
|
anything else. The wire door was a couple of hand-spans from his face. The
|
||
|
rats knew what was coming now. One of them was leaping up and down, the
|
||
|
other, an old scaly grandfather of the sewers, stood up, with his pink
|
||
|
hands against the bars, and fiercely sniffed the air. Winston could see
|
||
|
the whiskers and the yellow teeth. Again the black panic took hold of him.
|
||
|
He was blind, helpless, mindless.
|
||
|
|
||
|
'It was a common punishment in Imperial China,' said O'Brien as
|
||
|
didactically as ever.
|
||
|
|
||
|
The mask was closing on his face. The wire brushed his cheek. And then--no,
|
||
|
it was not relief, only hope, a tiny fragment of hope. Too late, perhaps
|
||
|
too late. But he had suddenly understood that in the whole world there was
|
||
|
just ONE person to whom he could transfer his punishment--ONE body that he
|
||
|
could thrust between himself and the rats. And he was shouting frantically,
|
||
|
over and over.
|
||
|
|
||
|
'Do it to Julia! Do it to Julia! Not me! Julia! I don't care what you do
|
||
|
to her. Tear her face off, strip her to the bones. Not me! Julia! Not me!'
|
||
|
|
||
|
He was falling backwards, into enormous depths, away from the rats. He was
|
||
|
still strapped in the chair, but he had fallen through the floor, through
|
||
|
the walls of the building, through the earth, through the oceans, through
|
||
|
the atmosphere, into outer space, into the gulfs between the stars--always
|
||
|
away, away, away from the rats. He was light years distant, but O'Brien
|
||
|
was still standing at his side. There was still the cold touch of wire
|
||
|
against his cheek. But through the darkness that enveloped him he heard
|
||
|
another metallic click, and knew that the cage door had clicked shut and
|
||
|
not open.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Chapter 6
|
||
|
|
||
|
|
||
|
|
||
|
The Chestnut Tree was almost empty. A ray of sunlight slanting through a
|
||
|
window fell on dusty table-tops. It was the lonely hour of fifteen. A
|
||
|
tinny music trickled from the telescreens.
|
||
|
|
||
|
Winston sat in his usual corner, gazing into an empty glass. Now and again
|
||
|
he glanced up at a vast face which eyed him from the opposite wall.
|
||
|
BIG BROTHER IS WATCHING YOU, the caption said. Unbidden, a waiter came and
|
||
|
filled his glass up with Victory Gin, shaking into it a few drops from
|
||
|
another bottle with a quill through the cork. It was saccharine flavoured
|
||
|
with cloves, the speciality of the cafe.
|
||
|
|
||
|
Winston was listening to the telescreen. At present only music was coming
|
||
|
out of it, but there was a possibility that at any moment there might be
|
||
|
a special bulletin from the Ministry of Peace. The news from the African
|
||
|
front was disquieting in the extreme. On and off he had been worrying
|
||
|
about it all day. A Eurasian army (Oceania was at war with Eurasia:
|
||
|
Oceania had always been at war with Eurasia) was moving southward at
|
||
|
terrifying speed. The mid-day bulletin had not mentioned any definite
|
||
|
area, but it was probable that already the mouth of the Congo was a
|
||
|
battlefield. Brazzaville and Leopoldville were in danger. One did not have
|
||
|
to look at the map to see what it meant. It was not merely a question of
|
||
|
losing Central Africa: for the first time in the whole war, the territory
|
||
|
of Oceania itself was menaced.
|
||
|
|
||
|
A violent emotion, not fear exactly but a sort of undifferentiated
|
||
|
excitement, flared up in him, then faded again. He stopped thinking about
|
||
|
the war. In these days he could never fix his mind on any one subject for
|
||
|
more than a few moments at a time. He picked up his glass and drained it
|
||
|
at a gulp. As always, the gin made him shudder and even retch slightly.
|
||
|
The stuff was horrible. The cloves and saccharine, themselves disgusting
|
||
|
enough in their sickly way, could not disguise the flat oily smell; and
|
||
|
what was worst of all was that the smell of gin, which dwelt with him
|
||
|
night and day, was inextricably mixed up in his mind with the smell of
|
||
|
those----
|
||
|
|
||
|
He never named them, even in his thoughts, and so far as it was possible
|
||
|
he never visualized them. They were something that he was half-aware of,
|
||
|
hovering close to his face, a smell that clung to his nostrils. As the gin
|
||
|
rose in him he belched through purple lips. He had grown fatter since they
|
||
|
released him, and had regained his old colour--indeed, more than regained
|
||
|
it. His features had thickened, the skin on nose and cheekbones was
|
||
|
coarsely red, even the bald scalp was too deep a pink. A waiter, again
|
||
|
unbidden, brought the chessboard and the current issue of 'The Times',
|
||
|
with the page turned down at the chess problem. Then, seeing that Winston's
|
||
|
glass was empty, he brought the gin bottle and filled it. There was no
|
||
|
need to give orders. They knew his habits. The chessboard was always
|
||
|
waiting for him, his corner table was always reserved; even when the place
|
||
|
was full he had it to himself, since nobody cared to be seen sitting too
|
||
|
close to him. He never even bothered to count his drinks. At irregular
|
||
|
intervals they presented him with a dirty slip of paper which they said
|
||
|
was the bill, but he had the impression that they always undercharged him.
|
||
|
It would have made no difference if it had been the other way about. He
|
||
|
had always plenty of money nowadays. He even had a job, a sinecure, more
|
||
|
highly-paid than his old job had been.
|
||
|
|
||
|
The music from the telescreen stopped and a voice took over. Winston raised
|
||
|
his head to listen. No bulletins from the front, however. It was merely a
|
||
|
brief announcement from the Ministry of Plenty. In the preceding quarter,
|
||
|
it appeared, the Tenth Three-Year Plan's quota for bootlaces had been
|
||
|
overfulfilled by 98 per cent.
|
||
|
|
||
|
He examined the chess problem and set out the pieces. It was a tricky
|
||
|
ending, involving a couple of knights. 'White to play and mate in two
|
||
|
moves.' Winston looked up at the portrait of Big Brother. White always
|
||
|
mates, he thought with a sort of cloudy mysticism. Always, without
|
||
|
exception, it is so arranged. In no chess problem since the beginning of
|
||
|
the world has black ever won. Did it not symbolize the eternal, unvarying
|
||
|
triumph of Good over Evil? The huge face gazed back at him, full of calm
|
||
|
power. White always mates.
|
||
|
|
||
|
The voice from the telescreen paused and added in a different and much
|
||
|
graver tone: 'You are warned to stand by for an important announcement at
|
||
|
fifteen-thirty. Fifteen-thirty! This is news of the highest importance.
|
||
|
Take care not to miss it. Fifteen-thirty!' The tinkling music struck up
|
||
|
again.
|
||
|
|
||
|
Winston's heart stirred. That was the bulletin from the front; instinct
|
||
|
told him that it was bad news that was coming. All day, with little spurts
|
||
|
of excitement, the thought of a smashing defeat in Africa had been in and
|
||
|
out of his mind. He seemed actually to see the Eurasian army swarming
|
||
|
across the never-broken frontier and pouring down into the tip of Africa
|
||
|
like a column of ants. Why had it not been possible to outflank them in
|
||
|
some way? The outline of the West African coast stood out vividly in his
|
||
|
mind. He picked up the white knight and moved it across the board. THERE
|
||
|
was the proper spot. Even while he saw the black horde racing southward he
|
||
|
saw another force, mysteriously assembled, suddenly planted in their rear,
|
||
|
cutting their communications by land and sea. He felt that by willing it he
|
||
|
was bringing that other force into existence. But it was necessary to act
|
||
|
quickly. If they could get control of the whole of Africa, if they had
|
||
|
airfields and submarine bases at the Cape, it would cut Oceania in two. It
|
||
|
might mean anything: defeat, breakdown, the redivision of the world, the
|
||
|
destruction of the Party! He drew a deep breath. An extraordinary medley
|
||
|
of feeling--but it was not a medley, exactly; rather it was successive
|
||
|
layers of feeling, in which one could not say which layer was
|
||
|
undermost--struggled inside him.
|
||
|
|
||
|
The spasm passed. He put the white knight back in its place, but for the
|
||
|
moment he could not settle down to serious study of the chess problem.
|
||
|
His thoughts wandered again. Almost unconsciously he traced with his
|
||
|
finger in the dust on the table:
|
||
|
|
||
|
2+2=5
|
||
|
|
||
|
'They can't get inside you,' she had said. But they could get inside you.
|
||
|
'What happens to you here is FOR EVER,' O'Brien had said. That was a true
|
||
|
word. There were things, your own acts, from which you could never recover.
|
||
|
Something was killed in your breast: burnt out, cauterized out.
|
||
|
|
||
|
He had seen her; he had even spoken to her. There was no danger in it. He
|
||
|
knew as though instinctively that they now took almost no interest in his
|
||
|
doings. He could have arranged to meet her a second time if either of them
|
||
|
had wanted to. Actually it was by chance that they had met. It was in the
|
||
|
Park, on a vile, biting day in March, when the earth was like iron and
|
||
|
all the grass seemed dead and there was not a bud anywhere except a few
|
||
|
crocuses which had pushed themselves up to be dismembered by the wind. He
|
||
|
was hurrying along with frozen hands and watering eyes when he saw her not
|
||
|
ten metres away from him. It struck him at once that she had changed in
|
||
|
some ill-defined way. They almost passed one another without a sign, then
|
||
|
he turned and followed her, not very eagerly. He knew that there was no
|
||
|
danger, nobody would take any interest in him. She did not speak. She
|
||
|
walked obliquely away across the grass as though trying to get rid of him,
|
||
|
then seemed to resign herself to having him at her side. Presently they
|
||
|
were in among a clump of ragged leafless shrubs, useless either for
|
||
|
concealment or as protection from the wind. They halted. It was vilely
|
||
|
cold. The wind whistled through the twigs and fretted the occasional,
|
||
|
dirty-looking crocuses. He put his arm round her waist.
|
||
|
|
||
|
There was no telescreen, but there must be hidden microphones: besides,
|
||
|
they could be seen. It did not matter, nothing mattered. They could have
|
||
|
lain down on the ground and done THAT if they had wanted to. His flesh
|
||
|
froze with horror at the thought of it. She made no response whatever to
|
||
|
the clasp of his arm; she did not even try to disengage herself. He knew
|
||
|
now what had changed in her. Her face was sallower, and there was a long
|
||
|
scar, partly hidden by the hair, across her forehead and temple; but that
|
||
|
was not the change. It was that her waist had grown thicker, and, in a
|
||
|
surprising way, had stiffened. He remembered how once, after the explosion
|
||
|
of a rocket bomb, he had helped to drag a corpse out of some ruins, and
|
||
|
had been astonished not only by the incredible weight of the thing, but by
|
||
|
its rigidity and awkwardness to handle, which made it seem more like stone
|
||
|
than flesh. Her body felt like that. It occurred to him that the texture
|
||
|
of her skin would be quite different from what it had once been.
|
||
|
|
||
|
He did not attempt to kiss her, nor did they speak. As they walked back
|
||
|
across the grass, she looked directly at him for the first time. It
|
||
|
was only a momentary glance, full of contempt and dislike. He wondered
|
||
|
whether it was a dislike that came purely out of the past or whether it
|
||
|
was inspired also by his bloated face and the water that the wind kept
|
||
|
squeezing from his eyes. They sat down on two iron chairs, side by side
|
||
|
but not too close together. He saw that she was about to speak. She moved
|
||
|
her clumsy shoe a few centimetres and deliberately crushed a twig. Her
|
||
|
feet seemed to have grown broader, he noticed.
|
||
|
|
||
|
'I betrayed you,' she said baldly.
|
||
|
|
||
|
'I betrayed you,' he said.
|
||
|
|
||
|
She gave him another quick look of dislike.
|
||
|
|
||
|
'Sometimes,' she said, 'they threaten you with something something you
|
||
|
can't stand up to, can't even think about. And then you say, "Don't do it
|
||
|
to me, do it to somebody else, do it to so-and-so." And perhaps you might
|
||
|
pretend, afterwards, that it was only a trick and that you just said it to
|
||
|
make them stop and didn't really mean it. But that isn't true. At the time
|
||
|
when it happens you do mean it. You think there's no other way of saving
|
||
|
yourself, and you're quite ready to save yourself that way. You WANT it to
|
||
|
happen to the other person. You don't give a damn what they suffer. All
|
||
|
you care about is yourself.'
|
||
|
|
||
|
'All you care about is yourself,' he echoed.
|
||
|
|
||
|
'And after that, you don't feel the same towards the other person any
|
||
|
longer.'
|
||
|
|
||
|
'No,' he said, 'you don't feel the same.'
|
||
|
|
||
|
There did not seem to be anything more to say. The wind plastered their
|
||
|
thin overalls against their bodies. Almost at once it became embarrassing
|
||
|
to sit there in silence: besides, it was too cold to keep still. She said
|
||
|
something about catching her Tube and stood up to go.
|
||
|
|
||
|
'We must meet again,' he said.
|
||
|
|
||
|
'Yes,' she said, 'we must meet again.'
|
||
|
|
||
|
He followed irresolutely for a little distance, half a pace behind her.
|
||
|
They did not speak again. She did not actually try to shake him off, but
|
||
|
walked at just such a speed as to prevent his keeping abreast of her.
|
||
|
He had made up his mind that he would accompany her as far as the Tube
|
||
|
station, but suddenly this process of trailing along in the cold seemed
|
||
|
pointless and unbearable. He was overwhelmed by a desire not so much to
|
||
|
get away from Julia as to get back to the Chestnut Tree Cafe, which had
|
||
|
never seemed so attractive as at this moment. He had a nostalgic vision
|
||
|
of his corner table, with the newspaper and the chessboard and the
|
||
|
ever-flowing gin. Above all, it would be warm in there. The next moment,
|
||
|
not altogether by accident, he allowed himself to become separated from
|
||
|
her by a small knot of people. He made a half-hearted attempt to catch up,
|
||
|
then slowed down, turned, and made off in the opposite direction. When he
|
||
|
had gone fifty metres he looked back. The street was not crowded, but
|
||
|
already he could not distinguish her. Any one of a dozen hurrying figures
|
||
|
might have been hers. Perhaps her thickened, stiffened body was no longer
|
||
|
recognizable from behind.
|
||
|
|
||
|
'At the time when it happens,' she had said, 'you do mean it.' He had
|
||
|
meant it. He had not merely said it, he had wished it. He had wished that
|
||
|
she and not he should be delivered over to the----
|
||
|
|
||
|
Something changed in the music that trickled from the telescreen. A
|
||
|
cracked and jeering note, a yellow note, came into it. And then--perhaps
|
||
|
it was not happening, perhaps it was only a memory taking on the semblance
|
||
|
of sound--a voice was singing:
|
||
|
|
||
|
|
||
|
'Under the spreading chestnut tree
|
||
|
I sold you and you sold me----'
|
||
|
|
||
|
|
||
|
The tears welled up in his eyes. A passing waiter noticed that his glass
|
||
|
was empty and came back with the gin bottle.
|
||
|
|
||
|
He took up his glass and sniffed at it. The stuff grew not less but more
|
||
|
horrible with every mouthful he drank. But it had become the element he
|
||
|
swam in. It was his life, his death, and his resurrection. It was gin that
|
||
|
sank him into stupor every night, and gin that revived him every morning.
|
||
|
When he woke, seldom before eleven hundred, with gummed-up eyelids and
|
||
|
fiery mouth and a back that seemed to be broken, it would have been
|
||
|
impossible even to rise from the horizontal if it had not been for the
|
||
|
bottle and teacup placed beside the bed overnight. Through the midday
|
||
|
hours he sat with glazed face, the bottle handy, listening to the
|
||
|
telescreen. From fifteen to closing-time he was a fixture in the Chestnut
|
||
|
Tree. No one cared what he did any longer, no whistle woke him, no
|
||
|
telescreen admonished him. Occasionally, perhaps twice a week, he went
|
||
|
to a dusty, forgotten-looking office in the Ministry of Truth and did
|
||
|
a little work, or what was called work. He had been appointed to a
|
||
|
sub-committee of a sub-committee which had sprouted from one of the
|
||
|
innumerable committees dealing with minor difficulties that arose in the
|
||
|
compilation of the Eleventh Edition of the Newspeak Dictionary. They were
|
||
|
engaged in producing something called an Interim Report, but what it was
|
||
|
that they were reporting on he had never definitely found out. It was
|
||
|
something to do with the question of whether commas should be placed
|
||
|
inside brackets, or outside. There were four others on the committee, all
|
||
|
of them persons similar to himself. There were days when they assembled
|
||
|
and then promptly dispersed again, frankly admitting to one another that
|
||
|
there was not really anything to be done. But there were other days when
|
||
|
they settled down to their work almost eagerly, making a tremendous show
|
||
|
of entering up their minutes and drafting long memoranda which were never
|
||
|
finished--when the argument as to what they were supposedly arguing about
|
||
|
grew extraordinarily involved and abstruse, with subtle haggling over
|
||
|
definitions, enormous digressions, quarrels--threats, even, to appeal to
|
||
|
higher authority. And then suddenly the life would go out of them and
|
||
|
they would sit round the table looking at one another with extinct eyes,
|
||
|
like ghosts fading at cock-crow.
|
||
|
|
||
|
The telescreen was silent for a moment. Winston raised his head again. The
|
||
|
bulletin! But no, they were merely changing the music. He had the map of
|
||
|
Africa behind his eyelids. The movement of the armies was a diagram: a
|
||
|
black arrow tearing vertically southward, and a white arrow horizontally
|
||
|
eastward, across the tail of the first. As though for reassurance he
|
||
|
looked up at the imperturbable face in the portrait. Was it conceivable
|
||
|
that the second arrow did not even exist?
|
||
|
|
||
|
His interest flagged again. He drank another mouthful of gin, picked up
|
||
|
the white knight and made a tentative move. Check. But it was evidently
|
||
|
not the right move, because----
|
||
|
|
||
|
Uncalled, a memory floated into his mind. He saw a candle-lit room with a
|
||
|
vast white-counterpaned bed, and himself, a boy of nine or ten, sitting on
|
||
|
the floor, shaking a dice-box, and laughing excitedly. His mother was
|
||
|
sitting opposite him and also laughing.
|
||
|
|
||
|
It must have been about a month before she disappeared. It was a moment of
|
||
|
reconciliation, when the nagging hunger in his belly was forgotten and his
|
||
|
earlier affection for her had temporarily revived. He remembered the day
|
||
|
well, a pelting, drenching day when the water streamed down the window-pane
|
||
|
and the light indoors was too dull to read by. The boredom of the two
|
||
|
children in the dark, cramped bedroom became unbearable. Winston whined
|
||
|
and grizzled, made futile demands for food, fretted about the room pulling
|
||
|
everything out of place and kicking the wainscoting until the neighbours
|
||
|
banged on the wall, while the younger child wailed intermittently. In the
|
||
|
end his mother said, 'Now be good, and I'll buy you a toy. A lovely
|
||
|
toy--you'll love it'; and then she had gone out in the rain, to a little
|
||
|
general shop which was still sporadically open nearby, and came back with
|
||
|
a cardboard box containing an outfit of Snakes and Ladders. He could still
|
||
|
remember the smell of the damp cardboard. It was a miserable outfit. The
|
||
|
board was cracked and the tiny wooden dice were so ill-cut that they
|
||
|
would hardly lie on their sides. Winston looked at the thing sulkily and
|
||
|
without interest. But then his mother lit a piece of candle and they sat
|
||
|
down on the floor to play. Soon he was wildly excited and shouting with
|
||
|
laughter as the tiddly-winks climbed hopefully up the ladders and then
|
||
|
came slithering down the snakes again, almost to the starting-point. They
|
||
|
played eight games, winning four each. His tiny sister, too young to
|
||
|
understand what the game was about, had sat propped up against a bolster,
|
||
|
laughing because the others were laughing. For a whole afternoon they had
|
||
|
all been happy together, as in his earlier childhood.
|
||
|
|
||
|
He pushed the picture out of his mind. It was a false memory. He was
|
||
|
troubled by false memories occasionally. They did not matter so long as
|
||
|
one knew them for what they were. Some things had happened, others had not
|
||
|
happened. He turned back to the chessboard and picked up the white knight
|
||
|
again. Almost in the same instant it dropped on to the board with a
|
||
|
clatter. He had started as though a pin had run into him.
|
||
|
|
||
|
A shrill trumpet-call had pierced the air. It was the bulletin! Victory!
|
||
|
It always meant victory when a trumpet-call preceded the news. A sort of
|
||
|
electric drill ran through the cafe. Even the waiters had started and
|
||
|
pricked up their ears.
|
||
|
|
||
|
The trumpet-call had let loose an enormous volume of noise. Already an
|
||
|
excited voice was gabbling from the telescreen, but even as it started
|
||
|
it was almost drowned by a roar of cheering from outside. The news had
|
||
|
run round the streets like magic. He could hear just enough of what was
|
||
|
issuing from the telescreen to realize that it had all happened, as he had
|
||
|
foreseen; a vast seaborne armada had secretly assembled a sudden blow in
|
||
|
the enemy's rear, the white arrow tearing across the tail of the black.
|
||
|
Fragments of triumphant phrases pushed themselves through the din: 'Vast
|
||
|
strategic manoeuvre--perfect co-ordination--utter rout--half a million
|
||
|
prisoners--complete demoralization--control of the whole of Africa--bring
|
||
|
the war within measurable distance of its end--victory--greatest victory
|
||
|
in human history--victory, victory, victory!'
|
||
|
|
||
|
Under the table Winston's feet made convulsive movements. He had not
|
||
|
stirred from his seat, but in his mind he was running, swiftly running,
|
||
|
he was with the crowds outside, cheering himself deaf. He looked up again
|
||
|
at the portrait of Big Brother. The colossus that bestrode the world!
|
||
|
The rock against which the hordes of Asia dashed themselves in vain! He
|
||
|
thought how ten minutes ago--yes, only ten minutes--there had still been
|
||
|
equivocation in his heart as he wondered whether the news from the front
|
||
|
would be of victory or defeat. Ah, it was more than a Eurasian army that
|
||
|
had perished! Much had changed in him since that first day in the Ministry
|
||
|
of Love, but the final, indispensable, healing change had never happened,
|
||
|
until this moment.
|
||
|
|
||
|
The voice from the telescreen was still pouring forth its tale of prisoners
|
||
|
and booty and slaughter, but the shouting outside had died down a little.
|
||
|
The waiters were turning back to their work. One of them approached with
|
||
|
the gin bottle. Winston, sitting in a blissful dream, paid no attention
|
||
|
as his glass was filled up. He was not running or cheering any longer. He
|
||
|
was back in the Ministry of Love, with everything forgiven, his soul white
|
||
|
as snow. He was in the public dock, confessing everything, implicating
|
||
|
everybody. He was walking down the white-tiled corridor, with the feeling
|
||
|
of walking in sunlight, and an armed guard at his back. The long-hoped-for
|
||
|
bullet was entering his brain.
|
||
|
|
||
|
He gazed up at the enormous face. Forty years it had taken him to learn
|
||
|
what kind of smile was hidden beneath the dark moustache. O cruel, needless
|
||
|
misunderstanding! O stubborn, self-willed exile from the loving breast!
|
||
|
Two gin-scented tears trickled down the sides of his nose. But it was all
|
||
|
right, everything was all right, the struggle was finished. He had won
|
||
|
the victory over himself. He loved Big Brother.
|
||
|
|
||
|
|
||
|
|
||
|
THE END
|
||
|
|
||
|
|
||
|
|
||
|
APPENDIX.
|
||
|
|
||
|
The Principles of Newspeak
|
||
|
|
||
|
|
||
|
|
||
|
Newspeak was the official language of Oceania and had been devised to meet
|
||
|
the ideological needs of Ingsoc, or English Socialism. In the year 1984
|
||
|
there was not as yet anyone who used Newspeak as his sole means of
|
||
|
communication, either in speech or writing. The leading articles in
|
||
|
'The Times' were written in it, but this was a TOUR DE FORCE which could
|
||
|
only be carried out by a specialist. It was expected that Newspeak would
|
||
|
have finally superseded Oldspeak (or Standard English, as we should
|
||
|
call it) by about the year 2050. Meanwhile it gained ground steadily, all
|
||
|
Party members tending to use Newspeak words and grammatical constructions
|
||
|
more and more in their everyday speech. The version in use in 1984, and
|
||
|
embodied in the Ninth and Tenth Editions of the Newspeak Dictionary, was
|
||
|
a provisional one, and contained many superfluous words and archaic
|
||
|
formations which were due to be suppressed later. It is with the final,
|
||
|
perfected version, as embodied in the Eleventh Edition of the Dictionary,
|
||
|
that we are concerned here.
|
||
|
|
||
|
The purpose of Newspeak was not only to provide a medium of expression
|
||
|
for the world-view and mental habits proper to the devotees of Ingsoc,
|
||
|
but to make all other modes of thought impossible. It was intended that
|
||
|
when Newspeak had been adopted once and for all and Oldspeak forgotten,
|
||
|
a heretical thought--that is, a thought diverging from the principles of
|
||
|
Ingsoc--should be literally unthinkable, at least so far as thought is
|
||
|
dependent on words. Its vocabulary was so constructed as to give exact and
|
||
|
often very subtle expression to every meaning that a Party member could
|
||
|
properly wish to express, while excluding all other meanings and also the
|
||
|
possibility of arriving at them by indirect methods. This was done partly
|
||
|
by the invention of new words, but chiefly by eliminating undesirable
|
||
|
words and by stripping such words as remained of unorthodox meanings, and
|
||
|
so far as possible of all secondary meanings whatever. To give a single
|
||
|
example. The word FREE still existed in Newspeak, but it could only be
|
||
|
used in such statements as 'This dog is free from lice' or 'This field is
|
||
|
free from weeds'. It could not be used in its old sense of 'politically
|
||
|
free' or 'intellectually free' since political and intellectual freedom no
|
||
|
longer existed even as concepts, and were therefore of necessity nameless.
|
||
|
Quite apart from the suppression of definitely heretical words, reduction
|
||
|
of vocabulary was regarded as an end in itself, and no word that could be
|
||
|
dispensed with was allowed to survive. Newspeak was designed not to extend
|
||
|
but to DIMINISH the range of thought, and this purpose was indirectly
|
||
|
assisted by cutting the choice of words down to a minimum.
|
||
|
|
||
|
Newspeak was founded on the English language as we now know it, though
|
||
|
many Newspeak sentences, even when not containing newly-created words,
|
||
|
would be barely intelligible to an English-speaker of our own day. Newspeak
|
||
|
words were divided into three distinct classes, known as the A vocabulary,
|
||
|
the B vocabulary (also called compound words), and the C vocabulary.
|
||
|
It will be simpler to discuss each class separately, but the grammatical
|
||
|
peculiarities of the language can be dealt with in the section devoted to
|
||
|
the A vocabulary, since the same rules held good for all three categories.
|
||
|
|
||
|
|
||
|
THE A VOCABULARY. The A vocabulary consisted of the words needed for the
|
||
|
business of everyday life--for such things as eating, drinking, working,
|
||
|
putting on one's clothes, going up and down stairs, riding in vehicles,
|
||
|
gardening, cooking, and the like. It was composed almost entirely of words
|
||
|
that we already possess words like HIT, RUN, DOG, TREE, SUGAR, HOUSE,
|
||
|
FIELD--but in comparison with the present-day English vocabulary their
|
||
|
number was extremely small, while their meanings were far more rigidly
|
||
|
defined. All ambiguities and shades of meaning had been purged out of
|
||
|
them. So far as it could be achieved, a Newspeak word of this class was
|
||
|
simply a staccato sound expressing ONE clearly understood concept. It
|
||
|
would have been quite impossible to use the A vocabulary for literary
|
||
|
purposes or for political or philosophical discussion. It was intended
|
||
|
only to express simple, purposive thoughts, usually involving concrete
|
||
|
objects or physical actions.
|
||
|
|
||
|
The grammar of Newspeak had two outstanding peculiarities. The first of
|
||
|
these was an almost complete interchangeability between different parts of
|
||
|
speech. Any word in the language (in principle this applied even to very
|
||
|
abstract words such as IF or WHEN) could be used either as verb, noun,
|
||
|
adjective, or adverb. Between the verb and the noun form, when they were
|
||
|
of the same root, there was never any variation, this rule of itself
|
||
|
involving the destruction of many archaic forms. The word THOUGHT, for
|
||
|
example, did not exist in Newspeak. Its place was taken by THINK, which
|
||
|
did duty for both noun and verb. No etymological principle was followed
|
||
|
here: in some cases it was the original noun that was chosen for retention,
|
||
|
in other cases the verb. Even where a noun and verb of kindred meaning
|
||
|
were not etymologically connected, one or other of them was frequently
|
||
|
suppressed. There was, for example, no such word as CUT, its meaning being
|
||
|
sufficiently covered by the noun-verb KNIFE. Adjectives were formed by
|
||
|
adding the suffix -FUL to the noun-verb, and adverbs by adding -WISE. Thus
|
||
|
for example, SPEEDFUL meant 'rapid' and SPEEDWISE meant 'quickly'. Certain
|
||
|
of our present-day adjectives, such as GOOD, STRONG, BIG, BLACK, SOFT,
|
||
|
were retained, but their total number was very small. There was little
|
||
|
need for them, since almost any adjectival meaning could be arrived at by
|
||
|
adding -FUL to a noun-verb. None of the now-existing adverbs was retained,
|
||
|
except for a very few already ending in -WISE: the -WISE termination was
|
||
|
invariable. The word WELL, for example, was replaced by GOODWISE.
|
||
|
|
||
|
In addition, any word--this again applied in principle to every word in
|
||
|
the language--could be negatived by adding the affix UN-, or could be
|
||
|
strengthened by the affix PLUS-, or, for still greater emphasis,
|
||
|
DOUBLEPLUS-. Thus, for example, UNCOLD meant 'warm', while PLUSCOLD and
|
||
|
DOUBLEPLUSCOLD meant, respectively, 'very cold' and 'superlatively cold'.
|
||
|
It was also possible, as in present-day English, to modify the meaning of
|
||
|
almost any word by prepositional affixes such as ANTE-, POST-, UP-, DOWN-,
|
||
|
etc. By such methods it was found possible to bring about an enormous
|
||
|
diminution of vocabulary. Given, for instance, the word GOOD, there was no
|
||
|
need for such a word as BAD, since the required meaning was equally
|
||
|
well--indeed, better--expressed by UNGOOD. All that was necessary, in any
|
||
|
case where two words formed a natural pair of opposites, was to decide
|
||
|
which of them to suppress. DARK, for example, could be replaced by UNLIGHT,
|
||
|
or LIGHT by UNDARK, according to preference.
|
||
|
|
||
|
The second distinguishing mark of Newspeak grammar was its regularity.
|
||
|
Subject to a few exceptions which are mentioned below all inflexions
|
||
|
followed the same rules. Thus, in all verbs the preterite and the past
|
||
|
participle were the same and ended in -ED. The preterite of STEAL was
|
||
|
STEALED, the preterite of THINK was THINKED, and so on throughout the
|
||
|
language, all such forms as SWAM, GAVE, BROUGHT, SPOKE, TAKEN, etc., being
|
||
|
abolished. All plurals were made by adding -S or -ES as the case might be.
|
||
|
The plurals OF MAN, OX, LIFE, were MANS, OXES, LIFES. Comparison of
|
||
|
adjectives was invariably made by adding -ER, -EST (GOOD, GOODER, GOODEST),
|
||
|
irregular forms and the MORE, MOST formation being suppressed.
|
||
|
|
||
|
The only classes of words that were still allowed to inflect irregularly
|
||
|
were the pronouns, the relatives, the demonstrative adjectives, and the
|
||
|
auxiliary verbs. All of these followed their ancient usage, except that
|
||
|
WHOM had been scrapped as unnecessary, and the SHALL, SHOULD tenses had
|
||
|
been dropped, all their uses being covered by WILL and WOULD. There were
|
||
|
also certain irregularities in word-formation arising out of the need for
|
||
|
rapid and easy speech. A word which was difficult to utter, or was liable
|
||
|
to be incorrectly heard, was held to be ipso facto a bad word; occasionally
|
||
|
therefore, for the sake of euphony, extra letters were inserted into a word
|
||
|
or an archaic formation was retained. But this need made itself felt
|
||
|
chiefly in connexion with the B vocabulary. WHY so great an importance was
|
||
|
attached to ease of pronunciation will be made clear later in this essay.
|
||
|
|
||
|
|
||
|
THE B VOCABULARY. The B vocabulary consisted of words which had been
|
||
|
deliberately constructed for political purposes: words, that is to say,
|
||
|
which not only had in every case a political implication, but were intended
|
||
|
to impose a desirable mental attitude upon the person using them. Without
|
||
|
a full understanding of the principles of Ingsoc it was difficult to use
|
||
|
these words correctly. In some cases they could be translated into
|
||
|
Oldspeak, or even into words taken from the A vocabulary, but this usually
|
||
|
demanded a long paraphrase and always involved the loss of certain
|
||
|
overtones. The B words were a sort of verbal shorthand, often packing
|
||
|
whole ranges of ideas into a few syllables, and at the same time more
|
||
|
accurate and forcible than ordinary language.
|
||
|
|
||
|
The B words were in all cases compound words. [Compound words such as
|
||
|
SPEAKWRITE, were of course to be found in the A vocabulary, but these were
|
||
|
merely convenient abbreviations and had no special ideological colour.]
|
||
|
They consisted of two or more words, or portions of words, welded together
|
||
|
in an easily pronounceable form. The resulting amalgam was always a
|
||
|
noun-verb, and inflected according to the ordinary rules. To take a single
|
||
|
example: the word GOODTHINK, meaning, very roughly, 'orthodoxy', or, if
|
||
|
one chose to regard it as a verb, 'to think in an orthodox manner'. This
|
||
|
inflected as follows: noun-verb, GOODTHINK; past tense and past participle,
|
||
|
GOODTHINKED; present participle, GOOD-THINKING; adjective, GOODTHINKFUL;
|
||
|
adverb, GOODTHINKWISE; verbal noun, GOODTHINKER.
|
||
|
|
||
|
The B words were not constructed on any etymological plan. The words of
|
||
|
which they were made up could be any parts of speech, and could be placed
|
||
|
in any order and mutilated in any way which made them easy to pronounce
|
||
|
while indicating their derivation. In the word CRIMETHINK (thoughtcrime),
|
||
|
for instance, the THINK came second, whereas in THINKPOL (Thought Police)
|
||
|
it came first, and in the latter word POLICE had lost its second syllable.
|
||
|
Because of the great difficulty in securing euphony, irregular formations
|
||
|
were commoner in the B vocabulary than in the A vocabulary. For example,
|
||
|
the adjective forms of MINITRUE, MINIPAX, and MINILUV were, respectively,
|
||
|
MINITRUTHFUL, MINIPEACEFUL, and MINILOVELY, simply because -TRUEFUL,
|
||
|
-PAXFUL, and -LOVEFUL were slightly awkward to pronounce. In principle,
|
||
|
however, all B words could inflect, and all inflected in exactly the
|
||
|
same way.
|
||
|
|
||
|
Some of the B words had highly subtilized meanings, barely intelligible to
|
||
|
anyone who had not mastered the language as a whole. Consider, for example,
|
||
|
such a typical sentence from a 'Times' leading article as OLDTHINKERS
|
||
|
UNBELLYFEEL INGSOC. The shortest rendering that one could make of this
|
||
|
in Oldspeak would be: 'Those whose ideas were formed before the Revolution
|
||
|
cannot have a full emotional understanding of the principles of English
|
||
|
Socialism.' But this is not an adequate translation. To begin with, in
|
||
|
order to grasp the full meaning of the Newspeak sentence quoted above,
|
||
|
one would have to have a clear idea of what is meant by INGSOC. And in
|
||
|
addition, only a person thoroughly grounded in Ingsoc could appreciate
|
||
|
the full force of the word BELLYFEEL, which implied a blind, enthusiastic
|
||
|
acceptance difficult to imagine today; or of the word OLDTHINK, which was
|
||
|
inextricably mixed up with the idea of wickedness and decadence. But the
|
||
|
special function of certain Newspeak words, of which OLDTHINK was one,
|
||
|
was not so much to express meanings as to destroy them. These words,
|
||
|
necessarily few in number, had had their meanings extended until they
|
||
|
contained within themselves whole batteries of words which, as they were
|
||
|
sufficiently covered by a single comprehensive term, could now be scrapped
|
||
|
and forgotten. The greatest difficulty facing the compilers of the Newspeak
|
||
|
Dictionary was not to invent new words, but, having invented them, to make
|
||
|
sure what they meant: to make sure, that is to say, what ranges of words
|
||
|
they cancelled by their existence.
|
||
|
|
||
|
As we have already seen in the case of the word FREE, words which had
|
||
|
once borne a heretical meaning were sometimes retained for the sake of
|
||
|
convenience, but only with the undesirable meanings purged out of them.
|
||
|
Countless other words such as HONOUR, JUSTICE, MORALITY, INTERNATIONALISM,
|
||
|
DEMOCRACY, SCIENCE, and RELIGION had simply ceased to exist. A few blanket
|
||
|
words covered them, and, in covering them, abolished them. All words
|
||
|
grouping themselves round the concepts of liberty and equality, for
|
||
|
instance, were contained in the single word CRIMETHINK, while all words
|
||
|
grouping themselves round the concepts of objectivity and rationalism
|
||
|
were contained in the single word OLDTHINK. Greater precision would have
|
||
|
been dangerous. What was required in a Party member was an outlook similar
|
||
|
to that of the ancient Hebrew who knew, without knowing much else, that
|
||
|
all nations other than his own worshipped 'false gods'. He did not need to
|
||
|
know that these gods were called Baal, Osiris, Moloch, Ashtaroth, and the
|
||
|
like: probably the less he knew about them the better for his orthodoxy.
|
||
|
He knew Jehovah and the commandments of Jehovah: he knew, therefore, that
|
||
|
all gods with other names or other attributes were false gods. In somewhat
|
||
|
the same way, the party member knew what constituted right conduct, and in
|
||
|
exceedingly vague, generalized terms he knew what kinds of departure from
|
||
|
it were possible. His sexual life, for example, was entirely regulated by
|
||
|
the two Newspeak words SEXCRIME (sexual immorality) and GOODSEX (chastity).
|
||
|
SEXCRIME covered all sexual misdeeds whatever. It covered fornication,
|
||
|
adultery, homosexuality, and other perversions, and, in addition, normal
|
||
|
intercourse practised for its own sake. There was no need to enumerate
|
||
|
them separately, since they were all equally culpable, and, in principle,
|
||
|
all punishable by death. In the C vocabulary, which consisted of scientific
|
||
|
and technical words, it might be necessary to give specialized names to
|
||
|
certain sexual aberrations, but the ordinary citizen had no need of them.
|
||
|
He knew what was meant by GOODSEX--that is to say, normal intercourse
|
||
|
between man and wife, for the sole purpose of begetting children, and
|
||
|
without physical pleasure on the part of the woman: all else was SEXCRIME.
|
||
|
In Newspeak it was seldom possible to follow a heretical thought further
|
||
|
than the perception that it WAS heretical: beyond that point the necessary
|
||
|
words were nonexistent.
|
||
|
|
||
|
No word in the B vocabulary was ideologically neutral. A great many were
|
||
|
euphemisms. Such words, for instance, as JOYCAMP (forced-labour camp) or
|
||
|
MINIPAX (Ministry of Peace, i.e. Ministry of War) meant almost the exact
|
||
|
opposite of what they appeared to mean. Some words, on the other hand,
|
||
|
displayed a frank and contemptuous understanding of the real nature of
|
||
|
Oceanic society. An example was PROLEFEED, meaning the rubbishy
|
||
|
entertainment and spurious news which the Party handed out to the masses.
|
||
|
Other words, again, were ambivalent, having the connotation 'good' when
|
||
|
applied to the Party and 'bad' when applied to its enemies. But in
|
||
|
addition there were great numbers of words which at first sight appeared
|
||
|
to be mere abbreviations and which derived their ideological colour not
|
||
|
from their meaning, but from their structure.
|
||
|
|
||
|
So far as it could be contrived, everything that had or might have
|
||
|
political significance of any kind was fitted into the B vocabulary. The
|
||
|
name of every organization, or body of people, or doctrine, or country, or
|
||
|
institution, or public building, was invariably cut down into the familiar
|
||
|
shape; that is, a single easily pronounced word with the smallest number
|
||
|
of syllables that would preserve the original derivation. In the Ministry
|
||
|
of Truth, for example, the Records Department, in which Winston Smith
|
||
|
worked, was called RECDEP, the Fiction Department was called FICDEP, the
|
||
|
Teleprogrammes Department was called TELEDEP, and so on. This was not
|
||
|
done solely with the object of saving time. Even in the early decades of
|
||
|
the twentieth century, telescoped words and phrases had been one of the
|
||
|
characteristic features of political language; and it had been noticed
|
||
|
that the tendency to use abbreviations of this kind was most marked in
|
||
|
totalitarian countries and totalitarian organizations. Examples were such
|
||
|
words as NAZI, GESTAPO, COMINTERN, INPRECORR, AGITPROP. In the beginning
|
||
|
the practice had been adopted as it were instinctively, but in Newspeak
|
||
|
it was used with a conscious purpose. It was perceived that in thus
|
||
|
abbreviating a name one narrowed and subtly altered its meaning, by
|
||
|
cutting out most of the associations that would otherwise cling to it.
|
||
|
The words COMMUNIST INTERNATIONAL, for instance, call up a composite
|
||
|
picture of universal human brotherhood, red flags, barricades, Karl Marx,
|
||
|
and the Paris Commune. The word COMINTERN, on the other hand, suggests
|
||
|
merely a tightly-knit organization and a well-defined body of doctrine.
|
||
|
It refers to something almost as easily recognized, and as limited in
|
||
|
purpose, as a chair or a table. COMINTERN is a word that can be uttered
|
||
|
almost without taking thought, whereas COMMUNIST INTERNATIONAL is a phrase
|
||
|
over which one is obliged to linger at least momentarily. In the same way,
|
||
|
the associations called up by a word like MINITRUE are fewer and more
|
||
|
controllable than those called up by MINISTRY OF TRUTH. This accounted not
|
||
|
only for the habit of abbreviating whenever possible, but also for the
|
||
|
almost exaggerated care that was taken to make every word easily
|
||
|
pronounceable.
|
||
|
|
||
|
In Newspeak, euphony outweighed every consideration other than exactitude
|
||
|
of meaning. Regularity of grammar was always sacrificed to it when it
|
||
|
seemed necessary. And rightly so, since what was required, above all for
|
||
|
political purposes, was short clipped words of unmistakable meaning which
|
||
|
could be uttered rapidly and which roused the minimum of echoes in the
|
||
|
speaker's mind. The words of the B vocabulary even gained in force from
|
||
|
the fact that nearly all of them were very much alike. Almost invariably
|
||
|
these words--GOODTHINK, MINIPAX, PROLEFEED, SEXCRIME, JOYCAMP, INGSOC,
|
||
|
BELLYFEEL, THINKPOL, and countless others--were words of two or three
|
||
|
syllables, with the stress distributed equally between the first syllable
|
||
|
and the last. The use of them encouraged a gabbling style of speech, at
|
||
|
once staccato and monotonous. And this was exactly what was aimed at. The
|
||
|
intention was to make speech, and especially speech on any subject not
|
||
|
ideologically neutral, as nearly as possible independent of consciousness.
|
||
|
For the purposes of everyday life it was no doubt necessary, or sometimes
|
||
|
necessary, to reflect before speaking, but a Party member called upon to
|
||
|
make a political or ethical judgement should be able to spray forth the
|
||
|
correct opinions as automatically as a machine gun spraying forth bullets.
|
||
|
His training fitted him to do this, the language gave him an almost
|
||
|
foolproof instrument, and the texture of the words, with their harsh sound
|
||
|
and a certain wilful ugliness which was in accord with the spirit of
|
||
|
Ingsoc, assisted the process still further.
|
||
|
|
||
|
So did the fact of having very few words to choose from. Relative to our
|
||
|
own, the Newspeak vocabulary was tiny, and new ways of reducing it were
|
||
|
constantly being devised. Newspeak, indeed, differed from most all other
|
||
|
languages in that its vocabulary grew smaller instead of larger every
|
||
|
year. Each reduction was a gain, since the smaller the area of choice,
|
||
|
the smaller the temptation to take thought. Ultimately it was hoped to
|
||
|
make articulate speech issue from the larynx without involving the higher
|
||
|
brain centres at all. This aim was frankly admitted in the Newspeak word
|
||
|
DUCKSPEAK, meaning 'to quack like a duck'. Like various other words in
|
||
|
the B vocabulary, DUCKSPEAK was ambivalent in meaning. Provided that the
|
||
|
opinions which were quacked out were orthodox ones, it implied nothing but
|
||
|
praise, and when 'The Times' referred to one of the orators of the Party
|
||
|
as a DOUBLEPLUSGOOD DUCKSPEAKER it was paying a warm and valued compliment.
|
||
|
|
||
|
|
||
|
THE C VOCABULARY. The C vocabulary was supplementary to the others and
|
||
|
consisted entirely of scientific and technical terms. These resembled the
|
||
|
scientific terms in use today, and were constructed from the same roots,
|
||
|
but the usual care was taken to define them rigidly and strip them of
|
||
|
undesirable meanings. They followed the same grammatical rules as the
|
||
|
words in the other two vocabularies. Very few of the C words had any
|
||
|
currency either in everyday speech or in political speech. Any scientific
|
||
|
worker or technician could find all the words he needed in the list devoted
|
||
|
to his own speciality, but he seldom had more than a smattering of the
|
||
|
words occurring in the other lists. Only a very few words were common to
|
||
|
all lists, and there was no vocabulary expressing the function of Science
|
||
|
as a habit of mind, or a method of thought, irrespective of its particular
|
||
|
branches. There was, indeed, no word for 'Science', any meaning that it
|
||
|
could possibly bear being already sufficiently covered by the word INGSOC.
|
||
|
|
||
|
From the foregoing account it will be seen that in Newspeak the expression
|
||
|
of unorthodox opinions, above a very low level, was well-nigh impossible.
|
||
|
It was of course possible to utter heresies of a very crude kind, a
|
||
|
species of blasphemy. It would have been possible, for example, to say
|
||
|
BIG BROTHER IS UNGOOD. But this statement, which to an orthodox ear merely
|
||
|
conveyed a self-evident absurdity, could not have been sustained by
|
||
|
reasoned argument, because the necessary words were not available. Ideas
|
||
|
inimical to Ingsoc could only be entertained in a vague wordless form,
|
||
|
and could only be named in very broad terms which lumped together and
|
||
|
condemned whole groups of heresies without defining them in doing so.
|
||
|
One could, in fact, only use Newspeak for unorthodox purposes by
|
||
|
illegitimately translating some of the words back into Oldspeak. For
|
||
|
example, ALL MANS ARE EQUAL was a possible Newspeak sentence, but only
|
||
|
in the same sense in which ALL MEN ARE REDHAIRED is a possible Oldspeak
|
||
|
sentence. It did not contain a grammatical error, but it expressed
|
||
|
a palpable untruth--i.e. that all men are of equal size, weight, or
|
||
|
strength. The concept of political equality no longer existed, and this
|
||
|
secondary meaning had accordingly been purged out of the word EQUAL.
|
||
|
In 1984, when Oldspeak was still the normal means of communication,
|
||
|
the danger theoretically existed that in using Newspeak words one might
|
||
|
remember their original meanings. In practice it was not difficult for
|
||
|
any person well grounded in DOUBLETHINK to avoid doing this, but within
|
||
|
a couple of generations even the possibility of such a lapse would have
|
||
|
vanished. A person growing up with Newspeak as his sole language would no
|
||
|
more know that EQUAL had once had the secondary meaning of 'politically
|
||
|
equal', or that FREE had once meant 'intellectually free', than for
|
||
|
instance, a person who had never heard of chess would be aware of the
|
||
|
secondary meanings attaching to QUEEN and ROOK. There would be many
|
||
|
crimes and errors which it would be beyond his power to commit, simply
|
||
|
because they were nameless and therefore unimaginable. And it was to be
|
||
|
foreseen that with the passage of time the distinguishing characteristics
|
||
|
of Newspeak would become more and more pronounced--its words growing
|
||
|
fewer and fewer, their meanings more and more rigid, and the chance of
|
||
|
putting them to improper uses always diminishing.
|
||
|
|
||
|
When Oldspeak had been once and for all superseded, the last link with
|
||
|
the past would have been severed. History had already been rewritten,
|
||
|
but fragments of the literature of the past survived here and there,
|
||
|
imperfectly censored, and so long as one retained one's knowledge of
|
||
|
Oldspeak it was possible to read them. In the future such fragments, even
|
||
|
if they chanced to survive, would be unintelligible and untranslatable.
|
||
|
It was impossible to translate any passage of Oldspeak into Newspeak unless
|
||
|
it either referred to some technical process or some very simple everyday
|
||
|
action, or was already orthodox (GOODTHINKFUL would be the Newspeak
|
||
|
expression) in tendency. In practice this meant that no book written before
|
||
|
approximately 1960 could be translated as a whole. Pre-revolutionary
|
||
|
literature could only be subjected to ideological translation--that is,
|
||
|
alteration in sense as well as language. Take for example the well-known
|
||
|
passage from the Declaration of Independence:
|
||
|
|
||
|
|
||
|
WE HOLD THESE TRUTHS TO BE SELF-EVIDENT, THAT ALL MEN ARE CREATED EQUAL,
|
||
|
THAT THEY ARE ENDOWED BY THEIR CREATOR WITH CERTAIN INALIENABLE RIGHTS,
|
||
|
THAT AMONG THESE ARE LIFE, LIBERTY, AND THE PURSUIT OF HAPPINESS.
|
||
|
THAT TO SECURE THESE RIGHTS, GOVERNMENTS ARE INSTITUTED AMONG MEN,
|
||
|
DERIVING THEIR POWERS FROM THE CONSENT OF THE GOVERNED. THAT WHENEVER
|
||
|
ANY FORM OF GOVERNMENT BECOMES DESTRUCTIVE OF THOSE ENDS, IT IS THE RIGHT
|
||
|
OF THE PEOPLE TO ALTER OR ABOLISH IT, AND TO INSTITUTE NEW GOVERNMENT...
|
||
|
|
||
|
|
||
|
It would have been quite impossible to render this into Newspeak while
|
||
|
keeping to the sense of the original. The nearest one could come to doing
|
||
|
so would be to swallow the whole passage up in the single word CRIMETHINK.
|
||
|
A full translation could only be an ideological translation, whereby
|
||
|
Jefferson's words would be changed into a panegyric on absolute government.
|
||
|
|
||
|
A good deal of the literature of the past was, indeed, already being
|
||
|
transformed in this way. Considerations of prestige made it desirable to
|
||
|
preserve the memory of certain historical figures, while at the same time
|
||
|
bringing their achievements into line with the philosophy of Ingsoc.
|
||
|
Various writers, such as Shakespeare, Milton, Swift, Byron, Dickens, and
|
||
|
some others were therefore in process of translation: when the task had
|
||
|
been completed, their original writings, with all else that survived of
|
||
|
the literature of the past, would be destroyed. These translations were
|
||
|
a slow and difficult business, and it was not expected that they would
|
||
|
be finished before the first or second decade of the twenty-first
|
||
|
century. There were also large quantities of merely utilitarian
|
||
|
literature--indispensable technical manuals, and the like--that had to
|
||
|
be treated in the same way. It was chiefly in order to allow time for
|
||
|
the preliminary work of translation that the final adoption of Newspeak
|
||
|
had been fixed for so late a date as 2050.
|
||
|
|
||
|
|
||
|
|
||
|
THE END
|